Beruflich Dokumente
Kultur Dokumente
-‐The
Holy
Grail
|
The Holy Grail is an enduring mystery; it is often difficult to define
just what it is. Traditionally, it is thought to be the cup used by Christ at the Last
Supper, but itʼs meaning has gone far beyond this physical artifact.
Rather, it is often seen as symbolic of enlightenment in the mind. It is the quest for
the mystical experience, and a connection with God. By connecting, you reach a
state of purity. Many myths have gathered around the grail.
Recently
Leonardo
has
been
credited
by
many
people
with
inventing
a
device
dubbed
a
cryptex.
A
cryptex
is
a
tube
constructed
with
a
series
of
rings
with
letters
of
the
alphabet
engraved
on
them.
When
the
rings
are
turned
so
that
certain
letters
line
up
to
the
cryptex's
password,
one
of
the
end
caps
can
be
removed
and
the
contents
(usually
a
piece
of
papyrus
wrapped
around
a
glass
bottle
containing
vinegar)
can
be
removed.
Should
someone
try
and
get
at
the
message
by
smashing
the
device,
the
glass
bottle
will
break
and
the
vinegar
will
dissolve
the
papyrus
before
the
message
on
it
can
be
read.
The
Mona
Lisa
The
Mona
Lisa
is
allegedly
one
of
the
most
controversial
drawings
ever
made,
having
symbols
and
mysteries
yet
to
be
discovered,
Although
the
huge
effort
to
do
so
,
truly
an
Unexplained
Phenomena
.
One
popular
idea
is
that
Leonardo
painted
secret
symbols
or
messages
into
his
artworks.
People
have
analyzed
his
most
famous
painting,
The
Mona
Lisa,
and
have
found
all
kinds
of
hidden
meanings
and
techniques
in
it.
It
is
certain
that
Leonardo
used
some
of
his
best
artist's
tricks
to
create
the
painting.
Many
people
find
the
portrait's
smile
particularly
haunting.
They
say
it
seems
to
change,
even
though
the
paint
on
the
surface
of
the
painting
obviously
does
not
,Professor
Margaret
Livingstone
of
Harvard
University
makes
the
argument
that
Leonardo
painted
the
edges
of
the
portrait's
smile
so
they
would
appear
slightly
out
of
focus.
Because
of
this
the
edges
of
the
smile
are
more
easily
seen
by
a
person's
peripheral
vision
rather
than
by
looking
directly
at
them.
This
may
explain
why
some
people
report
that
the
portrait
seems
to
be
smiling
more
when
they
are
not
directly
looking
at
her.
Another
theory
proposed
by
Christopher
Tyler
and
Leonid
Kontsevich
of
the
Smith-‐Kettlewell
Eye
Research
Institute
in
San
Francisco
says
that
the
smile
seems
to
change
because
of
variable
levels
of
random
noise
in
human
visual
system.
If
you
close
your
eyes
in
a
dark
room
you
will
notice
that
everything
is
not
perfectly
black.
The
cells
in
your
eyes
generate
a
low
level
of
"background
noise"
(which
you
see
as
tiny
light
and
dark
dots).
Your
brain
usually
filters
these
out,
but
Tyler
and
Kontsevich
suggest
that
when
viewing
the
Mona
Lisa,
these
little
dots
can
change
the
shape
of
the
smile.
,So
what
is
the
Mona
Lisa
smiling
about
in
the
first
place?
Through
the
years
people
have
speculated
that
perhaps
she
was
pregnant.
Others
have
found
the
smile
to
be
sad
and
have
suggested
she
was
unhappy
in
her
marriage.
A copy of the Mona Lisa made more happy and less happy by the introduction of noise.
Despite
our
first
impression
that
the
figure
in
the
picture
is
feminine,
the
question
is
whether
the
figure
would
have
looked
feminine
to
a
viewer
of
the
era
in
which
Leonardo
painted
it.
Probably
it
would
have
not.
John
was
considered
to
be
the
youngest
of
the
disciples
and
as
such
he
was
often
portrayed
as
being
a
beardless
youth
with
soft
features
and
long
hair.
We
translate
this
today
as
being
female,
but
back
in
Florence
in
the
fifteen
century,
which
was
a
different
culture
with
different
expectations
of
what
it
is
to
be
feminine
and
masculine,
that
wouldn't
necessarily
have
been
the
case.
Leonardo
was
only
one
of
a
number
of
artists
who
pictured
St.
John
in
this
manner.
In
his
Treatise
on
Painting,
Leonardo
explains
that
characters
in
a
painting
should
be
depicted
based
on
their
types.
These
types
might
include
a
"wise
man"
or
an
"old
woman"
each
with
their
own
characteristics:
beard,
wrinkles,
short
or
long
hair.
John
as
pictured
in
The
Last
Supper
is
a
"student"
type:
A
protégé
who
has
not
yet
matured.
Artists
of
this
day,
including
Leonardo,
would
have
portrayed
this
"student
type"
as
a
very
young
man
with
soft
features
just
as
we
see
in
the
painting.