IK User Manual

advanced guitar amp and fx modeling plug-in
• Complete Guitar Amp modeling solution and

Guitar Effects power house.
• Ultra accurate modeling of over 80 must have

and sought after guitar gear, with unique DSM™
technology.
• Mix and match amp components to build

your own custom amp within 20,000 amp
combinations.
• Easy to use, with over 400 presets ready to go.
• 32 stomp and rack effects with flexible routing.
• 2 series or parallel guitar rigs.
PN: MNU-AT-0002
User Manual
AmpliTube® 2 is a registered trademark property of IK Multimedia Production.
All other trademarks property of their respective owners.
www.amplitube.com
IK Multimedia Production, via dell’industria 46, 41100, Modena, Italy.

Phone: +39-059-285496, Fax: +39-059-2861671
IK Multimedia US LLC, 1153 Sawgrass Corporate Pkwy. Sunrise, FL 33323
Phone: (954) 846-9101, Fax: (954) 846-9077, Tech Support Phone: (954) 846-9866
www.ikmultimedia.com
All specifications are subject to change without further notice.

AmpliTube 2 ®
PLEASE NOTE:
AmpliTube® is a registered trademark of IK Multimedia. All other product

names and trademarks are property of their respective owners, which are in
no way associated or affiliated with IK Multimedia. Product names are used
solely for the purpose of identifying the specific products that were studied
during IK Multimedia’s sound model development and for describing certain
types of tones produced with IK Multimedia’s digital modeling technology.
Use of these names do not imply any cooperation or endorsement.
THD logo on AmpliTube 2 courtesy of THD Electronics, Ltd.
1
AmpliTube 2
®
2
AmpliTube 2 ®
I Contents pag. 3
II Interface pag. 8
III License and copyrights pag. 10
Chapter 1 AmpliTube 2 pag. 13

1.1 AmpliTube 2 pag. 13
1.2 DSM™ Technology pag. 13
1.3 Block Diagram pag. 14
Chapter 2 Basic Operation pag. 15

2.1 Starting AmpliTube 2 in your Sequencer pag. 15
2.1.1 Starting AmpliTube 2 in Pro Tools® pag. 15
2.1.2 Starting AmpliTube 2 in Cubase™ SX pag. 15
2.1.3 Starting AmpliTube 2 in Logic™ pag. 15
2.1.4 Starting AmpliTube 2 in Digital Performer™ pag. 15
2.1.5 Starting AmpliTube 2 in Sonar® pag. 16
2.1.6 Starting AmpliTube 2 in Live® pag. 16
2.2 Plug-in Architecture pag. 16
2.3 Using the Interface pag. 18
2.4 Automation pag. 19
Chapter 3 Input/Output Interface pag. 21

3.1 I/O Interface pag. 21
3.2 Connecting your guitar and adjusting your levels pag. 21
3.3 Selected Module Pan and Volume pag. 22
3.4 Using Noise Gate pag. 22
3.5 Navigation pag. 22
3.6 Tune pag. 23
3.7 Preferences (“Prefs”) pag. 23
3.8 Info pag. 23
Chapter 4 Module Selector pag. 25
4.1 Dual Signal Paths pag. 25
4.2 Selecting Modules pag. 26
Chapter 5 Preset Manager pag. 27

5.1 Loading Presets pag. 27
5.2 Other Controls pag. 27
5.3 Saving a Preset pag. 28
Chapter 6 Getting Started pag. 29

6.1 Quick Start: how to get a clean sound pag. 29
6.2 Quick Start: how to get a crunch sound pag. 30
I - Contents 3
AmpliTube 2
®
6.3 Quick Start: how to get a lead sound pag. 30

6.4 Creating your own Amp Setups pag. 31
6.4.1 Getting Started pag. 31
6.4.2 Select an Amp pag. 32
6.4.3 Setup the Cabinet pag. 32
6.4.4 Choosing Stomp Effects pag. 33
6.4.5 Working with the Rack Effects pag. 33
6.4.6 Saving a Global Preset pag. 34
6.4.7 Saving a Module Preset pag. 34
Chapter 7 TUNER Module pag. 35
Chapter 8 STOMP Module (Stomp Effects) pag. 37

8.1 Controls pag. 37
8.2 Modulation Effects pag. 39
8.2.1 Chorus-1 pag. 39
8.2.2 Phazer10 pag. 39
8.2.3 Chorus pag. 39
8.2.4 Flanger pag. 40
8.2.5 Opto-Tremolo pag. 40
8.3 Delay Effects pag. 40
8.3.1 Echoman pag. 40
8.3.2 Delay pag. 41
8.4 Filter Effects pag. 41
8.4.1 Envelope Filter pag. 41
8.4.2 LFO Filter pag. 41
8.4.3 Wah pag. 42
8.5 Pitch Effects pag. 42
8.5.1 Octav pag. 42
8.5.2 Pitch Shifter pag. 42
8.5.3 Harmonator pag. 43
8.6 Distortion Effects pag. 43
8.6.1 Fuzz Age pag. 43
8.6.2 Overscream pag. 43
8.6.3 Overdrive pag. 44
8.6.4 Crusher pag. 44
8.7 Dynamics Effects pag. 44
8.7.1 DCOMP pag. 44
8.7.2 Compressor pag. 45
8.8 EQ Effects pag. 45
7.8.1 Graphic EQ pag. 45
8.9 Other Effects pag. 45
8.9.1 Volume pag. 45
4 I - Contents
AmpliTube 2
®
Chapter 9 AMP Module (Amp Head) pag. 47

9.1 Intro pag. 47
9.2 Model Components pag. 47
9.3 Preamp Models pag. 48
9.3.1 American Tube Clean 1 pag. 48
9.3.2 American Tube Clean 2 pag. 49
9.3.3 Modern Tube Lead pag. 50
9.3.4 American Tube Vintage pag. 51
9.3.5 Tube Vintage Combo pag. 52
9.3.6 British Tube 30TB pag. 53
9.3.7 British Tube Lead 1 pag. 54
9.3.8 British Tube Lead 2 pag. 55
9.3.9 Modern Hi-Gain pag. 56
9.3.10 Solid State Clean pag. 57
9.3.11 Solid State Fuzz pag. 58
9.3.12 Solid State Lead pag. 59
9.3.13 THD BiValve pag. 60
9.3.14 Bass PreAmp pag. 61
9.4 Power Amp Models pag. 62
9.4.1 Class A EL84 pag. 62
9.4.2 Class A Single Ended pag. 62
9.4.3 100W EL34 pag. 62
9.4.4 50W EL34 pag. 62
9.4.5 100W 6L6 pag. 62
9.4.6 50 W 6L6 pag. 62
9.4.7 Solid State pag. 62
Chapter 10 CAB Module (Cabinets + Microphones) pag. 63

10.1 Intro pag. 63
10.2 SPEAKER MODEL pag. 63
10.3 SPEAKER MODELS pag. 63
10.3.1 1x6 Small Combo pag. 64
10.3.2 1x8 Combo Modern pag. 64
10.3.3 1x12 Combo pag. 64
10.3.4 1x12 Open Modern pag. 65
10.3.5 1x12 Open Vintage pag. 65
10.3.6 2x12 Closed Vintage pag. 65
10.3.8 4x10 Closed Modern pag. 66
10.3.10 4x12 Closed Vintage1 pag. 67
10.3.11 4x12 Closed Modern1) pag. 67
10.3.12 4x12 Closed Modern2 pag. 67
10.3.13 4x12 Closed Vintage2 pag. 68
10.3.14 1x15 Bass Vintage pag. 68
I - Contents 5
AmpliTube 2
®
10.3.15 4x10+tw Bass pag. 68

10.3.16 1x12 Bass (figure 10.19) pag. 69
10.4 MIC MODEL pag. 69
10.4.1 Dynamic 57 pag. 70
10.4.2 Dynamic 421 pag. 70
10.4.3 Dynamic 441 pag. 70
10.4.4 Condenser 87 pag. 70
Chapter 11 RACK Module (Post Effects) pag. 71

11.1 Intro pag. 71
11.2 Modulation Effects pag. 71
11.2.1 Digital Flanger pag. 71
11.2.2 Analog Chorus pag. 72
11.2.3 Digital Chorus pag. 72
11.2.4 Rotary Speaker pag. 73
11.3 Delay and Reverb Effects pag. 73
11.3.1 Digital Delay pag. 73
11.3.2 Digital Reverb pag. 74
11.4 Pitch Effects pag. 74
11.4.1 Harmonator pag. 74
11.4.2 Pitch Shifter pag. 75
11.5 EQ and Dynamics Effects pag. 76
11.5.1 Parametric EQ pag. 76
11.5.2 Tube Compressor pag. 76
11.6 Stereo Enhancer pag. 77
Chapter 12 AmpliTube 2 Models pag. 79
Chapter 13 Troubleshooting pag. 81
Chapter 14 Support pag. 87

14.1 User Area pag. 87
6 I - Contents
AmpliTube 2
®
7
AmpliTube 2 ®
Guitar Amp & Fx Modeling Plug-In
Over 400 different guitar Amp and Effects

preset combinations ready to go.
Module Interface. More than 80

models of acclaimed guitar gear.
8 II - Interface
AmpliTube 2 ®
Five Modules: Amp-Heads, Mic’d Cabinets, a

Stomp Pedalboard, Rack Effects, and a Tuner.
Two Guitar Rigs. The sound is

able to follow two independent
separate paths.
Input, Output, Tuner.
II - Interface 9
AmpliTube 2 ®
License Agreement
END-USER LICENSE AGREEMENT FOR IK MULTIMEDIA PRODUCT
Please read this document carefully before breaking the seal on the media package. This agreement licenses the enclosed software to you and
contains warranty and liability disclaimers.
By breaking the seal on the media envelope, you are confirming to have taken notice of terms and conditions of this agreement and you acknowl-
edge your acceptance of the software as well as your acceptance of the terms of this agreement. If you do not wish to do so, do not break the
seal. Instead, promptly return the entire package, including the unopened media package, to the dealer from whom you have obtained it, for a
full refund.
1) DEFINITIONS
“EULA” means this end user license agreement
“IK Multimedia Product” means the software program and hardware (if any) included in the enclosed package, the related documentation, models,
multimedia content (such as animation, sound and graphics) and all related updates supplied by IK Multimedia.
“Not for resale (NFR) Version” means a version of IK Multimedia Product, so identified, is intended for review and evaluation purposes, only.
2) LICENSE
The “IK Multimedia Product” is protected by copyright laws and international copyright treaties, as well as other intellectual property laws and
treaties. The “IK Multimedia Product” is licensed, not sold.
This EULA grants you the rights as specified here below. All other actions and means of usage are reserved to the written permission of the right
holder IK Multimedia Production srl:
Applications Software. The “IK Multimedia Product” may be used only by you. You may only use one copy of the “IK Multimedia Product”, or any
upgrade thereof for the same operating system, on a single computer.
Storage/Network use. You may also store or install a copy of the “IK Multimedia Product” on a storage device, such as a network server, used only
to install or run the “IK Multimedia Product” on your other computers over an internal network; however, you must acquire and dedicate a distinct
license for each user of the “IK Multimedia Product” from the storage device. Any given license for the “IK Multimedia Product” may not be shared
or used concurrently or otherwise on different computers or by different developers in a given organization.
3) AUTHORIZATION CODE
The “IK Multimedia Product” only functions when you are in the possession of an authorization code. You will receive an authorization code upon
completing the authorization code request procedure. Once your authorization code is activated, you may use the product.
You agree to follow the authorization code request procedure and will provide true, accurate and complete information about yourself. If you
provide any information that is untrue, inaccurate, not correct or incomplete, or IK Multimedia has reasonable grounds to suspect that such infor-
mation is untrue, inaccurate, not correct or incomplete, IK Multimedia has the right to suspend or to revoke the license.
The termination of the license shall be without prejudice to any rights, whatsoever, of IK Multimedia.
4) DESCRIPTION OF OTHER RIGHTS AND LIMITATIONS

