Beruflich Dokumente
Kultur Dokumente
Version: 5.14
Feb 04, 2011
śrī-guru-caraṇa-padma, kevala-bhakati-sadma,
bando muñi sāvadhāna mate
jāhāra prasāde bhāi, e bhava toriyā jāi,
kṛṣṇa-prāpti hoy jāhā ha'te … (sri guru)
[śrī-guru-caraṇa-padma, kevala-bhakati-sadma,
bando muñi sāvadhāna mate] (3)
10
11
Om Namo Narayanaya
Om Namo Bhagavate Vasudevaya
kṣobhita-durmati-rādhā-mohana-
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nāmaka-nirupama-līlam
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A-08. Hayasirsa-pancaratra
Gurudeva!
Krpā bindu diyā, kara ei dāse,
Trņāpekşā ati hîna
Sakala sahane, bala diyā kara,
Nija-māne sprhā-hîna
B. SITA-RAM BHAJANS
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[ ---- Repeat all above from beginning in 1.5 speed --- Pallavi 1 time by all ]
Pāyoji Mainne
Vastu Amoliku Dil Mera Sataguru (2)
Kripā Kari Apnaayo Pāyo ji Mainne
Kripā Kari Apnaayo (Pāyoji)
1.
C-01. Krishna Govinda Govinda
Nandalal Nandalal
Nandalal Yadu Nandalal
Nandalala Nandalala
Nandaki Lala Prabhu Radha Lola
(chorus)
Hari Govinda, Hari Gopala
Hey Hari Govinda Gopala, Govinda Gopala ... (Nanda)
Narayaneeyaththin parayanam
Naraloka durithaththin mokshadanam
Bhayamarntha manashinde kshetradanam
Bhagavanin thiruvulla theerthadanam .... (Nanda)
Haribol! Haribol!
Haribol Haribol Haribol Haribol
Nandamukunda Gopala
Navaneetha chora Gopala
Syaamasundara Jagadoddhaara
Sajjana Paripaalaa – Dayaalaa
Venuvilolaa Vijayagopaalaa
Vedaagama moolaa Gopaalaa
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[Vanamali Vasudeva
Jagan Mohana Radha Ramana]
Radha Ramana
Radha Ramana
Radha Ramana
Radha Ramana
Radha Ramana
…..
…..
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Radha-Krishna Style
Krishna-Radha Style
[ Bhajare Gopālam
Mānasa Bhajare Gopālam ] .... (Bhajare)
(gap beat)
(gap beat)
Bol hari bol, Bol hari bol, Bol hari bol (4)
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… (Nandanana)
saurabha-sańkaṭa-vṛndāvana-taţa
vihita-vasanta-vihāra … (jaya)
abhinava-kuṭmala-guccha-samujjvala
kuñcita-kuntala-bhāra … (jaya)
praṇayi-janerita-vandana-saha-kṛta
cūrṇita-vana-ghana-sāra … (jaya)
adhara-virājita-mandatara-smita
lobhita-nija-parivāra … (jaya)
caṭula-dṛg-añcala-racita-rasoccala
rādhā-madana-vikāra … (jaya)
bhuvana-vimohana-mañjula-nartana
gati-valgita-maṇi-hāra … (jaya)
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nija-vallabha-jana-suhṛt-sanātana
citta-viharad-avatāra … (jaya)
vraja-jana-mana-sukhakārī
mohana-vaḿśī-vihārī
śrī govardhana-dhārī
nārāyaṇa balihārī,
yaśomatī-nandana, braja-baro-nāgara,
gokula-rañjana kāna
gopī-parāṇa-dhana, madana-manohara,
kāliya-damana-vidhāna … (yasomati)
braja-jana-pālana, asura-kula-nāśana
nanda-godhana-rākhowālā
govinda mādhava, navanīta-taskara,
sundara nanda-gopālā … (yasomati)
yāmuna-taṭa-cara, gopī-basana-hara,
rāsa-rasika, kṛpāmoya
śrī-rādhā-vallabha, bṛndābana-naṭabara,
bhakativinod-āśraya … (yasomati)
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(Pallavi)
[Swāgatam Krishnā, Swāgatam Krishnā
Swāgatam Swāgatam, Swāgatam Krishna]
(Anupallavi)
[Ādi Keshavam Swāgatam Krishnā
Ananda Vardhanam Swāgatam Krishnā] .. (Swāgatam)
(Pallavi)
[Krishna Govinda – Jaya
Govinda Gopala ..]
