Sie sind auf Seite 1von 65

Die Zehn Gebote

Partitur music by Elmer Bernstein


arranged by Toni F.S. Lang

Prelud zum gleichnamigen Film

 
Maestoso con brillante 

Flöte            

          
Oboe    

 
             


Fagott

   
Klarinette in B 1          

  
Klarinette in B 2            

     
Klarinette in B 3            


          
     
Bassklarinette in B

  
 
Altsaxophon in Es           

 
   
Tenorsaxophon in B           

 
               


Baritonsaxophon in Es

 
                      
Trompete in B 1  
            

3 3
3

            
            
 
      
   
Trompete in B 2


3 3
3

   
                       
3

Trompete in B 3
             
 3 3

           
                     
3

   
3

 
3

Horn in F 1+3


         
                         
 
3


3 3

 

Horn in F 2+4

  
              
               
Posaune 1    


3 3 3

                 
Posaune 2
 
                


 3 3 3

 
             


Bassposaune

 
                      
Tenorhorn/
Bariton
 
            
 
3

          
3 3

        
Bariton                 


 3 3 3

           
        

Tuba
    
 
      
              

    
Pauken
 
  
Glockenspiel         

  
TAM- TAM

       
Triangel

Perkussion 1   

 
  

    
S.Cymbal

Cymbal 2  

B.D.

Bass Drum 3           


 
©
2 Die Zehn Gebote
 
                
Poco meno 

           
8

Fl.     
 
 
3 3

        
                   

Ob.
 
 
3 3

      
                  
Fag.
          

  
   
3 3

             
          
Klar. B 1      
   3 3

      
                
3

      
Klar. B 2
 
   3

   
Klar. B 3                  
  


       
         
     
3

   
           
Bassklar. B

 

3

          
Altsax. Es      

   
Tensax. B        
     


        
      
      
             

Barsax. Es

 3 3 
       
  
8
       
3

     
     
Trp. B. 1
  3

          
 
     
3

     
     
Trp. B. 2
  3

      
           
3

     
     
Trp. B. 3
 
3

           
             
 
Hrn. F 1+3

 
       
        
Hrn. F 2+4
    

           
     
 
  
      

Pos. 1
 
 3 3 
           
     
        
Pos. 2
  
 3 3 
             
      
3

 
3

         
Bspos.

 
            
        
         
3

      
  
Thrn.

 
3

      
              
Bar.
          
 
 
   
3 3

             
          
3

      
3

         
   
Tub.

  
          
8

Pauk.


      
           
Glock.     
 
3 3

8
      
Perk. 1  

Cl. Cymbals a2

   

   
Cym. 2
 

     
B.D. 3    

Die Zehn Gebote 3
        
            
13

Fl.    
3 3

        

           


Ob.
 3 3

          
            
Fag.
      
        
             
Klar. B 1    
3 3

   
                 
3

      
Klar. B 2
 
3

         
Klar. B 3            

   
   
    
           
   
Bassklar. B
   
               
Altsax. Es 

                  
 
Tensax. B            

           
Barsax. Es                     
   
3

    

        
13

Trp. B. 1         


   
 
3

        
         
3

           
 
 
Trp. B. 2
3

         
      
3

Trp. B. 3         

   
   
  
3

           
            
Hrn. F 1+3
         
  
             
      
Hrn. F 2+4
        
         
Pos. 1
     

               
Pos. 2

               
   
Bspos.
  
    
     
   
                

Thrn.

              
        
Bar.
      
      

             
  

 


      
    
Tub.
     
     
13

Pauk.

        

           


Glock.
 3 3


Snare Drum

   
13

Perk. 1 

    
Cl. Cymbals a2
Cym. 2 

B.D. 3      
4 Die Zehn Gebote
    
            
 
    
18

Fl.  
 

3 3

   
            
3



Ob.
 
             
3

     
Fag.                
 
    
       
       
3

Klar. B 1

 

3

          
       
3

Klar. B 2  
 

3

       
      
3

    
 
Klar. B 3
 
      
3

            
          
 
       
    
Bassklar. B

  
               
Altsax. Es   
 
 
3 3

                          
Tensax. B     
 
               
 
    
Barsax. Es               
 
     
     
18 3

     
   
Trp. B. 1
 3 
          
       
3

Trp. B. 2  
 3 
        
     
3

    
 
Trp. B. 3
 
      
3

         
     
       
  
 
Hrn. F 1+3
    
 
               
    
    
   
Hrn. F 2+4           
 
                  
     
          
Pos. 1        
 
                  
                
Pos. 2         
 
                 
     
          
Bspos.          
 
                         
       
Thrn.
                  
 
        
 
      
Bar.                  
 
                        
              
            
             
Tub.
     