Limitations on Reverse Engineering, Decompilation, and Disassembly. You may not reverse engineer, decompile, or disassemble the “IK
Multimedia Product”, except and only to the extent that such activity is expressly permitted by applicable law notwithstanding this limitation of
components. The “IK Multimedia Product” is licensed as a single product. Its component parts may not be separated for use on more than one
computer.
Not for Resale Version. If the “IK Multimedia Product” is labeled “Not for Resale” or “NFR” or “Evaluation Copy”, then, notwithstanding other
sections of this EULA, you may not sell, or otherwise transfer the “IK Multimedia Product”.
Rental. You may not rent, lease, or lend the “IK Multimedia Product” to any party.
Software Transfer. You may not transfer, license or sublicense your rights as Licensee of the software or any “IK Multimedia Product”, as licensed
to you under this agreement without prior written consent of the rights owner. The carrier on which the IK Multimedia product has been distrib-
uted may be transferred or otherwise made available to any third party only with the prior written consent of the rights owner and provided that
(a) the original media and license(s) accompany the carrier and (b) the party transferring the media does not retain a copy of the media.
10 License Agreement
AmpliTube 2 ®
5) UPGRADES
If the “IK Multimedia Product” is labeled or otherwise identified by IK Multimedia as an “upgrade”, you must be properly licensed to use a product
identified by IK Multimedia as being eligible for the upgrade in order to use the “IK Multimedia Product”.
An “IK Multimedia Product” labeled or otherwise identified by IK Multimedia as an upgrade replaces and/or supplements the product that formed
the basis for your eligibility for such upgrade. You may use the resulting upgraded product only in accordance with the terms of this EULA. If the
“IK Multimedia Product” is an upgrade of a component of a package of software programs that you licensed as a single product, the “IK Multimedia
Product” may be used and transferred only as part of that single product package and may not be separated for use on more than one computer.
6) DUAL-MEDIA SOFTWARE
You may receive the “IK Multimedia Product” in more than one medium. You may not loan, rent, lease, or otherwise transfer the other medium to
another user, except as part of the permanent transfer (as provided above) of the “IK Multimedia Product”.
7) LIMITED WARRANTY
IK Multimedia warrants to the original purchaser of the “IK Multimedia Product”, for a period of ninety (90) days following the date of original
purchase, that under normal use, the “IK Multimedia Product” is free from defects that will materially interfere with the operation of the program
as described in the enclosed user documentation.
8) WARRANTY CLAIMS
To make a warranty claim under the above limited warranty, please return the product to the point of purchase, accompanied by proof of purchase,
your name, your return address and a statement of the defect, or send it to us at the below address within ninety (90) days of purchase. Include a
copy of the dated purchase receipt, your name, your return address and a statement of the defect. IK Multimedia or its authorized dealer will use
reasonable commercial efforts to repair or replace the product and return it to you (postage prepaid) or issue to you a credit equal to the purchase
price, at its option.
9) LIMITATIONS ON WARRANTY
IK Multimedia warrants only that the program will perform as described in the user documentation. No other advertising, description or represen-
tation, whether made by a IK Multimedia dealer, distributor, agent or employee, shall be binding upon IK Multimedia or shall change the terms
of this warranty.
EXCEPT AS STATED ABOVE, IK MULTIMEDIA MAKES NO OTHER WARRANTY, EXPRESSED OR IMPLIED, REGARDING THIS PRODUCT. IK MULTIMEDIA
DISCLAIMS ANY WARRANTY THAT THE SOFTWARE IS FIT FOR A PARTICULAR PURPOSE, AND ANY IMPLIED WARRANTY OF MERCHANTABILITY
SHALL BE LIMITED TO A NINETY (90) DAY DURATION OF THIS LIMITED EXPRESS WARRANTY AND IS OTHERWISE EXPRESSLY AND SPECIFICALLY
DISCLAIMED. IK MULTIMEDIA SHALL NOT BE LIABLE FOR SPECIAL, INCIDENTAL, CONSEQUENTIAL OR OTHER DAMAGES, EVEN IF IK MULTIMEDIA
IS ADVISED OF OR AWARE OF THE POSSIBILITY OF SUCH DAMAGES. THIS MEANS THAT IK MULTIMEDIA PRODUCTION SRL SHALL NOT BE
RESPONSIBLE OR LIABLE FOR THE LOSS OF PROFITS OR REVENUES, OR FOR DAMAGES OR COSTS AS A RESULT OF LOSS OF TIME, DATA OR USE
OF THE SOFTWARE, OR FROM ANY OTHER CAUSE EXCEPT THE ACTUAL COST OF THE PRODUCT. IN NO EVENT SHALL IK MULTIMEDIA LIABILITY
EXCEED THE PURCHASE PRICE OF THIS PRODUCT.
10) CHOICE OF LAW

You agree that any and all claims, suits or other disputes arising from your use of the software shall be determined in accordance with the laws of
Itay, in the event IK Multimedia, is made a party thereto. You agree to submit to the jurisdiction of the court in Modena, Italy for all actions, whether
in contract or in tort, arising from your use or purchase of the software.
11) GENERAL
This Agreement contains the complete agreement between the parties with respect to the subject matter hereof, and supersedes all prior or con-
temporaneous agreements or understandings, whether oral or written. All questions concerning this Agreement shall be directed to:
IK Multimedia Production srl

Via Dell’Industria 46
41100 Modena
Italy
© 2006 IK Multimedia Production srl. All rights reserved.
License Agreement 11
AmpliTube 2®
TUNER Module
STOMP Module
AMP Module
CAB Module
RACK Module
12
AmpliTube 2 ®
Chapter 1 AmpliTube 2
1.1 AmpliTube 2
AmpliTube 2 is the sequel to the most popular guitar amp and effects plug-
in, raising the standard to an unprecedented level of hi-quality emulation
and extreme flexibility. A completely redesigned application, AmpliTube 2
maintains its traditional ease of use while offering tremendously enhanced
new features like:
• Completely redesigned interface and enhanced DSP engine, including

our new exclusive DSM™ technology for ultra-accurate analog circuitry
emulations.
• 5 separate modules including Tuner, Stomp, Amp-head, Miked Cabinet

and Rack effects with over 80 guitar-gear emulations included.
• Build your own custom Amp with the extreme flexibility of combining
between separate Pre, EQ, Power Amp, Cabinet + Microphone modeling
which make up more than 20,000 possible amp combinations.
• 21 stomp effects available from accurate modeling of rare vintage

effects pedals.
• 11 rack effects including hi-quality parametric EQ, reverb, delay,

chorus, compressor, pitch-shifter, harmonizer, stereo-widener, rotary
speaker and more…
• 2 simultaneous guitar-rigs available with the choice of series or paral-

lel connection between the modules.
• Super-flexible routing for Stomp and Rack Effects with 20 simultane-

ous configurable effects’ slots.
1.2 DSM™ Technology
DSM™ is a new and exclusive IK Multimedia technology used in the emula-

tion of analog circuitry. DSM™ was designed to increase the response real-
ism and playability of critical analog circuit models. Musicians always felt
digital emulations of high quality analog gear (such as guitar amplifiers) to
be good but not completely satisfying because of the lack of certain “play-
ability” and “musicality” qualities that only the real thing provides. DSM™
has been designed to improve this aspect.
DSM™ gives special and unique results when applied to circuit emulations
where the non-linearity is the main characteristic of the processor, such as in
distortion, fuzz, overdrive stomp boxes, tube guitar preamplifiers and power
amps, and analog compressors and limiters. The DSM™ working principle
1 - AmpliTube 2 13
AmpliTube 2
®
is based on a new approach never applied to DSP “analog modeling” until

now.
Analog circuits, especially Tube and Class-A discrete ones, are not dynami-
cally-linear, but have been modeled this way by today’s technology. An ana-
log circuit’s character is never constantly shaped but varies depending on
lots of parameters, first and foremost the strength, frequency and harmonic
content of the incoming signal.
DSM™ takes the next step. It continuously adapts the “shape” of the analog
circuit instead of applying a static snapshot. By using more complex math-
ematical functions, a more articulated and musical response is possible,
making DSM™ ideal for modeling tube preamps and tube power amps.
Traditional emulations are forced to a tradeoff between, for example, those

kind of distortions that appear only when a 2x6L6 tube power amplifier is
driven to its limit and the cleaner sound it has when it’s driven normally.
DSM™ delivers a dynamic response that continuously morphs and “follows”

the incoming signal; in other words, that follows the music.
This leads to an accuracy that cannot be found in any other modeling

hardware or software today, respecting all the signal nuances exactly like
a real analog circuit would do with a grade of realism and musicality never
achieved before.
1.3 Block Diagram
figure 1.1
14 1 - AmpliTube 2
AmpliTube 2 ®
Chapter 2 Basic Operation
2.1 Starting AmpliTube 2 in your Sequencer
2.1.1 Starting AmpliTube 2 in Pro Tools®
Launch Pro Tools and create your new session. If playing/recording guitar,
create a mono audio track. Select AmpliTube 2 Mono/Stereo among RTAS
plug-ins as the insert for that audio track. The AmpliTube 2 interface will
then open. If you are using Pro Tools LE, when the track is place in record
monitor, you will be able to here the effect while recording.
Tip: If you are using Pro Tools TDM and recording a guitar track
while listening to Amplitube 2, you should insert a TDM plug-in like
Digidesign’s “TRIM” before AmpliTube 2 RTAS. This will let you hear
AmpliTube 2 RTAS while recording on a TDM system, otherwise Pro
Tools will bypass the RTAS plug-in (AmpliTube 2 in this case) as soon as
the track will be REC enabled.
2.1.2 Starting AmpliTube 2 in Cubase™ SX
Launch Cubase™. Click on the audio or instrument track you wish to add AmpliTube
to. In the inspector window on the left, click on the dark blue bar that says “Inserts”
or click on the “e” button beside the track name at the top of the inspector.
Once the inserts are visible (under the insert menu on the Inspector, or
on the left side of the audio channel editor window) click on empty insert.
Select “AmpliTube 2”. At this point, if you play back audio, you should be able
to route sound through your AmpliTube 2 plug-in.
Tip: In order to take advantage of the stereo capabilities of AmpliTube 2, Cabinets

panning, stereo rack FXs, insert it on a stereo track or stereo groups tracks.
2.1.3 Starting AmpliTube 2 in Logic™
Launch Logic™. Insert AmpliTube 2 on the desired track from the mixer win-
dow. The AmpliTube 2 edit window will automatically open.
Tip: In order to take advantage of the stereo capabilities of AmpliTube 2,

Cabinets panning, stereo rack FXs, open the plug-in as Mono -> Stereo
when inserted on mono tracks, or open it on stereo tracks.
2.1.4 Starting AmpliTube 2 in Digital Performer™
Launch Digital Performer (4.1 or newer) and create your new session. Go to
2 - Basic Operation 15
AmpliTube 2
®
the Mixer View. On your audio track, select AmpliTube 2 in the insert. The
AmpliTube 2 edit window will automatically open. You will now be able to
hear the plug-in on the audio you’re recording or playing back.
Tip: In order to take advantage of the stereo capabilities of AmpliTube 2,

Cabinets panning, stereo rack FXs, open the plug-in as Mono to Stereo
when inserted on mono tracks, or open it on stereo tracks.
2.1.5 Starting AmpliTube 2 in Sonar®
Launch Sonar and create your new session. Open the CONSOLE (pressing
ALT+3) and locate the audio track you wish to add AmpliTube to. Right click
into the FX INSERT AREA (dark square in upper area of the AudioTrack) on
the mixer and choose “AmpliTube 2” from the AUDIO EFFECTS sub-menu.
The AmpliTube 2 interface will then appear.
2.1.6 Starting AmpliTube 2 in Live®
Launch Live and click on one of the audio or virtual instrument tracks in the
“Mixer Drop Area”. Notice in the “Track View” (bottom window), the text
“Drop Audio Effects” appears.
Now, in the “Browser Window” (window on the left hand side of the screen),
click the Plug-in Browser button (looks like an electric plug). Browse to
AmpliTube 2 and click/drag it into the “Track View”. Once AmpliTube 2 loads,
it will appear as a “Device” with an XY controller on it.
To view the AmpliTube 2 interface click the “edit plug-in panel” (small
wrench) button at the top of the Device window.
2.2 Plug-in Architecture
AmpliTube 2 is set up as a traditional guitar rig. This ensures predictable

results and real world flexibility. While it is simple to comprehend and
navigate, the user interface allows for complex guitar rigs and advanced
signal routing.
5 Modules: The interface is divided into modules: Tuner, Stomp effects,

Amp, Cabinet, and Rack effects (figure 2.1). This approach makes it easy
to move between the different sections of the guitar amp rig and pro-
vides easy access to module specific controls and features.
figure 2.1
16 2 - Basic Operation
AmpliTube 2 ®
Two Simultaneous Guitar Rigs: AmpliTube 2 is divided into two simul-

taneous guitar rigs (figure 2.2).
figure 2.2
This means there are two independent stomp effects, amps, cabinet,
and rack effect signal chains. So you can create a guitar rig with two
independent amplifier setups, use the two rigs in an extensive single
figure 2.3 figure 2.4 guitar amp setup, or a combination of the two using the flexible routing
system provided.
Flexible Routing: The two signal paths can be patched together to cre-
ate even more complex guitar setups. There are eight preset routing
configurations, providing easy access to sophisticated effects and amp
figure 2.5 figure 2.6
patching. Presets included are:
1: All stomp effects and rack effects into one amp rig (figure 2.3).
2: Two separate amp setups (figure 2.4).

