Glory …

Kontakion of the Fathers of the First

Six Councils (8th tone)

The preaching of the Apostles and the

dogmas of the Fathers sealed the one

Faith of the Church; and clad in the

garment of truth woven of theology from

on high, it teaches aright and glorifies

the great mystery of piety.

 Typica - First Stasis - Plagal First Mode

 
18 Bless Lord,  
the   His
all ye  
ƒan - ƒ-gels,
    -y 
ƒmight    
ƒin ƒstrength,ƒthat per -  
form__ÌÌ

         

His word, to hear the voice of His words. 


19 Bless the  
Lord,___  His
all___̃ƒye    ƒHis 
hosts,  ƒƒmin 
- - 
is-ters_ƒƒthat  His
ƒdo___Ì  
 will.

Bless  
20  ƒƒthe   
ƒLord,___ His
ƒall ƒye    in 
works,  ev - 
ƒƒ'ry 
ƒƒplace 
of 
His 
do - 
min -

   

ion. Bless   
the_ 
Lord,______  
O my 
soul. 

Glo -  - -  - -
21  ry 
ƒƒto 
the 
ƒFa  ther, 
and
ƒto 
ƒƒthe 
Son, 
andto
ƒthe 
Ho -


ƒly 
Spir -

- ƒit;  


22 Both   
now______ 
and_____ ƒev - 
ƒer,   
ƒand ƒƒun ƒƒthe 
- to  a - - 
- ƒƒges_Ì ƒof


a - 
- -
-ƒƒges. 
A-men. 

23        
ƒBless    
the ƒLord,_____ ƒƒO 
my soul,ƒand all 
ƒƒthat      me,__
ƒis ƒƒwith-ƒƒin______ blessÌÌ
 Typica - First Stasis - Plagal First Mode

  
ly Name; bless - - ed___ ƒart___Ì ƒThou,__ O______ Lord._______
ƒƒ__ƒƒHis__ÌÌ ƒho -


 Come Let Us Worship
Second Mode
adapted from traditional melodies


  
130



C    
us 
ƒƒwor -
ƒome,__Ì ƒƒlet 
- ƒƒship ƒand    
fall___̃down    Christ.
beƒ-ƒfore__ 

     ƒƒof
ƒƒSave___Ì us, ƒO
Son______  
ƒƒGod,    
ƒWho ƒƒart ƒƒris -      
ƒƒen__Ìfrom the 
ƒdead, 
ƒwon-drous_ in the saints,


as   
we ƒchant ƒƒto  
ƒThee:__ÌÌ ƒAl - 
ƒƒle -
ƒƒlu - 
- -
ƒi -
ƒƒa. 

Alternate Version 


W    
us 
ƒome,____Ì ƒƒlet    
ƒƒworƒ-ƒship  
ƒƒand___Ì     ƒƒbeƒ-ƒfore
fall___Ì̃down_     
ƒƒChrist.__

     
ƒƒ___________ÌÌ   
ƒƒSave___Ì   ƒƒO
us,___Ì    
ƒSon______    
ƒof ƒƒGod,   
Who ƒart ƒris -  ƒƒen__̃from
   
ƒ ƒƒwon-drous_ in
 148 Resurrectional Apolytikia


Plagal First Mode




L 
et

us
             
ƒworƒ-ƒship the Word,ƒƒWho is un - ƒor - ig - i-nate with the

               
Fa - ther and ƒthe ƒSpir - ƒƒit, and ƒƒfrom a ƒƒvir - - - ƒgin ƒwas born ƒfor ƒour

         
ƒsal - ƒƒva - tion, O beƒ-ƒliev-ƒƒers, and ƒƒlet
        
ƒƒus sing His praise. ƒƒFor ƒin ƒHis goodƒ-ƒness

                

He was pleased ƒƒto as - ƒcend the Cross_Ì in the ƒƒflesh, ƒƒand ƒƒto un - der - ƒgo

    
death, and to
       
raise up those___ƒƒwho had died, by His
 
glo - riƒ-ƒous Resƒ-ƒƒur -

  
rec - - - -  tion. 


 Saint Vladimir
Great Prince of Kiev
Equal to the Apostles

July 15

Apolytikion


Fourth Mode 150

 
Intonation: #10

   
ƒƒhou wast ƒƒlike
ƒƒƒƒa  ƒwho
merƒ-ƒƒchant    
seekƒ-ƒƒeth a   ƒƒƒpearl,
ƒgoodƒ-ƒƒly  


ƒƒO 
ƒƒglo - 
ƒri - 
ous Sovƒ-ƒ'reign  -ƒiƒƒ-ƒƒmir,
  ƒƒVlad    
ƒƒƒsit - 
ƒƒting   height
on ƒthe  ƒƒƒofÌÌ



