Ricardo Juanito Balledos

MuL 210
Dr. Arwin Tan
September 27, 2020

Medieval Music Bibliography

Berger, Anna Maria Busse. Medieval Music and the Art of Memory. Berkeley: University of
California Press, 2005.

Duffin, Ross W. A Performer's Guide to Medieval Music. Bloomington: Indiana University

Press, 2002.

Everist, Mark, and Thomas Forrest Kelly. The Cambridge History of Medieval Music.
Cambridge: Cambridge University Press, 2018.

Fassler, Margot Elsbeth. Music in the Medieval West. New York: W. W. Norton and Company,
2014.

Parrish, Carl. The Notation of Medieval Music. New York: Pendragon Press, 1978.

Renaissance Music Bibliography

Fenlon, Iain. The Renaissance: from the 1470s to the End of the 16th Century. Melbourne:
Macmillan Education Australia, 1994.

Freedman, Richard. Music in the Renaissance. New York: W. W. Norton & Company, 2013.

McGee, Timothy J. Medieval and Renaissance Music: A Performer's Guide. Toronto: University
of Toronto Press, Scholarly Publishing Division, 1985.

Miller, Donald B. Music of the Renaissance. Pacific, MO: Mel Bay, 2001.

Munrow, David. Instruments of the Middle Ages and Renaissance. Place of publication not
identified: Virgin Veritas, 2007.

Baroque Music Bibliography

Bartel, Dietrich. Musica Poetica: Musical-Rhetorical Figures in German Baroque Music.

Lincoln: University of Nebraska Press, 1997.

Haynes, Bruce, and Geoffrey Burgess. The Pathetick Musician: Moving an Audience in the Age
of Eloquence. Oxford and New York: Oxford University Press, 2016.
Irwin, Joyce L. Neither Voice nor Heart Alone: German Lutheran Theology of Music in the Age
of the Baroque. Frankfurt: Peter Lang, 1993.

Sadie, Julie Anne. Companion to Baroque Music. Oxford: Oxford University Press, 1998.

Timms, Colin. Polymath of the Baroque: Agostino Steffani and His Music. Oxford and New
York: Oxford University Press, 2003.

Classical Music Bibliography

Burkholder, James Peter, Donald Jay Grout, and Claude Victor Palisca. A History of Western
Music. New York: W.W. Norton and Company, 2019.

Burton, Anthony. A Performer's Guide to the Music of the Classical Period. London: Associated
Board of the Royal Schools of Music, 2002.

Merwe, Peter Van Der. Roots of the Classical: The Popular Origins of Western Music. Oxford
and New York: Oxford University Press, 2004.

Rosen, Charles. The Classical Style: Haydn, Mozart, Beethoven. London: Faber and Faber, 2005.

Taruskin, Richard. The Oxford History of Western Music. Oxford and New York: Oxford
University Press, 2010.

Romantic Music Bibliography

Einstein, Alfred. Music in the Romantic Era. New York: W. W. Norton and Company. 1947.

Lang, Paul Henry.  Music in Western Civilization. New York: W. W. Norton and Company. 1941

Plantinga, Leon. Romantic Music: A History of Musical Style in Nineteenth-Century Europe.

New York: W. W. Norton, 1984. 

Rosen, Charles. The Romantic Generation. Cambridge, Massachusetts: Harvard University

Press, 1995. 

Warrack, John. The Oxford Companion to Music, edited by Alison Latham. Oxford and New
York: Oxford University Press, 2002.

Contemporary Music Bibliography

Cage, John. Silence: Lectures and Writings. Middletown, Connecticut: Wesleyan University
Press, 1961. 

Griffiths, Paul. Modern Music and After. 3rd ed. Oxford and New York: Oxford University Press,
2010.
Morgan, Robert P. Strunk's Source Readings in Music History: The Twentieth Century Revised
ed. Vol. 7. New York: W.W. Norton and Company, 1997.

Morgan, Robert P. Twentieth-Century Music: A History of Musical Style in Modern Europe and
America. New York: W. W. Norton and Company. 1991. 

Salzman, Eric. Twentieth Century Music: An Introduction. 4th ed. London: Pearson, 2001.

Books/Articles on Philippine Music

Baes, Jonas U. “Bamboo and Music Composition in the Philippines: Disquietudes on the
Ascendancy of a ‘Cultural Object’.” Humanities Diliman 5, nos. 1&2 (2008): 137-152.

Baes, Jonas U. “Marayaw and the Changing Context of Power among the Iraya of Mindoro,
Philippines.” International Review of the Aesthetics and Sociology of Music 19, no. 2
(1988): 259-267.

Baes, Jonas U. “Ya-Ye-Yo-Na-I-Yu-Nan: Swaying in the Vocal Music of the Iraya People of
Mindoro, Philippines.” Ethnomusicology 31, no. 2 (1987): 229-239.

