Beruflich Dokumente
Kultur Dokumente
Christian Steckler
The conversation begins with an axiom with which everyone can agree: the oppressive
treatment of women justified by a certain articulation of the Muslim faith, as exemplified
by stories of domestic situations in which patriarchs force the women of the household to
veil their faces, is regrettable and ought to be opposed on moral grounds. When Nicholas
Sarkozy, responding to social uncertainty and strife over the increased numbers of
immigrants pouring into France from Eastern Europe, Africa, and the Middle East, called
on the people of France to engage in a debate on national identity, the Muslim practice of
hijab was singled out as antithetical to the principles of liberalism championed by modern
Europe. In September 2010, the French senate moved to ban face-covering, with polls
showing up to 81% of the French public in favor of the measure.
Slavoj Zizek is used to dissenting on matters that mobilize broad support. In the first
chapter of his recent Living in the End Times, Zizek takes the knife of ideology critique to
France’s prohibition against the burqa. For Zizek, any issue branded “post-political,”
where the solution is obvious and presented as an ethical imperative that evades the
ideological posturing one would expect in the political arena, is an exercise in ideology at
its purest. Raising pragmatic objections against the legislation—that it will only increase
oppression of women because they’d be forced to stay home, that the fine charged against
infractions hurts those women least likely to have financial autonomy—is less important
than challenging the ideological underpinnings of the debate’s urgency, which patently
reached beyond the actual size of the so-called problem: only 2,000 out of France’s 1.5
million Muslin women don a veil, and of those the vast majority are converted, native-
French women. To interrogate the ban on the burqa in this manner is to accept the
cunningly humanistic, liberal-democratic creed, which, we will find, necessitates
prohibitions against the non-Western subject’s demonstration of otherness. By reducing
the problematic of immigration, assimilation, and French identity to a particular cultural
practice, Sarkozy ensured that the conversation would safely reside within a framework
of human rights structurally incapable of calling into question the French government’s
right-wing agenda. Doing so requires an excavation of the historical matrix formed by the
French nation-state and its response to Islam that will recover what Zizek terms the
“background noise,” that which is filtered out by the debate over hijab, which, once
interpreted, “provides the density of its actual meaning” and “conveys…the obscenity of
the barbarian violence which sustains the public face of law and order.”
The official discourse that motivated the legislation provides pressing insight into the
more fundamental antagonism it aimed to resolve. The problem, Zizek writes, “[begins]
with Sarkozy’s statement that veils are ‘not welcome’ because, in a secular country like
France, they intimidate and alienate non-Muslims…one cannot but note how the
allegedly universalist attack on the burqa on behalf of human rights and women’s dignity
ends up as a defense of the particular French way of life.” The French nationality recoils
at the sight of a veiled woman because this encounter constitutes a confrontation with an
other who figures as unintelligible when translated into the Western lexicon, whose mask
erases the human face one could otherwise easily identify and render knowable. All that
remains is the terrifying gaze of Muslim subjectivity itself and the attendant anxieties
over Islam’s fanatical desire to undermine the liberal order.
The French discourse on the veiled Muslim woman projects the uncertainties of the
“dislocated, maladaptive, voided” subject of Western civilization onto a monolithic big
Other termed Islam. In this way, Sarkozy was able to (temporarily) nullify the subversive
potential of the clash over immigration by displacing the threat to the sovereign’s
authority over territory posed by the migrant onto the role of paternity in Muslim belief.
Toscano invites us to read the ideological foundations of this circumscription of Islam
with Zizek (rather than reiterate the critique of Orientalism presented by Said) so that we
can grasp its productive nature: the French government did not ban the burqa to
marginalize or subjugate a religious identity, but to ensure that the symbolic authority
that lends consistency to the West’s collective fantasy of the terrifying Muslim
subjectivity might stabilize the fragile liberal-democratic accord under siege throughout
the banlieues of Paris.