Mikroestructuras 1

(Para saxo tenor solo)

Dedicada al saxofonista jerezano Antonio Torres Zamora
José Ramón Hernández Bellido
Libremente y molto expresivo (2002)
+/- =40
1
                                    
    
p ad. libitum
mp ad. libitum

                           
  
 
siempre ad. lib. 5
mp

                        
               
6 5

   
       
mp 7

          
6 5 3 3

                     
            
mp fp mf

            
2
             
 
mf f

          3   3    
5

                          
   
p
5 6
       
6 son-éol (Pausa breve)
 
     3
  

       
                
mf
3
f
      p
Muy pausado y aceller.

                   
flutt.
      
            
3 flutt.
   

6
mp pp mp
5 6

                                            

flutt. 6 7
flutt.

     
3
mf f

© 2002 por José Ramón Hernández Bellido, Jerez de la Frontera.

 (a tempo)
             
2
          
 
 
ff

                 6  3

11

       port.

 

 
6 3 5
f p

    
 
4 6

               
   
         
p

          
                
     
f

                      
           
3
     (G.P.)
    
 3
ff mf
5                 
         
 
3 3 3 3
ff 10

                      

10



 
3 3 3 3
ff fp f

                                                
acellerando
6

3 3 3 3 3
pp
molto crescendo f



                  
         
        
7 3
p súbito

 (multifónico)
            
9

(percusión de llaves)
   
6

           
p fff
f 
 Bb

___
Ta
C
      3     
3
7              slap naturale
            
      
mp
   

      
3
      

            

f ff p 3
3
3

   
3
        
     
3
f

          
11 11

   
        
8
                    

p mp

lentamente y acellerando hasta Quasi improvisado

6 7

                          

9
                 
mp 3
f

q=50

       
Quasi improvisado
                          
Lo más rápido posible
                      
10
   

(pp stacattisimo). El intérprete tiene la posibilidad de utilizar libremente las distintas variantes de
stacattissimo en el instrumento, incluida el slap.

     
                                    
         

     
               

       
                 
    
4
           
   
    
       
   



       
                          
        
6 f pp
6 6
(senza staccato)
cresc. poco a poco y stringendo

11 q=40
           
Lentamente
   
        
p p


                           
Muy lentamente y un poco stringendo gliss.
 
               
pp

Flexible
      
10
      Cede 10      Cede
  10      Cede
                                        
12

p p pp

 
13
         
            

p pp


morendo hasta el final
                     
(multifónico)
14  
  
pp ppp

 B


C