ally detail the effect of trench warfare o n the operations.
T h e y o u n g officers whose corres-
men. Y o u n g Basil Morris's pleading for letters pondence makes u p this book did not suffer from from home, the gradual replacement of youthful the demoralization of unemployment, w h i c h enthusiasm for weariness with the constant fear, was h i g h d u r i n g the early war years and p r o m p - the lack of rest, a n d the m u d of the European ted many men to enlist, nor f o l l o w i n g the war trenches, give us a good picture of homesick a n d when many returned servicemen came back to a confused boys f i g h t i n g a war w h i c h had scarcely country w h i c h d i d not seem to need them any meaning i n their lives, once the romance of anymore. adventure had worn off. In one letter, y o u n g Basil explains that, here, i n the trenches, there Morris's description of C a n a d i a n pre-war life was n o one to give one comfort and sympathy, as a gay adventure, may be true to her personal and his l o n g i n g to be home w i t h his parents and experience, and/or remembrances, yet it is hardly sister, is strong and undisguised. We even learn representative of the average C a n a d i a n y o u n g such mundane features of trench life, as the value w o m a n . T h e British loyalty and unquestioning of h a v i n g a cat i n one's trench-home i n order to support of the war effort displayed by the Morris keep out rats and mice. family and reflected i n But This Is Our War, may have been typical of many middle class, A n g l o - These letters also tell us, most articulately and Saxon Ontarians, but was i n n o way typical of eloquently, the way i n w h i c h the men coped all Canadians. Despite the l i m i t e d view pres- w i t h the idea of death; h o w they became, of ented i n But This Is Our War, Grace Morris necessity, almost callous to the loss of comrades Craig's book is readable, interesting, w e l l - i l l u - and family, and how they learned to live w i t h the strated a n d a notable contribution to Canadian fear of their o w n death. social history.
Unfortunately, But This Is Our War does not Dianne Dodd
balance the beautifully detailed picture of the Ottawa soldier's life, w i t h an accurate a n d realistic account of home life d u r i n g the war. In this sense, the book can scarcely be considered w o - men's history, as it sadly tells us very little about the author herself. By so eloquently eulogizing the heroism of her soldiers, and passing q u i c k l y over the lives of the women left to wait for their return, the author of But This Is Our War tells us whose war it really was.
But if the book is poor women's history, it is
an admirable piece of oral history of the W o r l d Louise M i c h e l . E d i t h T h o m a s . Translated by War I period, told from a soldier's viewpoint. Penelope W i l l i a m s . Montreal: Black Rose Books, O n e must keep i n m i n d , however, that this book 1980. deals o n l y with the lives of wealthy middle class boys w h o were sheltered from m u c h of the agony T h e name of L o u i s e M i c h e l - "petroleuse" of the overall war experience. A l t h o u g h Basil and " c o m m u n a r d " - has been etched o n the was involved i n trench warfare, he had a m u c h banners a n d i n the traditions of both c o m m u - more comfortable life than many, being a n nism and anarchism. F o r them, L o u i s e M i c h e l officer and an engineer involved i n t u n n e l l i n g has assumed a somewhat mythical status w h i c h obscures the realities, ambiguities and complex- More than 30,000 were murdered as the bour- ities of her experience. She bridged the gap i n her geoisie wreaked its revenge on those who had time between an emerging f e m i n i s m and the left, dared to take power into their o w n hands. a n d lived the tension between her commitment M i c h e l through the u n i q u e circumstances of her to w o m e n and her overriding attachment to the u p b r i n g i n g and education was one of the few male-dominated left. She played the role of a women involved i n the defence of the C o m m u n e female "ringleader" and l i v i n g symbol of the w h o was i n a position to write about her expe- Paris C o m m u n e for the left. riences. She achieved fame as a skilled p u b l i c speaker for the revolution. E d i t h Thomas's biography helps us to learn more about the life of this remarkable w o m a n L o u i s e was born to a housemaid i n the V r o n - -her experience, her passions, her limitations court chateau. T h e exact identity of her father is and her accomplishments. L o u i s e M i c h e l begins u n k n o w n but it seems to have been either to take o n flesh and blood i n the pages of this Etienne-Charles Demahais or his son Laurent. biography. We get a glimpse of the drama a n d She was raised as one of the family i n the V r o n - tragedy of her life, and through this porthole court chateau of Etienne-Charles Demahais. into the past a sense of French history and the Louise's c o m i n g to understand the circumstan- oppressions and struggles of w o m e n . ces of her birth and her "bastard" status may have had some effect on her, m a k i n g her more L o u i s e M i c h e l lived from 1830-1905. H e r life sympathetic to others facing injustice or w h o bridged a n important period of transition i n were different from the n o r m . She d i d not blame French society f r o m a r u r a l , peasant-based agri- her mother for the circumstances of her birth and c u l t u r a l economy to an industrialized and i n - was always very tied to and respectful of her creasingly urbanized capitalist p o l i t i c a l econ- mother, Marianne M i c h e l . omy. In Michel's life is embedded the experiences of i n d u s t r i a l capitalism and a revolt against its Louise M i c h e l received a liberal education horrors. M i c h e l ' s life coincides w i t h the emer- w h i c h provided her w i t h interests and skills i n gence of oppositional political currents w i t h i n literature, poetry and culture w h i c h w o u l d be- the w o r k i n g class and a m o n g intellectuals to the come of great use later i n her career as a revolu- poverty and degradation of capitalist exploita- tionary. She became concerned w i t h the prob- tion. She was to witness the emergence, growth, lems of the local peasants w i t h w h o m she and institutionalization of the proletarian and interacted i n her daily life and developed a sym- trade u n i o n movements. She w o u l d also witness pathy for the downtrodden. A pronounced h u m - the resistance of w o r k i n g class w o m e n to their anitarian and charitable streak developed i n her conditions of life and labour a n d the s t i r r i n g of character through these experiences. middle class feminists demanding their rights. Louise a l o n g w i t h the other y o u n g women of M i c h e l was never one to stand aside from the her day and social status had very few social historical events of her day as she became options and little chance of a life economically immersed i n feminist and left-wing agitation. independent of a man. She c o u l d marry, go into She played an active role i n the Paris C o m m u n e the church or try her h a n d at teaching. She of 1871 w h i c h has been referred to as the first rejected marriage and a career i n the church. T h e attempt by w o r k i n g people to take over p o l i t i c a l only o p t i o n left for her was to take u p teaching. power a n d govern for themselves. T h e C o m - G i v e n the sex-segregated division of labour of m u n e was drowned by the Versailles govern- the day this was just about the only o p t i o n left ment i n the blood of the Parisian lower classes. for educated women who rejected marriage and the church. W o r k i n g as a teacher she developed a chens where they belonged. L o u i s e M i c h e l res- number of innovative and creative educational isted this sexism a n d fought for women's right to methods w h i c h foreshadowed some of the pro- care for the sick a n d to fight o n the battlefield. gressive transformations i n educational ped- Against opposition from communards she spoke agogy. u p for the w o m e n prostitutes w h o worked o n the ambulances i n defence of the C o m m u n e . L o u i s e M i c h e l moved to Paris and began to develop a more left-wing perspective. She was W i t h the crushing of the C o m m u n e , L o u i s e involved i n the Women's R i g h t s G r o u p w h i c h M i c h e l was taken into custody. She figured demanded equal education for the sexes and an p r o m i n e n t l y i n the trial of a g r o u p of w o r k i n g adequate salary for women so as to eliminate the class a n d poor w o m e n w h o had been active i n need for prostitution. She was drawn into debates the f i n a l defence of the C o m m u n e , w h o were against the Second Empire's anti-feminists, i n - labelled the "petroleuses" for supposedly ignit- c l u d i n g P r o u d h o u n . She was also secretary for i n g Paris w i t h petrol bombs o n the defeat of the the Democratic Society for M o r a l i z a t i o n w h i c h C o m m u n e . Louise was sentenced to deportation campaigned to make it possible for women to a fortress and was sent to N e w Caledonia. workers to earn l i v i n g wages. D u r i n g her ocean voyage conversations w i t h Nathalie, another deported w o m a n , led to her D u r i n g the 72 days of the short-lived Paris conversion to anarchism. She came to believe C o m m u n e , L o u i s e M i c h e l was a member of both that it had been the legality of the C o m m u n e the women's and men's Vigilance Committees of w h i c h had been its d o w n f a l l , that a l l power the 18th arrondissement. As T h o m a s puts it, needed to be gotten r i d of, that liberty c o u l d not M i c h e l , "whole-heartedly joined the Parisian be associated w i t h power of any sort. masses i n their choice of the historical path of revolt a n d social justice" (p. 67). She acquired D u r i n g her stay o n N e w Caledonia, she sym- the reputation of being a "ringleader." W o m e n pathized w i t h the local inhabitants and the played a significant role i n the life