      
       
18

Pauk.            
 
    
            
3

Glock.  
 3 
  
         
18

Perk. 1 
  
     
Cym. 2
 
 
    
B.D.
B.D. 3   
 
Die Zehn Gebote 5
       
     
        
23

Fl. 


3 3

        
3 
                 
     
Ob.
  
 
3

 
3


                     
Fag.
  
 
                              
      
3

Klar. B 1



3
3

                   
        
3

Klar. B 2 


3 3

        
          
3

   
3

Klar. B 3      
 3

  
          
               
Bassklar. B

 
                                   
Altsax. Es  


3


3


3

          
               
Tensax. B
  
 
            


Barsax. Es           
   


  
           
23

      
3



Trp. B. 1
 
        
  

Trp. B. 2


      
   

Trp. B. 3

       
Hrn. F 1+3      
                       

  
3
3 3

    
Hrn. F 2+4          


    
 
            
 
Pos. 1
  
 
  
    
             

Pos. 2
  
 

 

                     
Bspos.
  

  
           
               
Thrn.

 
              
Bar.         
   
 

          
             
         
Tub.
     
 
       
23

Pauk. 

Glock.         

      
23

Perk. 1 

Cym. 2        

B.D. 3        
6 Die Zehn Gebote
     1. 2.
      
Piu mosso con Eleganza 
      
               
28

Fl.
  
 
               
                
 
Ob.

                   
         
                 
Fag.

         
          
Klar. B 1                
  

                            
  
   
Klar. B 2

 
                
 
 
         
    
 
Klar. B 3

           
Bassklar. B
                   
                 
      
  
             
Altsax. Es    
 

   

  
      
                          
 
Tensax. B

              
                   
                
Barsax. Es

            


                 
   
28

Trp. B. 1  

                             
  
 
Trp. B. 2

  
       
      
 
 
         
Trp. B. 3
    
              
     
          
Hrn. F 1+3
  
 
  
              
    

          
Hrn. F 2+4
  


  
              
         
Pos. 1
     

   

                  
Pos. 2
     
     
     

        
                        
                
Bspos.

  
       
      
 
 
          
Thrn.
     
           
Bar.
     
            
      

                
                 
      
Tub.

    
 
  
  
   
 
   
 

      
             
28

      
     
Pauk.


Glock.         

           
          
28

Perk. 1  

          
Cym. 2
      
    
             
         
     
B.D. 3
Die Zehn Gebote 7
    
                
               

rit.

 
      
33

Fl.
 

       
cresc.

            

Ob.        

        
cresc.

            
                           
3 3

Fag.
        
cresc.   
3 3

            
3

          

Klar. B 1   

      
cresc.

            

   
Klar. B 2   
cresc. 
        
Klar. B 3   
                
cresc. 
  
                        
3

 
3 3 3
Bassklar. B
                    
        

cresc. 3

                  
Altsax. Es          

      
cresc.

            

   
Tensax. B   

       
cresc.

           
                            
3 3

Barsax. Es
         
cresc.  3 3

    
3

         
              
33

Trp. B. 1   

cresc.

             
                
 
Trp. B. 2


cresc.

            
Trp. B. 3          
     

 
 

cresc.

               
Hrn. F 1+3  
cresc.  
          
Hrn. F 2+4        
  
                   
cresc.

                    
         
3


   
Pos. 1
 3 3

                
cresc. 3

                  
               
3

   

Pos. 2
 3 3

        
cresc. 3

              
                   
3

 
         
Bspos.
cresc.  3 3
3

     
               
3

         
   
3 3

  
        
Thrn.
 
        
3
cresc.

                        
             
3

    
Bar.
 3 3

 
cresc. 3

               
3

        
     
3

           


3 3

                    
Tub.

          

cresc.


3

      
                
33

  
       
Pauk.
cresc.

 
Glock.      
cresc. 
                  
            
33

Perk. 1   
cresc.

    
Cym. 2

cresc. 
    
                    
       
B.D. 3
cresc.
8 Die Zehn Gebote
Tempo di Marcia con Triumphale 

    
38

Fl. 

Ob.      

                
Fag.
    


Klar. B 1       


Klar. B 2       


Klar. B 3       


   

 

         
   
Bassklar. B

 
     
Altsax. Es 


Tensax. B       


Barsax. Es                       

    
     
38

          

Trp. B. 1

 

Trp. B. 2    
  
  
  
     


   
             

Trp. B. 3

 
           
Hrn. F 1+3           

          
Hrn. F 2+4        

                           
Pos. 1

 3 3 3

                        
Pos. 2
 3 3 3

                      
3

Bspos.
 
 3 3

    
Thrn.           
  
     
     
 
   
3 3

               
Bar.
        
 3 3

                
      
          
Tub.