ƒ_Ì the throneƒ 
of 
ƒƒƒƒthe ƒƒƒmoth -   
ƒer ƒƒƒƒof  Godƒƒ-
ƒcit - ƒƒies,  pro - 
ƒtect - 
ed 
Kiƒ-ƒ 
ev.  ƒƒSearchƒƒ-


ƒƒing 
ƒƒand ƒƒƒƒsend - 
ing  
ƒƒto thē im - ƒƒƒƒpe - 
ƒri - 
ƒal  
ƒƒƒcit -   ƒƒknow
ƒƒƒƒy ƒƒƒto  ƒƒthē
 
ƒƒOr -

www.stanthonysmonastery.org/music/Menaion.htm
Text © 2005, Holy Transfiguration Monastery, Brookline, MA
 July 15 - St. Vladimir 1045


tho - 
ƒdox ƒFaith,     ƒfindƒƒƒƒChrist,ƒƒƒthe
thou ƒƒdidst    ƒƒƒprice-less
     ƒ chose
Pearl,  ƒWho  ƒthee


ƒas   
ƒƒƒa ƒsecƒƒ-   ƒƒƒƒand_ÌÌÌWho
ond ƒƒƒƒPaul,    
ƒƒdid ƒshake ƒƒoff 
thy 
ƒƒspir - 
ƒƒƒƒi - tu -

 
ƒƒƒal and ƒƒƒbod -   ƒƒblind-ness
i - ƒƒly    
in ƒƒthe  ƒƒƒfont.
ho - ƒƒly   ƒƒWhereƒ-ƒfore,
   ƒƒwe


ƒƒwho 
ƒare 
thy 
peo - 
ƒple 
ƒƒƒcel -   thy
ƒe -ƒƒƒbrate  
ƒfall - 
ƒƒing 
ƒƒƒƒa - sleep.  
ƒƒƒPray


ƒthat 
ƒthy land   
ƒƒƒof ƒƒRus -ƒƒƒsia_ÌÌÌ̃ƒƒbe  
ƒƒƒsaved,  ƒƒƒƒand ƒthat ƒOr - 
ƒtho - 
ƒƒdox ƒƒpeoƒƒ-

 
ƒƒƒple ƒƒƒƒbe  ƒƒpeace
grantƒƒ-ƒƒed    - 
ƒand ƒƒƒƒgreatƒƒƒmer cy.  
 3
Glas 5
Condacul Învierii glas T , Podobia: Pe Cuvântul...
HqV 4 <
s

L 1<
a w ! 000'
iad Te-ai po go rât _
Mân10
tu i 1' ! meu
to rul !A,<V 11
şi por

000q
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du000!
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tot10`0a
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pe cei

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pre u u nă i-ai !
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l-ai frânt cN/ 011' ! bles
şi A dam din !q tem !0' !
fi i ind

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mân tu it z!!!m
iu bi to1
ru 11} !A meni.
le de oa !A ,,Pen
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tru a ceas 0
ta 1' !
toţi stri

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găm Ţi i # a 0' !
e Doam ! 1O\00k
ne mân tu ieş te ne. ,<V

Glas 6
Condacul Învierii glas T , Podobia: Plinind
Hwyt s rânduiala...

C !mu1
pal 0000q
ma în ce pă toa !00p!S
re de vi a a aO
a ]@a
ţă b<?

0q!00q!0!1110001'
din tai ni ţe le ce le mai în tu ne coa se Dă tă to !
rul

!!
de vi0os
a a 0
ţă m
a <?!în110!p !2
vi in du-i pe toţi Hris to !
'os Dum
! 11'
ne ze !
ul

!A!A
nos trub<?0002
a dă ru i !
' it!În00os
vi e e 0
re am<?fră
! 111'
mân tă tu !
rii

!o me
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neştim<? @q
că es !
te 011q
Mân tu i tor US
tu !u !
tu !A
rorb<? 004'
În vi e

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şi Vi a a ţă .<?/ @0_11q
şi Du um ne zeu a toa z\!\0!K
a a te e. b<?

www.stavropoleos.ro
 Glory …

Kontakion of the Fathers of the First

Six Councils (8th tone)

The preaching of the Apostles and the

dogmas of the Fathers sealed the one

Faith of the Church; and clad in the

garment of truth woven of theology from

on high, it teaches aright and glorifies

the great mystery of piety.

 Now and ever …

Kontakion of Holy Prince Vladimir

(Fourth Tone)

Most glorious Vladimir, in your old age you imitated the

great apostle Paul: he abandoned childish things, while

you forsook the idolatry of your youth. Together with him

you reached the fullness of divine wisdom: You were

adorned with the purity of holy baptism. Now as you

stand before Christ our Savior, pray that all Orthodox

Christians may be saved.