and defence of A l g e r i a n deportees. She developed a f i r m a n d the C o m m u n e . W h e n the bourgeois republic consistent anticolonialist politics. Her sentence first tried to disarm the Parisian masses, their was commuted to simple banishment a n d she soldiers refused to fire on the women. A t the was allowed to teach the islanders, an activity she same time, w i t h i n the organising practices of the delighted i n . In 1880 she returned to France as C o m m u n e , male d o m i n a t i o n prevailed. W o m e n part of a general amnesty. She was greeted by were excluded from p o l i t i c a l decision m a k i n g as thousands to w h o m she had become a l i v i n g only men c o u l d vote. T h e m a n w h o m Louise symbol of the C o m m u n e . Uppermost i n L o u i s e M i c h e l seemed to be platonically i n love w i t h , Michel's m i n d , however, was her need to see her T h e o p h i l e Ferre, was as anti-feminist as the mother again. other male communards. L o u i s e M i c h e l embarked on her career as spo- L o u i s e M i c h e l spent the early days of the kesperson for the revolution, particularly its C o m m u n e trying to implement progressive social anarchist w i n g , and spokeswoman for free mar- and educational reforms. As the Versailles troops riage and equal education for w o m e n . T h e began to advance o n the C o m m u n e ' s revolu- media s p u n tales about her w h i c h aided i n her tionary guards she became an ambulance driver emergence as a p u b l i c personality. There was and soldier. T h e male patriarchs of the C o m - always a certain sense of scandal and controversy mune, however, disliked women r u n n i n g around s u r r o u n d i n g her appearances. She fought a bat- the battlefields instead of sticking to their kit- tle for unity against the powerful currents r i p - p i n g apart the fragmented left. T h e develop- not divorce their cause from that of humanity as ment of institutionalized Guesdist trade unions a w h o l e " (p. 182). She felt that women c o u l d be led to the isolation of the anarchists from the better fighters i n these class battles than men. A s w o r k i n g masses. she put it, "If the men hang back when the time comes, w o m e n w i l l lead the w a y " (p. 57). She L o u i s e M i c h e l lived the rest of her life i n and apparently saw no real conflict between the out of j a i l as she was t h r o w n i n a n d out of needs and interests of male and female w o r k i n g custody for her speeches and participation i n class people w h i c h needed to be struggled demonstrations. H e r periods i n custody pro- through. She therefore d i d not see any need for vided her w i t h some of the more quiet and con- an autonomous women's movement although templative aspects of her life. A t one speaking at various points she d i d participate i n and help engagement she was shot i n the head by a m a n b u i l d u p various women's organizations. enraged by her anti-church remarks. Even though she campaigned for women's economic inde- H e r feminism had remarkable but understan- pendence, i n her o w n life she remained partially dable limitations. W h i l e she fought for free mar- dependent o n male benefactors like Rochefort. riage and for equal educational rights for women, She tried to earn money of her o w n through she felt that i n a new society a woman's place, literary ventures. As T h o m a s explains, Louise's when you came right d o w n to it, was i n the writings had the same quality as her life, that is, domestic-private realm. L o u i s e was opposed to the character of a hurried first draft. women demanding the right to work outside the home. Once speaking to women, she said: Marianne's death shattered Louise and through the last years of her life her heart seemed broken. You're the ones who bear the responsibility L o u i s e lived her last years i n L o n d o n (where she of family and home, w h i l e men are respon- met E m m a G o l d m a n ) and o n speaking tours of sible for work outside the home, produc- France. It was d u r i n g one of her speaking tours tion i n a l l its forms. Once you are free, you i n 1905 that she died of double p n e u m o n i a . H e r must no longer deform your natural attri- funeral attracted one hundred thousand work- butes nor spend twelve to fourteen hours a i n g people, socialists and anarchists united for a day i n the workshops.