Beruflich Dokumente
Kultur Dokumente
This rider is a tool that provides the complete and total information as required to fulfill the Purchaser’s obligations as outlined in the face contract to which it is
attached. This rider is also intended to ensure that each engagement runs as smoothly as possible for the mutual benefit of the Purchaser and Artist. It sets out the
terms and conditions that are additional and binding to the face page(s) of the contract. This rider must be followed exactly. No terms and conditions are permitted
to be altered or changed without the prior written approval of Artist’s representative. Any alterations and deletions will not be considered in effect unless initialed by
both parties. In the event of any material breach by the Purchaser of any of the conditions contained herein, Artist may cancel performance without further liability
and Purchaser shall be obligated to pay the contract fee in it’s entirely without any deductions whatsoever. Said payment must be made within 72 hours of the
notice by Artist to Purchaser of cancellation due to breach of contract.
VERY IMPORTANT
ADVERTISING AND BILLING REQUIREMENT
Artist shall be billed as Alan Parsons Live Project using
the same letter size and type throughout the entire phrase.
Artist shall NOT be billed or advertised as “The Alan Parsons Project” or “Alan Parsons Project Live”
NOTE: If any of the clauses in this rider conflict with the national, state or local laws, the Purchaser shall be obligated to IMMEDIATELY inform the Tour
Manager/Production Manager in writing PRIOR to the contract being signed by Artist.
EACH PAGE OF THIS RIDER REQUIRES AN INITIAL BY THE PURCHASER. ON PAGE 18 OF THIS RIDER, THE FULL SIGNATURE OF THE PURCHASER,
ALONG WITH ADDITIONAL INITIAL, DATE AND LOCATION WHEN SIGNED SHALL BE COMPLETED BY PURCHSER.
THE FOLLOWING ARE ALL OF THE DEPARTMENTS FOR APPERTAINING LLC. PROVIDING THE SERVICES OF ALAN PARSONS
THE BAND
PJ OLSSON – Vocals ALASTAIR GREENE – Guitar, Vocals DANIEL THOMPSON – Drums, Vocals
GUY EREZ – Bass, Vocals MANNY FOCARAZZO – Keyboards, Vocals TODD COOPER – Second Vocals / Sax
Traveling Party is 14 people. 7 Band + 7 Crew - LIVING IN VARIOUS DEPARTURE CITIES. For additional
crew members’ information, please contact Brent Jeffers or Lisa Marie Parsons
Crew Includes: Tour Manager, Assistant Tour Manager, Production Manager, Stage Manager/Tech, FOH
Sound Engineer, Monitor Engineer, and Lighting Director. See attached Personnel List.
2. TICKETS:
a) Where tickets are being sold at one price in advance and another at the door, the Purchaser must agree and substantiate advance sales with the Tour
Manager prior to selling any tickets at the door.
b) All tickets must have one price printed on them and “NO FLASH PHOTOGRAPHY OR AUDIO-VISUAL RECORDING PERMITTED”. All tickets printed
under the manifest shall be of the one stub, one price variety. There shall be no multiple tickets printed. If more than one price is printed on the tickets,
then the Purchaser shall be liable for the amount of tickets sold at the highest price on the ticket.
c) There must be a system whereby admissions can be checked at the end of the engagement. All tickets must be collected upon entry of the audience
and sorted so that the stub and tickets can be counted at the end of the show. Artist reserves the right to run an independent check on the attendance.
The Purchaser shall be responsible for paying their percentage for every seat occupied in the house.
d) All prices for tickets, the scaling of the house, and any and all discounting of tickets must be approved by the Tour Manager/Production Manager. This
includes discounts for record companies, youth or charity groups regardless of whether this is standard practice or not. This approval will not be
unreasonably withheld.
e) With respect to counterfeit tickets, the Purchaser is liable for all and any counterfeit tickets and under no circumstances will Artist assume any loss for
these tickets. Consequently, there should be at least one anti-fraud system in operation in conjunction with the tickets, i.e. Bar Codes, U.V. Stamp.
