CD: Another Standard

No TroubLe Bob Berg's Solo for Alto Saxophone

 
   
     
MELODY

                


   
5
          
    

9
          
     
          


  
 
13

                 

                 
17

       

                            
21

     

  
25

              
     


29

    

33
             
      
       

Transcribed by Ann Christin Næss

2

    
     
37

          


41 TENORSOLO
     
              

45
  
      
              
  

   
  

49

    
         

  
53
 
  
    
                  
     
57
                      
       
3 3

                  
61
 
           

          
65

                   
    
69
   
          

73
         
                           


                    
77

          
 3

                             
81

   
3

     
              
85

          

 
       
89

         
   
 
     
                               
93

   

  
     
 
  
97
           
3 3
    

                     
101

   

        
     
105

          
3

     
109

           
     
             
113

             
              

     
           
117

        
    


                     
121

     

4


125
                      
               
129
                   
 
     
     

             
133
            
          

137 To Guitar Solo....
     

             
141 final melody interplay
             
 
3 3 3

        
    
145

       
3
    
   

   
149

            
 

153

 

AS YOU CAN SEE, BARS 108-110 ARE NOT CLEAR TO ME.

ALSO YOU SHOULD TAKE CARE TO BAR 123-124, THESE MAY BE ONE HALF STEP UP.
FOR BAR 145 I MENT TO WRITE 3:2 AND THEN AN EIGHTNOTE, BUT I'M STILL WORKING
WITH HOW TO DO SOFTWARE NOTATION.