3: All stomp effects and rack effects into one amp rig with both
cabinets (figure 2.5).
4: All stomp effects and rack effects into both amp rig (figure 2.6).
5: Two separate stomp effects setups into one amp with two cabinet
setups (figure 2.7).
6: Two separate amp setups with separate stomps into two indepen-
dent rack effects (figure 2.8).
7: Two separate stomp effects setups into two separate amp rigs
into all the rack effects (figure 2.9).
8: Two separate stomp effects setups into one amp setup with all
the rack effects (figure 2.10).
Presets: One of the easiest ways to get started with AmpliTube 2 is to

audition the massive collection of included presets (figure 2.11). To
make life easier, IK has included this collection of presets to augment
the already powerful AmpliTube 2 engine. These have been skillfully
programmed by both the designers of AmpliTube 2 and a collection
of pro users that use AmpliTube 2 on a regular basis for their guitar
recording needs. A variety of music genres, playing styles, and popular
signal chains have been taken into consideration when these presets
figure 2.11 were programmed.
AmpliTube 2
®
2.3 Using the Interface
There are four basic sections in the interface.
PRESET MANAGER: loads and saves presets (figure 2.12). This section
can manipulate global presets and module specific presets.
figure 2.12
MODULE SELECTOR: is the main navigation menu for AmpliTube 2

(figure 2.13). It displays both guitar rigs, selects the modules, bypasses
and mutes modules, and allows you to control the signal path of the
guitar rigs.
figure 2.13
MODULE INTERFACE: this is the main editing interface (figure 2.14).

This is where most of the editing takes place. This interface shows the
different modules and all their related controls.
figure 2.14
INPUT/OUTPUT INTERFACE: adjust input and output gains, enables the

noise gate, adjusts the pan and volume for individual modules, scrolls
through the modules, and displays the preferences and system informa-
tion (figure 2.15).
figure 2.15
AmpliTube 2 ®
2.4 Automation
The following parameters of AmpliTube 2 can be enabled and automated

using your host application:
• All Stomp controls and switches (on A and B rigs).

• Both Amp controls (on A and B rigs).
• Speaker models, mic models and positions, ambience (on A and B rigs).
• All Rack FX control selectors and switches (on A and B rigs).
Please note that all the available parameters in AmpliTube2 are listed in
automation parameters, not just the ones that are being currently used.
For example if you want to automate the EchoMan “Blend” parameter and
the EchoMan stomp is set on Stomp A, just scroll the automation parameters
up to “EchoMan A: Blend”.
This means that Stomp: EchoMan, Rig: A, Parameter: Blend (figure 2.16).
Following this procedure is very important as it allows for changing presets

to audition different sounds without loosing the possibly already present
automation data for the EchoMan parameters, in case no EchoMan has
already been inserted in the presets you’re auditioning.
Important notice: If you insert two stomps of the same type on the same
Rig, such as, for example two EchoMans, only the first one of the two will
be automated. If you need to automate two Stomps or Rack FX’s of the same
type, just insert one on Rig A and the other one on Rig B.
figure 2.16
AmpliTube 2
®
AmpliTube 2 ®
Chapter 3 Input/Output Interface
3.1 I/O Interface
The Input/Output interface provides more than just volume controls. It

includes a noise gate, an integrate display from the tuner, scrolling naviga-
tion, independent volume and pan and selected parameter display for the
modules, and plug-in parameters and version information (figure 3.1).
figure 3.1
3.2 Connecting your guitar and adjusting your levels
To fully obtain high sound quality from AmplitTube 2, first you need to cor-
rectly connect the guitar to your computer.
Check the features of your audio interface.
INPUTS TO USE:
Hi-Z inputs.
Instrument inputs.
The Microphone XLR input can ONLY be used if you are using an active
DI BOX between the guitar 1/4” Plug and the Mic XLR input.
NOT TO USE:
Regular Line inputs.
NEVER connect your guitar directly to line inputs
NEITHER -10dB nor +4dB inputs can be used for your guitar
Once you have successfully connected your guitar to your computer, you will
need to setup the Input Gain on your audio interface.
To optimally setup your audio interface:

Increase the gain knob on your interface up to the point where the
clipping LED on your interface just starts blinking when played hard
enough, then decrease the gain to a comfortable level.
Or
Increase the gain knob on your interface to make the Input Lever meter
on AmpliTube 2 reach almost full scale when played hard enough, then
decrease the gain on your interface slightly.
There are input and output level controls on the I/O interface. This makes it
easy to fine tune the input gain for proper preamp driving (figure 3.2). The
meter next to the input trim gives an accurate representation of the input
figure 3.2 signal.
3 - Input/Output Interface 21
AmpliTube 2 ®
If you properly connected and adjusted the Interface Gain knob as explained
in section leave the input control on AmpliTube 2 where it is by default, at
its center position (0 dB).
The input level meter (figure 3.3) should peak almost at its max when you
play the hottest passages, if it’s too low increase the Input Level knob. If it’s
too high, lower it. Pay attention that if the signal is too hot the instrument
figure 3.3 input could be overloading the Audio Interface.
If the output level needs to be adjusted, change the master trim (figure 3.4).
There is a meter to the right of the master trim that shows the output level
and an overload light to the far right of the meter. Use this meter to gauge
figure 3.4 how the level should be adjusted. To reset the RED clipping indicator just
click on it.
3.3 Selected Module Pan and Volume
For added flexibility, pan and volume control for the individual selected
modules are included (figure 3.5). The volume control fine tunes the output
level on any module. The pan control adjusts the pan on stereo modules.
figure 3.5 Only the CAB and RACK can be panned. These controls should usually be
kept at their default center position.
3.4 Using Noise Gate
When using high gain and naturally noisy guitar effects, it is often good
to use a noise gate to minimize the amount of unnecessary noise passing
through the guitar rig (figure 3.6).
figure 3.6
THRESH. (Threshold): Sets the threshold level for the signal. When the
signal drops below the set threshold level, the noise gate silences the
signal. Usually keep the Threshold level at the lowest possible value
(fully counterclockwise) and set it higher only when you need the gate
to work.
REL. (Release): This sets the gate release time. Higher values will result
in a gate that takes a longer amount of time to close again when the
input signal disappear.
3.5 Navigation
The navigation buttons scroll between the modules, simplifying their selec-
tion (figure 3.7).
figure 3.7
22 3 - Input/Output Interface
AmpliTube 2 ®
3.6 Tune
TUNE provides a small representation of the TUNER module, making it easy

to tune up without having to change the module you are viewing (figure
3.8). It displays the desired note value and a graphical representation of the
figure 3.8 fine tuning. When the OK light illuminates the tuning is correct.
3.7 Preferences (“Prefs”)
The Preferences menu allows for switching oversampling On and Off for
different AmpliTube 2 modules and setting the modeling resolution for the
power amplifier models (figure 3.9).
figure 3.9
Enabling oversampling improves the sound quality significantly when the
signal is heavily distorted. Please note that this will result in a higher CPU
usage. If you use very high gain sounds and the distortion obtained by using
a Preamplifier such as the “Modern Tube Lead” or the “British Tube Lead 2”
we suggest enabling Oversampling on Preamps.
Oversampling is enabled by default on preamplifiers, and disabled on

stomps and power amplifiers.
Enabling “High Resolution” will improve the dynamic and musical response
of the power amplifiers, whereas the CPU usage will be somewhat higher.
Switch off High Resolution only if your computer does not have sufficient
CPU power for the session.
High Resolution is enabled by default (figure 3.10).
Tip: You can disable Oversampling when working on a session in real-

time and activate it just before bouncing the final mix.
figure 3.10
3.8 Info
The info pages provide useful information about Amplitube 2 (figure 3.11).
For example, you will find the version number, instructions about how to
setup your audio path, and a brief explanation about how to get three basic
figure 3.11 amp sounds (figure 3.12).
These amp sounds are also covered in Chapter 5 (figure 3.13).
3 - Input/Output Interface 23
AmpliTube 2
®
figure 3.12
figure 3.13
24 3 - Input/Output Interface
AmpliTube 2 ®
Chapter 4 Module Selector
The module selector performs multiple functions (figure 4.1). First, it allows
you to select the different modules in AmpliTube 2. It also displays the dual
signal paths. Another function of the module selector is to select and display
the eight different signal paths.
figure 4.1
4.1 Dual Signal Paths
AmpliTube 2 provides two discrete signal paths; each one containing stomp
box, amplifier, cabinet, rack modules. With the use of eight different presets,
these two signal paths can be configured in multiple variations allowing
a tremendous amount of flexibility. This is a very important feature as it
allows routing a guitar signal to multiple amplifiers or cabinets; or setup
two separate six stomp pedal setups or one twelve pedal setup.
The preset buttons to the left of the module selector choose the signal path
of the guitar rig (figure 4.2). Clicking on the individual buttons or using the
up/down arrows will select the different signal paths.
figure 4.2
Here are the eight different signal paths:
1: All stomp effects and rack effects into one amp rig (figure 4.3)
2: Two separate amp setups (figure 4.4)

3: All stomp effects and rack effects into one amp rig with both cabinets
(figure 4.5)
4: All stomp effects and rack effects into both amp rig (figure 4.6)
figure 4.5 figure 4.6 5: Two separate stomp effects setups into one amp with two cabinet setups
(figure 4.7)
6: Two separate amp setups with separate stomps into two independent
rack effects (figure 4.8)
7: Two separate stomp effects setups into two separate amp rigs into all the
rack effects (figure 4.9)
8: Two separate stomp effects setups into one amp setup with all the rack
effects (figure 4.10)
4 - Module Selector 25
AmpliTube 2
®
4.2 Selecting Modules

Once the signal path for the guitar rig is set up, the Module Selector will
make it easy to navigate the different modules in AmpliTube 2. To select
modules in the Module Selector, click directly on the module (figure 4.11).
This allows easy access to any module on either of the dual signal path.
Clinking on the module buttons below allow to select the first module of the
two available in the chain.
figure 4.11
26 4 - Module Selector
AmpliTube 2 ®
Chapter 5 Preset Manager
One of the key features in AmpliTube 2 is the Preset Manager (figure 5.1).
This system allows global Presets as well as individual Presets for the
STOMP, AMP, CAB, and RACK modules, so adding a specific stomp setup or
rack effect to a custom amplifier rig is easier than ever before.
figure 5.1
5.1 Loading Presets
As with any of the drop down menus in AmpliTube 2, you can either click
on the Preset Selector and choose from the drop down menu or click the
up/down arrows and scroll through the Presets. Depending on whether the
Presets Manager is set for Global or Module operation, the Presets list you
see here will change accordingly to the selected module (figure 5.2).
5.2 Other Controls
There are 6 buttons under the Preset Selector.
PRESET FOLDER: opens the Presets folder for immediate manual interven-
tion on location, grouping, naming, backup of the Preset files via standard
OS window (figure 5.3).
figure 5.3
figure 5.2 GLOBAL: changes the Preset Manager to load and save global Presets
(figure 5.4). These Presets store all the parameters for all the modules. The
letters on this button will be illuminated when active. When GLOBAL is
selected only GLOBAL Presets will be visible when clicking on the menu.
figure 5.4
MODULE: changes the Preset Manager to load and save module specific
Presets (figure 5.5). When selected, the letters on this button will illumi-
nate. This button’s label will change depending on which module is select-
ed. The label will correspond with STOMP, AMP, CAB, and RACK modules. If
5 - Preset Manager 27
AmpliTube 2 ®
the TUNER module is selected the module button will stay blank, as there
is no Preset data for the tuner module. When MODULE is selected, only
Presets related to the currently visible module will be listed. For example,
when STOMP is visible only STOMP Presets will be listed.
figure 5.5
SAVE: saves the current setup as a Preset. If the global button is selected,
then it will save the parameters for all the modules in AmpliTube 2. If the
module button is on then it will save the Preset for the selected module.
SAVE AS: functions like the save button but always prompts for a new name
in the save dialogue.
DELETE: deletes the current selected Preset. THIS CAN NOT BE UNDONE!!!
5.3 Saving a Preset
To save a Preset, you must first decide whether you want to save a global or
a module specific Preset. As explained in section 4.2 a global Preset saves
the parameters for all of the modules and a module Preset saves parameters
for a specific module. Select the appropriate Preset Manager mode: either
GLOBAL or MODULE.
Click the save button (figure 5.6). A pop up window will appear (figure 5.7).
figure 5.6
At the top of this window, you can specify a folder where you would like
to save the Preset or create a new folder to save in. In the middle field on
this pop up window, type the name of the Preset. The bottom field makes
AmpliTube 2 auto overwrite when you click Save. This will allow you to save
quicker, but if not careful could unintentionally overwrite Preset that you
figure 5.7 wanted to keep.
Click the SAVE button in the pop up window (figure 5.8). Your Preset is now
saved. It will now appear in the Preset Selector.
figure 5.8
28 5 - Preset Manager
AmpliTube 2 ®
Chapter 6 Getting Started
6.1 Quick Start: how to get a clean sound
Make sure that all MATCH buttons are on (figure 6.1).