All percentage/door payments and other additional payments due shall be paid to the Tour Manager or designated Artist representative within one hour after the
commencement of Artist’s performance on the day of the engagement and shall be accompanied by a written box office statement and a statement of expenses certified and
signed by the Purchaser. The Purchaser further agrees to give the Tour Manager/Production Manager the right to be present at the door and to enter the box office at any
time before, during and after the performance and to examine and make extracts for the box office records of the Purchaser and venue pertaining to the gross and net
receipts of the engagements.
4. CANCELLATION OF CONTRACT:
The following circumstances shall be deemed reason for cancellation of the show and in this instance Artist shall be in no way liable for any loss, financial or
otherwise, suffered by the Purchaser due to cancellation).
a) If the Purchaser commits an act of bankruptcy, has a receivership order against him/her or passes a resolution for voluntary winding up of his/her
company.
b) If illness of any of Artists due to appear make it impossible for him or her to perform. If this occurs, Artist must furnish the Purchaser with an appropriate
medical certificate.
c) Any labor or union dispute which prevents any of the necessary staff from performing their duties to the satisfaction of the Tour Manager/Production
Manager. Artist reserves the right not to cross picket lines.
d) The breakdown or failure of the transportation of Artist, road crew, Artist’s employees or the Tour Manager/Production Manager preventing Artist to
satisfactorily present the show.
e) Any order of the Police, Judiciary, local or national government, byelaw or venue regulation which renders it impossible, in the opinion of the Tour /
Production Manager to satisfactorily present the show.
f) Any event beyond the control of Artist, including but not limited to: fire, flood, epidemic, riot, war or public disorder which in the opinion of the Tour
Manager and/or Production Manager, determine it impossible to satisfactorily and safely present the show.
g) If in the opinion of the Tour/Production Manager, any equipment, including but not limited to the staging, barriers, seating, etc. shall be considered unsafe.
If the performance is shortened or canceled due to any of the above reasons, this will no way affect the fee paid to Artist. Therefore, the Purchaser should
have cancellation insurance.
12. SEATING:
a) The first ten rows in the venue must be sold to the general public.
b) Any tickets sold to record companies or the music industry must not be located in the first ten rows in the venue
c) Any tickets held for approved Guest List(s) industry must not be located in the first ten rows in the venue
19. BARRIERS:
a) To be erected where appropriate and available located between the stage and the audience and for the Front of House mixing position.
b) Barrier requirements and/ or necessity of said precautions should be discussed with Artist’s Tour / Production Manager no later than three weeks prior to
the scheduled performance.
20. SECURITY:
All security personnel must be clearly identifiable and responsible.
a) The positioning and number of security personnel relating to Artist, Artist personnel, Artist equipment and backstage area will be at the sole discretion of
Artist or Artist’s representative.
b) Purchaser shall be responsible and liable for any and all of Artist’s equipment from time of load in until completion of load out.
c) No one will be allowed on stage, backstage or in the dressing room(s) either prior to, during or after the performance without approval from the Tour
Manager and/or Production Manager.
d) Purchaser agrees to provide the following security personnel at the time and places listed:
e) One ( 1 ) security guard at rear stage door from time of load in until load out is completed.
f) One ( 1 ) security guard to be placed at dressing room area from time Artist arrives at venue until Artist departs from venue.
g) One ( 1 ) security guard to be placed at mixing consoles from time doors open until public exits from venue.
h) Two ( 2 ) security guards to accompany Alan Parsons during autograph session with general public after show.
i) Two ( 2 ) security guards to be available, one each side of stage, to be positioned by Production Manager, from time of show to close of show.
j) At close of show, all security personnel not involved in directing the public from the auditorium must report to backstage area and assist in securing that
area.
k) Purchaser agrees to provide one ( 1 ) security guard for Artist’s trucks and buses (where necessary)
l) Four ( 4 ) security guards to be placed at front of stage 15 minutes prior to beginning of performance.