(Anupallavi)
(Finishing)
[Krishna Govinda – Jaya
Govinda Gopala ..] (3)
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Pankaja Nayanā ….
[Pankaja Nayanā Pāndava Bharaņā
Parama Purushā Pari Pooraņā] … (Srijaya)
Sundara Ramaņā …
[Sundara Ramanā Srīyah Sharanā
Sringā Rasa-Sri Saci Vadanā] … (Srijaya)
Mohana Madanā …
[Mohana Madanā Navanita Haraņā
Murali Dharajaya Madhu Sūdhanā] … (Srijaya)
Cāmara dhulāya re
Rādha krsnera ārati kāle, cāmara dhulāya re
’Jaya rādhe, sri rādhe’ bole, cāmara dhulāya re
Lalitā visākhā ādi, cāmara dhulāya re
Sahasra-Namnam Punyanam
Trir-Avrttya Tu Yat Phalam
Ekavrttya Tu Krishnasya
Namaikam Tat Prayacchati
Namas Te Narasiḿhāya
Prahlādā hlāda-dāyine
Hiraṇyakaśi Purvakṣaḥa
Silā-Tańka-Nakhālaye
Ito Narasimhah Parato Narasiḿho
Yato Yato Yāmi Ta To Narasiḿhaḥ
Bahir Narasiḿho Hṛdaye Narasiḿho
Naṛa Simham-ādiḿ Saraṇaḿ Prapadye
Hari Hi Om …
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(slow)
Radhe Govinda Bhajo Radhe Govinda
Radha Ramana Hari Radhe Govinda
F. ASHTAKAMS
F-01. Acyutashtakam
(6)
Forever salutations to the child god of
Dhenu kārishtako nishta krud vesinām Gopis, who killed Dhenuka and Arishtaka,
Kesiha kamsa hrud vamsikā vādaka who killed those who hated him, who was
Putanā gopaka soorajā khelano hated by kesi and Kamsa, who played on
Bāla gopālaka pātu mām sarvada flute, who got angry on Poothana, and
who likes to play in the river.
(7)
I pray Lord Krishna with pretty eyes, who
Vidyu da-dyotavān prasphura dvāsasam wore clothes shining like lightning, whose
Prāvruda bodhavat prollasad vigraham form shone like the clouds of rainy
Vanyayā Mālayā shobhito-rasthalam season, who wears on his chest garlands
Lohitāngri dvayam vārijāksham bhaje of wild flowers, and who has pair of pretty
reddish color feet.
(8)
I pray him who wears tiny bells who is
Kanchithai kuntalai brarja mānānanam handsomely black, who has a shiny face
Ratna moulim lasat kundalam gandayo curly hairs, whose cheeks reflect the
Hāra keyurakam kankana projvalam shine of his jeweled ear studs, who wears
Kinkini manjulam syāmalam tam bhaje golden garlands, and who wears shining
bangles.
Phalasruthi
Achyutā-siyāshtakam ya padeth ishtadham, He who reads this octet, which is dear to
Premadha prathy aham poorusha saspruham, God Achyutha, which is written with love
Vrutata sundaram kartru visvambharam, and devotion would reach the Lord fast
Tasya vasyo harim jāyate satvaram (3) and without fail.
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F-03. Damodarashtakam
2 Rudantam muhur netra yugmam mrjantam She shows You the stick and binds Your belly!
As You cry, tears roll on your cheeks.
Karāmbhoja yugmena sātanka netram Your sobbing makes Your pearl necklace shake.
Muhuh svāsa kampa tri rekhānka kantha- Ropes of your mother's love bind You in embrace.
Sthita graiva dāmodaram bhakti baddham
3 Itidrk sva leelābhir ānanda kunde Relishing Your childhood leelas like this,
You plunge Your bhaktas in deep oceans of bliss.
Sva ghoşam nimajjantam ākhyāpayantam You are subdued only by love, not by opulence.
Tadeeyeśita jneşu bhaktair jitatvam Again and again, Lord, I bow down to you.