EQ Model Match
EQ Model Match AMP Model Match
Speaker Model Match
Select a Clean Preamp, note that Clean preamps do not have a GAIN knob,
as in hardware amps, for example select “American Tube Clean 1” or “British
Tube 30TB” (figure 6.2).
AMP Model Match
Speaker Model Match

figure 6.1
figure 6.2
Check that the Amp VU Meter does not reach the RED area, to avoid crunch-
ing the sound (figure 6.3).
If the output level is too low increase the LEVEL knob, NOT the Amp Volume,
in order to keep the sound CLEAN (figure 6.4).
figure 6.3
figure 6.4
6 - Getting Started 29
AmpliTube 2 ®
6.2 Quick Start: how to get a crunch sound

EQ Model Match
EQ Model Match AMP Model Match
Speaker Model Match
Select a Clean Preamp like “British Tube 30TB” or a moderate gain lead
preamp like the “British Tube Lead 1” (figure 6.6).
AMP Model Match
Speaker Model Match

figure 6.5
figure 6.6
Increase the Amp Volume in order to push the power amp to its limit and
getting it to crunch, the Amp VU Meter will be in the RED area, this is normal
figure 6.7 and typically desirable (figure 6.7).
If you need more Crunch just increase the Plug-In input level knob (figure
figure 6.8
6.8) this will overload the Amplifier even more.
If the output level is too high and the CLIPPING indicator goes on just lower
the LEVEL knob, not the Amp Volume (figure 6.9). To reset the clipping
figure 6.9 indicator, click on it.
6.3 Quick Start: how to get a lead sound

EQ Model Match
EQ Model Match
AMP Model Match
Speaker Model Match
AMP Model Match
Speaker Model Match

figure 6.10
30 6 - Getting Started
AmpliTube 2 ®
Select a Lead preamp like the “Modern Tube Lead”, note that Lead preamps
have an active GAIN knob, as is the case with hardware amps (figure 6.11).
figure 6.11
Set the Amp Volume knob to 4-5 max (figure 6.12).
Set the GAIN to the preferred setting for the style. Adjust the Amp Volume
so that it’s not too high, keeping the VU Meter out of the RED area.
Experimenting with high gain and high volumes at the same time is sug-
figure 6.12 gested only when searching for extreme crunch lead sounds. For tight high
gain sounds it is good to keep the power amp VU Meter out of the RED area
(figure 6.13).
figure 6.13
6.4 Creating your own Amp Setups
6.4.1 Getting Started
To get started with AmpliTube 2 let’s create an amp rig. Notice in the module
selector, there are two signal paths (figure 6.14).
figure 6.14
These signal paths can be routed in multiple ways by selecting on of the
eight signal path presets. Let’s choose preset 1 (figure 6.15).
figure 6.15
Notice that the signal path progresses as follows:
TUNER - STOMP A - STOMP B – AMP A – CAB A – RACK A – RACK B - OUT
AmpliTube 2 ®
6.4.2 Select an Amp
Now let’s select an amp to start with. Click on the “AMP A” box on the module
selector (figure 6.16).
figure 6.16
Once you are viewing the Amplifier head, make sure that the “MATCH”
button is turned on, on the EQ and AMP Models. Under the PRE Model,
select “British Tube 30TB” (figure 6.17). This will be the amp we use for this
demonstration.
6.4.3 Setup the Cabinet
Now with the amp selected let’s select the speaker cabinet we are going to
use. Select “CAB A” from the module selector (figure 6.18).
figure 6.17
figure 6.18
This will open up the Speaker cabinet in the interface window. By default,
the speaker selected should be “2X12 Open Vintage”. Turn off the “MATCH”
button and select “4x12 Modern Closed” (figure 6.19).
figure 6.19
In the mic model window, select “Dynamic 421”. To add some room ambi-
ence to the sound increase the ambience slider to around 3. When you click
on a control and move it, the value for that control shows up on the Input/
Output interface at the bottom of the screen (figure 6.20).
figure 6.20
AmpliTube 2 ®
6.4.4 Choosing Stomp Effects
With our basic amplifier/speaker setup, we should select some pedals to

use. Click on “STOMP A” in the module selector (figure 6.21).
figure 6.21
Under the first effect slot, click on “Modulation – Chorus -1”. This will load
a classic analog chorus effect (figure 6.22). On the next effect slot click on
“Distortion – Overscream”. This will load a classic overdrive effect that will
compliment our amp setup. Set the drive to around 3.6 (figure 6.23). In addi-
tion, there are ten more effects to be used.
6.4.5 Working with the Rack Effects
Click on the RACK A button in the module selector (figure 6.24).
figure 6.24
AmpliTube 2
®
In the first effect slot select “Delay & Reverb – Digital Delay” (figure 6.25).
figure 6.25
Obviously we could add more effects, change more settings on the modules
that we have open and create a much more elaborate guitar rig, but this
should give you a basic idea on how to navigate AmpliTube 2.
6.4.6 Saving a Global Preset
The next thing we need to do is save our preset. To do this locate the preset
manager window to the top left of the interface. Notice that there is several
buttons underneath the preset selector. Because we want to save all the set-
tings for this guitar rig (stomps, amp, speaker, and rack effects) make sure
that the global button is selected (figure 6.26).
With the global button selected click save and give the preset a name and
figure 6.26
save it. If you now click on the preset selector window, our newly created
preset will appear in the drop down menu.
6.4.7 Saving a Module Preset
Now suppose that we want to save just our stomp effects setup. This is also
possible with the advanced preset manager created for AmpliTube 2. First
click the STOMP A button on the module selector (figure 6.27).
Then look at the Preset Manager area. Notice that the button next to GLOBAL
figure 6.27
now says STOMP. Click this button and is should illuminate (figure 6.28).
Now when you click save you will only save the STOMP effects that you have
figure 6.28
configured. Give this stomp setup a name and save it. If you now look in the
preset manager, you will find this newly save STOMP preset can be loaded
independently to the rest of the modules in AmpliTube 2.
AmpliTube 2 ®
Chapter 7 TUNER Module
The first module in AmpliTube 2 is the Tuner (figure 7.1).
figure 7.1
To access the tuner, click the TUNER button on the module selector. This
tuner is a fully automatic chromatic tuner, meaning that there is no need to
manually select the note you are going to tune. The tuner will automatically
detect and show which note you’re playing. On the left there is an On/Off
button for the tuner (figure 7.2). Setting the switch to the ON position will
turn on the Tuner.
figure 7.2
There is a mute control as well (figure 7.3). This makes it possible to silence
the guitar signal while tuning, a very useful feature for live performance.
These bypass and mute controls are the same controls that appear on the
top right side of the AmpliTube 2 interface (figure 7.4).
Under the On/Off and mute controls, TUNE displays the tuning reference
figure 7.3 being used. The default reference is 440 Hz. This can be adjusted by clicking
on the display. A cursor will appear, use backspace and cursor buttons to
move and edit the value entering numbers, the standard and most common
tuning reference is 440 Hz, and the possible range is from 425 to 455 Hz
(figure 7.5).
figure 7.4
The right side of the tuner displays the detected note value and the fine tun-
ing in cents (figure 7.6). This is also visible on the bottom of the AmpliTube
2 interface with the fine tuning shown graphically (figure 7.7).
The main feature in the tuner is obviously the graphical tuner interface (fig-
figure 7.5 ure 7.8). Based on a high end rackmount tuner, AmpliTube 2’s tuner allows
for precise and easy tuning.
figure 7.6
7 - TUNER Module 35
AmpliTube 2
®
36 7 - TUNER Module
AmpliTube 2 ®
Chapter 8 STOMP Module (Stomp Effects)
figure 8.1 - STOMP Module
8.1 Controls
To change the stomp effect configuration, click the STOMP button on the
module selector (figure 8.2). The stomp module allows you to freely config-
ure six stomp pedal effects at a time. Featuring effects modeled after some
of the most legendary stomp pedals in history, there is ample flexibility
to emulate classic guitar sounds as well as create your own all new amp
sounds.
figure 8.2
The stomp module can be used as two independent six pedal stomp modules
(figure 8.3) or one twelve pedal stomp module (figure 8.4). This is config-
ured by selecting the appropriate routing preset to the left of the signal path
display (figure 8.5).
figure 8.3 figure 8.4 figure 8.5
8 - STOMP Module 37
AmpliTube 2 ®
The six stomp effect slots are displayed in the module interface as empty
spaces on a wooden pedal board (figure 8.6).
figure 8.6
You can select different stomp effects by either clicking on one of the six
displays under the pedal board (figure 8.7) or using the up and down arrows
to scroll through the different effects (figure 8.8). The effects are organized
into categories for easier navigation.
figure 8.7 Like a hardware guitar rig, each stomp effect’s controls are displayed on
the stomp box (figure 8.9). When you adjust a rotary or slide control on the
stomp box, that control’s value is displayed in a window at the bottom of the
screen (figure 8.10). This makes it easy to copy an exact setting for one of
your effects, if needed.
figure 8.8
figure 8.9
figure 8.10
38 8 - STOMP Module
AmpliTube 2 ®
8.2 Modulation Effects
8.2.1 Chorus-1
A model of a classic bucked-brigade analog Chorus/Vibrato unit (figure

8.11). It provides both analog Chorus and analog Vibrato effects, when in
Chorus mode the modulation will be lush and slow, when in Vibrato effect
the modulation will be faster and more noticeable.
Controls:
Level: Sets the input level. Range is from –15dB to +15 dB.
Chorus: Sets the intensity (or depth) of the Chorus effect, from 0 to 10.
Vibrato Depth: Sets the intensity of the Vibrato effect, from 0 to 10.
figure 8.11 Vibrato Rate: Sets the rate of the Vibrato effect, from 0 to 10.
Vibrato/Chorus switch: Enables Vibrato or Chorus modes, when Vibrato
mode is enabled the corresponding LED will illuminate.
BPM ON: Allows the effect to synchronize to the host BPM.
8.2.2 Phazer10
A model of a classic analog multimode Phaser stomp box (figure 8.12).
Controls:
Intensity: Selects one of the four different Phaser modes. From left to
right the perceived effect intensity will increase.
Speed: Sets the speed of the modulation, from 0 to 10.
figure 8.12 8.2.3 Chorus
This chorus (figure 8.13) is modeled after a classic Digital Chorus stomp
box.
Controls:
RATE: Sets the rate of the chorus effect, from 0 to 10.

DEPTH: Sets the intensity of the chorus effect, from 0 to 10.
LEVEL: Sets the input level of the stomp effect, ranges from 0 to 10.
figure 8.13
8 - STOMP Module 39
AmpliTube 2 ®
8.2.4 Flanger
This stomp box (figure 8.14) is a model of a classic Flanger effect.
Controls:
RATE: Sets the rate of the Flanger effect, from 0 to 10.

DEPTH: Sets the intensity of the Flanger, from 0 to 10.
DELAY: Sets a delay for the Flanger to take effect, from 0 to 10.
LEVEL: Sets the input level of the stomp box, ranges from 0 to 10.
8.2.5 Opto-Tremolo
figure 8.14 This model (figure 8.15) is based on a vintage Opto-Tremolo effect.
Controls:
RATE: Sets the rate of the Flanger effect, from 0 to 10.

