Vals Julia - BMT 2020

JULIA
Alto Sax. 1 Francisco Mouré (1897 - 1964)

Vals
       
Tiempo de Vals 
 
A
          
  

 
         
               
11
 
3
                      
B
      
21

   C     
                 
 
31

  D      
             
  
41
     
                   
        
A tempo E
 
57
 
F


                 
67
 
                 
83
 
                   
91
Banda Municipal de Torreón 2019

JULIA
Francisco Mouré (1897 - 1964)
Vals
Alto Sax. 2

       
A
      
         
                         

11
   
3
                 
B
    

21
  
   C      
             
      
31
        
          
D
    
41

                        
 
A tempo E
      
57
 
 
F
         
        
67
  

       
83
          
91
   
                 
JULIA
Baritone (T.C.) Vals
       
  
A
          
 
            
                    
11
  
3
      
B
                        
21
  
             
C
     
31
  

D
                        
48
         
A tempo E
   
                 
58
   
          
                        
68
   
                                  
F
78
    
  
                              
88

JULIA
Vals
Bombo
 
A Tiempo de Vals 
               


B
                      
20
  
C D A tempo E
            

F
                    
69
                    
84
  
     
92
      

JULIA
Clarinet in B  1 Francisco Mouré (1897 - 1964)
Vals

  
                 
 
    

 
                         
   
8

3
       
                  
16
   

        
 
           
  
B
  
24
 
      
          
C
   
31
       
     
D
    
39
       
                  
53
        
A tempo
    
E
    
61
         
  
F
   
69
  
                
83

         
       
   
91

JULIA
Vals

             
    
      


               
            
8
  
3
16
                
            

   

           
   
        
24 B

      
             
31 C

  
              

D
 
39
   
                     
53
 A tempo     
             
61 E
    
       
   
69 F

                  
83
         
 
          
91

JULIA
Vals
A Tiempo de Vals  

               
 
         
 
 
             
        
8 3
    

       
                   
16
        

 
                  
 
        
24 B
  

 
                
31 C
     
 
 
          
39 D
     
 
 
                 
53
      

A tempo
    
E
     
61
       
 
      
F
   
69
     

           
83
        
  
          
91
        
JULIA
Flute 1 Francisco Mouré (1897 - 1964)
Vals

        
    
          
A
 


  
                       
    
8
                   
3
      
   
16
  
   B           
           
24


   
  
  
  
       
31 C
 
     
 
  

       
39 D


      
        
A tempo
    
54
             

E

  
64
         
F
  
    
72
                  
 
86
           
   
92
JULIA
Flute 2
Vals

  
           

             

 
                         
 
 
8
  

                     
3
      
16
  
   B           
    
        
24

 
       
           
31 C
 
 
     
          
39 D

       
     
A tempo
    
54

  E            
  
 
64
          
F
 
    
72
                  
 
86
          
   
92

JULIA
Vals Francisco Mouré (1897 - 1964)
Flute 3


  
A
   
                    
  
 
      
 
                     
8 3
 
                   
       
16
   
  B 
         
  
               
24
 

  
      
           
31 C
    
  
           
   
39 D

  
     
   
A tempo
 
  
   
54

               
E
  
64
            
F
    
72
                   

86
          
   
92

JULIA Francisco Mouré (1897 - 1964)
Horn in E  1
Vals
                           
          
3
                    
                
11
                     
B
      
      
21
                    
C
             
31
                               
D
41
51
                               

                    
A tempo E
             
61
          
  
  
  
    
         
71
                               
F
            
            
91

Vals
Horn in E  2
                                  
A
  
 3
    
                             
11
                                
B

21
            
C
                             
31
            
D
                              
41
          
                                
51
          
A tempo E
                             
61
71
                                

            
F
                                
           
            
91

Vals
Horn in E  3

 
A
                                   
3
 

                             
11
    

B
                               
21

C
                             
31


D
                                
41
  
   
                            
51
  

A tempo E
                             
61

                              
71

F
                              
                
91
    
JULIA
Vals
Platillos de Choque
 
   

             

B
                   
19
  
  
C D A tempo E
         
32

                  
67
                       

                 
89
    

JULIA
Tarola Vals
 
            
 
3
  

B
              
19
   
    
  
C D A tempo E
       
31
 

                  
66
     
F
                   

80
      
                          
88
   

JULIA
Vals Francisco Mouré (1897 - 1964)
Tenor Sax.
       
