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The characters
Hamlet
Claudius
Gertrude
Gertrude, his mother, redeems herself after succumbing to this same charm.
Polonius
Polonius, the king's advisor, a garrulous buffoon, speaks probably the finest words
of fatherly advice ever put into the mouth of any actor.
Ophelia
Ophelia, Polonius' daughter and Hamlet's love, lingers on in our memory long after
her unconvincing suicide.
Rosencrantz
Rosencrantz and his crony Guildenstern can be seen toadying their way into the
corridors of influence in any modern political structure, so timeless and typical are
they. There are other supporting characters who have stood the test of time, but we
return to Hamlet himself just as we started out with him.
Model royal
When first we meet Hamlet, Renaissance scholar prince and darling of the people of
Denmark, we find an understandably anxious but markedly purposeful young man
who is resolved to confront the ghostly likeness of his late father, Hamlet senior.
Here we would do well to remember that Elizabethan thinking was different from
our own, and that what we might today dismiss as superstition, carried different
weight in those times, when people believed far more readily in the workings of the
supernatural.
We duly learn from Hamlet senior the horrible truth about his death, and we watch
his son as he binds his companions (Horatio, Bernado and Marcellus) to secrecy
about the ghostly visitation.
Man alone
Hamlet's task
In brief, Hamlet is entrusted to rid Denmark of a scourge (his erstwhile uncle, now
his father-in-law, and king) without hurting his mother and in such a manner as to
satisfy the people of Denmark that:
The man
Shakespeare takes us into the very private world of a remarkable man charged with
an impossible task. As quickly as we realise what Hamlet has to do, so do we
become impatient with him for what we might call his inaction. In effect, it is only
when we look more closely at a list of his achievements (see "the agony of royalty"
which we talk about later) in the course of the play that we can come to appreciate
the extent of his triumph and, thereby, the magnitude of the man.
The method
Hamlet feigns madness, supposedly the result of uncontrollable grief at the sudden
death of his father, to enable him to roam the castle of Elsinore at will - dismissed as
a muttering madman by anyone who sees him. Openly thus can he go about planning
his revenge, although Claudius is not entirely convinced by this subterfuge. Hamlet's
formidable intellect requires him to prove Claudius' guilt for himself, and he seizes
brilliantly upon an opportunity to do just this with the timely arrival of a troupe of
actors known to him. By adding some 16 lines (of his own) to a scene with which he
is closely familiar (from his prior involvement in drama) Hamlet thus prepares The
Murder of Gonzago to confront Claudius with a re-enactment of his own crime of
fratricide (and regicide!).
Proof
Claudius is exposed, specifically to Hamlet and Horatio, whom Hamlet has taken
into his confidence and who also sees Claudius' reaction ("More light!") as
incontestable proof of his guilt. Doubtless other courtiers present at the performance
will have had suspicions, but the burden of proof is Hamlet's alone.
Revenge
Hamlet is honour-bound to avenge his father's death but, as the prince, his life is not
his own, since he has both family and personal involvements to consider. These
Hamlet: The agony of royalty
Hamlet's
Love life is overturned irreversibly when he is confronted by the ghost of
his late father. He is thrust, angrily but unwillingly, further into the political
limelight, where hisasown
Hamlet is portrayed an high profile makes
accomplished, it impossible
sensitive to plan
and passionate man,covertly.
so it is
The magnitude
perfectly of his
natural that he entrusted
should be task is utterly
attractive daunting;
to women. Indeedhe,wethe heir that
gather to the
he
throne, has to assassinate the present incumbent or at least take revenge
enjoyed success with women at university, but the atmosphere which surrounds his upon
him in suchwith
relationship a way as to make
Ophelia is warmtheand
actgenuine
justifiable, if he
- until notdrives
admirable.
her away, unwilling
as he is to embroil her in affairs over which he has little or no control and out of
We are prepared
consideration tofuture.
for her accuse Hamlet of inaction, even procrastination, but the
truth is that we are dealing with murder, even if it is in the spirit of revenge.
In this respect
Similarly, his realHamlet
love forishis
suddenly alone,him
mother moves surrounded
to confrontbyherthe now
with the unmasked
sins of her
and appalling truth of his most intimate environment. In whom
recent past, with the idea of making her see and repent for the error of her ways. canThis
he
confide?
is In whom
a relentless can he scene,
and disturbing place his trust? And
culminating how will
awkwardly he unforeseen
in the ever be able to
death
convince the good citizens of Denmark that he had to murder
of Polonius. Hereafter the tempo picks up and we observe with some admiration his own uncle
as an actdetachment
Hamlet's of justifiableandrevenge?
mettle, as he deals capably with one crisis after another.