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The document discusses D.H. Lawrence's novel Sons and Lovers and its use of Sigmund Freud's Oedipus complex theory. It summarizes that Paul has a hopelessly devoted love for his mother that borders on romantic desire, while harboring a murderous hatred for his father. It also discusses the Freudian concept of transference, noting how Paul transfers his incestuous feelings for his mother onto other women like Clara and Miriam. Finally, it explains that Lawrence adds complexity by depicting Paul's mother as also having romantic desires for her sons, and how in the end Paul takes steps to release himself from his Oedipus complex by overdosing his dying mother.
The document discusses D.H. Lawrence's novel Sons and Lovers and its use of Sigmund Freud's Oedipus complex theory. It summarizes that Paul has a hopelessly devoted love for his mother that borders on romantic desire, while harboring a murderous hatred for his father. It also discusses the Freudian concept of transference, noting how Paul transfers his incestuous feelings for his mother onto other women like Clara and Miriam. Finally, it explains that Lawrence adds complexity by depicting Paul's mother as also having romantic desires for her sons, and how in the end Paul takes steps to release himself from his Oedipus complex by overdosing his dying mother.
The document discusses D.H. Lawrence's novel Sons and Lovers and its use of Sigmund Freud's Oedipus complex theory. It summarizes that Paul has a hopelessly devoted love for his mother that borders on romantic desire, while harboring a murderous hatred for his father. It also discusses the Freudian concept of transference, noting how Paul transfers his incestuous feelings for his mother onto other women like Clara and Miriam. Finally, it explains that Lawrence adds complexity by depicting Paul's mother as also having romantic desires for her sons, and how in the end Paul takes steps to release himself from his Oedipus complex by overdosing his dying mother.
D.H. Lawrence was aware of Freud's theory, and he uses this theory in
his novel Sons and Lovers. He uses this theory in the novel as base for exploring Paul's relationship with his mother. Paul is hopelessly devoted to his mother, and that love often borders on romantic desire. Lawrence writes many scenes between the two that go beyond the bounds of traditional mother-son love. Completing the Oedipal equation, Paul murderously hates his father and often fantasizes about his death. We could also see this type of hatred for one’s father in Virginia’s Wolf novel through the character of James who also murderously hates his father Mr. Ramsey and love his mother dearly. Freudian Term “Transference.” We could also see the Freudian term “Transference” in the character of Paul. Paul suppressed his guilt, incestuous feelings by transferring them elsewhere and in the novel, he uses both Mariam and Clara. Clara Dawes who is projected in the novel as a disgrace, a sex object who is there to provide sexual pleasure to Paul while Miriam is women of purity. Paul failed to make satisfactory relationship with either women because of his disturbing relationship with his mother. Paul is totally confused with his identity. In the novel D.H Lawrence Paul and his mother go to the Nottingham together describe them as lovers having an adventure together. He says “Mother and son are one; the husband is completely effaced and the father exists merely as a rival.” Gertrude Moral (Paul’s Mother) Weakness:- Lawrence adds a twist to the Oedipus complex: Mrs. Morel is also with desires both William and Paul in near-romantic ways, and she hates all their girlfriends. She, too, engages in transference, projecting her dissatisfaction with her marriage, she loves her son Paul, in a romantic way. She doesn’t want to share her only hope, Paul with Miriam. She also falls a victim of emotional conflict due to her oedipal complex. In the end we see Paul takes a major step in releasing himself from his Oedipus complex. He intentionally overdoses his dying mother with morphia, an act that reduces her suffering but also overturns his Oedipal fate, since he does not kill his father, but his mother. So, we can say that Paul becomes the victim of his uncontrolled sexual desire.