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BRIAN FERNEYHOUGH

LA CHUTE D'ICARE

SOLO CLARINET AND CHAMBER ENSEMBLE

EDITION PETERS

LONDON

Iv

Frankfurt

New York

INSTRUMENTATION

Solo clarinet in B~'*'

Flute (piccolo, alto flute", bass flute) Oboe (cor anglais")

Percussion

Piano Violin Violoncello Double bass

Percussion

I 2 3

3 wood blocks

3 temple blocks

~ • • • f

Vibraphone'[

• •

5 6

Marimba'[

3 bongos r.JeLI -4~i-il3r----

. ,

3 timbales I----,...._,.~.r_ 5 6

Glockenspiel

'" Notated at sounding pitch

t The vibraphone and marimba are to be positioned adjacently, These part~ share a stave, " , b di (downward tails indicate the but wherever practical are disringuished y stem irecnon

marimba part in most instances),

Ensemble layout

piano

o oog d()

00 D

t;::::J CO

t:::::i 0 double

perc. bass

() oboe

() cello

o

flute

o

t:J

violin

o

dar.

conductor

PERFORMANCE NOTES

The tempo markings should be followed as precisely as possible. If the chosen basic pulses are faster or slower than those indicated, all the tempi should be modified proportionally.

Microtones are usually tempered quarter-tones. For the wind instruments, they are to be produced by appropriate fingering changes, except where 'lip gliss.' is indicated.

Numbers in circles indicate different fingerings for the same pitch. CD always indicates traditional fingering; higher numbers indicate fingerings producing increasingly distorted timbres (the higher the number, the more distorted the sound).

+ = a quarter-tone sharp

~ = a quarter-tone flat

m = three quarter-tones sharp

~" = three quarter-tones flat

Eighth-tone intervals, which are approximate, are employed in the solo clarinet part only. An upward (or downward) arrow on an accidental means that the pitch is up to an eighth-tone sharper (or flatter) than the accidental would otherwise indicate; thus,

q = up to an eighth-tone sharp

1 = between a quarter-tone and three eighth-tones sharp

~ = between a quarter-tone and three eighth-tones flat (etc.)

: 'quasi slap-tongue' (clarinet)

: trill with trill-note on or very near pitch of main note (less than a quarter-tone away)

: pitch with breathy sonority

: In cases such as this, the main (bracketed) note does not begin the group. Play the grace-notes as fast as possible before alighting on the main note (as if it continues from a previous attack), and hold it for the remainder of the indicated duration.

Duration: ca. 107'2 minutes

La Chute d'Icare was commissioned by Musica '88, Strasbourg with funds provided by the Gulbenkian Foundation, Lisbon. The first performance was given in Strasbourg on 29 September 1988 by Armand Angsrer, clarinet, and Her Nieuw Ensemble Amsterdam conducted by Ed Spanjaard.

This score is a facsimile of the composer's manuscript

LA CHUTE D'ICARE

for Armand Angster and 'Musica '88', Strasbourg

Brian Ferneyhough (1987 -88)

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