8.3 Delay Effects
8.3.1 Echoman
A model of a classic bucked-brigade analog echo/delay (with modulation)

stomp pedal effect (figure 8.16).
figure 8.15 Controls:
DELAY: Changes the length of the delay between each echo, from 25ms
to 500ms.
FEEDBACK: Changes the amount of time that the echo repeats, from
0% to 100%
BLEND: Mixes the amount of dry signal with the effected signal, from
0%(dry) to 100%(effected).
CH/VIB: Sets the amount of Chorus/Vibrato effect added to the effected
sound, from 0% to 100%.
CHORUS VIBRATO: Changes whether chorus or vibrato can be added to
the effect.
BPM: Allows the effect to synchronize to the host BPM.
figure 8.16
40 8 - STOMP Module
AmpliTube 2 ®
8.3.2 Delay
This model (figure 8.17) is based on a traditional digital delay stomp pedal.
Controls:
DELAY: Changes the length of the delay between each echo, from 1ms
to 2000ms.
FBK.: Changes the amount of time that the echo repeats, from 0% to
100%
LEVEL: Sets the level of the effected (or wet) sound, from 0 to 10.
8.4 Filter Effects

figure 8.17
8.4.1 Envelope Filter
This stomp (figure 8.18) is an advanced filter effect. It uses the envelope
of the incoming signal to control a synthesizer style filter. It is capable of
sounds ranging from very simple auto wah effects to extreme never before
heard filtering effects.
Controls:
FREQ: Sets the cutoff frequency of the filter, from 40 Hz to 20,480 Hz.
RESO: Sets the resonance of the filter, from 0.30 to 10.
DEPTH: Changes the amount of effect that the envelope has on the filter,
from 0% to 100%.
MODE: These control change the type of filter used for the effect.
12/24: Sets the slope of the filter, either 12dB per octave or 24 dB
figure 8.18 per octave.
HP/BP/LP: Sets the type of filter being used, either high pass, band
pass, or low pass.
8.4.2 LFO Filter
This complex stomp effect (figure 8.19) uses an LFO to modulate the fre-
quency of its filter. With the included BPM sync this is a very useful effect
for creating interesting, moving guitar parts with a minimum amount of
trouble.
Controls:
FREQ: Sets the cutoff frequency of the filter, from 40 Hz to 20,480 Hz.
RESO: Sets the resonance of the filter, from 0.30 to 10.
RATE: Adjusts the speed of the LFO, from 0.05 Hz to 5 Hz.
figure 8.19 DEPTH: Changes the amount of effect that the envelope has on the filter,
8 - STOMP Module 41
AmpliTube 2 ®
from 0% to 100%.
MODE: These control change the type of filter used for the effect.
12/24: Sets the slope of the filter, either 12dB per octave or 24 dB
per octave.
HP/BP/LP: Sets the type of filter being used, either high pass, band
pass, or low pass.
8.4.3 Wah
This effect (figure 8.20) is modeled after the classic wah pedal used by many
of the top players from the 60’s and 70’s. In addition to the wah effect it also
features an auto function, allowing it to be used easily without an external
controller. This is a new exciting feature.
figure 8.20
Controls:
OFF/ON/AUTO: Sets the mode of the Wah effect, OFF, ON, or AUTO.
WAHWAH: This directly controls the wah effect, from 0% to 100%.
8.5 Pitch Effects
8.5.1 Octav
This stomp effect (figure 8.21) is modeled after a classic dual voice octave
pedal. It will produce two additional sounds, one and two octaves below the
direct signal.
Controls:
figure 8.21
OCT 2: Sets the output level of the second octave effect, from –inf to
0.00 dB.
OCT 1: Sets the output level of the first octave effect, from –inf to 0.00
dB.
DIRECT LEVEL: Sets the output level of the direct signal, from –inf to
0.00 dB.
8.5.2 Pitch Shifter
This effect (figure 8.22) shifts the pitch of the incoming signal. This new
pitch shifted signal is blended with the original sound to create harmony
guitar leads or other types of dual pitch effects.
Controls:
figure 8.22 COARSE: Sets the coarse tuning of the pitch shifter. Measured in inter-
42 8 - STOMP Module
AmpliTube 2 ®
vals, from -24 to 24.

FINE: Sets the fine tuning of the pitch shifter. Measured in cents, from
-50 to 50.
LEVEL: Sets the output level of the pitch shifted sound, from 0 to 10.
8.5.3 Harmonator
This effect (figure 8.23) is a 3 voice digital harmonizer effect. More than just
a pitch shifter, this pedal will create 3 separate harmony voices with inde-
pendent interval values based on a musical scale. Simply select the scale to
use, select the voice and the desired pitch and play. The harmonized notes
will be according to the selected scale.
Controls:
figure 8.23
MIX: Blends the harmonized voice with the original voice, from 0 to 100
KEY-SCALE: Controls the key and type of scale that will be used by the
harmonizer as a reference. If you’re playing a solo in E major set this
to E Major. Possible scales types are: Major, Dorian, Phrygian, Lydian,
Mixolydion, Minor, and Locrian.
VOICE: Controls the properties of each of the 3 voices of the harmonizer.
LEVEL: Independently adjusts the level of each of the 3 voices.
1: Selects voice 1 for editing.
INTERVAL: Changes the interval of the selected voice, from octave
down to octave up.
8.6 Distortion Effects
figure 8.24
8.6.1 Fuzz Age
This effect (figure 8.24) is modeled after a classic germanium transistor

fuzz stomp effect. Typically used on lead guitar, this effect has remained a
popular distortion effect throughout the years.
Controls:
VOL: Sets the output volume of the stomp effect, from –inf. to 0.0 dB.
FUZZ: Sets the fuzz level of the effect, from 0 to 10.
8.6.2 Overscream
This is a model of a classic overdrive/distortion pedal which has become the go

to overdrive pedal for some of the most influential guitar players of all time (fig-
figure 8.25 ure 8.25). It’s basic controls make it easy to dial in the exact sound you want.
8 - STOMP Module 43
AmpliTube 2 ®
Controls:
DRIVE: Increases the amount of clipping in the distortion circuit, from

0 to 10.
LEVEL: Sets the output level of the pedal, from 0 to 10.
TONE: Adjusts boost or cut of high frequencies in the stomp effect, from
0 to 10.
8.6.3 Overdrive
A model of a classic overdrive stomp effect (figure 8.26).
Controls:
figure 8.26 TONE: Adjusts boost or cut of the high frequencies in the stomp effect,
from 0 to 10.
DIST: Sets the amount of distortion applied to the input signal of the
effect, from 0 to 10.
LEVEL: Sets the level of the input for the effect, from 0 to 10.
8.6.4 Crusher
This model (figure 8.27) alters the sound of the input signal by changing
the sample-rate, cutoff frequency and by distorting it. This effect can pro-
duce very aggressive distorted sounds, more pronunciated than overdrive
stompboxes. The Low pass filter is very creative when combined to high
distortion levels.
Controls:
figure 8.27 CUTOFF: Controls the cutoff frequency of the lowpass filter.
DECIM: Selects the sample-rate-ratio of the processed sound, from 1:1
to 1:16
GAIN: Sets the amount of signal sent to the effect, therefore the distor-
tion. Useful when creating heavily distorted sounds, from -40 dB to
+40 dB.
OUT: Controls the output volume, from -40 dB to +40 dB.
8.7 Dynamics Effects
8.7.1 DCOMP
This effect (figure 8.28) is modeled after a vintage compression stomp

pedal.
figure 8.28
44 8 - STOMP Module
AmpliTube 2 ®
Controls:
OUTPUT: Sets the output level for the effect, from –inf to 0.0 dB.
SENSITIVITY: Sets the sensitivity of the compression, from 0 to 10.
8.7.2 Compressor
This effect (figure 8.29) is a model of a classic high end compressor. It is

capable of mild compression or intense signal slamming, and does it all with
a tremendous amount of finesse.
Controls:
COMP: Sets the amount of compression, from 0 to 100.

figure 8.29 LEVEL: Changes the output level of the compressor, from -15 dB to +15
dB.
8.8 EQ Effects
7.8.1 Graphic EQ
This model (figure 8.30) is a clean, highly effective 1 octave graphic equal-
izer, capable of fine tuning and dialing in that perfect tone. It is also very
useful when you need to “push” the signal for the next stompbox or amp.
Controls:
FREQUENCY BAND LEVEL: Each frequency band is one octave apart and
allows for +/- 15 dB of adjustment. The controls include 100 Hz, 200 Hz,
figure 8.30 400 Hz, 800 Hz, 1.6 kHz, 3.2 kHz, 6.4 kHz.
LEVEL: Sets the output level of the graphic EQ, from -15dB to +15 dB.
8.9 Other Effects
8.9.1 Volume
This model (figure 8.31) is a traditional volume pedal.
Controls:
MIN: Sets the minimum volume level for the pedal, from 0 to 10.
OFF/ON: Turns on and off the volume pedal.
VOLUME: Adjust the volume of the signal passing through it, from 0%
to 100%.
figure 8.31
8 - STOMP Module 45
AmpliTube 2
®
46 8 - STOMP Module
AmpliTube 2 ®
Chapter 9 AMP Module (Amp Head)
figure 9.1 - AMP Module
9.1 Intro
Click the AMP button on the module selector to change the amplifier in your
figure 9.2 guitar setup. There are two separate amplifier modules that can be accessed
independently, are paralleled for dual amp setups. This can be selected from
the routing presets to the left of the signal path display (figure 9.2).
There are a few universal controls for the amp sections that will help you to
better navigate the amplifier models.
Bypass: This control (figure 9.3) disables the AMP Module from the
plug-in’s signal.
figure 9.3
EQ MATCH: This control (figure 9.4) automatically selects the associated
EQ section for the preamp that is selected. This is very useful when try-
ing to quickly select a specific guitar amp with it’s correct EQ model.
AMP MATCH: The amp match control (figure 9.5) selects the associated
figure 9.4 power amp stage for the selected preamp.
These controls simplify selecting complete guitar amps. These are very use-
ful when trying to use a specific vintage or boutique guitar rig.
9.2 Model Components

figure 9.5
The Amp module is divided into three separate models. This not only allows
for more accurate amp models, but also allows for custom amp creation,
using different components from a variety of world class amplifiers.
figure 9.6 PRE MODEL: The first stage in the AMP module (figure 9.6). This section
9 - AMP Module 47
AmpliTube 2 ®
models the initial preamp and drive of the various amplifiers.
EQ MODEL: The EQ stage follows the Pre model (figure 9.7). With the
figure 9.7 large number of guitar amp models included in AmpliTube 2, it is pos-
sible to combine some very interesting and top notch guitar tones.
AMP MODEL: The final stage of the amplifier module is the Amp model
(figure 9.8). As different power amp designs affect the sound of a guitar
figure 9.8 amplifier differently, it is very beneficial to have this part of the ampli-
fier modeled separately. Now you can use a Vox style power amp section
on a Marshall style Preamp.
9.3 Preamp Models
9.3.1 American Tube Clean 1
This amp is modeled after a classic American guitar amp (figure 9.9). This
amp is great for clean to dirty sounds, making ideal for clean and crunchy
rhythm, rock, country, blues, and anything else requiring a clean amp
capable of getting a little dirty when the music calls for it.
figure 9.9
Controls:
BYPASS: Bypasses the selected amp stage of Amplitube.

EQ MODEL:
BASS: Boosts and cuts the bass frequencies of the amp’s EQ stage,
from 1 to 10.
MIDDLE: Boosts and cuts the mid frequencies of the amp’s EQ stage,
from 1 to 10.
TREBLE: Boosts and cuts the high frequencies of the amp’s EQ stage,
from 1 to 10.
PRESENCE: Boost the high frequencies of the EQ stage, from 1 to 10.
48 9 - AMP Module
AmpliTube 2 ®
SPRING REVERB: Sets the level of spring reverb added to the guitar
amp sound, from 1 to 10.
AMP MODEL:
VOLUME: Adjusts the output level of AmpliTube’s power amp stage,
from 1 to 10.
9.3.2 American Tube Clean 2
This model features yet another classic American amplifier (figure 9.10).
Unlike the American Tube Clean 1, this model is a smaller combo amp. This
amp delivers a clean yet warm tone.
figure 9.10
Controls:

EQ MODEL:
from 1 to 10.
from 1 to 10.
from 1 to 10.
PRESENCE: Boost the high frequencies of the EQ stage, from 1 to
10.
AMP MODEL:
from 1 to 10.
9 - AMP Module 49
AmpliTube 2
®
9.3.3 Modern Tube Lead
This amp is a model of one of the leaders in hard, driven rock tones made
today (figure 9.11). Capable of searing leads and heavy crunch, this amp has
been rectified to create a modern rock tone that is hard to beat.
figure 9.11
Controls:

PRE MODEL:
GAIN: Adjusts the input gain of the preamp stage. Use this setting
to drive the preamp stage, from 1 to 10.
EQ MODEL:
from 1 to 10.
from 1 to 10.
from 1 to 10.
AMP MODEL:
from 1 to 10.
50 9 - AMP Module
AmpliTube 2 ®
9.3.4 American Tube Vintage
This classic American amplifier was at first designed to be a bass amp, but
later became one of the most popular American guitar amps ever made
(figure 9.12). Great for clean tones, it is also versatile in a variety of music
genres and playing styles.
figure 9.12
Controls:

EQ MODEL:
from 1 to 10.
from 1 to 10.
from 1 to 10.
10.
AMP MODEL:
from 1 to 10.
9 - AMP Module 51
AmpliTube 2
®
9.3.5 Tube Vintage Combo
This is a model of a small vintage amplifier that was basic in design but big
in tone (figure 9.13). This model is simple but sweet.
figure 9.13
Controls:

EQ MODEL:
PRESENCE: Cuts the high frequencies of the amp’s EQ stages when
turned down.
AMP MODEL:
from 1 to 10.
52 9 - AMP Module
AmpliTube 2 ®
9.3.6 British Tube 30TB
This is a model of a legendary british amplifier which is one of the most

widely recognizable and popular amps of all time (figure 9.14). Throughout
its life, its legendary tone helped to put many of rocks founding fathers
(including 4 guys from Liverpool) on the map and has been a highly sought
after sound that is still heard on many albums today.
figure 9.14
Controls:

EQ MODEL:
from 1 to 10.
from 1 to 10.
CUT: As on the original, Cuts the high frequencies of the amp’s EQ
stage when turned down.
AMP MODEL:
from 1 to 10.
9 - AMP Module 53
AmpliTube 2
®
9.3.7 British Tube Lead 1
Made popular by the hard rockers of the 80’s this British guitar amp has
remained a prized tone for many of today’s guitar players (figure 9.15). Able
to crank out great tube saturated tone and with ease this model is a go to
amp for a variety of heavy rock guitar sounds.
figure 9.15
Controls:

PRE MODEL:
EQ MODEL:
from 1 to 10.
from 1 to 10.
from 1 to 10.
AMP MODEL:
from 1 to 10.
54 9 - AMP Module
AmpliTube 2 ®
9.3.8 British Tube Lead 2
The younger sibling to the British Tube Lead 1, this model is capable of great
rock tone, leads, and heavy crunch (figure 9.16). While grittier and a little
more aggressive, it still has the classic tone that has made this family of
amps a household name in Rock Guitar.
figure 9.16
Controls:

PRE MODEL:
EQ MODEL:
from 1 to 10.
from 1 to 10.
from 1 to 10.
AMP MODEL:
from 1 to 10.
9 - AMP Module 55
AmpliTube 2
®
9.3.9 Modern Hi-Gain
Based on the classic AmpliTube model, this amp features LOTS of gain for
that over the edge distortion sound (figure 9.17). Similar to modern tube
lead sound in character, Modern Hi-Gain provides an additional take on that
type of sound.
figure 9.17
Controls:

PRE MODEL:
EQ MODEL:
from 1 to 10.
from 1 to 10.
from 1 to 10.
AMP MODEL:
from 1 to 10.
56 9 - AMP Module
AmpliTube 2 ®
9.3.10 Solid State Clean
This amp model is clean (figure 9.18). It provides a very uncolored signal to
the guitar, perfect for jazz. It could be compared to amps like the Roland®
Jazz Chorus™ in nature, so ideal for sparkling clean tones.
figure 9.18
Controls:

EQ MODEL:
from 1 to 10.
from 1 to 10.
AMP MODEL:
from 1 to 10.
9 - AMP Module 57
AmpliTube 2
®
9.3.11 Solid State Fuzz
Based on AmpliTube 1’s fuzz amp, this model is a very distinct and distorted
sound, reminiscent of 60’s fuzz sounds (figure 9.19).
figure 9.19
Controls:

PRE MODEL:
EQ MODEL:
from 1 to 10.
from 1 to 10.
AMP MODEL:
from 1 to 10.
58 9 - AMP Module
AmpliTube 2 ®
9.3.12 Solid State Lead
This model features a precise solid state lead sound (figure 9.20). It has a
darker tone and excels at high gain lead tones. It is very suitable for hard
rock leads and it’s gain is very stable, making it easy to use at low volume
levels.
figure 9.20
Controls:

PRE MODEL:
EQ MODEL:
from 1 to 10.
from 1 to 10.
AMP MODEL:
from 1 to 10.
9 - AMP Module 59
AmpliTube 2
®
9.3.13 THD BiValve
This is a model of the THD® BiValve (figure 9.21). This modern boutique
amplifier has become very popular on the stage and in the studio. Using a
single ended class A design it is capable of wide expanse of tone. From the
clean to the crunchy to the heavily saturated, the THD BiValve can create all
these tones with ease.
figure 9.21
Controls:

EQ MODEL:
from 1 to 10.
from 1 to 10.
AMP MODEL:
from 1 to 10.
60 9 - AMP Module
AmpliTube 2 ®
9.3.14 Bass PreAmp
This model features a solid state bass preamp, EQ, and a solid state power
amp module (figure 9.22). It cleans up beautifully and drives just as hard.
figure 9.22
Controls:

PRE MODEL:
EQ MODEL:
from 1 to 10.
from 1 to 10.
from 1 to 10.
10.
AMP MODEL:
from 1 to 10.
9 - AMP Module 61
AmpliTube 2
®
9.4 Power Amp Models
9.4.1 Class A EL84
Classic British 30W Class A no-feedback power amp stage. Extremely

detailed and musical, can be totally clean only at moderate Volume levels.
When clean it’s very present and transparent, when pushed it magically
starts adding that unmistakable 60s growl.
9.4.2 Class A Single Ended
Classic small-power old style power amp. This will sound clean only at very
low Volume levels. When turned up it will have a magic growl quality that’s
only possible with these particular power amp stages.
9.4.3 100W EL34
High power British style power amp. Very tight and clean up to high levels,
typically used in combination with high gain preamps because it will not make
preamp driven power chords dirty even at relatively high Volume levels.
9.4.4 50W EL34
Typical British 50W head power amp. Will deliver an amazingly musical
crunchiness when driven to the red area. Pop rock crunch rhythm parts will
sound perfect if driven by this power amp pushed to its limits instead of
using a preamp’s saturation.
9.4.5 100W 6L6
The tightest power amp in AT2.0. Very fast and clean. Use this for crystal
clear clean sounds, or in conjunction with an extreme power lead preamp
for metal sounds.
9.4.6 50 W 6L6
The softer version of 100W 6L6, can deliver a very nice growl when pushed
to its limit.
9.4.7 Solid State
All transistor power amp stage, very solid and clean. Not very musical when
pushed to the limit, just like the hardware!
62 9 - AMP Module
AmpliTube 2 ®
Chapter 10 CAB Module (Cabinets + Microphones)
figure 10.1 - CAB Module
10.1 Intro
To open up the Cabinet module, click the CAB button on the module selector.
There are two models in the CAB module: the SPEAKER MODEL (figure 10.2)
and the MIC MODEL (figure 10.3).
figure 10.2
10.2 SPEAKER MODEL
The SPEAKER MODEL features 16 speaker cabinet emulations, a plug-in

figure 10.3 bypass control and a cabinet match switch.
BYPASS: bypasses the CAB module of the plug-in.
MATCH: automatically selects the cabinet to match the preamp that is

selected in the AMP module.
10.3 SPEAKER MODELS
The extensive speaker model collection in AmpliTube covers a wide range

of variables on a wide range of speaker cabinets. There are cabinets with
different sized speakers, including 6”, 10”, and 12”. There are vintage and
modern version of different cabinets. Some of the cabinets feature multiple
speakers. Some of them are open back and some are closed back. In addition
to these, there are multiple versions of the similar types of cabinets within
the collection. In order to here which speaker belongs to which amp, turn
the MATCH button on.
10 - CAB Module 63
AmpliTube 2 ®
10.3.1 1x6 Small Combo
figure 10.4
1x6 Small Combo
10.3.2 1x8 Combo Modern
figure 10.5
1x8 Combo Modern
10.3.3 1x12 Combo
figure 10.6
Combo
64 10 - CAB Module
AmpliTube 2
®
10.3.4 1x12 Open Modern
figure 10.7
1x12 Open Modern
10.3.5 1x12 Open Vintage
figure 10.8
1x12 Open Vintage
10.3.6 2x12 Closed Vintage
figure 10.9
2x12 Closed Vintage
10 - CAB Module 65
AmpliTube 2 ®
figure 10.10
2x12 Open Vintage
10.3.8 4x10 Closed Modern
figure 10.11
4x10 Closed Modern
figure 10.12
4x10 Open Vintage
66 10 - CAB Module
AmpliTube 2
®
10.3.10 4x12 Closed Vintage1
figure 10.13
4x12 Closed Vintage1
10.3.11 4x12 Closed Modern1)
figure 10.14
4x12 Closed Modern1
10.3.12 4x12 Closed Modern2
figure 10.15
4x12 Closed Modern2
10 - CAB Module 67
AmpliTube 2 ®
10.3.13 4x12 Closed Vintage2
figure 10.16
4x12 Closed Vintage2
10.3.14 1x15 Bass Vintage
figure 10.17
1x15 Bass Vintage
10.3.15 4x10+tw Bass
figure 10.18
4x10+tw Bass
68 10 - CAB Module
AmpliTube 2 ®
Tip: this cabinet has an high frequency horn, as often used on bass
amplifiers, so its use it’s not optimal in conjunction with high gain or
crunch sound because of a far too extended high end response.
10.3.16 1x12 Bass (figure 10.19)
figure 10.19
1x12 Bass
10.4 MIC MODEL

The MIC MODEL features 6 microphone response models, On/Off Axis con-
trol, Near/Far control, and ambience. This type of flexibility really let you
dial in the type of guitar tone you want.
OFF AXIS/ON AXIS: Changes the position of the microphone in relation-

ship to the cone of the speaker. On axis means the microphone is in the
center of the speaker. Off axis means the microphone is positioned at
the outside edge of the speaker. Typically ON AXIS position delivers a
more present and high frequencies-rich tonal balance. This can be too
bright or harsh for some Amp setting, in this case try the OFF AXIS posi-
tion, which deliver a sweeter tone.
FAR/NEAR: Changes the distance of the microphone in relation to the
speaker cabinet. Near is obviously close to the speaker. Far positions
the microphone further away from the speaker cabinet. Typically NEAR
position delivers more bass because of the proximity effect and far posi-
tion delivers a bass-lighter response.
AMBIENCE: Adjusts the amount of room ambience that is mixed with

the microphone signal.
Tip: Ambience is STEREO so to completely take advantage of this feature
be sure to use AmpliTube 2 on a stereo track or bus or use a “Mono to
Stereo” AmpliTube 2 instance.
10 - CAB Module 69
AmpliTube 2 ®
General Cabinet Module usage tips:
Clean sounds can be more present and detailed if miked ON-AXIS, CLOSE.
If you feel the sound to be too big for the mix try moving the mic FAR from
the cab.
figure 10.20 Typically extremely high gain sounds matches well together with OFF-AXIS,
CLOSE mic positions, especially when using bright Mikes like “Dynamic 57”.
An alternative for these kind of sounds is ON-AXIS, CLOSE position using
the Dynamic 441 mike.
10.4.1 Dynamic 57
This is a model of the popular small diaphragm dynamic mic (figure 10.20).
figure 10.21 Its bright, edgy sound has made it a widely used guitar amp mic.
10.4.2 Dynamic 421
Probably the second most popular dynamic mic to use on guitar amps (fig-
ure 10.21), this model provides a equally pleasing sound, but is a warmer
than the 57.
figure 10.22
10.4.3 Dynamic 441
This model has a flatter frequency response than the other dynamic mics
(figure 10.22). This mic is highly regarded as a guitar mic and used widely
in studios all over the world.
10.4.4 Condenser 87
This is a model of one of the most popular large diaphragm mics ever (figure
figure 10.23 10.23). It can be found in any large recording studios mic locker. Because
of it’s excellent frequency response curve, the 87 has become the go to mic
when needing a clean, flattering sound.
10.4.5 Condenser 84
No microphone collection would be complete without a great small dia-

phragm condenser mic. This model (figure 10.24) is based on the standard
for small diaphragm mics. As with any good small condenser mic, the 84
figure 10.24
provides a clean clear picture of the guitar tone.
10.4.6 Condenser 414
The Condenser 414 is modeled after another highly regarded large dia-
phragm condenser microphone (figure 10.25). It is a bright, open micro-
phone that will flatter big full tones and will also blend beautifully when
combined with another cabinet/mic setup.
figure 10.25
70 10 - CAB Module
AmpliTube 2 ®
Chapter 11 RACK Module (Post Effects)
figure 11.1 - RACK Module
11.1 Intro
The RACK MODULE is accessed by clicking the RACK button on the module
selector. There are two independent rack modules featuring 4 stereo rack
effects each. They can be used independently or together for a total of 8
rack effects.
figure 11.2 To load a rack effect click the display to the left side of the rack (figure 11.2)
and select from the drop down menu or click the up/down arrows beside the
display to scroll through the effects (figure 11.3).
figure 11.3 11.2 Modulation Effects
11.2.1 Digital Flanger