Punah premats tam śatāvritti vande
4 Varam deva! moksham na mokshavadhim vā Although You give moksha, I don’t ask for moksha,
Nor do I want anything You could bestow.
Na cānyam vrne 'ham varesād apihā I only request that Your sweet childhood play
Idam te vapur nātha! gopāla-bālam Ever be enacted in my heart to stay.
Sadā me manasy avirastam kim anyaih
8 Namas te 'stu dāmne sphurad dipti-dhāmne Although in Your belly the universe is found,
Your mother’s rope of love has Your belly bound.
Tvadiyodarāyatha vishvasya dhāmne I bow to that rope and Sri Radhika, Your most dear,
Namo rādhikāyai tvadiya priyāyai And all the sublime pastimes in which You appear.
Namo 'nanta-lilaya devāya tubhyam
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F-04. Balamukundashtakam
1 Karāra vindena padāra vindam The one who keeps his lotus like feet on his lotus
like face with his lotus like hand, I think of
Mukhāra vinde vini-veša-yantam Balamukundan who sleeps on the vata pathra
Vaţasya patrasya puţe šayānam (leaf).
Bālam mukundam manasā smarāmi
2 Samhrtya lokān vaţa patra madhye The one who sleeps on the vata pathra after the
dissolution of the worlds, the one whose form is
Śayāna mādyanta vihīna rūpam without beginning or end, the one who is Lord of
Sarveš varam sarva hitā vatāram all, I think of Balamukundan who incarnated for
Bālam mukundam manasā smarāmi the good of all.
3 Indīvara šyama la-koma lāngam The one who has a beautiful body that is dark like
the cerulean blue lotus, the one whose lotus feet
Indrādi devār cita pāda padmam is worshipped by Indra and other devas, I think of
Santāna kalpatru mamā šritānām Balamukundan who is like the kalpaka vruksha
Bālam mukundam manasā smarāmi tree.
4 Lambā lakam lambita hāra yaşţim The one who has locks of hair falling in front of
his face, the one who wears a long hanging chain,
Śringāra līlān kita-danta panktim the one whose teeth rows shine with the nectar of
Bimbā dharam cāru višāla netram shrungaram, the one whose lips are like the kovai
Bālam mukundam manasā smarāmi fruit, I think of Balamukundan who has long &
beautiful eyes.
5 Śikyeni dhāyādya payo dadhīni The time when Yashoda has gone out after
keeping milk, curds in the pot, the one who sleeps
Bahir gatāyām vraja-nāyi kāyām falsely after eating all this, I think of this
Bhuktvā yatheşţam kapaţena suptam Balamukundan.
Bālam mukundam manasā smarāmi
6 Kalinda jānta sthita kāli yasya From the rock of Kalindhi, the one who has the
desire of dancing on the hoods of the snake
Phanņāgra range naţana priyantam kaliyan, the one who has the tip of the tail of
Tatpuccha hastam šaradindu vaktram kaliyan in his hand, the one whose face is like the
Bālam mukundam manasā smarāmi moon during sarathrithu (december month), I
think of this Balamukundan.
7 Ulūkhale baddha mudāra šauryam The one who is tied to a round boulder, the one
who is great, the one who has the playfullness of
Uttunga yugmār-juna bhanga līlam pushing two Marutha-maram (trees) to the
Utpulla padmā yata cāru netram ground, the one who has eyes like a bloomed red
Bālam mukundam manasā smarāmi lotus, I think of this Balamukundan.
8 Ālokya mātur mukhamā dareņa The one who looks affectionately at the mother's
face while taking milk from her, the one who has
Stanyam pibantam sarasīru hākşam eyes like the red lotus, the one whose form is
Saccin mayam devam ananta rūpam Truth, Intelligence and the one who has other
Bālam mukundam manasā smarāmi (4) forms and is a Lord, I think of this Balamukundan.
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as a youthful dancer.
F-06. Madhurashtakam
1 Adharam madhuram vadanam His lips are sweet, His face is sweet, His eyes are
madhuram sweet, His smile is sweet, His heart is sweet, His
Nayanam madhuram hasitam gait is sweet – everything is sweet about the original
madhuram Lord of Sweetness.