PLEASE TAKE SPECIAL NOTE: The Dressing Room rider requirements include the following as well as the specified food and drinks:
Convenient toilet facilities in dressing rooms or adjacent to them
( 1 0 ) clean towels in band room, ( 5 ) in Alan’s room
Large full length mirrors
Hanging rails with clothes hangers
Hair dryer
Iron and Ironing Board
Adequate tables/counters for food and drinks
TRASH CANS
There must be adequate lighting, sufficient AC power outlets, a refrigerator or acceptable alternative cooling facilities for drinks;
Bathrooms/toilets must be for the sole use of Artist/band and supplied with all necessary sundries (i.e. soap, toilet paper and towels.).
IMPORTANT: This production will require the following numbers of experienced crew at the Purchaser’s sole expense. The times listed are subject to
change and should be confirmed with Artist’s Production Manager no less then one week prior to the scheduled performance:
The runner should have a large car or SUV/Station Wagon in a smoke-free clean and tidy condition externally and internally. Runner should be familiar
with local music stores, repair facilities and restaurants. He should also have a mobile phone or pager and his/her contact details should be given in
advance to the Tour/Production Manager. He may be required to transport Artist and/or band/crew members to and from hotel and venue. He should
carry an adequate cash float in local currency supplied by Purchaser.
Purchaser will supply at his own expense two experienced English-speaking Spot Operators to be available from 1 hour before the performance until
the audience has left the venue.
The House Electrician must be available from the scheduled load in time until the completion of the load out. He/she must be professionally qualified
and totally familiar with the venue’s power distribution system.
At least one Audio Engineer fully conversant with the operation of the sound equipment / consoles / PA system provided at the show should be present
from load–in to the end of the performance.
At least one Lighting Technician fully conversant with the operation of the lighting equipment / dimmer console/lighting board provided at the show
should be present from load-in to the end of load-out.
One Wardrobe Assistant for steaming / pressing / ironing in a separate room (with ironing and steaming appliances and hanging space for clothes) in
the backstage area is required to help prepare Artist’s and Band’s stage clothes from one hour before the performance until showtime.
PLEASE NOTE: Special conditions such as minimum calls, dark stage periods, curfews, fire regulations, labor which is subject to any rate other than the
normal hourly charges etc. should be made apparent to Artist’s Tour / Production Manager either prior to or when the above calls are discussed, along with
any other local differences as and where they apply.
24. SHOWERS:
a) Purchaser should ensure that there are sufficient showers either in or adjacent to the venue and that the hot water system will provide hot showers for all
touring personnel from the beginning of the load in until the point at which the last production vehicle leaves the venue.
b) Showers are to be clean and fully operational with soap and clean towels supplied.
25. TOWELS:
a) This production requires a total of twenty-five ( 2 5 ) clean, freshly laundered towels to be made available from the beginning of the load-in.
( 1 0 ) for band dressing room, ( 5 ) for Alan’s dressing room and ( 1 0 ) Black for stage during performance)
27. PARKING:
a) Purchaser agrees to provide parking for one equipment truck, a full-length tour bus, two minibuses (provided by Purchaser) and four VIP car spaces.
Crew tour bus should be near load in and an AC power landline hook-up point should be available.
b) Band vehicles should have direct access to stage door.
29. HOTELS:
Purchaser agrees to provide at his/her sole expense a deluxe hotel suite for Alan Parsons and Deluxe rooms for the band and crew – Intercontinental 5-star
standard or better, with 24-hour room service. Hotel name, address, telephone number, fax number, email address and website address must be provided in
advance to Tour Manager for approval before confirming the booking. Complimentary Internet in each of the rooms must be provided and if not supplied by the
hotel will be at the sole expense of the purchaser.
a) Number of rooms/nights required is as per main contract, unless modified by mutual agreement between the parties in advance.
b) Rooms to suite upgrades from Deluxe are much appreciated.
c) Hotel should be as close to venue as possible. Hotel addresses and phone / fax details are to be provided to Tour / Production Manager when show is
advanced.
d) Full breakfast should be included for all rooms at Purchaser’s expense – vouchers for breakfast if required should be provided at check-in. Late check-
outs will be permitted at no expense to Artist if any departure from hotel for flights / trains is after the hotel’s regular check-out time.
e) On non-performance days between two or more engagements on the same contract, all meals must be provided by the Purchaser. Alternatively, a Per
Diem payment of $75.00 per day should be provided in cash in local currency by the Purchaser for each member of the traveling party.