A
               


  
                         
11
 
3
            
        
B
   
21
   
                     
C
     
31


                   
D
     
41
 
                          
A tempo E
      
57
  
 
F
                  
67
   

           
83
        
  
       
   
91
         
JULIA
Triángulo Vals

       
    
  

B
        
10
    
 
C
                     
29
  

D
                 
38
 
 
A tempo E
              
54

F
                   
68
                     

83
      
91
         
Trombone 1
Vals
       
        
     
           
             
        
11

3
     

             
B
      
21
          

C
       
31

D                  
           
48

           
      
A tempo E
           

58
   
                      
    
68
        
             
    
F
   
78
                             

   
88

Trombone 2
JULIA
Vals
       
  
         
A
  
              
          
       
11
    
      
         
B
   
  
 
21
  
          

C
         
31

D
                  
           
48
    
                     
A tempo E
       
    
58
                

68

 
            

                             
F
         
78
  
                              
88

JULIA
Vals
Trombone 3
       

A
            
 
                   
             
11

3
  
                   B  
       
21
    

                  
C
 
31
                 
   
D
       
48
            
                
A tempo
      
58 E
                                     
68
  
                                
      
78 F
 
                             
       
88

JULIA
Trumpet in B  1 Francisco Mouré (1897 - 1964)
Vals
 
            
A
        
3

       
                  
18
     
  
  
B C


         
         
D A tempo
       
43
          
E
     
  
64
         
    
F
   
72
       
            
86
       
       
92

JULIA
Vals
 
     
A
                
3
       
                    
18
    
   
B C
 
 
        
   
  
D A tempo
          
43
  
E
        
        
64
   
F
     
    
    
72
    
               
86
   
         
92
 
JULIA
Vals
 
  
A
           
3
 
   
   
                            
18
   
B C
       
     
  
D A tempo
             
43
 

E
            
64
     
 
F
             
72
  

   
86
                

    
92
         
JULIA
Tuba Bb Vals
 
    
A
 
                  

         
                
13
  
                          
B C
          
                  
37
    
D
           
           
             

A tempo E

            
61
    
            
F
       
73
  
                           
85

JULIA
Score Francisco Mouré (1897 - 1964)
Vals
 
            
                
                 
A
         
Flute 1
 
  
3
        
                     
 
                            

Flute 2
 
3
                                   
                         
3
    
Flute 3
    
                                       

Clarinet in B  1                 
 
3
     
  
                     
  
 
                  

Clarinet in B  2     
 
3
        
                                                    
3
Clarinet in B  3
    
       
Alto Sax. 1                      
               
3
 
        
                 
               
Alto Sax. 2

  
3
 
      
              
               
Tenor Sax.

3
   
  
 
  
 
  
        
             
 
  
 
  
 
  
       
Horn in F                
3
    
  
 
  
 
  
 
  
       
          
 
  
 
  
 
  
 
         
     
Horn in E  1    
3
                  
Horn in E  2                                                  
 3
 
                                                      
3
Horn in E  3
   
         
Trumpet in B 1                   
3
    
Trumpet in B 2                          
3
             
3
        
 
 
Trumpet in B 3
 
                     
              
Trombone 1
        
                    
3
          
           
Trombone 2  
3
              
Baritone (T.C.)                                
3
      
                               
Tuba
                       
   
Triangle
      
               

Snare Drum
3
Bass Drum                      
   
Cymbal Line                      

2 JULIA
  
                         B            
          
C
      
    
17
Fl. 1


                               
Fl. 2                                     
           
                         
                                

Fl. 3
  
           
                                
   
             
B  Cl. 1
 

                  
                                              
B  Cl. 2        

           
                                                         
 
B  Cl. 3

   
                      
A. Sx. 1                               
      
       
                                    
A. Sx. 2            
                   
                               
         

T. Sx.
                             
                                                   
17
Hn. 
                                  
Hn. 1                                                    
                    
Hn. 2                                                    

Hn. 3           
 
  
 
                                        
             
                        
B Tpt. 1           
            
                             
B Tpt. 2       
     
                                          
 
B Tpt. 3

                  
                     
Tbn. 1
             
        
          
                           
 
  
Tbn. 2       
                     
                                 
Bar.
  
Tuba
      

                                 
              
17
             
  
Trgl.
                        