This model of a digital flanger can create a metallic modulated sound (figure
11.4).
figure 11.4
Controls:
WAVEFORM: Selects the shape of the flanger effect, sine, triangle, or

square wave.
RATE: Sets the rate of the Flanger effect, from 0.02 Hz to 8 Hz.
11 - RACK Module 71
AmpliTube 2
®
BPM: Allows the effect to synchronize to the host BPM and changes the
RATE control to beat values.
FEEDBACK: Sets the nominal amount of signal that is returned to the
input after processing effect, from 0 to 10.
STEREO/MONO: Changes the rack effect from a stereo to a mono effect.
Stereo is enabled when the corresponding LED is illuminated.
MIX: Adjusts the amount of effected sound with the un effected sound,
from 0% to 100%.
OUT LEVEL: Sets the output level of the effect, from -15 dB to +15 dB.
11.2.2 Analog Chorus
This classic analog stereo chorus model adds depth and space to the input
signal (figure 11.5). It can also be used as a vibrato effect.
figure 11.5
Controls:
CHORUS/VIBRATO: Enables Vibrato or Chorus modes. Chorus mode is

enabled when the corresponding LED is illuminated.
CHORUS: Sets the intensity (or depth) of the Chorus effect, from 0 to 99.
VIB RATE: Sets the rate of the Vibrato effect, from 0.02 Hz to 8 Hz.
VIB DEPTH: Sets the intensity of the Vibrato effect, from 0 to 99.
11.2.3 Digital Chorus

This modeled digital chorus effect creates a clear articulate chorus effect
(figure 11.6). Like the analog chorus, this effect adds depth and space to the
input signal, but adds a different color to the overall signal.
figure 11.6
Controls:
WAVEFORM: Selects the shape of the chorus effect, sine, triangle, or
72 11 - RACK Module
AmpliTube 2 ®
square wave.
RATE: Sets the rate of the chorus effect, from 0.02 Hz to 8 Hz.
DEPTH: Sets the intensity of the chorus, from 0 to 100.
MIX: Adjusts the amount of wet sound with the dry sound, from 0% to
100%.
11.2.4 Rotary Speaker
This effect is a model of a rotary speaker cabinet (figure 11.7). Rotary

speaker cabinets create a lush vibrato/chorus effect and add a tremendous
amount of depth to the sound.
figure 11.7
Controls:
SPEED: Sets the speed of the rotary speaker effect, from .50 Hz to 7.80 Hz.
DRIVE: Sets the amount of overdrive in the rotary speaker effect, from
0% to 100%.
BALANCE: Changes the balance of high and low rotors in the signal,
from 0 to 100.
100%.
11.3 Delay and Reverb Effects
11.3.1 Digital Delay
This advanced delay modeled effect (figure 11.8) can add a variety of depth
to the sound, by providing five different delay modes. The delay can also be
synced to the host tempo providing even more flexibility.
figure 11.8
11 - RACK Module 73
AmpliTube 2
®
Controls:
MODE: Sets the output mode of the Delay effect; Stereo, Left/Right,
Mono, Left/Center/Right, and Doubler.
DELAY TIME: Sets the time between the echoes, from 1 ms to 2000 ms.
FEEDBACK: Changes the amount of time that the delay repeats, from
0% to 100%.
FILTER: Sets the low pass filter for the delay effect, from 200 Hz to 20 kHz.
100%.
11.3.2 Digital Reverb
This digital reverb (figure 11.9) is capable of adding small amount of space
to a signal or creating a huge hall around the instrument.
figure 11.9
Controls:
DECAY TIME: Sets the length of the reverb, from 0.60 seconds to 14.00
seconds.
DENSITY: Sets the number of reflections generated by the reverb, from
0 to 99.
COLOUR: Sets the reverb coloration from dark to light, from 2 kHz to
20 Khz.
100%.
11.4 Pitch Effects
11.4.1 Harmonator
The Harmonator is an advanced harmonizing effect with three separate

voices, each with independent harmony, level and pan (figure 11.10). By
entering the key and scale that the instrument is playing, the harmonator
analyzes the input signal and track the three independent voices to the cor-
rect music key and scale.
74 11 - RACK Module
AmpliTube 2 ®
figure 11.10
Controls:
KEY: Controls the key and type of scale that will be used by the har-
monizer as a reference. If you’re playing a solo in E major set this to E
Major., from C To B.
SCALE: Changes the scale of the harmonizer, including Major, Dorian,
Phrygian, Lydian, Mixolydion, Minor, and Locrian.
VOICE: Controls the properties of each of the 3 voices of the harmonizer.
INTERVAL: Changes the interval of the selected voice, from low
octave to up octave.
LEVEL: Independently adjusts the level of each of the 3 voices, from
0 to 100.
PAN: Independently adjusts the panning of each of the 3 voices,
from 1.0L to 1.0R.
DRY PAN: Adjusts the panning of the dry signal independently from the
harmonized voices, from 1.0L to 1.0R.
MIX: Blends the harmonized voice with the original voice, from 0% to
100%.
11.4.2 Pitch Shifter
This pitch shifting effect (figure 11.11) creates an independent harmony

voice that can be blended with the original signal to create harmony lead
parts and duet type guitar lines.
figure 11.11
Controls:
SHIFT COARSE: Sets the coarse tuning of the pitch shifter. Measured in
intervals, from -24 to 24.
SHIFT FINE: Sets the fine tuning of the pitch shifter. Measured in cents,
from -50 to 50.
STEREO/SPLIT: Sets the output of the effect to split the pitch shifted
sound and the dry sound or blend them in a stereo layered fashion.
MIX: Adjusts the amount of pitched shifted sound with the dry sound,
11 - RACK Module 75
AmpliTube 2
®
from 0% to 100%.
11.5 EQ and Dynamics Effects
11.5.1 Parametric EQ
With its three totally independent EQs, this parametric EQ (figure 11.12)
provides enough power to sculpt the perfect guitar tone or surgically
enhance and alter any signal sent through it.
figure 11.12
Controls:
BASS:
GAIN: Adjust the boost or cut of the bass parametric EQ, from -15
dB to +15 dB.
FREQ: Changes the center frequency of the bass parametric EQ,
from 20 Hz to 20 kHz.
Q: Sets the bandwidth of the bass parametric EQ, from 0.1(very
wide) to 8.0(very narrow).
MID:
GAIN: Adjust the boost or cut of the mid parametric EQ, from -15
dB to +15 dB.
FREQ: Changes the center frequency of the mid parametric EQ, from
20 Hz to 20 kHz.
Q: Sets the bandwidth of the mid parametric EQ, from 0.1(very
wide) to 8.0(very narrow).
HI:
GAIN: Adjust the boost or cut of the hi parametric EQ, from -15 dB
to +15 dB.
FREQ: Changes the center frequency of the hi parametric EQ, from
20 Hz to 20 kHz.
Q: Sets the bandwidth of the hi parametric EQ, from 0.1(very wide)
to 8.0(very narrow).
11.5.2 Tube Compressor
This compressor was modeled after a classic tube compressor (figure 11.13).
It is a very versatile, smooth compressor, and can add great color to the
signal.
76 11 - RACK Module
AmpliTube 2 ®
figure 11.13
Controls:
DRIVE: Controls the amount of signal that is input into the effect, setting
the compression level.
ATTACK: Controls the amount of time that the compressor takes to react
to the audio signal.
RELEASE: controls the amount of time that the compressor takes to
return to normal gain after some compression has occurred.
RATIO: Controls the strength of the compression. Higher values will
result in a more evident effect.
11.6 Stereo Enhancer
The stereo enhancer model widens and narrows the stereo image (figure
11.14).
figure 11.14
Controls:
STEREO IMAGE: Changes the width of the stereo image. Normal width
is in the middle of the slider. Moving the slider to the right widens the
stereo image. Moving the slider to the left narrows the stereo image.
11 - RACK Module 77
AmpliTube 2
®
78 11 - RACK Module
AmpliTube 2 ®
Chapter 12 AmpliTube 2 Models
PREAMPLIFIERS AND EQ MODELS BASED ON

American Tube Vintage Fender® Bassman®
American Tube Clean1 Fender® Super Reverb®
American Tube Clean2 Fender® DeLuxe Reverb® 65
British Tube Lead 1 Marshall® JCM800
British Tube Lead 2 Marshall® JCM900
Modern Tube Lead Mesa-Boogie® Dual Rectifier®
British Tube 30TB Vox® AC30 Top Boost
THD BiValve THD® BiValve
Tube Vintage Combo Supro® Late 50’s combo
STOMP BOXES MODEL BASED ON
Overscream Ibanez® Tube Screamer® TS-9
EchoMan Electro Harmonix® Memory Man™
Phazer10 MXR® Phase 100™
Dcomp MXR® Dynacomp™
Fuzz Age Arbiter® Fuzz Face™
Chorus-1 Boss® CE-1 Chorus™
Octav Boss® OC-2 Octaver™
Opto-Tremolo Fender® Super Reverb® Amp Opto-Tremolo
CABINETS MODEL BASED ON
1x12 Bass Custom Bass 1x12
1x12 Open Vintage Fender® DeLuxe® 65
4x10 Open Vintage Fender® Super Reverb® 1967
2x12 Closed Vintage Marshall® 1922 2x12 Greenbacks™
4x10 Closed Modern Marshall® 4x10 90’s JCM410
4x12 Closed Vintage1 Marshall® 4x12 Angled, 70’s
4x12 Closed Vintage2 Marshall® 4x12 Straight, Greenbacks
4x12 Closed Modern1 Marshall® 4x12 80’s 1982A
1x12 Combo Marshall® 1x12 Valvestate™ 12
4x12 Closed Modern2 Mesa/Boogie® 4x12 Rectifier™
1x8 Combo Modern Mesa/Boogie® 1x8 Subway Rocker™
2x12 Open Vintage Vox® AC30 60’s
1x12 Open Modern VHT® Pitbull 1x12 Combo
1x6 Small Combo Fender® “Fender15”
4x10+tw Bass SWR® Goliath™ 4x10
1x15 Bass Vintage Ampeg® B15 15”
MICROPHONES MODEL BASED ON
Dynamic 57 Shure® SM-57
Dynamic 441 Sennheiser® MD-441 (“M” position)
Dynamic 421 Sennheiser® MD-421
Condenser 414 AKG® C-414 ULS (Cardioid mode)
Condenser 87 Neumann® U-87 (Cardioid mode)
Condenser 84 Neumann® KM-84
12 - AmpliTube 2 Models 79
AmpliTube 2
®
AmpliTube® is a registered trademark of IK Multimedia. All other product

names and trademarks are property of their respective owners, which are in
no way associated or affiliated with IK Multimedia. Product names are used
solely for the purpose of identifying the specific products that were studied
during IK Multimedia’s sound model development and for describing certain
types of tones produced with IK Multimedia’s digital modeling technology.
Use of these names do not imply any cooperation or endorsement. THD logo
on AmpliTube 2 courtesy of THD Electronics, Ltd.
AMPEG® is a trademark of St. Louis Music, Inc.

Tube Screamer® is a registered trademark of Hoshino Gakki Co. Ltd.
MXR® is a registered trademark of Applied Research and Technology, Inc.
BOSS® is a trademark of Roland Corporation.
ELECTRO-HARMONIX® is a registered trademark of New Sensor
Corporation.
MARSHALL® is a trademark of Marshall Amplification Plc.
FENDER®, BASSMAN®, DELUXE REVERB®, SUPER REVERB® are trade-
marks of Fender Musical Instruments Corporation.
MESA/BOOGIE® and RECTIFIER® are trademarks of Mesa/Boogie Ltd.
THD® BIVALVE is a trademark of THD Electronics Ltd.
VOX® is a trademark of Korg Europe Ltd.
SUPRO® is a trademark of Zinky Electronics.
SWR® and Goliath™ are trademarks of SWR Sound Corporation.
VHT® is a trademark of VHT Amplification, Inc.
NEUMANN® is a trademark of Georg Neumann GmbH.
AKG® is a trademark of AKG Acoustics GmbH.
SENNHEISER® is a trademark of Sennheiser Electronic Corp.
SHURE® is a trademark of Shure incorporated.
80 12 - AmpliTube 2 Models
AmpliTube 2 ®
Chapter 13 Troubleshooting
What is the iKey and how does it work.
The USB Key (or Dongle) is made by Syncrosoft (www.syncrosoft.com)

for IK Multimedia and called the “iKey”.
The iKey is very similar to Steinberg keys, but it’s red and carries the
IK logo on it.
The iKey act as an electronic wallet and can include one or more
“Licenses” for one or more products.
The License is an agreement document that resides on the iKey and

allows the related product to run.
How AmpliTube 2 iKey protection works.
The AmpliTube 2 box contains an iKey with a pre-installed license for