 Thrice-Holy Hymn
First Mode
adapted from Kyriakos Ioannidou "Kalogerou" ("the monk") (1844-1914)
Duration: 6:00

  
88




o -       
ly___God,___ÌÌ ƒho - 
-  
- -   Might
ƒly__   - - 
ƒƒy,  


ƒƒho -  
ƒly__ÌÌ Im -- 
ƒmor -  - 
-       
- tal,_____________have ƒmer - 
-    
- ƒcy_________Ì

      ƒƒus.  

(repeated twice)
on_______________ÌÌ
 Thrice-Holy Hymn
First Mode
adapted from Kyriakos Ioannidou "Kalogerou" ("the monk") (1844-1914)
Duration: 6:00

  
88




o -       
ly___God,___ÌÌ ƒho - 
-  
- -   Might
ƒly__   - - 
ƒƒy,  


ƒƒho -  
ƒly__ÌÌ Im -- 
ƒmor -  - 
-       
- tal,_____________have ƒmer - 
-    
- ƒcy_________Ì

      ƒƒus.  

(repeated twice)
on_______________ÌÌ
 14
Prochimen Tu Doamne, glas 5 T
Hq< S
T 02'! ! !111acN/ 00001@qz
u Doa am ne ne vei pă zi și ne vei fe ri de nea

!!O'
mul a ces !
ta!0k
în veac ,<V

Stih: Doamne Dumnezeul nostru cît de minunat este numele Tău în tot pămîntul.

T0w!11OS!!)s1acN/00001@
u Doa am ne ne ve ei pă zi și ne vei fe ri de

q!!O'
nea mul a ces !
ta!
în !A
veao
a {g !
acK,<V

Prochimen Tot pămîntul, glas 5 T

Hq< S
T 01O!00!!1P0a#111}
ot pă mîn tul să se în chi ne Ți e și să cîn te

!A
Ți!e A,<V

Stih: Strigați lui Dumnezeu tot pămîntul, cîntați numelui Lui.

T 01O!00!!1P0a#111}
ot pă mîn tul să se în chi ne Ți e și să cîn te

I'
Ți !i !A
eo e {g !
e K,<V

www.stavropoleos.ro
 Anaphora
Plagal First Mode (Diatonic)
adapted from Hieromonk Hierotheos of Philotheou Monastery

 
88



L    have_
ord,___   ƒmer - 
- - 
- ƒcy. 

     - -  
ƒmer -  ƒcy.  
B ƒƒLord,_____ÌÌ have_ÌÌ

C      
Lord,_____̃have_Ì ƒmer - 
- 
- 
-  
cy. 

D        
ƒLord,____̃have__ƒmer - -   ƒƒcy. 
- -

E       
Lord,_________Ì̃have_Ì̃ƒmer - -  - cy.  
- 

1    
Grant_____  
ƒƒthis, ƒƒO 
Lord. 
300 Anaphora - Plagal First Mode - Diatonic

2   
ƒƒGrant_____     
ƒƒthis, O_________Lord.

3      
Grant____Ì̃this, ƒO Lord.

4       
Grant______ ƒƒthis,  
ƒO  
Lord.

5      
  
Grant____Ì̃this,__ ƒƒO___________ ƒLord.

6      
Grant___________̃ƒthis,  
ƒO Lord.

Most  
7  ƒho - 
ly 
ƒƒThe - 
o- 
 - - - 
ƒƒto -    
kos,  ƒƒsave_____ ƒƒus. 

8     
ƒTo______ƒThee,_     
ƒO_____ ƒƒLord. 

ƒA  -
 ƒƒmen. 
9

A      
- it. 
ƒAnd ƒto ƒthy spir -


ƒI 
B1  will      
love_____Thee,_ÌÌ     
    ƒmy____̃ƒstrength;
ƒƒƒO__________Lord,__ the 
 Anaphora - Plagal First Mode - Diatonic 301

ƒLord  
  ƒfoun - 
 - - -
ƒƒƒda -  tion,       uge,
ƒref - -

is my and______Ì ƒmy____Ì

      
ƒƒand________ƒƒmy_____ÌÌ ƒliv  - 
ƒde - -  - er  - 
- - -  - 
er.  

ƒƒFa  -  ƒand  

B2   
- ther,__Ì ƒSon,   Ho - 
-  
ƒly___
 - -  
ƒSpir - - ƒit: 


the 
Trin -
ƒƒi -  in 
ƒty one ƒƒes - - -      
ƒsence_______  
and___Ì in -  ƒƒsep -  -
-  -

  - ƒ
- 'ra -   ble.  


ƒA   
 ƒmer - - 
cy  ƒsac - 
  a  - ƒri -  -    
C ƒof__̃peace, fice___________ of_

    
ƒ____Ì praise.

D   
ƒAnd______ ƒƒwith 
ƒƒthy  
spir -
- 
- 
-  
-ƒit. 