17
           
      
S.Dr.
B. Dr.                                       
                               
17
Cym.       
JULIA 3
 
           
 
D
                 
34
Fl. 1
         
Fl. 2                           
    
            
Fl. 3                   
      
B  Cl. 1 
                          
   
B  Cl. 2                                
    
B  Cl. 3                
            
                 
    
A. Sx. 1            
      
                 
A. Sx. 2           
                   
            
T. Sx. 
                                   
                                                     
34
Hn. 
    
  
 
  
 
  
 
  
 
  
 
  
 
  
 
  
 
  
 
  
 
  
 
  
   
     
 
  
 
  
 
  
Hn. 1   
                  
Hn. 2                                                        

Hn. 3                                                         
                             
    
B Tpt. 1 
                
B Tpt. 2                  

B Tpt. 3        
                         
           
      
Tbn. 1                 
           
             

        
Tbn. 2 
        
                       
Bar.

    
Tuba
                                    
                    
34
          
 
Trgl.
34
S.Dr.                   
B. Dr.                   
                 
34
Cym. 
4 JULIA
    E   
        A tempo  
           
           
52
Fl. 1
       
               
              

Fl. 2
    
       
    

             
      

Fl. 3
             
B  Cl. 1                                    
 
      
B  Cl. 2                                           
 
      
B  Cl. 3           

                      
      
          
              
               
A. Sx. 1        
                                      
A. Sx. 2          
            
                  
           
T. Sx.      
                              
                                                  
52
Hn. 
                             
Hn. 1

                        
                           
                     
Hn. 2                                                     
 
Hn. 3                                                     
          
B Tpt. 1               
      
B Tpt. 2                   
                
B Tpt. 3        
                
          
       
Tbn. 1
                   
                                
               
Tbn. 2             

    
      

                              
Bar.
          

           

      
Tuba                      
                   
52
          
 
Trgl.
         
52
              
    
S.Dr.
B. Dr.                          
                     
52
Cym.    
JULIA 5
        F         

           
69
Fl. 1
                
  
Fl. 2          
                
Fl. 3            
        
B  Cl. 1                       
        
B  Cl. 2                       
            
               
B  Cl. 3

    
A. Sx. 1                           

A. Sx. 2         
                     

                           
T. Sx.

                                 
                                                  
69
Hn. 
                                  
Hn. 1                                                   
                  
Hn. 2                                                      

Hn. 3                                                      
                  
B Tpt. 1            
     
B Tpt. 2                         
            
B Tpt. 3  
              
         
            
         
 

      
Tbn. 1
           
          

                
  
     
   

        
Tbn. 2    

  
   
 
                
  

  

       

   
           
Bar.
 
    
Tuba
                                
   
                     
69
Trgl.           
                    
69
            
        
S.Dr.
B. Dr.                                    
                               
69
Cym.    
6 JULIA
    
                         
    
86
Fl. 1
                             
Fl. 2     
                             
Fl. 3     
         
     
B  Cl. 1                     
           
B  Cl. 2                        
          
           
B  Cl. 3
            
 
A. Sx. 1                                    

A. Sx. 2       

               
         
 
         
             
T. Sx.
             
                                
86
Hn. 
                     
Hn. 1              
Hn. 2

                                     

Hn. 3                                   
B Tpt. 1 
                                   
             
B Tpt. 2                      
    
B Tpt. 3                               
    
 
  
                            
  
Tbn. 1    
      
                               
Tbn. 2       
             
Bar.  
                              
            
Tuba               
         
86
Trgl.                          
        
86
                          
    
S.Dr.
B. Dr.                                

               
86
Cym.                 

Vals Julia - BMT 2020

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JULIA

Alto Sax. 1 Francisco Mouré (1897 - 1964)

Banda Municipal de Torreón 2019

Tiempo de Vals 

Banda Municipal de Torreón 2019

Banda Municipal de Torreón 2019

Banda Municipal de Torreón 2019

A Tiempo de Vals  

Banda Municipal de Torreón 2019

Tiempo de Vals 

Banda Municipal de Torreón 2019

Tiempo de Vals 

Banda Municipal de Torreón 2019

                   

Banda Municipal de Torreón 2019

                     

Banda Municipal de Torreón 2019

Banda Municipal de Torreón 2019

Banda Municipal de Torreón 2019

Banda Municipal de Torreón 2019

Banda Municipal de Torreón 2019

          

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