BACKLINE POWER:
The Tour will equire a power conditioner / transformers to supply regulated 120v AC power for the portion of backline gear that Artist travels with.
Please see appendix “power drops” for details.
LIGHTING POWER:
The audio powe service and the lighting power service must be separate.
Please consult with our production Manager and lighting designer for power requirements.
AUDIO POWER:
The audio power service and the lighting power service must be separate.
SPOTLIGHTS:
Requirements are specified in “Lighting Rider” that is part of this rider package. Positioning of spots will be at the discretion of Artist’s Lighting Designer. If
there are any restrictions regarding the positioning of spotlights then these should be conveyed to Artist’s production Manager or lighting designer in a timely
fashion prior to the scheduled performance. If the public should have access to follow spot position then appropriate security measures should be taken. A
minimum of 2 English–speaking spot light operators are required – see 24a Crew Calls above.
BACKLINE REQUIREMENTS
Backline Technician:
The Vendor must provide one ( 1 ) expert, qualified / skilled backline technician who can set-up, service and trouble-shoot all aspects of the back line equipment
including, but not limited to: drums, keyboards, bass/guitar amplifiers, instruments and all related hardware / software. The backline technician must remain on-site and
at the disposal of Alan Parsons band and crew for the entire duration of the event.
GUITAR HARDWARE:
9x - Guitar Stands- 4 for acoustic guitars ( 2 ) for bass, ( 2 ) for electric guitar and 1 spare.
6x - 1⁄4” long guitar cables.
4x - 1⁄4” speaker cables for guitar and bass amps.
5x - Solid type music stands - ( 2 ) with clip-on light.
MANNY FOCARAZZO:
(No substitutions for these keyboards.)
1x Korg Triton Studio or Classic
Sustain Pedal (NO PLASTIC)
1x - Roland XP-80 or XP-60
Sustain Pedal (NO PLASTIC)
NOTE: both keyboards above must load data with 3.5 inch disk (Not CD)
1x – Yamaha Motif 8 or Es8 or XS8
Sustain Pedal (NO PLASTIC)
KEYBOARD HARDWARE
ALAN PARSONS:
1x - Single X type keyboard stand. Strong enough to hold Motif ES8
MANNY FOCARAZZO:
1x - 2-Tier type keyboard Stand.
2x - Single X type keyboard stand.
SPARES: Please bring spare sustain pedals for all keyboards. Bring ( 2 0 ) professional quality of 1/4” connector cables with a minimum length of 10'. All the
keyboards are used in stereo.
SAXOPHONE
TODD COOPER:
One saxophone stand to hold ( 1 ) Tenor Saxophone and ( 1 ) Alto Saxophone
DRUMS
DANNY THOMPSON:
DRUM KIT – OCD, DW or Pearl
22” kick drum
10” rack tom (mounted on tom stand)
12” rack tom (mounted on tom stand)
14” rack tom (mounted on tom stand)
16” floor tom (needs tom legs, no tom stands)
18” floor tom (needs tom legs, no tom stands)
5” x 14” wood snare
5” x 14” wood snare ( spare)
PA SYSTEM REQUIREMENTS
The vendor must provide one ( 1 ) expert, qualified / skilled PA systems technician/operator able to assist with all aspects of the FOH PA speaker system;
amplification, drive, programming, alignment / tuning, console / outboard equipment, patching, trouble-shooting and related FOH duties who must remain at
the disposal of our FOH mix engineer for the entire duration of the event, as required.
IMPORTANT: All PA speaker systems must be properly processed and amplified as per manufacturer’s specifications. No exceptions. Alan Parsons’ FOH Engineer
will at all times have complete access to all PA system / loud speaker management / processor functions. The PA system must adequately cover all seated and
standing areas where ticketed patrons may see and hear the show, whether indoors or outdoors. The FOH Mix Position must be reasonably located within the
Audience listening area, preferably close to house center wherever possible. Where the venue is an outdoor venue, such as a festival, the FOH mix position must be
adequately protected from both direct sunlight and any forms of moisture and/or wind. All FOH cover systems must be removable for show time, weather permitting.