   

      
38

               


 
Pauk.

Glock.      

     
        
      
38

Perk. 1   
 

 
   

 3

    
Cym. 2
    

B.D. 3                

Die Zehn Gebote 9
rit.

       
43

Fl.   

Ob.         

        
        
3

        
   
Fag.

  
Klar. B 1          


Klar. B 2          


Klar. B 3          


    
3
Bassklar. B
                      
   

  
Altsax. Es          


Tensax. B          


        
          
3

       
   
Barsax. Es

  
       
43

          
       
Trp. B. 1

  
Trp. B. 2          
   
 
        

  
          
           
Trp. B. 3


         

                  
Hrn. F 1+3
 

            
Hrn. F 2+4             

                  
Pos. 1
              
3 3

                  
       
3

Pos. 2
3

               
        
3 3

Bspos.        

     
         
   
          

Thrn.

         
Bar.
                   

        
        
3

        
        
        
Tub.
         
   

            
43

        
3

Pauk.
    

       
Glock.   

           
 
            
  
       
43

Perk. 1  
       


3 3

Cym. 2  
 



 
   

      
B.D. 3        
10 Die Zehn Gebote
Religioso con Brilliante 
    
        
49

Fl.  

Ob.            

       
Fag.
   

     
Klar. B 1        

      
Klar. B 2      

    
      

Klar. B 3


  
Bassklar. B     
    

       
Altsax. Es  

  
Tensax. B         

 
       

Barsax. Es


      
  
49

Trp. B. 1   

      
Trp. B. 2      

    
      

Trp. B. 3


  
Hrn. F 1+3          

  
Hrn. F 2+4         

Pos. 1
           

Pos. 2
           

       
Bspos.
   

   
Thrn.          

Bar.
           

       
Tub.
   
   
          
49

Pauk.

       


              
Glock.   

     
49

Perk. 1 

Cym. 2       

     
B.D. 3  
Die Zehn Gebote 11
             
         
Cantabile con Espressivo 

       
rit.

    

54

Fl.   
 3 3 3 3

                           
3

          
3

Ob.     
 3 3

   

           

Fag.
      

                
          
3

Klar. B 1              
 3
3 3

      
 
3

      
           
Klar. B 2

 
      
3

      
         
Klar. B 3
  

         
        
Bassklar. B

   

Altsax. Es       


Tensax. B       


Barsax. Es       

       

54

           
3

        
Trp. B. 1
              
 3 3 3

Trp. B. 2        


Trp. B. 3       

  
Hrn. F 1+3         
  
                 

 
Hrn. F 2+4       

        
Pos. 1 

        
Pos. 2 

   

           

Bspos.
      
  
                          
Thrn.    
  
            
                
Bar. 

       
                 

Tub.
    

        
54

Pauk. 

             
     
3

   
       
3

Glock.
        
 3 3

     
54 Triangel

Perk. 1 

Cym. 2       

B.D. 3       
12 Die Zehn Gebote

      
Maestoso fullminante con Eleganza 


60

Fl.

 
Ob.         

                       
Fag.          
  


3 3 3

     
Klar. B 1 


      
Klar. B 2 

  
   
Klar. B 3 

 
                    
3 3 3

     
      
Bassklar. B


     
Altsax. Es 

                          
Tensax. B          
 3 3 3

                     
          
  
Barsax. Es
3 3 3

 
              
60 3

Trp. B. 1
 


            
3

Trp. B. 2
 
 


               
3

Trp. B. 3
 
      
                          
 
   
Hrn. F 1+3
3 3 3

                 
               
    
Hrn. F 2+4

                  
   
3 3 3

         
  
Pos. 1    
    
              
3 3 3

 
          
   
Pos. 2   
 3 3 3

                     
     
       
  
Bspos.

     
3 3 3

                      
 
Thrn.       
    
              
3 3 3

           
    
Bar.   
 3 3 3

       
Tub. 

            
               
3 3 3

    
60

  
SOLO

          
Pauk.


Glock.      

60
    
Perk. 1 


Cl. Cymbals a2

    
Cym. 2


B.D. 3      

Die Zehn Gebote 13
     
             
molto rit.

     
65

Fl.  
3 3 3 3 3


             
Ob.        
    
3 3 3 3 3

  
Fag.     
    