Hrdayam madhuram gamanam
madhuram
Madhurädhi-pater akhilam madhuram
2 Vacanam madhuram caritam His voice is sweet, His character is sweet, His attire
madhuram is sweet, His speech is sweet, His movements are
Vasanam madhuram valitam madhuram sweet, His wandering is sweet – everything is sweet
Calitam madhuram bhramitam about the original Lord of Sweetness.
madhuram
Madhurädhi-pater akhilam madhuram
3 Venur madhuro reņur madhurah His flute is sweet, His foot-dust is sweet, His hands
Päņir madhurah pädo madhurah are sweet, His feet are sweet, His dancing is sweet,
Nrtyam madhuram sakhyam madhuram His friendship is sweet – everything is sweet about
Madhurädhi-pater akhilam madhuram the original Lord of Sweetness.
4 Gītam madhuram pītam madhuram His singing is sweet, His drinking is sweet, His
Bhuktam madhuram suptam madhuram eating is sweet, His sleeping is sweet, His beauty is
Rūpam madhuram tilakam madhuram sweet, His tilaka is sweet – everything is sweet
Madhurädhi-pater akhilam madhuram about the original Lord of Sweetness.
5 Karaņam madhuram taraņam His deeds are sweet, His acts of deliverance are
madhuram sweet, His stealing is sweet, His amorous play is
Haraņam madhuram ramaņam sweet, His yawning is sweet, and even His
madhuram chastisements are sweet – everything is sweet
about the original Lord of Sweetness.
Vamitam madhuram samitam
madhuram
Madhurädhi-pater akhilam madhuram
6 Guñjä madhurä mälä madhurä His garland of guñja is sweet, His garland is sweet,
Yamunä madhurä vīcī madhurä His Yamunä River is sweet, and her waves, water,
Salilam madhuram kamalam madhuram and lotuses are all sweet – everything is sweet
Madhurädhi-pater akhilam madhuram about the original Lord of Sweetness.
7 Gopī madhurä līlä madhurä His gopis are sweet, His pastimes are sweet, His
Yuktam madhuram bhuktam madhuram paraphernalia and ornaments are sweet, His food is
Hrştam madhuram šliştam madhuram sweet, His delight is sweet, His embrace is sweet –
Madhurädhi-pater akhilam madhuram everything is sweet about the original Lord of
Sweetness.
8 Gopä madhurä gävo madhurä His gopas are sweet, His cows are sweet, His staff
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Yaştir madhurä srştir madhurä is sweet, His creation is sweet, His defeating of
Dalitam madhuram phalitam madhuram demons is sweet, and His bestowal of fruits is sweet
Madhurädhi-pater akhilam madhuram – everything is sweet about the original Lord of
Sweetness.
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F-07. Sikshashtakam
2 Nāmnām akāri bahudhā nija-sarva-śaktis O Lord! Your holy name bestows all
Tatrārpitā niyamitah smaraņe na kālah auspiciousness upon the living entities. For the
Etādrishî tava kripā bhagavan mamāpi benefit of the jivas, You eternally manifest Your
Durdaivam îdriśam ihājani nānurāgah innumerable names, such as Rama, Narayana,
Krishna, and so on with all the potencies of
Your personal forms. Out of causeless mercy,
You have not imposed any restrictions on the
chanting and remembrance of such names. At
any time of the day or night, the holy name can
be chanted and remembered. O Lord! This is
Your causeless mercy upon living entities. But,
due to committing offenses (nama aparadha), I
am so unfortunate that, I have not awoken any
attachment to Your names.
6 Nayanam galad aśru dhārayā O Lord! When will my eyes be filled with a
Vadanam gadgada ruddhayā girā stream of tears? When will my voice choke up?
Pulakair nicitam vapuh kadā And when will the hairs of my body stand erect
Tava nāma grahaņe bhavişyati in ecstacy as I chant Your holy name?
8 Âślişya vā pāda ratām pinaştu mām Let that debauchee (Krishna) delight this
Adarśanān marma-hatām karotu vā servant who is attached to the service of His
Yathā tathā vā vidadhātu lampato lotus feet by tightly embracing Me. Or let Him
Mat-prāņa-nāthas tu sa eva nāparah trample Me, or break my heart by not being
present before Me. He may do whatever He
likes. He is nonetheless, the Lord of My life. For
me, there is no one other than Him.