The vendor must provide one ( 1 ) expert, qualified / skilled MONITOR systems technician / operator able to assist with all aspects of the monitor system;
speakers, amplification, drive, programming, console/outboard equipment, RF (wireless equipment), I/O patching, trouble-shooting and related monitor duties
who must remain at the disposal of our monitor mix engineer for the entire duration of the event, as required.
We require ten ( 1 0 ) channels of wireless in-ear monitors split across two frequency bands (Sennheiser EW300IEM G3 Preferred), and proper frequency-
matched antenna distribution system with external antennas and all necessary cabling & batteries for SC and show.
NOTE: All wireless provided must comply with ALL FCC and local guidelines and/or restrictions, both concerning frequency and otherwise.
We require four ( 4 ) monitor wedges. Two ( 1 ) down stage center for our lead singer, and two ( 2 ) on either side of stage with proper amplification.
We require a dual 18” drum sub with proper amplification.
Monitor Console:
Yamaha PM5D-RH, Midas Pro6, or Soundcraft Vi6 w/dual(2) power supplies (to be positioned off stage left wherever possible) Minimum configuration must
include ( 4 8 ) mono + ( 8 ) stereo inputs (or 64 input channels) x 32 outputs with at least 24 aux mixes and 8 matrix mixes. The stereo or mono buss out
should not be considered as one of these sends.
Power Distribution:
Proper power distribution to power the entire audio system, including FOH and Monitor packages, PA, and Backline.
Stage AC: 8 - Quad Box Drops Minimum 2 x 20 amp Circuits.
Page 10 of 17 Confirmed by PURCHASER_____ ____
Direct Boxes and Microphones:
Please supply the microphones and direct boxes listed on the “input list” Including:
19x Channels of active DI’s. BSS, Klark-Teknik, Countryman, and Radial will be accepted. (Please bring spares)
2x Condenser audience mic’s (SM 81)
IMPORTANT: All necessary batteries for above for sound check and show (30 AA & 6 9v)
IMPORTANT: Our production may carry some of the microphones. Please consult with our FOH Engineer or Production Manager for exact microphone requirements.
FOH MON Instrument Mic / D.I. Stand Type Location FOH PROCESSING
1 1 KICK Beta 52 SHORT BOOM USR GATE 1 into COMP 9
2 2 SNARE SM 57 SHORT BOOM USR GATE 2 into COMP 10
3 3 HAT SM 81 SHORT BOOM USR
4 4 RACK 1 ATM 35 (We Carry) CLIP USR GATE 3
5 5 RACK 2 ATM 35 (We Carry) CLIP USR GATE 4
6 6 RACK 3 ATM 35 (We Carry) CLIP USR GATE 5
7 7 FLOOR 1 ATM 35 (We Carry) CLIP USR GATE 6
8 8 FLOOR 2 ATM 35 (We Carry) CLIP USR GATE 7
9 9 O.H. SR AKG 414 TALL BOOM USR
10 10 O.H. SL AKG 414 TALL BOOM USR
11 11 BASS DI USR COMP 11
12 12 GTR DI L DI USL
13 13 GTR DI R DI USL
14 14 GTR MIC L AT 4033 (We Carry) SHORT BOOM USL
15 15 GTR MIC R AT 4033 (We Carry) SHORT BOOM USL
16 16 ALAN ACOUSTIC DI USC COMP 12
17 17 ALAN KEYS L DI USC
18 18 ALAN KEYS R DI USC
19 19 TRITON L DI USL
20 20 TRITON R DI USL
21 21 XP - 80 L DI USL
22 22 XP - 80 R DI USL
23 23 MOTU L DI USL
24 24 MOTU R DI USL
25 25 MOTIF L DI USL
26 26 MOTIF R DI USL
27 27 ALTO SAX WIRELESS Beta 98 CLIP-ON MSL COMP 13
28 28 TENOR SAX WIRELESS Beta 98 CLIP-ON MSL COMP 14
29 29 GUY VOCAL SM 58 TALL BOOM DSR COMP 1
30 30 PJ VOCAL SM 58 TALL BOOM DSC COMP 2
31 31 ALASTAIR VOCAL SM 58 TALL BOOM DSL COMP 3
