the fear of unknown

written by

madhav

Address
Phone
E-mail
1.EXT /ESTABLISHING SHOT/ EARLY MORNINGS OR EVENINGS

ESTABLISHING SHOT: DRONE MOVES AS SLIDER SHOT AND THEN MOVES

TOWARDS THE HOME WHICH IS A DAISY CUTTER SHOT.
DISSOLVE TO

2. INT/RICHARDS ROOM/ EARLY MORNING OR EVENINGS

RICHARDS.

Playing chess with a cigar lit.

SLOW PULL OUT WITH A CLOSE UP TO A MID SHOT AND A BIT LOW
ANGLE TO SHOW THE ACTION.EVERYTHING WILL BE IN SILHOUETTE.
(INSTAGRAM FRAME)

3.INT/RICHARDS HOUSE/EARLY MORNING

RICHARDS
Opponent closes the game.
Check mate..!
(some voice)
RICHARDS (CONT'D)
He will get a phone call
Phone on the tables suddenly gets screen light.

STEADY MID SHOT WHERE THE CAMERA STOPS FROM PULL OUT.
CUT AWAY

4.INT. RICHARDS HOUSE. EARLY MORNING

RICHARDS
he peeps towards the phone and gets up with the phone in
hand.

DOLLY SHOT WHICH MOVES WITH RESPECTIVE TO THE CHARACTER IN A

MEDIUM FRAME.
 2.

RICHARDS

Moves towards the window and smokes while continuing over the
call.
Pics up the call
MATT (V.O.)
Hey! How about pounds for now?
RICHARDS
A million dollars
MATT (V.O.)
Thats okee , how soo can u be
there?
RICHARDS
Is it to that Hill road?
MATT (V.O.)
No,i'd share the location.
Call continuous...

CAMERA PANS WITH A MID SHOT FROM SITTING TO STANDING

POSITION.NOW SLOWLY CAMERA FOLLOW UNTIL HE REACHES THE
WINDOW.PANS SLOWLY FROM BACK TO SLIGHTLY REVEAL HIS FACE
THROUGH SMOKE.

5.INT.RICHARDS HOUSE.EARLY MORNING

On concentrating a call he gets a glimpse on a girl outside
at a distance.
The girl is seen with smoke and not clear.
MATT (V.0) CONTINUOUS

its storming out there see that u

will reach the place before
tonight.
RICHARDS
Hmm
MATT (V.O.)
Hey man ! Carry a bottle of
whisky,lets celebrate this final
day
 3.

RICHARDS
Hmm
MATT (V.O.)
But do remember this ,the moment
you enter the place,you will find a
person holding a bag waiting for
you.Drop the back collect the money
and shoot him.
And just dont share the location
with anybody else.

OVER THE SHOULDER TOP ANGLE.(SIDE VIEW)

6.EXT.THROUGH THE WINDOW .EARLY MORNING.

He will smoke out.

REVEALING THE COMPLETE FACE FROM THE OUTSIDE THE WINDOW.

CUT TO:

7.INT.RICHARDS HOUSE.EARLY MORNING.

Richards walking away from the window towards the hanger and
picks the jacket

FOLLOW SHOT FROM WINDOW TO THE CUPBOARD.

WHIP PANS
He throws the jacket on the bed
CUT TO BLACK.INVISIBLE CUT

8.INT.RICHARDS HOUSE/CUPBOARD.EARLY MORNING.

RICHARDS
Opens the cupboard and then he puts on watch.
Put hands towards the bottle and takes it out.and closes the
door.
INVISIBLE CUT
 4.

CAM IS PLACED INSIDE THE CUPBOARD AT MID-SHOT.

9.INT.RICHARDS HOUSE.EARLY MORNING

RICHARDS
Bag is taken from the table and he checks and close the zip.

POV SHOT
JUMP CUT TO:
RICHARDS (CONT'D)
Takes his gun out of rack.
JUMP CUT TO:
He checks and places the bullet in the gun.

