Beruflich Dokumente
Kultur Dokumente
__________ Artificial Hells: Participatory art and the Politics of Spectatorship. Verso,
Londres. 2012.
Blesser, B., Salter, L.-R.. Spaces speak, are you listening? - Experiencing aural
architecture. MIT Press. Massachusetts, 2007.
Camurri, A., Volpe, G., Poli, G.D., Leman, M.: Communicating expressiveness and
affect in multimodal interactive systems. IEEE MultiMedia. Vol.12-1, pp. 43-53.
Jan 2005.
Cook, P. Cook, Perry R. - Real Sound Synthesis for Interactive Applications. A.K.
Peters. 2002.
Dobrian, C., Koppelman, D.: The “E” in NIME: musical expression with new
computer interfaces. In: Proceedings of the 2006 Conference on New Interfaces for
Musical Expression. pp. 277-282. NIME'06, IRCAM; Centre Pompidou, Paris, 2006.
Franinovic, K., Salter, C. The experience of sonic interaction. Em: Franinovic, K.,
Serafin, S. (ed.) Sonic Interaction Design. MIT Press. 2013, pp. 39-76.
Friedman, Ken (editor). The Fluxus Reader. Academy Editions. Chichester, 1998,
pp. 136-162.
Jot, J.-M.; and Warusfel, O.. A Real-Time Spatial Sound Processor for Music and
Virtual Reality Applications. Proceedings of International Computer Music
Conference. Banff, Canada. 2005.
Licht, Alan. Sound Art: beyond music, between categories. Ed. Rizzoli. New York,
2010.
Malloch, J., Sinclair, S., Wanderley, M.M.: From controller to sound: tools for
collaborative development of digital musical instruments. In: Proceedings of the
International Computer Music Conference. pp. 65-72, 2007.
Moore, F. Richard. Elements of Computer Music. New Jersey: Prentice Hall, 1990.
Oiticica, Hélio. museu é o mundo. César Oiticica Filho (org.). Ed. Beco do Azougue.
Rio de Janeiro, 2011.
Overholt, D.: The Musical Interface Technology Design Space. Em: Organised
Sound, vol. 14(2), pp. 217-226. Aug 2009.
Reiss, Julie H. From Margin to Center: the spaces of installation art. MIT Press.
Cambridge, 1999.
Rogers, Holly. Sounding the gallery: video and the rise of art-music. Oxford
University Press. New York, 2013.