E    
           
We__________Ì lift them up ƒƒun - to______Ì the_______ƒƒLord.

It  
  - -      ƒƒright.
  
F ƒis__ƒprop er and__________
302 Anaphora - Plagal First Mode - Diatonic


Ho -   ƒho -   ho - 
-  Lord   ƒSa 
- ba - oth, 
G ly,____ - ƒƒly,__Ì ƒƒly,__ of__Ì

heav 
  - 
- en  
ƒƒand______ ƒearth   
ƒare   
full_____ ƒglo
ƒof___̃Thy 
- -   -ƒry.   
-  

  san -  
Ho -   in 
ƒna   ƒƒhigh -    ƒBless
  - ed 
is    -

the___ÌÌ - - ƒest. ƒhe ƒthat com

   
- ƒeth_Ì in    
the ƒname____ ƒof 
the 
ƒLord.   ƒsan -  -
ƒHos --  ƒna   

in__  

 
____  
the__ƒhigh - -  ƒƒest. 
- 

H 
A- 
     
- -ƒƒmen.__________

A -  -  
 - -  -   - -  
-     
I

ƒmen.__________________

J       
ƒWe_____ƒhymn__________________ƒThee, 
ƒƒwe_____Ì
 
ƒbless_________________Ì


__ 
Thee,       ƒƒun
- 
- -
         
ƒƒLord,   

ƒƒwe give thanks ƒto________̃Thee,_O____Ì ƒƒand_____ÌÌ

 ƒwe 
____Ì  
ƒpray___ ƒun -   
ƒƒto______________ƒƒThee,    
O___________ƒour_____ ƒGod. 

Continue with "It is Truly Right"

on page 352
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192
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193
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194
 One is Holy

 Fourth Mode (Legetos)

adapted from Hieromonk Hierotheos

  

O    
ƒƒne____________Ì 
ƒis___Ì ho - 
- - - 
- ƒƒly,    
ƒƒone___Ì   
ƒis Lord,_

Je  -
 Christ,
ƒsus_____ÌÌ   
ƒƒto   
ƒthe___ÌÌ glo - 
- ry  
of God the    
ƒFaƒ-ƒƒther. ƒƒA - 
-

   
- - men.________ÌÌ  

 Plagal First Mode

adapted from Hieromonk Hierotheos

  

O   
ƒƒne____Ì ƒis 
 ƒly,  
ƒho -  -  ƒone     
ƒis___ƒLord, Je - -    
sus___Ì̃ƒChrist, to


ƒthe 
glo -  - 
ƒry   
ƒof God  
ƒƒthe__ÌÌ ƒƒFa - - 
ƒƒther. 
A -  -  
ƒmen.  


 Communion Hymn - Sunday - Praise the Lord 427

Plagal First Mode


 

P           
ƒraise_____________________________   
ƒthe___________Ì   
Lord___________Ì

     

_________________________________Ì ƒƒfrom 
ƒthe 
heav -  - 
- -  - - 
ƒƒens  

      
- 
- -  
- - - 
ƒƒfrom________ƒƒthe heav -      
- ens.____________________________


____Ì  
ƒAl -  ƒƒlu -  - ƒi -
ƒƒle -  - - -      
- ƒa._________________ 


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Στροφή α΄
ЃЃЃЃЃЃЃЃЃЃЃЃçèч№é чØ с é сØ чéсöЃтЃтéЃт‹ÚЃЎЃЁâ
γνη Πα ρθε νε Δε εσ ποι να Α