Castro, Christi-Anne. Musical Renderings of the Philippine Nation (New Cultural History of
Music). Oxford and New York: Oxford University Press, 2011.

Dioquino, Corazon C. “Musicology in the Philippines.” Acta Musicologica 54, no. ½ (1982):
124-147.

Griffith, Charles E., Jr. “Folk Music in the Philippines.” Music Supervisors’ Journal 10, no. 4
(1924): 26, 28, 30, 62, 64.

Kasilag, Lucresia R. “Forging a Philippine Identity in Music.” International Journal of Music

Education 3, no. 1 (1984): 45-47.

Navarro, Raul C. Kolonyal na Patakaran at ang Nagbabagong Kamalayang Filipino: Musika sa

Publikong Paaralan sa Pilipinas 1898-1935. Quezon City: Ateneo de Manila University
Press, 2007.

Navarro, Raul C. Musika at Bagong Lipunan: Pagbuo ng Lipunang Filipino, 1972-1986. Quezon
City: Ateneo de Manila University Press, 2014.

Santos, Ramon P. “Bamboo in Musical Discourse: Spirit, Technology and Human

Communication.” Humanities Diliman 5, nos. 1&2 (2008): 137-152.
 List of Journals on Music or the Humanities/Social Sciences
Local
1. Humanities Diliman: A Journal on Philippine Humanities
a. Publishes at most twice a year.
b. Publisher: UP Diliman Office of the Vice Chancellor for Research and
Development
c. Editorial Board:
i. Editor-in-Chief
1. Patrick F. Campos, University of the Philippines Diliman
ii. Associate Editors
1. Leah E. Abayao, University of the Philippines Baguio
2. Jose S. Buenconsejo, University of the Philippines Diliman
3. Rommel A. Curaming, University of Brunei Darussalam
4. Scott M. Koterbay, East Tennessee State University
5. Ruth Jordana L. Pison, University of the Philippines Diliman
6. Helen Yu Rivera, University of the Philippines Diliman
7. Rommel B. Rodriguez, University of the Philippines Diliman
8. Matthew M. Santamaria, University of the Philippines Diliman
9. Sir Anril P. Tiatco, University of the Philippines Diliman
10. Rolando B. Tolentino, University of the Philippines Diliman
iii. Managing Editor
1. Conchitina R. Cruz, University of the Philippines Diliman
iv. Editorial Assistant
1. Merrydith J. Olivan
v. Layout Artist
1. Mirriam M. Velasco
vi. Copyeditors
1. Eilene Antoinette G. Narvaez
2. Janus Isaac V. Nolasco
3. Arvin A. Mangohig
4. Zarina Joy T. Santos
2. Musika Jornal
a. Published at most thrice a year in the late 1970s. Now, it publishes at least once
a year, or depending on how many articles there are to publish.
b. Publisher: Center for Ethnomusicology, University of the Philippines
c. The editorial board of the journal are mainly researchers and faculty members of
the UP College of Music, UP College of Arts and Letters, together with other
units of the University of the Philippines which maintains close ties with the UP
Center for Ethnomusicology.
3. Philippine Humanities Review
a. Publishes at least twice a year
b. Publisher: College of Arts and Letters, University of the Philippines
 4. Philippine Social Sciences Review
a. Publishes at most twice a year
b. Publisher: University of the Philippines
5. Social Science Diliman: A Philippine Journal of Society and Change (SSD)
a. Publishes at most twice a year
b. Publisher: University of the Philippines
International
1. International Journal of Music Education
a. Publishes four times a year.
b. Publisher: International Society for Music Education
c. Editors:
i. Chee-Hoo Lum, National Institute of Education, Singapore
ii. Jane Southcott, Monash University, Australia
iii. S. Alex Ruthmann, NYU Shanghai, China
2. Ethnomusicology
a. Publishes three times a year.
b. Publisher: University of Illinois Press
c. Editors:
i. Frank Gunderson, Journal Editor
ii. Abby Rehard, Assistant Editor
iii. Mark F. DeWitt, Book Review Co-Editor
iv. Katherine M. Brucher, Book Review Co-Editor
v. Donna Kwon, Recording Review Editor
vi. Benjamin Harbert, Film, Video, and Multimedia Review Editor
3. Music Supervisors’ Journal
a. Publishes at most thrice a year
b. Publisher:  Sage Publications, Inc. & Music Educators National Conference
4. Acta Musicologica
a. Publishes at most 12 articles per year.
b. Publisher: International Musicological Society (IMS)
c. Editors:
i. Philip V. Bohlman (US)
ii. Federico Celestini (AT)
5. Asian-European Music Research Journal (AEMR)
a. Publisher: Logos Verlag Berlin
b. Editors:
i. Xiao Mei, Shanghai Conservatory of Music
ii. Tan Hwee San, SOAS (Reviews Editor)
iii. Chuen-Fung Wong, Macalester College (Reviews Editor)
iv. Gisa Jähnichen, Shanghai Conservatory of Music (Co-Editor)