Beruflich Dokumente
Kultur Dokumente
Patricia S. Torres
In one of those impulsive decisions that people often make when (1) they don’t get
enough sleep, (2) they don’t have enough money, and (3) they don’t get the right
advice, we rented out our house last year and scanned the classified ads for an apt for
two ideal loc nr chr mkt sch & trans.
I was not the bride of twenty years ago, opening doors and peering up stairways in a
dither of antici
bathroom handy for in Mandaluyong lined with squeezing out as much
not the bride of twenty years ago, opening doors and peering up stairways in a
anticipation--all I wanted was space enough to dump our books in and a
handy for a pair of weary kidneys. I landed on Apartment Row itself, a street
oluyong lined with nothing but apartments, each one planned with an eye to ind
out as much space as possible from lots originally intended for bungalows.
noč in odd heights--of two, two-and-a-half, three, even four stories (but this one
deda penthouse), and the number of doors to an apartment indicated the size of
a landlord's avarice.
Going by this, therefore, mine was not an unusually greedy landlord, but he was
eady enough: four doors, each renting at P140 (I paid an extra P10 for a tiny
carport), packed into a lot the size of a longish swimming pool.
I had forgotten how it was to rent. It was not a simple matter of handing
over the first month's payment and receiving a key to the front door. First,
my landlord interviewed my husband and me in a common alley (a
distinguishing feature of all apartment houses, I was later to find out),
quizzing us closely on such sundries as jobs, income, number of children,
pets, voting preferences and so on; if we gambled and/or drank, went to
nightclubs and kept rowdy friends; if we were, in short, the kind of citizens
who would help him pay off his SSS amortization. He seemed satisfied with
our answers and I expected him to draw a sword and knight us then and
there, but all he did was tell us what he was like.
He didn't like big dogs; he didn't like noisy children (but we were expected to take a
kindly view of his own children's barbaric ways); and he didn't like delayed rentals. He
said nothing about loud fights, and I would find out later why.
We hadn't unloaded our furniture from the van when his wife walked in and, between
wiping the sweat off our faces and trying to make out what she wanted, we signed a
contract that bound us to a three-month stay in the cubicle. We were not to keep
inflammables-a paragraph in fine print gave him the right to knock at our door any time
he pleased to check our store of lighter fluid. We were, at all times, to keep the
apartment in the condition we had found it (we found it rat-and roach-infested), and if
ejected for any reason, we were to surrender the keys without any trouble. A verbal
notice of ejection meant that in fifteen minutes he would have a For Rent sign outside
the sale and would bring in prospective tenants whenever they came, whether 3 P.M. or
3
A.M.
That wasn't all.
The
376
Nothing in the contract protected me against the apartment and its sounds. The paper-
thin walls reverberated to the rasp of TV sets all day long, a steady drone of Bentot,
Sylvia, Cachupoy, Uncle Bob, Dancetime, Pilita, Carmen, Tia Dely, and Bat Masterson. If
these had been all, I might have stood it, but the more intimate sounds of the body
processes echoed like gunshots in a canyon.
The nights seemed particularly made for such betrayals. When someone dropped his false teeth
in a cleansing solution, you could hear the telltale click of his dentures as he swished them
around in a glass. A man breaking wind in Apartment C would cause the baby in A to scream as
if stabbed; the chamberpot in D sounded like the roar of waterfalls; and the old woman's moan
in B was like a death rattle.
In another apartment house close by, one family liked to demonstrate its togetherness
with loud and jolly sing-alongs, mostly Ilocano songs and some early Perry Como. The
dog howled, the cat yowled, a pet bird chirped an entire chorus all by itself, Grandfather
kept time with his cane, and the demijohn of basi rolled back and forth across the floor.
On occasions like this, someone who's taking up voice culture is sure to be around.
There's nothing different about our opera hopeful—she likes to measure the distance of
her uvula to the Met with long and anguished trills that set your bile ducts pumping.