Klar. B 1

      
          
3 3 3 3 3

   
        
3 3 3 3

Klar. B 2           
3

   
          
3 3 3 3

Klar. B 3
        
3

 
   
Bassklar. B

              
Altsax. Es 
3 3

  
Tensax. B            
3 3


Barsax. Es     
    

                     
65

  
3

Trp. B. 1   
3 3 3 3 3
3

   
                         
3

Trp. B. 2    
3
3 3 3 3 3

   
                  
3 3 3 3

  
3

Trp. B. 3
       
3
3

    
      
                    
3

Hrn. F 1+3

3 3 3

        
            
3

     
3 3
Hrn. F 2+4
    
    
                              
3

      
Pos. 1 
    
3 3 3 3 3 3 3 3

  
                                 
Pos. 2  
3 3 3 3 3 3 3 3

      
                               
3

Bspos.     
3 3 3 3 3 3 3

       

    

         
  
Thrn.

       
3 3

           
3

      
   
Bar. 
3 3 3

  
Tub.     
   
      
   
65

   
  
Pauk.


Glock.     

65
   
Perk. 1 

Cym. 2     
B.D.

    

B.D. 3
14 Die Zehn Gebote
                 

  
69

Fl.
 
              
Ob.          
 
        
         
 
Fag.
 
                  
Klar. B 1   
 
      
         
 
Klar. B 2
 
  
          
    
Klar. B 3
 

       
      
Bassklar. B

   
          
Altsax. Es   
 
 
                 
Tensax. B    
 
     
          
 
Barsax. Es
 
                  
  
69

Trp. B. 1
 
     
          
 
Trp. B. 2
 
  
          
    
Trp. B. 3
 
               
           

Hrn. F 1+3
 
               
      



 

Hrn. F 2+4
 
              
             
Pos. 1    
 

                    
Pos. 2      
 

                    
Bspos.      
 
              
 
 
      
Thrn.    
 
 
             
               
Bar.    
 
        
         
            
 
Tub.
  
   
         
      
69

  
 
Pauk.
 
                 
Glock.    
 
 
  
   
69

Perk. 1 
 
Cl. Cymbals a2

      
Cym. 2
      
     

             
     
B.D. 3
 
Die Zehn Gebote
Flöte music by Elmer Bernstein
arranged by Toni F.S. Lang

Prelud zum gleichnamigen Film


 
Poco meno 
                    
    
Maestoso con brillante 

  
 

         
             
11

  
3 3 3 3

         
                

16

   
 3 3

 
            
          
22


  3 3

          1.
Piu mosso con Eleganza 
2.
 
                          
   
28

    

            

             
        
rit.
     
          
33


cresc. 
©
 
Tempo di Marcia con Triumphale  Religioso con Brilliante 
   
Die Zehn Gebote
 
2 rit.

     
38

  

         
         
Cantabile con Espressivo 
     

54

  
 3 3

    
Maestoso fullminante con Eleganza 
         
rit.


  
59

3 3

    
        
 
molto rit.

   
  
   
65

3 3 3 3 3

                 

    
70

 
Die Zehn Gebote
Oboe music by Elmer Bernstein
arranged by Toni F.S. Lang

Prelud zum gleichnamigen Film

  
Maestoso con brillante 
 
Poco meno 
          
          

 

         
             
11

  
3 3 3 3

 3
                     
16

   
 3 


         

                
23
3

 
 3
3

   
Piu mosso con Eleganza 
 1.

      
     
               
27

   
 

2. 


               
rit.

                
32

  
cresc. 
©

2Tempo di Marcia con Triumphale
rit.  Die Zehn Gebote

    
Religioso con Brilliante 
 
38

     

Cantabile con Espressivo 


          
     
54 3

          
 3

 
rit. Maestoso fullminante con Eleganza 

         
59

        
3

3 

 molto rit.


          
     
                      
66

3 3 3 3 3

        
 
71

 
 
Die Zehn Gebote
Fagott music by Elmer Bernstein
arranged by Toni F.S. Lang

Prelud zum gleichnamigen Film

     
Maestoso con brillante  Poco meno 

   
                    
  

                  
9

         
   
3 3 

             
       
                
14


  

  
             

           
   
20

  
        
 

Piu mosso con Eleganza 

            
                      
28 1. 2.


                 

            3
                            
33

         
    cresc.  3 3 3  
©
rit. Tempo di Marcia con Triumphale 

            
37

            
3
2 Die Zehn Gebote

 

                
42


    

rit. Religioso con Brilliante  Cantabile con Espressivo 

          
    
47 3

      
      
  

rit. Maestoso fullminante con Eleganza 

           
         
  
56


       
 3

             
molto rit.

    
63

     
 
3 3

Die Zehn Gebote
Klarinette in B 1 music by Elmer Bernstein
arranged by Toni F.S. Lang

Prelud zum gleichnamigen Film


  
      
    
Maestoso con brillante  Poco meno 
   
   

       
10
                
    
 3 3

            3
   
         
15

   
3 3
 3

21
      
           
3
        
  
  3
3

 
                 
Piu mosso con Eleganza 
 
           

26

   

         1.  2.


