Basse Dance No.

2 (Bergerette Sans Roch)

Tielman Susato (c1510-after1570)

                              
Treble Recorder   

                  
Tenor Recorder 1   

Tenor Recorder 2                            

  
 
      
Bass Recorder
        

                              
5
 
   

                         
 

    
                  
    
     
             

   

                       
              
10

 

                         

                  
  

          
      
                

  

                             
16
      
  

                  
           

                            
    
    
             

   
2

                        
21
 
       


                        
 

      
                      
    
              

  

                         
26

       

   
    

 

         

                          
   
       

       


            
30

          


    

              

 
               
  

    
       

   

Nachtanz (Bergerette) (Reprise 1)

                     
$

Treble Recorder           

Tenor Recorder 1                    
    

                          

Tenor Recorder 2

     
           
 
Bass Recorder
    
  
3

           
                     
39


  

          
                    

                           
  


                      
   

                        
45
    
     

                           
 

                       
      
         
                

  

   
Fine
     
51
            
 

                  


                 
  
 
              

  


D.S. al Fine
    
55
 
             


               
 

        
         
  
         

    

Nachtanz (Bergerette) (Reprise 2)

                         
Treble Recorder  

Tenor Recorder 1                          

Tenor Recorder 2                       

  
             
Bass Recorder
            
 
4

       

    
 
64
        
 

                          

 
               
          

      
               

 

 
               
            
69


   


                            


                           
   
                 
        

  

       
            
75
   


                          

                
  
   

                     
   

 

         
 
80

              

  
                    

  
          
          
 
     
           

  