SIDE MEDIUM SHOT .

10.INT.RICHARDS HOUSE.EARLY MORNING.

RICHARDS
He turns back goes out of frame and gets his jacket and he
will come frame in and goes out.

CAMERA IN SIDE MEDIUM SHOT .

RICHARDS (CONT'D)
The bag and room is shown

CONTINUOUS TO THE ABOVE SHOT WITH A SLOW PAN.

CUT TO:

11.INT-EXT.RICHARDS HOUSE PARKING.EARLY MORNING.

Richards will go out & to get on his car

WIDE SHOT WHICH SHOWS HIS ACTION.

CUT AWAY
 5.

12. INT. CAR. EARLY MORNING

RICHARDS
He places his gun on the back seat and bag on it and jacket
beside it.
He places his bottle beside.

POV SHOT OF PLACING THIS INSIDE THE CAR.

CUT TO:

13. INT. CAR. EARLY MORNING

He rubs his eyes and creates a doubted expression(his
manarism)
He gets down the car and closes the door.

THE CAMERA WILL BE IN STEADY MID CLOSE UP (SIDE FRAME).

CUT TO:

14.EXT.HOUSE OUTSIDE. EARLY MORNING

Opens the car door and walks inside in the house.

EXTREME LONG SHOT

CUT AWAY

15.INT RICHARDS HOUSE . EARLY MORNING

Richards will enter into the room and takes his bag.closes
the door.
SAME SHOT WHEN HE LEAVES OUTSIDE THE ROOM.(9)

16.INT. RICHARDS HOME. EARLY MORNING

He gets down the steps with a bag in hand.
 6.

CAMERA WILL MOVE ALONG THE SIDE OF CHARACTER WHICH SLOWLY

REVEALS A MAN WITH BAG.
J CUT
(utensils sound comes)
His wife says to take pills and go.
SARAH
take the pills before u leave.
(shouting from other room)
he receives a message and he will ignore his wife's words.he
rubs his eyebrows(mannerism).

THE CAMERA WILL FOLLOW FROM HIS BACK .

MESSAGE (MATT)
I am waiting there !!
RICHARDS
he puts his bag on his shoulders and leave out by closing the
door.

THE CAMERA WILL BECOME SHOULDER LEVEL WHEN HE PLACES HIS BAG
ON THE SHOULDER. DOLLY SHOT

THE CAMERA STOPS AT THE DOOR

CUT TO

17. INT.CAR.EARLY MORNING

he will come near car opens the door and places bag on back
seat which is diagonal.

THE FRAME WILL BE IN DIAGONAL BACK SEAT.MID SHOT

18. INT.CAR.EARLY MORNING

The car starts and he gears up the car

BACK SEAT AT THE CENTER FRAME.

 7.

19.INT.CITY.EARLY MORNING.
The car will be coming out of house and making the way.

DRONE SHOT WHICH FOLLOWS THE CAR (DAVID FINCHER)

20.INT.CAR.EARLY MORNING
He will be driving
checks date and time on watch and he will remove it and place
is it the front place.

CLOSEUP OF THE WATCH FROM CROSS TOP ANGLE AND PLACING IT WILL
BE ON THE SAME FRAME WITH SOME MOMENT IF NECESSARY.

21.EXT. CITY . EARLY MORNING

The car will be speeding on its way.

DRONE SHOT : TRIPOD SHOT

CUT AWAY

22.INT. CAR. EARLY MORNING

He looks at his phone and meanwhile he drives ,the phone
gets hanged he throws it a side.
Now there will be message notification and phone gets switch
off.

THE CAMERA WILL BE PLACED IN THE CENTER AND AT EYE LEVEL WITH
A MID CLOSE UP SHOT THAT SHOWS THE KILOMETER READING IN THE
MEANWHILE WE WILL THERE WILL BE A PHONE IN THE FRAME WHICH IS
RACK FOCUSED AFTER . AND SLOW PAN OR TILT SHOWS THAT IT IS
PLACED IN THE SEAT.
CUT AWAY

23.EXT. ROADS. EARLY MORNINGS

The car will be speeding which on its way.
 8.