32 32 DAN VOCAL SM 58 TALL BOOM USR COMP 4
33 33 ALAN VOCAL SM 58 TALL BOOM USC COMP 5
34 34 MANNY VOCAL SM 58 TALL BOOM USL COMP 6
35 35 VOCODER SM58 + DI TALL BOOM USC COMP 7
36 36 TODD VOCAL WIRELESS SM 58 TALL BOOM MSL COMP 8
37 37 SPARE VOCAL SM 58 TALL BOOM DSC COMP 17
38 38 PJ ACCOUSTIC DI USC COMP 15
39 39 ALASTAIR ACCOUSTIC DI USL COMP 16
40 ALAN KEY CLICK DI USC
41 MOTU CLICK DI USL
42 AUDIENCE SL SM 81 DSL
43 AUDIENCE SR SM 81 DSR
44 PJ VOC 2 “Y” Cable
45 (FX 1 RETURN)
46 (FX 2 RETURN)
47 FOH TB FROM FOH
48 MON TB
40 (DDL RETURN (MONO)) DDL
41 (FX 1 L) Reverb 1-L
42 (FX 1 R) Reverb 1-R
43 (FX 2 L) Reverb 2-L
44 (FX 2 R) Reverb 2-R
45 (FX 3 L) Reverb 3-L
46 (FX 3 L) Reverb 3-R
47 (CD PLAYBACK L)
48 (CD PLAYBACK R)
** Please Note: Effects and CD playback will return on Stereo Channels wherever possible.
MA Lighting Grand MA 2 full sized console w/ 1 external FLATSCREEN color monitor, desk lamps and current software with personalities of all fixtures specified
installed before the desk is packed out of the shop.
NOTE: ALL Lighting to be controlled from ONE console. NO OTHER LIGHTING CONSOLES MAY BE SUBSTITUTED WITHOUT PRIOR APPROVAL OF
LIGHTING DIRECTOR.
12x MARTIN MAC III Moving Head Spot Lights yoke style- professional concert quality, high intensity lamp (w/ spare bulb) with removable hanging
apparatus- 4 for ground use
14x Vari*Lite VLX LED Moving Head Wash Lights yoke style- professional concert quality with removable hanging apparatus.
16x CLAY PAKY Sharpy Moving Head Spot Lights yoke style- professional concert quality, high intensity lamp (w/ spare bulb) with removable hanging
apparatus.
8x Martin ATOMIC DMX Strobe Lights 2 for ground use
4x PAR 36 4 Light MoleFAY Audience Light w/ Hanging Clamps
23x Source Four 26 Degree Ellipsoidals w/ hanging clamps
10x PAR 64 Sixbars in EXCELLENT condition, Polished Silver finish, w/ 1K NARROW Lamps (60 cans Upstage). All cans to have gel frames. See hookup
sheet and plot for color specifications and contact LD for patch/ channel assignments.
All lighting fixtures to have safety cable, spare lamp and be in CLEAN working condition at time of focus/ programming.
IMPORTANT: Fixtures shall be wrenched down snug and able to hold a focus PRIOR to the rig going to trim height. THIS IS IMPORTANT
2x DF 50 Atmospheric Hazer w/ fans (Artist requests that no other type of atmosphere be used for primary atmosphere)
1x Antari SW-250 Snow Machine (with SL-5A Snow Fluid) (http://www.antari.com.tw/products/get_attachment.php?product_ID=116)
PLEASE NOTE: This machine mounts in the Downstage Truss (Used as a Special Effect). Control is either DMX or Wireless remote.
4 line minimum Control Snake (4 Active DMX Universes) OR MA Net Digital control network. Minimum 3 DMX Signal Splitters/ Boosters
8x Stations Headset Communications (2x FOH- single muff, 4x FOH Spotlights, 1x Dimmers, 1x Houselights)
Hang Positions:
Downstage Truss- +6’ downstage from 0’, 28’ Trim;
Midstage Truss- +14’ upstage from 0’, 24’ Trim;
Upstage Center Truss & Upstage angle points- + 30’ from 0’, 19’ Trim (Angled trusses trim asymmetrically from 19’ to 24’)
Contact Lighting Director Martin Thomas @ United States Phone # +1-5 20-9 40-2 098 (worldwide access number- SMS / MMS capable), or email to
mthomasld@gmail.com with ANY questions.