(p. 294) rare manifestation of solidarity. W h i l e it is understandable that women w o u l d T h o m a s describes L o u i s e M i c h e l as a feminist not want to spend their lives i n workshops, and i n the context of the times she was. She Michel's comments reveal an acceptance of a fought for women's rights i n the social and edu- " n a t u r a l " sexual division of labour w h i c h is at cational spheres, but not i n the traditional polit- the root of women's oppression. Louise's vision ical sphere. H e r anarchist politics, w h i c h was of the proper male and female roles thus dove- generally stronger than her feminism, was op- tailed w i t h the organized male w o r k i n g class posed to any participation i n bourgeois institu- demands for a " f a m i l y wage" to be paid to and tions i n c l u d i n g bourgeois electoral rights. She under the control of the male wage-labourer. therefore placed herself i n o p p o s i t i o n to the T h i s helped to bring about a sexual division of female suffrage movement and to many of the labour w i t h i n the w o r k i n g class w h i c h secured most radical women f i g h t i n g for their liberation. women's subordination. Her vision was limited by the circumstances of her life, the weakness of She seems to have seen women's battle as part any autonomous feminist theory, and the b l i n d - of a broader class struggle from w h i c h women ers of her anarchist politics w h i c h prevented the ought not to separate. In her view, " w o m e n must integration of an autonomous feminist perspec- tive. In this sense the anarchist black flag d i d not Louise's intimate relationships w i t h her women wave more positively for w o m e n i n that period friends. T h e c o m p a n i o n for the last fifteen years than the red flag w o u l d once appropriated by of her life was Charlotte Vauvelle, for example, Stalinism and the Soviet U n i o n . and more of this relationship needs to be redis- covered. E m m a G o l d m a n ' s adamant denial of W h i l e Louise M i c h e l was friends w i t h some of allegations regarding L o u i s e Michel's lesbian- the m a i n feminists of her time, like the Duchesse ism c o u l d also have been reported (see Katz, Gay d'Uzes, she seems to have seen herself as different American History, p. 378-380). from other women. Speaking of other female prisoners when she was i n j a i l she wrote, ' " T h e y E d i t h Thomas's biography of M i c h e l deserves have the usual strengths a n d weaknesses of to be read by a l l historians of the relation of w o m a n k i n d , and that is exactly what I do not feminism to the left, of w o m e n a n d various have"' (p. 109). Her education set her apart f r o m social struggles and movements. It gives us an lower class women, and her political positions important account of her life. It provides us w i t h from middle class w o m e n . She does not seem to an i n s p i r i n g story of a w o m a n w h o remained have had a feminist support network w h i c h true to her convictions and w h o always sided could have provided her w i t h the basis for an w i t h the oppressed and maligned. As T h o m a s autonomous feminist vision. puts it, " H e r glory is that she never lost her faith i n , or her passion for, the destiny of h u m a n i t y . " E d i t h Thomas's biography provides us w i t h a (p. 401) useful view of Louise Michel's dreams and aspi- rations. Unfortunately the work w h i c h was orig- Gary K i n s m a n inally written i n French for a French audience Ontario Institute for Studies i n Education presupposes a basic understanding of French history. It w o u l d have been helpful if the transla- tor c o u l d have provided some historical notes on The Clubwoman as Feminist: True Woman- such topics as the C o m m u n e , the Dreyfus affair hood Redefined, 1868-1914. Karen Blair. New and other historical developments. It is quite York and London: Holmer and Meier Publish- irritating for the E n g l i s h reading audience that ers Inc. 1980. Pp. 119. Louise's poetry, w h i c h was so important to her, is left i n its o r i g i n a l French and never translated Women's clubs embrace a diversity of form into E n g l i s h . and action, some more notable than others. In the nineteenth and early twentieth centuries top T h e biographic account c o u l d have p a i d more marks for excitement have always gone to those attention to the various shifts i n her p o l i t i c a l groups p r o m o t i n g suffrage, sexual purity, tem- thought; for example, her transformation from a perance, clothing reform and equal rights. Organ- supporter of violent revolution i n her youth to a izations like the Women's C h r i s t i a n Temper- believer i n the possibility of a peaceful change i n ance U n i o n , the N a t i o n a l Women's Trade U n i o n her later years. T h e historically important debate League, the N a t i o n a l W o m a n Suffrage Associa- about the sexual orientation of M i c h e l is referred tion and the N a t i o n a l W o m a n ' s Party, a l l of the to i n only one brief paragraph. A fuller explora- U n i t e d States, w o n m a x i m u m attention i n their tion w o u l d have been i n order although the day and ours. Such devotion, enshrined for existing sources are few. T h e suggestion that she example i n the three volume History of Woman may have been a lesbian and what this w o u l d Suffrage by Elizabeth Cady Stanton et al (Roches- have meant i n that historical period c o u l d have ter: Susan B. A n t h o n y , 1881-6) a n d Page S m i t h , been approached through an examination of
World War 2 - Pearl Harbor Through Japanese Eyes - The First Stories of The Pacific Theatre (Pearl Harbor, World War 2, WW2, DDay, Battle of Midway, Pacific Theatre Book 1)