Mehta!

this
ho',-,
a
Quite
tality.
vi-
of
it
draining
never
but
or
affectation
out
wilh-,
Mozartean
strict
a
in
all
it
keeping
rhythms,
spirited
and
gra(e
with
sparkle
it
made
orchestra
a
with
and
"Paris."
so-called
the
2r97,
K.
jor,
Ala-1
D
in
*1
No.
Symphonv
played1
seldom
Mozart's
with
program
the
opened
he
contrast
of
wav
Bn again.
thrilling
Fifth
the
madr
Mehta
Mr.
term.
the
use
often
don't
We
ence.
independ-
of
cat
musi-
a
,
and
posing
im-
finale
The
humor.
gargantuan
of
jest
a
but
fiddles,
and
basses
scraping
of
mass
grumpy
a
not
was
that
'I'rio
a
with
.
t3
the
fl
Invokr
Seherzo
The
Olympian.
and
was
'The
fate,
at
fist
a
shaking hovel
of
legend
the
In
believe
one
made
ment
-
first
Ihe
F1nr l-
enn\
fnd
energy
Itahile
-
the
sentiment"illy,
eA
a
r
h
p
of
the
,
and
e
thu
ne
even-
the
,
Ahnrp
the
,
MYatAHMiIN
the
Ifn
,
full
lhe
of
Solidity
and
Alregnth
the
Iht
Aithitwven
MINilafatble
un.
And
pure
*am
Theve .
who
i.nn,
ra-
?
th
tAmon
nne
the
t
loft,
one
Ithe
@
nme,
iN Mehta
Mr.
But
Beethoven.
like
sound
it
make
to
how
understand
longer
no
tors
conduc-
that
demonstrated,
clearly
Mehta
Mr.
as
been,
has
trouble
main
The notes.
the
Into
put
inally
orig-
Beethoven
that
tion
inspira-
the
with
hot
piece,
master-
towering
a
more
once
was
it
here
For
death.
to
it
worried
have
who
conductors
puny
the
with
but
Symphony,
Fifth
the
or
Beethoven
Xvith
nnt
been
has
trouble
the
that
proved
shortly
Mehta
Mr.
But warhorses
old
the
on
moratorium
a
clare
de-
they
Can't
bore!
a
What
respite.
without
summer
and
Winter
again.
phony
Sym-
Fifth
Beethoven's
comes
here
Intermission,
the
after
thought
we
Lord,
0 Restored
Beethoven soloist.
the
for
support
exemplary
viding
pro-
while
the
all
colors,
ing
glow-
In
shine
it
made
MAehta
Mr.
and
expert.
and
liant
bril-
diverse,
is
or-
The
.
the
or
player
the
instrument.
the
ture
tor-
to
need
necessarily
not
does
concerto
a
that
proves
and
tractive
at-
and
ingenious
i.;
it
but
profundity,
Immortal
of
be
not
may
itself
work
The .
gan
ele-
phrasing
his
and
trous
lus-
and
polished
was
tone
his
sung
he
to
were
there
when
And
puffing.
and
huffing
no
with
sively.
inci-
and
cleanly
out.
came
they
and
devise,
could
poser
coom-
the
obstacles
other
the
all
and
work
passage
speedy
harmonics.
slops,
double
of
array
formidable
the
of
top
on
always
-e
ure.
mpas-
s
soloist
ihe
took
them
of
one
not
hut
hazards
wlth
bristles
piece
Ihe
won.
and
the
took
.
con-
s
orchestra
the
of
is
whn
Frisina,
Mr.
Rnt Wini
Frisina .
his
in
follow
to
stout
takes
it
and
Ilpifetz,
for
trifles
write
don't
Conmposers
Mlisl.
vio-
master
that.
of
.y
the
was
time
some
for
and
14
.
to
ed
-
was
it.
for
Concerto,
Walton
the
shout
skittish
little
a
he
fiddlers
that
is
It. Orchestra.
monir
Philhar-
Angeles
tos
the
ing
conduct-
Mehta
ZOIn
with
,
Wlttom'as
ilAm
Wit-
Sir
for
similar
a
he
Atidlitorhim
Philharmonic
In
night
day
Thurm-
and
mem-
%with
of
e6tt.
Cntetes
d
tI
n
s
C
e
q
ef:.f
kmf
PrOa
b11
hOe
ys*r
I '
Atihme
and
Mendelmenhn
van
Spetlhs
of
three
big
the
violin
por
there
that 1114
if
eIan
Iaky
the
tn
MthIle
thi
to
411d
the
A(
the
fmr
PYriinA
f1 t
I'nfdmilnnh (Oandhorg
Aihatl
Ay WaltoCtloncerto it).
Stars
.Frisina BOARD
SOUNDING
THE BOARD
SOUNDING
THE
Frisina Stars in Walton Concerto

Copyright Times Mirror Company Nov 23, 1963