          
           
30

  
©
     
Dierit.Zehn GeboteTempo di Marcia con Triumphale 

2

     
35 rit.

  
cresc. 

Religioso con Brilliante  Cantabile con Espressivo 


   
                   
49

  
  3
3

rit.
        
              
56 3

   
3


Maestoso fullminante con Eleganza 

                
60

 
 3

                              
molto rit.

   
68

 
3 3 3 3  
Die Zehn Gebote
Klarinette in B 2 music by Elmer Bernstein
arranged by Toni F.S. Lang

Prelud zum gleichnamigen Film


 

Maestoso con brillante  Poco meno 
 
        
       

 
               
        
10 3

    
 3

        
 
           
15 3 3

 

3 

         
                
20 3

 
3   3

 
             
Piu mosso con Eleganza 
           
   
25

  
3  

         1. 
      
               
30 2.

  
 
©
     
Die
rit.Zehn Gebote Tempo di Marcia con Triumphale 


2 rit.

     
35

  
cresc. 

   
Religioso con Brilliante 

   
49

    

Cantabile con Espressivo  rit.



      
54

      
3

        


Maestoso fullminante con Eleganza 

molto rit.

                  


3 3 3 3


60

  
 3

     
         
69

  

Die Zehn Gebote
Klarinette in B 3 music by Elmer Bernstein
arranged by Toni F.S. Lang

Prelud zum gleichnamigen Film

  
Maestoso con brillante  Poco meno 
   
            
     

11
             
      

  3  
               
17

    
 3
  

        
                   
23 3 3

 
 3

1. 

Piu mosso con Eleganza 
  
 
           
               
28 2.


     

Tempo di Marcia con Triumphale 

   
rit.
 
       
33 rit.
  
               
cresc. 
©
Religioso con Brilliante  Die Zehn Gebote
  
2


49

      

 
54 Cantabile con Espressivo 
           
3

 
        


rit. Maestoso fullminante con Eleganza 

        
59

  

            
molto rit.

          
67 3 3 3 3

       
3    

Die Zehn Gebote
Bassklarinette in B music by Elmer Bernstein
arranged by Toni F.S. Lang

Prelud zum gleichnamigen Film


              
Maestoso con brillante  Poco meno 
  
3

                
      
 
3

10
    
     
              

               
            
15

            
        

 
          
21

                 
   
 

Piu mosso con Eleganza 

               


2.

 
28 1.

                      


                     

cresc.

Tempo di Marcia con Triumphale 


  
rit.

    
36 3

   
3 3 3

                         
 

3

©
Die Zehn Gebote

2
41

                      
       


rit. Religioso con Brilliante 
   
47

   
3

          
 

 
   
53

 
Cantabile con Espressivo 


               
 


Maestoso fullminante con Eleganza 

     
58

  
rit. 3

  
           


molto rit.


       
63

  
3 3

            
    

Die Zehn Gebote
Altsaxophon in Es music by Elmer Bernstein
arranged by Toni F.S. Lang

Prelud zum gleichnamigen Film

  
   
Maestoso con brillante  Poco meno 
  
      

12
                   
 

 
18
             
 
 3 3

23
                                  
 
 3 3 3

           1.
Piu mosso con Eleganza 
27
      
  
                  
  

   
                         
2.
rit.


32

  
cresc. 
©
 
2 Tempo di Marcia con Triumphale  Die Zehn Gebote rit.

  
38

  

 
Religioso con Brilliante  Cantabile con Espressivo 
   

49

 


Maestoso fullminante con Eleganza 

                 
60


 3 3

         
molto rit.

     
68

  
 
Die Zehn Gebote
Tenorsaxophon in B music by Elmer Bernstein
arranged by Toni F.S. Lang

Prelud zum gleichnamigen Film

  
Maestoso con brillante  Poco meno 
     
        


 
12
                      
   

               
                 
  
17

  

      
 
   
                    
22

   
 

  
Piu mosso con Eleganza 
   
      
         
         
      
28 1. 2.

  

           
    
rit.
  
       
33


cresc. 
©
 
2 Tempo di Marcia con Triumphale Die
rit.Zehn Gebote Religioso con Brilliante 
38
    
   

           
Cantabile con Espressivo  Maestoso fullminante con Eleganza 
 
          
54


 3 3

          

         
64


3
3 3

                
molto rit.
 
    
68

 
Die Zehn Gebote
Baritonsaxophon in Es music by Elmer Bernstein
arranged by Toni F.S. Lang

Prelud zum gleichnamigen Film


Maestoso con brillante 
    
           
 

                         
Poco meno 


8

          
 3 3 

   
            
12

      
  

        
               
 
17

         
   

   
22
          
   

 
    
       
 
 

Piu mosso con Eleganza 


      
                          
28 1. 2.