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χρα ντε Θε ο το ο ο κε

ЃЃЃЃЃЃЃЃЃЃЃЃч№ØсéцфчéцℓÙфéс№ØŨş
αι ρε Νυ μφη α νυ μφευ τε

ЃЃЃЃЃЃЃЃЃЃЃЃч№éчØсéсØчéсöттéтÚЁâéГÙℓ
α ρθε νε μη τηρ α α να σα πα νε

тéтÚчéс№ЁâтéтÚçèŨş
δρο σε τε πο ο ο κε

ЃЃЃЃЃЃЃЃЃЃЃЃч№ØсéцфчéцℓÙфéс№ØŨş
αι ρε Νυ μφη α νυ μφευ τε

Επιμέλεια Γραφῆς H/Υ: Ζαφείρης Παναγιώτης (2009)  Σελίδα 1 

 ΣΤΙΧΟΙ ΑΓΙΟΥ ΝΕΚΤΑΡΙΟΥ
 

ЃЃЃЃЃЃЃЃЃЃЃЃч№х®éсØсéсØчéсöш¯чéсØЁâé
υ ψη λο τε ρα ου ου ρα νων α

ГŇ Ù℮тéтÚчéсØ⅛сøŅéтÚçèŬţş
κτι νων λα μπρο  τε ε   ρα

ЃЃЃЃЃЃЃЃЃЃЃЃч⅛Øсéцфчéц℮ŅÙфéсØŬţş
αι ρε Νυ μφη α νυ μφευ τε

ЃЃЃЃЃЃЃЃЃЃЃЃщх®›éсØсéсØчéсö℮ш¯чéсØ⅛Ёâé
α α ρα πα ρθε νι κω ων χο ρων αγ

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γε λων υ περ τε ε ρα

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αι ρε Νυ μφη α νυ μφευ τε

ЃЃЃЃЃЃЃЃЃЃЃЃч⅛х¡ņ é сØч é сØ⅜чé çт¡⎯ш т éтÚ ЂøŅ é

εκ λα μπρο τε ρα ου ρα νων φω

ГÙ№тéтÚтéтÚсøŅéж тÚçèŬţş
τος κα θα ρω τε ε ρα

Επιμέλεια Γραφῆς H/Υ: Ζαφείρης Παναγιώτης (2009)  Σελίδα 2 

 ΣΤΙΧΟΙ ΑΓΙΟΥ ΝΕΚΤΑΡΙΟΥ
 

ЃЃЃЃЃЃЃЃЃЃЃЃщÚ№сéцфчéцÙℓфéсØ№Ũş
αι ρε Νυ μφη α νυ μφευ τε

ЃЃЃЃЃЃЃЃЃЃЃЃси⅛ńх®éсØчéсØ⅜ŅчéЃçт⎯ш¯тéтÚЂøŅéГÙ№
ω ων ου ρα νι ων στρα τι ων πα σων

тéтÚтéтЁâтéтÚçèŨş
α γι ο τε ε ε ρα

ЃЃЃЃЃЃЃЃЃЃЃЃчØ№сéцфчéцÙℓфéсØ№Ũş
αι ρε Νυ μφη α νυ μφευ τε
 
*   *   * 

Στροφή β΄

ЃЃЃЃЃЃЃЃЃЃЃЃçèч№éчØсéсØчéсöттéтÚЎЁâ éтÚ‹
α ρι α Α ει πα α ρθε νε κο σμου

т é тÚ чéс№ЁâтéтÚçèŨş
παν τος κυ ρι ι ι α 

ЃЃЃЃЃЃЃЃЃЃЃЃчØ№сéцфчéцÙℓфéсØ№Ũş
αι ρε Νυ μφη α νυ μφευ τε
 

Επιμέλεια Γραφῆς H/Υ: Ζαφείρης Παναγιώτης (2009)  Σελίδα 3 

 ΣΤΙΧΟΙ ΑΓΙΟΥ ΝΕΚΤΑΡΙΟΥ
 

ЃЃЃЃЃЃЃЃЃЃЃЃч№éчØсéсØчéсöттéтÚЁâéГÙℓ
χρα ντε νυ   μφη πα α να γνε Δε σποι

тéтÚчéс№ЁâтéтÚçèŨş
να Πα να γι ι ι α

ЃЃЃЃЃЃЃЃЃЃЃЃчØ№сéцфчéцÙℓфéсØ№Ũş
αι ρε Νυ μφη α νυ μφευ τε
 

ЃЃЃЃЃЃЃЃЃЃЃЃч№х®éсØсéсö℮ш¯чéсØ⅛ЁâéГŇ℮ Ùтé
α ρι α νυ μφη α να σα χα ρας η

тÚ чéсØ⅛сøŅéтÚçèŬţş
μων αι τι ι α

ЃЃЃЃЃЃЃЃЃЃЃЃчØ⅛сéцфчéцÙ℮ŅфéсØ⅛Ŭţş
αι ρε Νυ μφη α νυ μφευ τε
 

ЃЃЃЃЃЃЃЃЃЃЃЃщ№х®éсØсéсØчéсö℮ш¯чéсØ⅛Ёâé
ο ο ρη σε  μνη βα σι ι λισ σα Μη

ГŇ Ù℮тéтÚчéсØ⅛сøŅéтÚçèŬţş
τηρ υ περ α γι ι α

Επιμέλεια Γραφῆς H/Υ: Ζαφείρης Παναγιώτης (2009)  Σελίδα 4 

 ΣΤΙΧΟΙ ΑΓΙΟΥ ΝΕΚΤΑΡΙΟΥ
 

ЃЃЃЃЃЃЃЃЃЃЃЃчØ⅛сéцфчéцÙ℮ŅфéсØ⅛Ŭţş
αι ρε Νυ μφη α νυ μφευ τε
 

ЃЃЃЃЃЃЃЃЃЃЃЃч⅛х¡ņ é сØч é сØ⅜чé çт¡⎯ш т éтÚ ЂøŅ é

ι ι μι ω τε ρα Χε ρου βιμ υ

ГÙ№тéтÚтéтÚсøŅéж тÚçèŬţş
περ εν δο ξο τε ε ρα

ЃЃЃЃЃЃЃЃЃЃЃЃщÚ№сéцфчéцÙℓфéсØ№Ũş
αι ρε Νυ μφη α νυ μφευ τε
 

ЃЃЃЃЃЃЃЃЃЃЃЃси⅛ņх®éсØчéсØ⅜ŅчéЃçт⎯ш¯тéтÚЂøŅéГÙ№
ω ων α σω μα των Σε ρα φιμ των θρο

