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This document appears to be a bibliography containing references to various sources related to improvisation, composition, music theory, and performance practice from the medieval to modern eras. The references are listed alphabetically by author and span topics such as improvisation techniques in the Middle Ages, jazz improvisation, Baroque performance practice, treatises on organ playing and counterpoint, biographies of composers, and dissertations on early music sources.
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Massimiliano Guido (Editor) - Studies in Historical Improvisation_ From Cantare super Librum to Partimenti-Routledge (2017)_227
This document appears to be a bibliography containing references to various sources related to improvisation, composition, music theory, and performance practice from the medieval to modern eras. The references are listed alphabetically by author and span topics such as improvisation techniques in the Middle Ages, jazz improvisation, Baroque performance practice, treatises on organ playing and counterpoint, biographies of composers, and dissertations on early music sources.
This document appears to be a bibliography containing references to various sources related to improvisation, composition, music theory, and performance practice from the medieval to modern eras. The references are listed alphabetically by author and span topics such as improvisation techniques in the Middle Ages, jazz improvisation, Baroque performance practice, treatises on organ playing and counterpoint, biographies of composers, and dissertations on early music sources.
Haas, Max. “Schwierigkeiten mit dem Begriff ‘Improvisation’ im Mittelalter”. Basler
Jahrbuch für Historische Musikpraxis 31 (2007): 13–24. Hamilton, Andy and Konitz, Lee. Conversations on the Art of the Improviser. Ann Arbor: The University of Michigan Press, 2007. Handel, Georg Friedrich. Klavierwerke I: Erste Sammlung von 1720. Edited by Rudolf Steglich. Kassel: Bärenreiter, 1955. Heimann, Walter. Der Generalbass-Satz und seine Rolle in Bachs Choralsatz. München: Katzbichler, 1970. Hepokoski, James and Darci, Warren. Elements of Sonata Theory. New York: Oxford University Press, 2008. Heyden, Sebald. De arte canendi. Edited and translated by Clement A. Miller, Musico- logical studies and documents, 26. Rome: American Institute of Musicology, 1972. Hoag, Melissa. “Hearing ‘What Might Have Been’: Using Recomposition to Foster Music Appreciation in the Theory Classroom”. Journal of Music Theory Pedagogy 27 (2013): 47–69. Janin, Barnabé. Chanter sur le livre, manuel pratique d’improvisation. Lyon: Symétrie, 2014. Jans, Markus. “Alle gegen Eine. Satzmodelle in Note-gegen-Note Sätzen des 16. und 17. Jahrhunderts”. Basler Jahrbuch für historische Musikpraxis 10 (1986): 101–20. Järvinen, Topi. “Tonal Hierarchies in Jazz Improvisation”. Music Perception 12/4 (1995): 415–37. Jensen, Eric. Learning With the Body in Mind: The Scientific basis for Energizers, Move- ment, Play, Games, and Physical Education. San Diego: Brain Store, 2000. Jerold, Beverly. “How Composers Viewed Performers’ Additions”. Early Music 36/1 (2008): 95–109. Kelly, Thomas F. and Gallagher, Sean, eds. The Century of Bach and Mozart: Perspec- tives on Historiography, Composition, Theory, and Performance. Cambridge: Harvard University Press, 2008. Kittel, Johann Christian. Der angehende praktische Organist. 3 vols. Erfurt, 1801–09. Koch, Thomas Darren. “The Rerum Musicarum Opusculum of Johannes Frosch: an Edition, Translation, and Commentary, together with a Discussion of his Musical Works”, PhD diss., Graduate School-New Brunswick Rutgers, The State University of New Jersey, 1999. Larson, Steve. “‘Integrated music learning’ and improvisation: Teaching musicianship and theory through ‘menus, maps, and models’”. College Music Symposium 35 (1995): 76–90. Lausberg, Heinrich. Elementi di Retorica. Bologna: Il Mulino, 1969. Lebeuf, Jean. Traité historique et pratique sur le chant ecclésiastique. Paris: J. B. et J. T. Hérissant, 1741. Levin, Robert D. Review of Ornamentation and Improvisation in Mozart, by Frederick Neumann. Journal of the American Musicological Society 41/2 (1988): 355–68. Leo, Leonardo. Le composizioni per tastiera, Tomo I. Edited by Cosimo Prontera. Roma: Il Melograno, 1996. Lewis, George. “Mobilitas Animi: Improvising Technologies, Intending Chance”. Parallax 13/4 (2007): 108–22. Liberati, Antimo. Epitome della musica, ca. 1666. López-Calo, José, ed. Documentario Musical de la Catedral de Segovia. Vol. 1. Actas Capitulares. Santiago de Compostela: Universidad de Santiago de Compostela, 1990. ———, ed. La música en la Catedral de Burgos. Burgos: Caja de Ahorros del Circulo Católico, 1996.
Harmonious Triads - Physicists, Musicians, and Instrument Makers in Nineteenth-Century Germany (Transformations - Studies in The History of Science and Technology) (PDFDrive)
Mine Doğantan Dack Journal of The Royal Musical Association Volume 142 Issue 2 2017 (Doi 10.1080/02690403.2017.1361208) Doğantan-Dack, Mine - Once Again - Page and Stage