  
                 
©
                                3
2 Die Zehn Gebote
33

            
   
 cresc.  3 3 3  

Tempo di Marcia con Triumphale 


 
rit.

            
37

         
3

 


                 
42


   

Religioso con Brilliante 



rit.

         
47 3

      
  


Cantabile con Espressivo  Maestoso fullminante con Eleganza 
53
               
 
 3

       
molto rit.
 
        
63

   
3 3

        
     
70

 
  

Die Zehn Gebote
Trompete in B 1 music by Elmer Bernstein
arranged by Toni F.S. Lang

Prelud zum gleichnamigen Film


Maestoso con brillante 
 
                      
   

                   
Poco meno 
6
 
   
3

 
   
3 3 3
  3

         
3

    
 
12

 
 
 

              
3

18
            
3
 
      
 3    


 
              
25

   
3

 
 

                       1.  2. 


Piu mosso con Eleganza 
28

 
   
  
©
                  
Die Zehn Gebote

2 rit.

        
33

      

cresc.


Tempo di Marcia con Triumphale 
      
  
38

  
          
                 
  

Religioso con Brilliante 



rit.

   
46

         
   
 

Cantabile con Espressivo 

        
rit.

  
52

          
 
   
                   
3

     
 3 3 3


Maestoso fullminante con Eleganza 
   
                        
60

      
3 3

 
  3
3

                              
molto rit.

   
68

 
3 3 3 3  
Die Zehn Gebote
Trompete in B 2 music by Elmer Bernstein
arranged by Toni F.S. Lang

Prelud zum gleichnamigen Film


Maestoso con brillante 
 
                      
   

   
Poco meno 
6
         
                   
3

    3  
3 3 3
 

         
    
14 3

       
  3

    3            
     
19

    
3   

          
Piu mosso con Eleganza 
           
     
2.


28 1.

   
 

                       
rit.

 
33

        
 

cresc.
©

2 Tempo di Marcia con Triumphale  Die Zehn Gebote
38

                               
 


Religioso con Brilliante 
 
45 rit.

         
       
  

  
Cantabile con Espressivo 
  
51

  


Maestoso fullminante con Eleganza 

 
                       
60

 
3 3


  3

                       
molto rit.

        
67

  
 

3
3 3 3 3
Die Zehn Gebote
Trompete in B 3 music by Elmer Bernstein
arranged by Toni F.S. Lang

Prelud zum gleichnamigen Film


Maestoso con brillante 
 
                      
   

 
Poco meno 
6
            
3
   
     
3

 
   
3 3   3

      
        
12 3
 
   
 

          

3

  
               
17 3

    
 3
  


Piu mosso con Eleganza 
23
                  
      
 

       
                       
2.

      
30 1.

   
©

Tempo di Marcia con Triumphale 
Die Zehn Gebote

2 rit.

        
35

 
           
cresc.
 

42

                       

Religioso con Brilliante 


  
rit.

   
47

       
  
 

Cantabile con Espressivo 

 

Maestoso fullminante con Eleganza 
            
54

 
3


 

  
molto rit.

                         
65 3 3 3 3

      
3

  
3
3

    
     
70

   
     

Die Zehn Gebote
Horn in F 1+3 music by Elmer Bernstein
arranged by Toni F.S. Lang

Prelud zum gleichnamigen Film


Maestoso con brillante 
          
                 

Poco meno 


           
   
6 3

   
3

      
3


                    
     
12

           
     

         
              
     
18

          
 

         
                      
23


 3 3 3

      
Piu mosso con Eleganza 
            
       
   
27 1.

           
   
 ©

Tempo di Marcia con Triumphale 
       
Die Zehn Gebote

              
2 rit.


2.

  
32

     
cresc.   

                          
rit.

 
            
42

  

Religioso con Brilliante  Cantabile con Espressivo 


      
                        
49

         

rit. Maestoso fullminante con Eleganza 



                           
59

      
 3 3

                             
64

       
3

   
3 3 3 3

 
molto rit.
            
     
68

   
     
Die Zehn Gebote
Horn in F 2+4 music by Elmer Bernstein
arranged by Toni F.S. Lang

Prelud zum gleichnamigen Film


Maestoso con brillante 
          
                 

Poco meno 


6
       
        
3 3 3

   
  

    
               
12

                 

       
18
 
                 
          
 
 

 Piu mosso con Eleganza 


               
         
24

  
   
 

         1.  
                 
2.

   
30


cresc. 
©

Tempo diDie
Marcia con Triumphale 
             
Zehn Gebote


2 rit.

 
  
36

    
 

          
rit.

       
43

        


Religioso con Brilliante  Cantabile con Espressivo 
  
 
49

      

Maestoso fullminante con Eleganza 


               
              
60


 3
  3 3

   
molto rit.