т é тÚ т é тЁâтéтÚçèŨş
νων υ περ τε ε ε ρα

ЃЃЃЃЃЃЃЃЃЃЃЃчØ№сéцфчéцÙℓфéсØ№Ũş
αι ρε Νυ μφη α νυ μφευ τε
 
 
 
 
*   *   * 

Επιμέλεια Γραφῆς H/Υ: Ζαφείρης Παναγιώτης (2009)  Σελίδα 5 

 ΣΤΙΧΟΙ ΑΓΙΟΥ ΝΕΚΤΑΡΙΟΥ
 

Στροφή γ΄
ЃЃЃЃЃЃЃЃЃЃЃЃçèч№éчØсéсØчéсöттéтÚЎЁâ éтÚ‹
αι ρε το α σμα Χε ερ ου βιμ χαι ρε

т é тÚ чéс№ЁâтéтÚçèŨş
υ μνος Αγ γε ε ε λων 

ЃЃЃЃЃЃЃЃЃЃЃЃчØ№сéцфчéцÙℓфéсØ№Ũş
αι ρε Νυ μφη α νυ μφευ τε
 

ЃЃЃЃЃЃЃЃЃЃЃЃ ч№éчØсéсØчéсöттéтÚЎЁâ éтÚ‹

αι ρε ω δη των Σε ε ρα φιμ χα ρα

т é тÚ чéс№ЁâтéтÚçèŨş
των αρ χαγ γε ε ε λων 

ЃЃЃЃЃЃЃЃЃЃЃЃчØ№сéцфчéцÙℓфéсØ№Ũş
αι ρε Νυ μφη α νυ μφευ τε
 

ЃЃЃЃЃЃЃЃЃЃЃЃч№х®éсØсéсØчéсöш¯чéсØЁâé
αι αι ρε ει ρη νη και χα ρα λι

ГŇ Ù℮тéтÚчéсØ⅛сøŅéтÚçèŬţş
μην της Σω τη ρι ι ας

Επιμέλεια Γραφῆς H/Υ: Ζαφείρης Παναγιώτης (2009)  Σελίδα 6 

 ΣΤΙΧΟΙ ΑΓΙΟΥ ΝΕΚΤΑΡΙΟΥ
 

ЃЃЃЃЃЃЃЃЃЃЃЃч⅛Øсéцфчéц℮ŅÙфéсØŬţş
αι ρε Νυ μφη α νυ μφευ τε
 
 
 

ЃЃЃЃЃЃЃЃЃЃЃЃщх®›éсØсéсØчéсö℮ш¯чéсØ⅛Ёâé
α α στας του Λο γου Ι ι ε ρα αν

ГŇ ℮ÙтéтÚчсØ⅛сøŅéтÚçèŬţş
θος της αφ θα ρσι ι ας

ЃЃЃЃЃЃЃЃЃЃЃЃч⅛Øсéцфчéц℮ŅÙфéс⅛ØŬţş
αι ρε Νυ μφη α νυ μφευ τε
 
 
 

ЃЃЃЃЃЃЃЃЃЃЃЃч⅛х¡ņ é сØч é сØ⅜чé çт¡⎯ш т éтÚ ЂøŅ é

αι αι ρε πα ρα δει σε τρυ φης ζω

ГÙ№тéтÚтéтÚсøŅéж тÚçèŬţş
η τε αι ω νι ι ας

ЃЃЃЃЃЃЃЃЃЃЃЃщÚ№сéцфчéцÙℓфéсØ№Ũş
αι ρε Νυ μφη α νυ μφευ τε
 
 

Επιμέλεια Γραφῆς H/Υ: Ζαφείρης Παναγιώτης (2009)  Σελίδα 7 

 ΣΤΙΧΟΙ ΑΓΙΟΥ ΝΕΚΤΑΡΙΟΥ
 

ЃЃЃЃЃЃЃЃЃЃЃЃси⅛ńх®éсØчéсØ⅜ŅчéЃçт⎯ш¯тéтÚЂøŅéГÙ№
αι αι ρε το ξυ λον της ζω ης πη γη

тéтÚтéтЁâтéтÚçèŨş
α θα να σι ι ι ας

ЃЃЃЃЃЃЃЃЃЃЃЃчØ№сéцфчéцÙℓфéсØ№Ũş
αι ρε Νυ μφη α νυ μφευ τε
 
 
 