LOW ANGLE SHOT PLACED ON THE ROAD WITH A EXTREME LONG

FRAME.THE CAR PASSES BY THE FRAME AND CAMERA PANS TOWARDS THE
CAR DIRECTION.
CUT TO:

24.EXT.CAR STOP.EARLY MORNING

The car is stopped a side and there Richards will be smoking
the cigar on the other side.

THE CAM IS PULLED IN WITH A WIDE SHOT CAR AND CHARACTER IS

PLACED ON THE CENTER OF THE FRAME. THE CAMERA WILL BE PLACED
BEHIND THE CHARACTER AT A LONG FRAME DISTANCE.

25. EXT-INT.CAR STOP. EARLY MORNING

While smoking out he will be with his own mannerism where
someone will be coming on his way.
RICHARDS
Slowly walks into the car and gets in.

FOLLOW SHOT UNTIL THE DOOR IS CLOSED.

26.EXT.CAR STOP . EARLY MORNING

RICHARDS
Smoking cigar with music on.
Someone approaches towards the car and stops by the side.

WIDE PULL IN SHOT.(REFERENCE -26)

27.EXT.CAR STOP.EARLY MORNING

The other one peeps in , and sees something on the back seat.

POV MID SHOT FROM OTHER'S PERSPECTIVE.

CUT AWAY
 9.

28. INT.CAR MOVING . EARLY MORNING

The other one places a gun on the side waist of the
driver(Richard)the car is moving.

MEDIUM CLOSE UP SHOT FROM THE BACK SEAT.

MATCH CUT TO:

29.INT.HOSPITAL BED. EVENING

Richards opens his eyes and suddenly he finds himself in a
hospital.

POV SHOT OF EYES OPENING AND WAKING UP WITH SHOCK AND SHOT
WILL BE UNTIL HE SITS STEADY.CAMERA WILL MOVE IN ALL
DIRECTIONS WITH PAN.
CUT TO
RICHARDS
He wakes up and looks in all directions and his clothes
surprised from the bed.

A WIDE FRAME WITH THE SUBJECT PLACED IN CENTER IS SHOWN.

RICHARDS (CONT'D)
He then gets down from the bed and goes to window .

THE CAMERA IS PLACED UNDER THE BED UNTIL HE PLACES HIS FEET
DOWN.
RICHARDS (CONT'D)
He moves towards the window.

DRONE MOVES TOWARDS THE CHARACTER. ZOOM TO CLOSEUP

RICHARDS (CONT'D)
He then sees his car down from the top and turns back with
doubted face(his mannerism)
 10.

OVER THE SHOULDER SHOT WHERE WE SHOW THE CAR FROM TOP AND
SLOWLY THE CAMERA MOVES BACKWARDS WITH RESPECTIVE TO THE
MOVEMENT OF THE CHARACTER TO REVEAL HIS FACE.
CUT AWAY

30.EXT.HOSPITAL.EVENING
Richards rushes out of house towards his car to see what had
happened to him.he stops by his car.

EXTREME LONG SHOT UNTIL HE COMES DOWN. CAMERA WILL FOLLOW

WHEN HE COMES OUT OF HIS HOSPITAL.

31.EXT.HOSPITAL.EVENING
Richards looks into the car and rubs the windows to see
inside.

MEDIUM OVER THE SHOULDER SHOT FROM OUTSIDE TO THE SEAT IS

SHOWN.

32.INT.CAR.EVENING
He peeps through the glass on to the subjects with great
rush.

THE CAM IS PLACED IN THE SEAT. SHOWS HIS EXPRESSIONS.CLOSEUP

RICHARDS
He then sees gun and jacket on the front seat and liquor
bottle on the foot mat.
He gets shocked and tries to pull the door with great effort.
ABOVE SHOT.

