Beruflich Dokumente
Kultur Dokumente
2. For the cover page, use a solid color index stock of at least 65 pound
but preferably 110 pound. Nothing appears on the cover. It’s just a
blank page.
6. Slug Line: Every time there’s a change in location, you need a slug
line. A slug line includes the sequence number, location of
the camera (INT: interior or EXT: exterior), the place, and
the time. It’s written in all caps and separated by a period.
For example:
1 INT. CLASSROOM. MIKE FAILS HIS TEST. DAY
4. Don’t label your script “first draft” or “final draft” or any draft.
Remember, it’s not supposed to be a draft. It’s a spec script.
5. Don’t put a suggested cast list or character list with bios, UNLESS
requested
7. SHOW. Don’t tell. You are writing for a visual medium. It’s important
to visualize what you’re writing. Imagine for the audience. Don’t just
simply write, “Rene walks into the room.” Be more specific and
descriptive. Always include the “how” factor. How does he enter the
room?
Choose specific verbs that will really convey the exact image you
want your audience to visualize. For example, the verb walk has
several other synonyms, but which is the best word to describe it? Is
it stroll, saunter, strut…?
Avoid using adverbs. It’s doing a short cut and a form of laziness.
Don’t just write, “Rene struts into the room with confidence.” Again,
show the “confidence” of Rene. Let your audience receive that
confidence of Rene by showing it to them.