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F-08. Sacisutashtakam
1 nava gaura-varam nava-puşpa-saram His complexion is the hue of fresh cream tinged with
nava-bhāva-dharam nava-lāsya-param kunkum. He is the ever-fresh Cupid who shoots arrows of
newly blossoming flowers. He bears newer and newer
nava-hāsya-karam nava-hema-varam moods of emotional ecstasies. He is fond of performing
praņamāmi saci-suta-gaura-varam novel dances. He makes ever-new jokes that cause much
laughter. His brilliant luster is like freshly cast gold.—I bow
down to Gaura, the beautiful son of Mother Saci.
2 nava-prema-yutam nava-nita-sucam He is endowed with ever-fresh love of Godhead. His
nava-vesa-krtam nava-prema-rasam radiant luster is like the color of fresh butter. His fresh attire
is arranged in ever-new fashions. He relishes ever-new
navadhā vilasat subha-prema-mayam mellows of love for Krsna. He shines in nine-fold new ways
praņamāmi saci-suta-gaura-varam while executing the nine-fold processes of devotion. He is
permeated with a most auspicious loving nature.—I bow
down to Gaura, the beautiful son of Mother Saci.
3 hari-bhakti-param hari-nāma-dharam He is absorbed in devotion to Sri Hari. He maintains the
kara-jāpya-karam hari-nāma-param chanting of the names of Hari. While chanting He counts
the holy names on the fingers of His hands. He is addicted
nayane satatam praņayāsru-dharam to the name of Hari. He always has tears of love welling in
praņamāmi saci-suta-gaura-varam His eyes.—I bow down to Gaura, the beautiful son of
Mother Saci.
4 satatam janatā-bhava-tāpa-haram He is always removing the suffering of material existence
paramārtha-parāyaņa-loka-gatim for mankind. He is the goal of life for persons who are
dedicated to their supreme interest. He inspires men to
nava-leha-karam jagat-tāpa-haram become like honeybees (eager for the honey of Krsna-
praņamāmi saci-suta-gaura-varam prema). He removes the burning fever of the material
world.—I bow down to Gaura, the beautiful son of Mother
Saci.
5 nija-bhakti-karam priya-cārutaram He motivates pure devotion unto Himself. He is most
nata-nartana-nāgara-rāja-kulam attractive to His beloved servitors. By His dramatic dancing
He exhibits the characteristics of the King of paramours.
kula-kāmini-mānasa-lāsya-karam He causes the minds of beautiful young village women to
praņamāmi saci-suta-gaura-varam dance.—I bow down to Gaura, the beautiful son of Mother
Saci.
6 karatāla-valam kala-kanţha-ravam He plays karatals as His throat emits sweet melodious
mrdu-vādya-suvīnika-yā madhuram sounds and the vibrant notes of the vina are softly played.
He thus inspires the devotees to perform dramatic dancing
nija-bhakti-gunāvrta-nātya-karam that is infused with aspects of His own devotional service.
praņamāmi saci-suta-gaura-varam —I bow down to Gaura, the beautiful son of Mother Saci.
G. SPECIAL SLOKAS
Nandane nābhirantum
Bhāve bhāve hrdaya bhavane
Bhāvayeyam bhavantam
Anyabhilasita-Sunyam
Jnana-Karmady-Anavrtam
Anukulyena Krsnanu-
Silanam Bhaktir Uttama
Mac-cittā mad-gata-prānā
Bodhayantah parasparam
Kathayantas ca mam nityam
Tusyanti ca ramanti ca
Tesām satata-yuktānām,
Bhajatām priti-purvakam
Dadāmi buddhi-yogam tam
Yena mām upayānti te
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Tesām evānukampārtham
Aham ajnana-jam tamah
Nāsayāmy ātma-bhāva-stho
Jnāna-dipena bhāsvatā
Sarva-Dharmaan Parityajya
Maam Ekam Saranam Vraja
Aham Tvaam Sarva Paapebhyo
Moksa Yisyaami Maa Sucah
Àrādhanānām Sarvesām
Visnor Àrādhanam Param
Tasmāt Parataram Devi
Tadìyānām Samarcanam
Dalamula-kuka Visnu-vuga
Visnu tulasi ve
Sri Krishna tulasi ve