This rider applies to Lighting Plots titled “Alan Parsons Live Project World Tour 2013 (Lighting Plot One Off Concerts 2013)”, and supersedes any previously issued
riders (Revised Dec. 2012)
VERY IMPORTANT: PRODUCTION SCHEDULE MUST BE ADHERED TO… PLEASE STAFF ACCORDINGLY TO HAVE LIGHTING ASSEMBLED AND FLOWN IN
TIME FOR SET CONSTRUCTION, FOCUS, AND A MINIMUM OF 4 HOURS OF LIGHTING PROGRAMMING TIME LEADING UP TO VENUE DOORS / SHOWTIME.
PLEASE MAKE SURE THERE ARE RESPONSIBLE, TECHNICALLY PROFICENT, INTELLIGENT PEOPLE ON YOUR CREW. THANK YOU!
Crew lunch:
During the set up day, the crew will select lunch. It will be paid for by Purchaser, and picked up by Purchaser’s runner. Sandwiches or the parts to make them,
burgers, pizza, and/or chicken will work. Allow for $15.00 USD per crew member for buyout.
A catered lunch is also acceptable. If this is case, arrangements should be made in advance with the Tour Manager or Production Manager.
**NOTE: Purchaser may buy out dinner. If buyout to be done, it must be confirmed with the Tour Manager when the show is advanced. The price for a buy-
out is $25.00 USD per person and must be paid to the Tour / Production Manager in USD bills or local currency upon arrival at venue.
Alan Parsons Dressing Room: (Earlier in the day in addition to any catered dinner - Allow for four people –ready at Sound Check)
Small deli tray with cheese/meats/shrimp
Wheat bread
Bananas
1 bottle of Belvedere or Russian Standard Vodka
1 bottle of French Champagne on ice
2 bottles of premium dry white wine - Cakebread, Louis Latour or similar quality Chardonnay or Viognier on ice
2 bottles of premium red wine (Pinot Noir or Syrah – not Cabernet Sauvignon)
1 six-pack of Stella Artois or local beer.
Cranberry Juice
Fresh Limes or Lemons
A selection of Coke/Diet Coke//Root Beer (6-12 cans)
12 1⁄2 liter bottles water
Ice
Corkscrew, bottle opener, napkins, plates, cups, glasses and silverware
Salt, pepper, ketchup, mustard
Clothes Hanging Space or Clothes Line, Hair Dryer, Full Length Mirror, Iron and Ironing Board, Trash Can, 5 clean towels.
Band Dressing Room: (In addition to any catered dinner - allow for 11 people – ready at sound check)
Fresh seasonal fruit bowl or tray
Bunch of bananas
Deli tray with cheese/meats/shrimp
White and wheat bread
Veggie tray with raw vegetables and dip + Pickles
Tortilla chips w/ salsa
Fresh brewed hot coffee with sugar/sweet & low/milk/cream
Hot PEPPERMINT tea and regular tea w/ fresh lemon, sugar and cold milk.
1 bottle of Belvedere or Russian Standard Vodka
3 bottles of premium red wine (Pinot Noir, Cabernet Sauvignon or Syrah)
A selection of Coke/Diet Coke/Ginger Ale/, Coconut Water (18-24 cans)
24 bottles of cold Stella Artois, Heineken or favorite local beer
Ample supply of bottled water (at least 48 )
3 large bottles of sparkling water
Lots of Ice (before and after the show)
Corkscrew, bottle opener, napkins, plates, cups, glasses and silverware
Salt, pepper, ketchup, mustard
Simple First Aid Kit. Tylenol, Advil etc.
Clothes hanging space or clothes line, full length mirror, TRASH CAN, 10 clean towels
The dressing rooms must be refreshed of all requested supplies between sound check and the show.
PURCHASER SIGNATURE
By: Telephone:
Please also initial this page in addition to fully signing this rider above. Thank you. ………………............................................ ↓