               3
               
65

    
3 3

    
3

       


   
 
70

   
 
Die Zehn Gebote
Posaune 1 music by Elmer Bernstein
arranged by Toni F.S. Lang

Prelud zum gleichnamigen Film

   
Maestoso con brillante 
  
    
             

 
         
                            
Poco meno 

 
6

  
3 3 3
 3 3 

  
   
    

                            
        
13

              
                   

21

  
  

           
Piu mosso con Eleganza             1.  2. 
       
28

              
  
               
rit.

                 
33
3

 
cresc.  3 3 3   
©
                                    
Tempo di Marcia con Triumphale 
 
2 Die Zehn Gebote

38

 3 3 3

                    rit. 
           
44

3 3

Cantabile con Espressivo 


Religioso con Brilliante 

       
49


               
Maestoso fullminante con Eleganza 

           
 
60

   
 3 3 3

                            
          
molto rit.
65

 
3 3 3 3 3 3 3 3

                        
     
69


 
Die Zehn Gebote
Posaune 2 music by Elmer Bernstein
arranged by Toni F.S. Lang

Prelud zum gleichnamigen Film

   
Maestoso con brillante 
  
    
             

      
                       
Poco meno 

 
6

  
3 3 3
 3 3 

 
11
               

            
                
  
17

   

          
   
             
    
22

  
  

           
Piu mosso con Eleganza 
           1. 
         
2.

 
28

©

                 3
     
2 Die Zehn Gebote
 
                
33

    
cresc.  3 3
3
 

Tempo di Marcia con Triumphale 

                                     
rit.

   
37


  3 3 3

      
rit.

            
44

    
3

 
3

Cantabile con Espressivo 


Religioso con Brilliante 
     
Maestoso fullminante con Eleganza 

        
      
49

  
  3

                 
  
63
     
 
3 3 3

               


    
 

        
molto rit.

     
66

 
3 3 3 3 3 3 3
 
Die Zehn Gebote
Bassposaune music by Elmer Bernstein
arranged by Toni F.S. Lang

Prelud zum gleichnamigen Film

     
Maestoso con brillante  Poco meno 

   
                    
  

 
9

         

3

          
3

     

                         
 
             
          
16

     
 

  
                
23

        
 

Piu mosso con Eleganza 

            
                              
28 1. 2.


             


 
  
                           
rit.

  
34
3

  cresc.      
   
  3 3
3
©
2 Tempo di Marcia con Triumphale  Die Zehn Gebote
                      
38 3


 3 3

                             
43

     
3 3

rit. Religioso con Brilliante  Cantabile con Espressivo 

  
              
48

        
  
 

rit. Maestoso fullminante con Eleganza 

                      
57

     
         
 3
 3

          
molto rit.

                     


64 3

        
3 3 3 3 3 3 3 3

  

   
                 
 
69

  
 
Die Zehn Gebote
Tenorhorn/ music by Elmer Bernstein
Bariton arranged by Toni F.S. Lang

Prelud zum gleichnamigen Film


Maestoso con brillante 
         
    
       
               

3 3
3

                    3
Poco meno 

      
7

            
  
 

3

         
  
12

         
                           

              
19
     
     
                            
        
 

              
Piu mosso con Eleganza 
         
                 
26 1. 2.

  

     
    

        
rit.

     
33 3

  
                 
3 3

cresc.  3        
©
   
Die Zehn Gebote

2

     
Tempo di Marcia con Triumphale 
      
38

      
        
 3 3 


Religioso con Brilliante 
  
rit.

        
45

 
       
   

   
Cantabile con Espressivo 
 rit.

                            
52

 

         
Maestoso fullminante con Eleganza 

             
60

  
 3 3

           
          
64

   
3 3
3

                            
molto rit.

    
67

       
3
 
Die Zehn Gebote
Bariton music by Elmer Bernstein
arranged by Toni F.S. Lang

Prelud zum gleichnamigen Film

     
Maestoso con brillante 

     
          

          
 3 3 3

  
                     
Poco meno 
7
  
   
          
 
 3 3

               
14

          
  

                    
                
20

           
  
 

                     1.
Piu mosso con Eleganza 

             2. 
    
27

 

  
 
  
                                 
rit.

  
33
3

    
cresc.  3 3 3   
©

2 Tempo di Marcia con Triumphale  Die Zehn Gebote

                                              
38

 
 3 3

       
Religioso con Brilliante 
     
rit.

                 
45


 

  rit.

                    
Cantabile con Espressivo 

   
54
   


 
Maestoso fullminante con Eleganza 
               
    
60
      
   
 3 3 3

                
                
molto rit.