*   *   * 

Στροφή δ΄

ЃЃЃЃЃЃЃЃЃЃЃЃçèч№éчØсéсØчéсöттéтÚЎЁâ éтÚ‹
ε ι κε τευ ω Δε ε σποι να Σε νυν

т é тÚ чéс№ЁâтéтÚçèŨş
ε πι κα λου ου ου μαι
 

ЃЃЃЃЃЃЃЃЃЃЃЃчØ№сéцфчéцÙℓфéсØ№Ũş
αι ρε Νυ μφη α νυ μφευ τε
 

Επιμέλεια Γραφῆς H/Υ: Ζαφείρης Παναγιώτης (2009)  Σελίδα 8 

 ΣΤΙΧΟΙ ΑΓΙΟΥ ΝΕΚΤΑΡΙΟΥ
 

ЃЃЃЃЃЃЃЃЃЃЃЃ ч№éчØсéсØчéсöттéтÚЎЁâ éтÚ‹

ε δυ σω πω Πα ντα α να σα Σην χα

т é тÚ чéс№ЁâтéтÚçèŨş
ριν ε ξαι του ου ου μαι 

ЃЃЃЃЃЃЃЃЃЃЃЃчØ№сéцфчéцÙℓфéсØ№Ũş
αι ρε Νυ μφη α νυ μφευ τε
 
 

ЃЃЃЃЃЃЃЃЃЃЃЃч№х®éсØсéсØчéсöш¯чéсØЁâé
ο ο ρη σε μνη και α α σπι λε Δε

ГŇ Ù℮тéтÚчéсØ⅛сøŅéтÚçèŬţş
σποι να Πα να γι ι α

ЃЃЃЃЃЃЃЃЃЃЃЃч⅛Øсéцфчéц℮ŅÙфéсØŬţş
αι ρε Νυ μφη α νυ μφευ τε
 
 

ЃЃЃЃЃЃЃЃЃЃЃЃщх®›éсØсéсØчéсö℮ш¯чéсØ⅛Ёâé
ε ε ρμως ε πι κα λου ου μαι Σε Να

ГŇ ℮ÙтéтÚчсØ⅛сøŅéтÚçèŬţş
ε η γι α σμε ε νε

Επιμέλεια Γραφῆς H/Υ: Ζαφείρης Παναγιώτης (2009)  Σελίδα 9 

 ΣΤΙΧΟΙ ΑΓΙΟΥ ΝΕΚΤΑΡΙΟΥ
 

ЃЃЃЃЃЃЃЃЃЃЃЃч⅛Øсéцфчéц℮ŅÙфéс⅛ØŬţş
αι ρε Νυ μφη α νυ μφευ τε
 
 
 

ЃЃЃЃЃЃЃЃЃЃЃЃч⅛х¡ņ é сØч é сØ⅜чé çт¡⎯ш т éтÚ ЂøŅ é

α ντι λα βου μου ρυ σαι με α

ГÙ№тéтÚтéтÚсøŅéж тÚçèŬţş
πο του πο λε μι ι ου

ЃЃЃЃЃЃЃЃЃЃЃЃщÚ№сéцфчéцÙℓфéсØ№Ũş
αι ρε Νυ μφη α νυ μφευ τε
 
 

ЃЃЃЃЃЃЃЃЃЃЃЃси⅛ńх®éсØчéсØ⅜ŅчéЃçт⎯ш¯тéтÚЂøŅéГÙ№
αι αι κλη ρο νο μον δει ξον με ζω ης

тéтÚтéтЁâтéтÚçèŨş
της αι ω νι ι ι ου

ЃЃЃЃЃЃЃЃЃЃЃЃчØ№сéцфчéцÙℓфéсØ№Ũş
αι ρε Νυ μφη α νυ μφευ τε
 
*   *   * 
 

Επιμέλεια Γραφῆς H/Υ: Ζαφείρης Παναγιώτης (2009)  Σελίδα 10 

 VI t
X «X
tru mă ri - rea iui Dum - ne - zeu Ta - tăi A mm.

F
rT • ^ — ^
si
' 1 .
1 ' II
tru mă ri rea lui Dum ne zeu Ta tăi. A mm.

BINE ESTE (^IJVINTAT

glasul I ^ P q

Melodie uniformizată

^ Bi - ne es - te cu - vîn- tat cel ce vi - ne în - tru nu

1 J J J 1—r
^ — ^ « fl & si =5 •
— ^

Bi -ne es - te cu - vîn - tat cel ce vi - ne în - tru nu —

m^ - le Dom-nu-lui; *" Dum-ne - zeu es - te Dom -nul şi S-a a -

&

me — le Dom-nu-lui; Dum-ne -zeu es - te Dom-nul şi S-a a

ră — tat no - ua.

-O
ră - tat no - uă.

