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Competing Values
Extensive empirical research by Quinn, Hildebrandt, Rogers and Thompson (1991), has
shown that management and leadership communication usually has one or more of four
basic communication objectives, which influence the choice of words, visuals and
information selection in a message2. No message, however, can do justice to all four
objectives at the same time, hence the name Competing Values. A manager will have to
make choices and emphasise certain objectives over others, depending on what he/she
wants to achieve with his/her communication.
These are the four basic objectives of management and leadership communication:
These objectives and their characteristics illustrate some of the potential conflicts, or
competing values, leaders may encounter when forming messages. For example, a
manager may want to inspire the workforce, to lift declining morale and show them the
way forward. Such an i1spirational, visionary message also needs some explanations and
descriptions, characteristics from the informational objective, but cannot contain a
significant amount of explanatory and descriptive information, because this would lead to
information overload and render the message ineffective. In this way, the Competing
Values portray contrasting characteristics as mutually existing in messages and “….the
extent to which one employs each depends upon his/her specific communication goals.”
(Rogers and Hildebrandt,1993:127).
Continued overleaf
1
Adapted from: Rogers, P. S. & Hildebrandt, H. (1993). Competing values instruments for analyzing written
and spoken management messages. Human Resource Management, 32(1), 121-142.
2
Quinn, R.E., Hildebrandt, H.W., Rogers, P.S, & Thompson, M. (1991). A competing values framework for
analyzing presentational communication in management contexts. The Journal of Business Communication,
28(3), 213-232.
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Competing Values
The
Characteristic
degre
s of message
e of
objectives
inten
sity
of a
chara
cteris
tic
Message objectives may share certain characteristics, but contrast in others. For
instance, messages which have an informational or promotional objective are both likely
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to be logical. On the other hand, message objectives which are at opposite ends of the
graphic above may contrast sharply: informational messages, such as an instruction
manual, are focused and logical, but do not have visionary characteristics, whereas
messages with a transformational objective, such as Dr Martin Luther King’s famous I
have a Dream speech, are powerful and visionary, but are unlikely to deliver significant
amounts of detailed information focused on one narrow issue.
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symbolic comparisons are typical. Oral delivery is enthusiastic. Emphatic gestures are
used to show commitment and passion. Written messages may be unorthodox using
non-traditional formatting, punctuation, and spelling. Examples: keynote speeches,
corporate mission statements, written strategic plans, value statements.
Relational Messages:
To establish credibility, build rapport and generate trust
Build synergy: refer to things that you have in common with your audience.
Select and incorporate a few key words or phrases that are unique to, or typically
used by your receiver.
Show your feelings. Let your warmth and sincerity show in your facial expression
and gestures.
Aim for a conversational spoken style. Avoid an overly rehearsed, rigid delivery
style, taken from the written, rather than the spoken language register.
Include lots of references to your receiver(s). Use inclusive pronouns: 'we', 'us'
and 'our'. Avoid abstract references such as 'they', 'those' or 'them'. Avoid
excessive use of first person ('I') when speaking or writing.
Use the 'active' rather than the 'passive' voice to create a warm, friendly tone.
e.g. I'd appreciate, rather than It would be appreciated
Consider using the names of those receiving the message when appropriate.
3
Adaptation of material prepared by P.S. Rogers for use at the Ross Business School / University of Michigan
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3. Build credibility
Use quotations, examples, and names of people known and trusted by your
audience.
*******************************
Informational Messages:
To explain, to describe, to provide facts
Give a clear preview, abstract or executive summary outlining your direction and
content. This will help your audience to understand and remember your major
points.
Employ direct organisation; give your purpose, the main idea, before the details
or explanation. Clearly explain your intentions.
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Avoid qualifiers ('might', 'may', 'roughly', 'round about'). Be precise when giving
information.
For presentations:
o Clearly signpost an oral presentation. ‘Firstly, … now I'd like to move on
to my second point …’
o Vary the pitch, pace and volume as a means of accentuating key ideas and
avoiding a monotonous delivery
******************************
Promotional Messages:
To promote an idea, a concept, a product or a service, to persuade, to
direct thinking and action
Carefully analyse your receiver(s) focusing on their needs and concerns. Put
yourself in their shoes.
Use interesting examples, stories and illustrations to relate your arguments to the
interests, needs and desires of the audience.
Appeal to common ground. Get them to see that there is a problem that needs
solving, a need that should be satisfied or a challenge that should be met.
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Stress the benefits - highlight positive outcomes. Show the positive effects if your
recommendation is adopted.
Employ a direct organisational pattern (Key message/s up front) unless you face
an audience with a strongly negative bias or who are used to indirect
communication styles. In such cases, use an indirect organisational pattern (key
message/s delayed until explanations, reasons for the message have been
presented)
State your main ideas as points of view rather than points of information. For
example, 'the history of ABC' is a point of information; 'ABC has unparalleled
experience and expertise' is a point of view.
Attempt to be innovative and original. Try to present the topic in a different light.
Get the audience to view the issue from a different perspective.
Present both sides of an argument if you believe your audience may object or
dismiss it. This gives the impression that you've weighed up the pros and cons
and are being fair-minded.
Conclude with a call to action: ensure your audience know exactly what action
you are requesting.
Use active rather than passive constructions when you are suggesting a course of
action
3. Establish credibility
Use attractive charts, graphs and diagrams to visualise and support your
argument.
For presentations:
Use (non)verbal elements to highlight your argument and show enthusiasm:
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************************************
.
Transformational Messages:
To challenge and inspire
Aim to build content around a central theme, a key idea which is repeated and
supported throughout the message.
Risk using dynamic stories and anecdotes to grab and retain attention.
Use inspirational and challenging quotations from famous leaders ('I had a
dream') to arouse interest.
Move towards a climax or high point where the receivers discover something new
and meaningful.
Link new innovative ideas, insights and unique approaches to ideas already
known and accepted by your audience.
For presentations:
o If you use slides at all, employ highly visual slides to enhance the narrative
and to make ideas more memorable and meaningful.
o Employ a dramatic and energetic style of delivery
o Use body movement and gestures that convey power, commitment,
enthusiasm and passion.
o Use comparisons, contrasts, and repetition to highlight key ideas.
o Consider using thought-provoking quotations to introduce the main
theme(s).
o Use dynamic language to make ideas more vivid. Employ colourful words
that create images. “We are staring down the abyss” rather than “We have
problems”.
o Use intensifiers to show your passion towards the ideas you're conveying.
For instance, “This idea is extremely exciting” rather than “this is an
exciting idea”
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