        
65

 
3 3 3

                 
    
70


 
Die Zehn Gebote
Tuba music by Elmer Bernstein
arranged by Toni F.S. Lang

Prelud zum gleichnamigen Film


Maestoso con brillante 
   
Poco meno 

                   
               
     
  

    
    
9


3

             
3

        

           
    
                                          
14

                
 

         

           
       
20

           
              
                   
 

 Piu mosso con Eleganza 


 
               
                              
27 1. 2.


                         
              


 

                             
3 rit.


34 3


3

 
3

           
    cresc.                  
    

3
©
2 Tempo di Marcia con Triumphale 
Die Zehn Gebote
               
38

     
                  

   
43

         
           

  

rit. Religioso con Brilliante 

     
46

     
3

         
                     
 

Cantabile con Espressivo  rit.

 
               
52

   
          



Maestoso fullminante con Eleganza 

       
60

  
 

        
molto rit.

  
          
67

     
          
    

Die Zehn Gebote
Pauken music by Elmer Bernstein
arranged by Toni F.S. Lang

Prelud zum gleichnamigen Film


Maestoso con brillante 

         
          
 
   

 
Poco meno 

         
          
8

 
 

      Piu mosso con Eleganza 

               
21

     
   

                     
29 1. 2.

          

               
rit.

 
34

       
  cresc.   

Tempo di Marcia con Triumphale 

                     
38

       

©
2 Die Zehn Gebote rit.

                    
44 3

   

Cantabile con Espressivo 

 
Maestoso fullminante con Eleganza 
  
Religioso con Brilliante 
                
49 3
SOLO

   

        
molto rit.

                
3 3

   
63

 
    

          
      
69

 
  

Die Zehn Gebote
Glockenspiel music by Elmer Bernstein
arranged by Toni F.S. Lang

Prelud zum gleichnamigen Film


  
Maestoso con brillante  Poco meno 

         

  

         
             
11

  
3 3 3 3

                     


16 3

   
 3 

  
Piu mosso con Eleganza 

    
2.

   
23 1.


Tempo di Marcia con Triumphale  rit.

  
38

  

     


  
Religioso con Brilliante 
49
         
   

©
2 Cantabile con Espressivo  Die Zehn Gebote

 
                            
54 3

 
 3

Maestoso fullminante con Eleganza 


rit. molto rit.

                      
59 3

                    
 
70

   
 
Die Zehn Gebote
Perkussion 1-3 music by Elmer Bernstein
arranged by Toni F.S. Lang

Prelud zum gleichnamigen Film


Maestoso con brillante  Poco meno 

       
TAM- TAM Triangel
    
 
      
Cl. Cymbals a2

     
S.Cymbal

   
 
B.D.

          



 

  
         
Snare Drum


9

  
   
  
     
Cl. Cymbals a2
   
 
 
      
B.D.

 
 


Piu mosso con Eleganza 
      1.
                  
23

  


             
     
    

                 
     
©
     
2 Die Zehn Gebote rit.

                             
2.


32

    
cresc.

    

cresc. 

                              
    cresc.  
Tempo di Marcia con Triumphale 

                        
38

          
 3

    
    

              

                     
43

     
3

  
  

     


Religioso con Brilliante 
   
rit.

       
46

  

  
3


   
   


       

Cantabile con Espressivo  Die Zehn Gebote 3
54





Maestoso fullminante con Eleganza 


        
molto rit.

     
60


  
 
Cl. Cymbals a2 Cl. Cymbals a2

             
      
      

B.D.

                 
         
Die Zehn Gebote
Cymbal 2 music by Elmer Bernstein
arranged by Toni F.S. Lang

Prelud zum gleichnamigen Film

  
Maestoso con brillante  Poco meno 

     
Cl. Cymbals a2

  
 
 

 
Piu mosso con Eleganza 

          
18

 
  

 rit.


2.

    
30 1.

 
   


Tempo di Marcia con Triumphale 

      
38

          

 
rit. Religioso con Brilliante  Cantabile con Espressivo 

  
48

 

Maestoso fullminante con Eleganza  Cl. Cymbals a2

 
Cl. Cymbals a2 molto rit.

            
60

       
      

©
Die Zehn Gebote
Bass Drum 3 music by Elmer Bernstein
arranged by Toni F.S. Lang

Prelud zum gleichnamigen Film

 
Maestoso
B.D.
con brillante  Poco meno 

               


B.D.

  


Piu mosso con Eleganza 

            
2.

      
22 1.

      

    
                        
33

    cresc.
  

rit.
Tempo di Marcia con Triumphale  rit.

   
              
37


 
Cantabile con Espressivo 


Religioso con Brilliante  Maestoso fullminante con Eleganza 
   
49

 

B.D.molto rit.

              
65

  
       

©