AmpliTube 2 authorization on it. The license for AmpliTube 2 is called
“AmpliTube 2.x”. It will be valid for any AMPLITUBE 2.x version.
IMPORTANT: There is NO need to install or activate any License by the

user on the iKey to start using AmpliTube 2.
The required IK registration (see this document later on) has nothing
to do with the iKey, which is “ready” to go as soon as it is taken out of
the box.
I have changed my studio computer, and now the plug-in is asking for
authorization again, do I need a new authorization code?
No. When you authorized the product for the first time you will receive
an Authorization Code which is tied with the iKey you used at that time.
If you are still using that iKey, the same authorization code you received
on your old computer will work for the new one. So reinsert the same
Serial Number and Authorization code you previously received by
email.
Can I use my iLok key to authorize AmpliTube 2?
No, AmpliTube 2 uses a similar protection device, a USB key designed

by Syncrosoft. We call it the iKey. You must use the iKey or another
product’s Syncrosoft USB key to run AmpliTube 2.
13 - Troubleshooting 81
AmpliTube 2
®
I am a Steinberg Cubase (or Nuendo) user, can I use my Syncrosoft USB key
to run my AmpliTube 2?
Yes, you must simply transfer the license from the included iKey to your
Steinberg key. This is done through the LCC (License Control Center)
which is installed with the product and can also be downloaded from
the Syncrosoft website.
This has to be done connecting both the Keys to the same machine (Mac
or PC) which must be connected to the Internet. For further information
on transferring licenses please refer to the LCC’s Help menu.
Before launching the installer, as soon as I insert the iKey I have windows
displaying the “Found New Hardware Wizard” and I don’t know what to
do.
Cancel the Wizard and DO NOT plug the iKey before installing the
AMPLITUBE 2 plug-in. Plug the iKey only when the AmpliTube 2
installer asks for it.
When starting the installer for AmpliTube 2 make sure to remove ALL
Syncrosoft keys! This means IKeys and Steinberg Keys! Otherwise there
will be issues with the installation.
I was in the middle of the plug-in installation, I have windows displaying

the “Found New Hardware Wizard” and I don’t know what to do.
As the installer suggests:
Wait for Windows “Found New Hardware Wizard” screen. If you’re

asked to search for the device drivers on the Internet select “No, not this
time” and press Next.
On next screen select “Install the software automatically (Recommended)”

and click Next.
The Windows Wizard will install the drivers automatically. Click Finish
to close the Windows Wizard.
I have installed AmpliTube 2 and inserted the iKey but the plug-in is not
authorized. Why?
In order to provide the best possible customer service, IK Multimedia

needs all users to Register their products.
You had a Card with a Serial number in the box. Go to www.ampli-
tube.com, select “Registration” and proceed registering your copy of
AmpliTube 2.
82 13 - Troubleshooting
AmpliTube 2 ®
After having installed AmpliTube 2 I have a crash when launching my

Syncrosoft-protected sequencer.
Launch the Syncrosoft’s LCC (from Programs on windows or Applications

on Mac). If you get a crash, go to Syncrosoft’s website (www.syncrosoft.
com) and download the latest License Control Center (LCC), then install
it on your system. The problem will go away.
It is always a good idea to use the latest version of Syncrosoft’s LCC. Go

to www.syncrosoft.com for the latest version.
When I try to load AmpliTube 2 in my host application I get an error of:

‘Syncrosoft License Control – Error’
Application “AmpliTube 2” has caused the following error.
Protection device(s) contain(s) no valid license for this application.
Your USB key is not plugged in. Simply shut down your host application
and insert your iKey or Steinberg key, now reload your host and insert
AmpliTube 2.
I can’t find AmpliTube 2 in my programs menu, how do I run AmpliTube 2?
You have to launch it from inside an audio program like, Sonar, Cubase,
Pro Tools, etc.
What programs/plug-in platforms does AmpliTube 2 work in?
AmpliTube 2 will work in any application on MAC or PC that supports

one of the following plug-in platforms:
VST
RTAS
Audio Units
How do I register / authorize AmpliTube 2?
The authorization procedure is as follows:
After installation, start your audio sequencer/host program then the

Authorization form should appear. You will see an authorization win-
dow, with the Digital ID code already present.
Copy or write down the Digital ID. Now you need to go to the website of
the product you have, click on the Registration button. Now fill out the
form. Paste or type the Digital ID in the correct location. Note that this
must be the Digital ID from the computer you’re going to use the prod-
AmpliTube 2
®
uct with. Remember to write your serial number and a working e-mail
address. Note: The Digital ID and Auth code WILL NOT have any O’s or
I’s ONLY ones & zeros.
Submit the form.
Check your email at the e-mail address you specified. You will receive
the Authorization Code immediately.
Again, start your audio sequencer/host program. Insert after the Digital
ID, your serial number and the Authorization Code. Press “OK”. Now it
will be authorized!
I need another authorization code, where do I get this from?
With the new IKey authorization system there is no need for multiple
authorization codes. Once you have an authorization code, AmpliTube
2 is permanently registered to your IKey. This code can be used on any
computer. It only requires you to have you IKey to use it.
I have received my authorization code from my registration but AmpliTube

2 says it will only work in demo mode.
First always make sure that you entered the correct numbers. We recom-
mend using the Copy & Paste function to make sure that typos are not
to blame.
Log into the user area to check all the numbers go to:
https://www.ikstore.com/Login/IKLogin.cgi
This will display your Serial #, Digital ID & Registration code. If all
the numbers are correct please contact IK technical support for further
assistance.
Where is my Digital ID located at?
The DIGITAL ID is a string of numbers and letters on the Authorization

form. You will only see the Auth form once you launch your host pro-
gram (Cubase SX, Pro Tools, Sonar, etc).
How can I lower the latency?
Latency is almost totally controlled by the audio card/interface buffer

settings. The higher the value the longer the latency. We recommend
using a value of 256 samples or 128 samples for most real time playing.
AmpliTube 2 ®
This will allow you to play with almost instant feel.
Can I resell my IK Product?
We would like to draw your attention to the following part of the license
agreement:
4) DESCRIPTION OF OTHER RIGHTS AND LIMITATIONS
Software Transfer. You may not transfer, license or sublicence your

rights as Licensee of the software or any IK Multimedia product, as
licensed to you under this agreement without prior written consent of
the rights owner. The carrier on which the IK Multimedia product has
been distributed may be transferred or otherwise made available to
any third party only with the prior written consent of the rights owner
and provided that (a) the original media and license(s) accompany the
carrier and (b) the party transferring the media does not retain a copy
of the media.
I never received a username and password with my authorization code for

AmpliTube 2 and I need to download updates. How do I get a new registra-
tion code or change information.
You need to log into the user are here:

Here you can get software updates, new bonus material, etc.
Your username and password will be in the first auth email you would
have received. If you no longer have the email and do not know your
user info, enter your email address at the bottom of the page and it will
generate a new one and email it to you.
Where is my registration serial number?
The serial number is contained in the registration card included in the

packaging.
If you have it, but it doesn’t seem to work, take the time to make sure
your spelling was right.
* Typing a 0 (“zero” number) instead of an O (“o” letter),

* typing 1 (“one” number) instead of an I (“i” letter),
* typing 2 (“two” number) instead of an Z (“z” letter),
* typing 5 (“five” number) instead of an S (“s” letter),
* typing 8 (“eight” number) instead of an B (“b” letter),
* typing a “.” (point) instead of a “-” (minus)
AmpliTube 2
®
and VICE VERSA, is a most common occurrence.
Be sure to cut off all the leading and trailing spaces! When registering
online and installing it on your machine, we suggest you to write the
codes all UPPERCASE. When possible, we always suggest to copy and
paste.
I want to re-register but the online form doesn’t let me do it! What’s
wrong?
You can’t. All serial numbers can only be registered once.
AmpliTube 2 ®
Chapter 14 Support
For any question you may have please refer to the FAQ at:
http://www.amplitube.com/FAQ.html
where you’ll find answers to the most common questions.
For free support visit:

http://www.amplitube.com/ATSupport.html
14.1 User Area
Together with your authorization code you will also have received a user id
and password to access your personal user area on the web. The personal
user area is an advanced online service provided to you by IK Multimedia. It
allows you to download patches and updates or to generate new authoriza-
tion codes in the event that you accidentally lose the previous ones.
To access your personal user area, simply go here:

14 - Support 87
AmpliTube 2
®
In the personal user area you can
1) Request a new authorization code

This is useful for users who need to reinstall their applications with a
new authorization code. The codes are supplied immediately with no
need to wait before receiving them.
2) Submit a support request

Support requests received using this form will follow a preferential
line and will be answered first within our standard 24 hours lead time
(business hours).
3) Edit your personal and product data

Here you can manage all your personal and product data and recall your
serial numbers easily.
4 Download software updates and free contents

According to the products you’ve registered, here you’ll find the latest
patches/updates and free contents to download.
5) Customize your Username/Password

Here you can change your Username/Password in order to remember
them easily.
88 14 - Support
AmpliTube® 2 is a registered trademark property of IK Multimedia Production.
All other trademarks property of their respective owners.
www.amplitube.com
IK Multimedia Production, via dell’industria 46, 41100, Modena, Italy.

Phone: +39-059-285496, Fax: +39-059-2861671
IK Multimedia US LLC, 1153 Sawgrass Corporate Pkwy. Sunrise, FL 33323
Phone: (954) 846-9101, Fax: (954) 846-9077, Tech Support Phone: (954) 846-9866
www.ikmultimedia.com
All specifications are subject to change without further notice.

advanced guitar amp and fx modeling plug-in
• Complete Guitar Amp modeling solution and

Guitar Effects power house.
• Ultra accurate modeling of over 80 must have

and sought after guitar gear, with unique DSM™
technology.
• Mix and match amp components to build

your own custom amp within 20,000 amp
combinations.
• Easy to use, with over 400 presets ready to go.
• 32 stomp and rack effects with flexible routing.
• 2 series or parallel guitar rigs.
PN: MNU-AT-0002
User Manual

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Verfügbare Formate

advanced guitar amp and fx modeling plug-in

• Complete Guitar Amp modeling solution and

• Ultra accurate modeling of over 80 must have

• Mix and match amp components to build

• Easy to use, with over 400 presets ready to go.

• 32 stomp and rack effects with ﬂexible routing.

• 2 series or parallel guitar rigs.

IK Multimedia Production, via dell’industria 46, 41100, Modena, Italy.

All specifications are subject to change without further notice.

AmpliTube® is a registered trademark of IK Multimedia. All other product

III License and copyrights pag. 10

Chapter 1 AmpliTube 2 pag. 13

Chapter 2 Basic Operation pag. 15

Chapter 3 Input/Output Interface pag. 21

Chapter 5 Preset Manager pag. 27

Chapter 6 Getting Started pag. 29

6.3 Quick Start: how to get a lead sound pag. 30

Chapter 7 TUNER Module pag. 35

Chapter 8 STOMP Module (Stomp Effects) pag. 37

Chapter 9 AMP Module (Amp Head) pag. 47

Chapter 10 CAB Module (Cabinets + Microphones) pag. 63

10.3.15 4x10+tw Bass pag. 68

Chapter 11 RACK Module (Post Effects) pag. 71

Chapter 12 AmpliTube 2 Models pag. 79

Chapter 13 Troubleshooting pag. 81

Chapter 14 Support pag. 87

Guitar Amp & Fx Modeling Plug-In

Over 400 different guitar Amp and Effects

Module Interface. More than 80

Five Modules: Amp-Heads, Mic’d Cabinets, a

Two Guitar Rigs. The sound is

Input, Output, Tuner.

4) DESCRIPTION OF OTHER RIGHTS AND LIMITATIONS

10) CHOICE OF LAW

IK Multimedia Production srl

© 2006 IK Multimedia Production srl. All rights reserved.

• Completely redesigned interface and enhanced DSP engine, including

• 5 separate modules including Tuner, Stomp, Amp-head, Miked Cabinet

• 21 stomp effects available from accurate modeling of rare vintage

• 11 rack effects including hi-quality parametric EQ, reverb, delay,

• 2 simultaneous guitar-rigs available with the choice of series or paral-

• Super-flexible routing for Stomp and Rack Effects with 20 simultane-

1.2 DSM™ Technology

DSM™ is a new and exclusive IK Multimedia technology used in the emula-

is based on a new approach never applied to DSP “analog modeling” until

Traditional emulations are forced to a tradeoff between, for example, those

DSM™ delivers a dynamic response that continuously morphs and “follows”

This leads to an accuracy that cannot be found in any other modeling

1.3 Block Diagram

Chapter 2 Basic Operation

2.1 Starting AmpliTube 2 in your Sequencer

2.1.1 Starting AmpliTube 2 in Pro Tools®

2.1.2 Starting AmpliTube 2 in Cubase™ SX

Tip: In order to take advantage of the stereo capabilities of AmpliTube 2, Cabinets

2.1.3 Starting AmpliTube 2 in Logic™

Tip: In order to take advantage of the stereo capabilities of AmpliTube 2,

2.1.4 Starting AmpliTube 2 in Digital Performer™

Tip: In order to take advantage of the stereo capabilities of AmpliTube 2,

2.1.5 Starting AmpliTube 2 in Sonar®

2.1.6 Starting AmpliTube 2 in Live®

2.2 Plug-in Architecture

AmpliTube 2 is set up as a traditional guitar rig. This ensures predictable

5 Modules: The interface is divided into modules: Tuner, Stomp effects,