33.INT/HOSPITAL/EVENING
He runs inside the hospital to get back his keys.

CAMERA PANS TOWARDS HIS RUNNING DIRECTION

 11.

34.EXT.HOSPITAL AREA.EVENING
RICHARDS
He will be seen running towards the car with keys.

THE CAMERA IS PLACED A SLIGHT LOW ANGLE MEDIUM SHOT WHERE WE

HAVE SUBJECT AND CAR IN OPPOSITE RULE OF THIRDS POINTS.
RICHARDS (CONT'D)
While he is trying to open the door he will listen to
footsteps on the snow and suddenly he stucks.

MEDIUM SHOT OPPOSITE DIRECTION TO THE CHARACTER.

35.INT.CAR.EVENING
someone places his hands on the shoulders and then he gets
shocked.

LOW ANGLE SHOT

36.EXT.HOSPITAL AREA.EVENING
He slowly turns back.He will his doctor.

MEDIUM SHOT. MOVEMENT WILL BE FROM TOP TO BOTTOM

He slowly closes the door and leans on it

WHEN THE CAMERA IS PLACED IN LOWER PART MID SHOT.

DOCTOR
(DIALOGUE ABOUT HIS
CONDITION and asks him to
come in)
RICHARDS
Ill be back
Doctor leaves back home.
The camera is placed down until the doctor goes out of frame
and man gets in.
JUMP CUT
 12.

37.INT.HOSPITAL CAR PARKING.EARLY MORNING

He suspiciously starts the car and leaves out from that
place.

WIDE SHOT FROM THE TOP OF HOSPITAL .

CUT AWAY

38.EXT .CAR.EVENING
RICHARDS
He keenly sees himself on the mirror .

CLOSEUP IN THE MIRRORS PERSPECTIVE.(REFERENCE-38)

RICHARDS (CONT'D)
He suddenly finds a watch on the driving area and picks it
up.

STATIC CONTINUOUS SHOT TO ABOVE

CUT TO

39.INT.CAR MOVING . EVENING

RICHARDS
He rubs the watch with one hand to check time while he uses
the other for driving.
It stops working.

CLOSE UP WHERE WE SHOW WATCH IS NOT WORKING.

RICHARDS (CONT'D)
He keenly observes something on the watch..

OVER THE SHOULDER CLOSE UP SHOT.

RICHARDS (CONT'D)
He thinks something and suddenly grabs the phone.
 13.

MEDIUM SHOT CAMERA IS PLACED BETWEEN 2 FRONT SEATS.

RICHARDS (CONT'D)
He beats it on the back and long presses it while he looks
for something that is fallen down.

OVER THE SHOULDER MEDIUM SHOT.(SIDE FROM DRIVER SEAT)

40.INT.CAR MOVING. EVENING

RICHARDS
Suddenly the phone switches on and he places the liquor
bottle beside it.

MEDIUM SHOT
CUT AWAY

41.EXT/CAR MOVING/EVENING
RICHARDS
The car moves with speed

THE CAMERA FOLLOWS FROM THE SIDE TO THE FRONT DOLLY AND MOVES
AWAY.
CUT AWAY

RICHARDS
He sees the gun keenly on his hands.and suddenly applies
break.(shown through sound)

POV CLOSEUP OF THE CHARACTER TOWARDS THE GUN.THE CAMERA

SLOWLY ZOOMS IN.
CUT TO:
 14.

42 EXT.CAR.EVENING
Car is stopped and he will be in great confusion.

MEDIUM SHOT .CAMERA IS PLACE ON THE FRONT OF THE

CAR(REFERENCE-42)

43. EXT.CAR.EVENING
Car with lights on shown.

SLOW PULL IN TOWARDS THE CAR WITH CINEMATIC LIGHTS.

44.EXT.CAR STOP. EVENING

He will gets tensed and lights a cigarette.

CLOSE UP SHOT FROM FRONT MIRROR(REFERENCE 44)

45. EXT,CAR STOP. EVENING

Richards will get down with a cigarette in hands

WIDE SHOT(REFERENCE 45)

46. EXT. CAR STOP.EARLY MORNING

He slowly walks away from car with smoke in hand.

LONG STEADY CONTINUOUS SHOT AS ABOVE.(REFERENCE 46)

46. EXT CAR STOP . EVENING

He suddenly looks at a place and gets some reaction and comes
back to car.

SLOW ZOOM IN TO THE LOCATION .

CUT TO
He gets into the car , he throws his cigarette out and car
moves.
 15.

LOW LEVEL MID SHOT.THE CIGAR IS FOCUSED WHILE SLOWLY CAR

MOVES OUT OF THE FRAME.
GLITCH EFFECT

47.INT/CAR/EVENING
He will be in deep thoughts.

SLOWLY ZOOMS INTO CLOSE UP

JUMP CUT
FEW SCENES OF
RICHARDS CHECKING PHONE AND FINDING A MESSAGE WHICH IS 6YEARS
AGO
WATCH STOPPING
GUN IN HIS HANDS
A BAG IN THE BACK.
CUT AWAY

48.INT/CAR/EVENING
He then looks back and beside gets faked up and hits the
radio by mistake.
Sudden sound starts and bullet sound is heard in the radio.

POV SHOT.HANDS HIT THE RADIO

49.EXT.CAR.EVENING
The car stops suddenly

LOW ANGLE SHOT WHERE CAR COMES NEAR CAMERA AND STOPS.

50.INT/CAR/EVENING
Suddenly Richards turns back seat and and takes his gun and
checks for a bullet and he finds none

MID SHOT FROM BEHIND

CUT AWAY
GLITCH EFFECT
 16.

A SCENE WHERE HE LOADS A SINGLE BULLET IS FLASHED.

JUMP CUT
A SCENE PICKING UP DRUGS BAG
RECEIVING A MESSAGE.
STOPPING FOR A SMOKE.
CUT AWAY

MID SHOT SAME SCENE AS ABOVE

JUMP CUT TO:
SOMEONE COMING TOWARDS HIS SIDE
PLACING GUN ON HIS WAIST
JUMP CUT TO:
HE CHECKS HIS WAIST AND HE FINDS NOTHING WOUNDED.

52.INT/CAR/EVENING
He starts the car and places his head on the glass with deep
thinking.

CLOSE UP (REFERENCE -52) CAMERA PULLS IN TOWARDS THE SUBJECT

JUMP CUT TO:
OTHER PERSON
Move..!
RICHARDS

53.INT-EXT/CAR&HOUSE/EVENING AND MORNING

SNAPSHOTS OF FOLLOWING
1.the opening cigar shot
2.smoke spot
3.gun placing on waist.

54.INT/CAR/EVENING
The gun is placed on the waist and the other one asks
Richards to drop him and he 1st disagrees and next he says he
has a work in between and after that he will drop him.

MID SHOT GUN IS SHOWN ON THE WAIST AND CAR MOVING (REFERENCE
54)
 17.

55.INT-EXT/CAR/FINAL LOCATION/EVENING
He gets down with a bag in one hand and gun in the other.
J CUT
Conversation between him and his dealer which happens in
phone call.
..........
.............

FOLLOW SHOT AT MEDIUM LONG SHOT.

56.INT/FINAL LOCATION/EVENING
He goes in and searches for a man he does not find any.

MEDIUM SHOT FOLLOWED BY CLOSE UP TO HIS EXPRESSIONS.

RICHARDS
Goes before a mirror he finds his image on it and points gun
towards it.
J CUT(BULLET SOUND)

57.INT/CAR/EVENING
he drives car with a deep thoughts.

SAME AS ABOVE
JUMP CUT

58.INT-EXT/FINAL LOCATION/EVENING
Shots are shown where he fells down the other one rushes in
and picks him up and gets him in car and drops in hospital.
Whole shot will be with a jump cut where everything will be
in fast order.