67
 Receive Me Today
Communion Hymn*

Plagal Second Mode

adapted from Athonite melody
Duration: 2:45

 
72




e-   me
- ƒƒceive      
to-ƒday, ƒO Son  
  ƒƒGod,
ƒof____    
ƒas____ ƒƒa

 mu - 
com -  - - -
ƒni -  -
- 
- 
ƒƒcant  
ƒof 
Thy 
Mys - - 
ti -
cal 
ƒƒSup -

*
On the Holy Mountain, this hymn is repeated while the faithful receive communion.
 Receive Me Today - Plagal Second Mode - Athonite Melody 495


- -  
- - 
-  
ƒƒper;   
for     
I____________ÌÌ   
will________   
ƒnot speak ƒƒof


the 
ƒƒmys -
- ter - -  
ƒy____Ì 
 ƒThine
ƒto___ÌÌ ƒƒen -
e - 
- - - ƒƒmies,
 

 
nor ƒƒwill___   
I__________   
ƒgive Thee_Ì  
a____Ì     
ƒƒkiss___     
ƒas_________________

  
Ju 
ƒƒdid__Ì - 
- -  -
ƒdas;    
ƒƒbut as 
ƒƒthe     
ƒƒthief___________Ì  
ƒdo________

    con
I______________ 
- -    
ƒfess___________ÌÌ
 Re - ƒƒmem-ƒber
Thee:       
me,_ÌÌ 
ƒO_______

    
Lord,___    
ƒin___̃Thy - 
King - - 
- - -  
ƒdom;       
re - mem-ber me,

 
O____ ƒƒMas -
- 
- 
-    
- ƒƒter,    
ƒƒin___ÌThy - 
King - - 
- - - 
dom;   

   
re - mem-ƒber me,  
ƒO____ ƒHo - 
- -   
ƒly___   ƒwhen
ƒOne,__ÌÌ   ƒThou 
com -
ƒest


    
ƒin___̃Thy King 
- 
-          
dom.______________________Ì 


 We Have Seen the True Light
Second Mode
adapted from traditional melody

,
# P -
160

aYZ

LG
e Lƒhave ! g ƒthe
ƒseen___ g  
g true light.  aYZƒWe
gfG
ƒhave  ! g
re - ceived the( ( !g
ƒheavƒ-ƒenƒƒ-

g Spir -' g"

ly L\ ƒit. XYZ 
ƒƒWe L g : '
have found ƒƒthe 
true 
ƒƒfaith, 1 g LG 
ƒwor-ship-ping ƒthē 
un - g
di -I g
viƒƒ-ƒded

I& 
gfg" 'LL!g gf& Jg%
\
ƒTrin - ƒƒi - ty,XYZ Who ƒƒhath ƒsaved_____ us._________ aYZ
 Let Our Mouths be Filled 505

 
in 
ƒThy 
Keep ƒus ƒho -  
ƒli-ƒness ƒƒthat   
ƒall ƒthe  ƒwe
day___ÌÌ may 
ƒƒmed -  
ƒiƒƒ-ƒƒtate up -


ƒƒon 
ƒThy     
ƒƒrighƒ-ƒteous-ness. ƒAl - 
ƒle - 
lu - 
ƒi -
ƒƒa. 
ƒAl - 
ƒle - 
ƒƒlu - 
ƒi - 
a. 


Al -  lu - 
ƒƒle -  ƒi -   
ƒƒa.________ 


Alternate Version

Second Mode
adapted from Hieromonk Gregory of Simonos Petras Monastery

   
180

 

L ƒet  
  
our mouths 
ƒbe ƒƒfilled with ƒThy  
 praise,    ƒthat
O  Lord,   
ƒwe 
ƒmay 
ƒƒsing


ƒof 
Thy 
ƒƒglo -
- 
-ƒry.    ƒFor ƒThou  
  
ƒhast ƒƒmade     to 
ƒus ƒwor-thy par - 
take 


ƒof 
Thy ƒho - 
ly,   
ƒƒdiƒƒ-ƒvine, im - 
ƒmor - - ƒƒtal,
 and 
ƒlife - - 
giv - 
ing ƒ    
ƒƒmysƒƒ-ƒter-ƒies.

 
us 
ƒƒKeepƒƒin 
Thy 
ho - 
li - 
ness ƒƒthat all 
the 
ƒday  
ƒƒwe 
ƒmay 
med - 
iƒƒ-ƒƒtate
506 Let Our Mouths be Filled

 
ƒThy 
ƒup - ƒon
 ƒƒ- ƒteous-ness.
ƒrigh-       
Al - 
ƒle - 
ƒlu - 
i- 
ƒƒa. 
ƒƒAl - 
le - 
ƒlu - 
ƒƒi -

     

a. 
Al - 
ƒƒle - 
lu -  - ƒƒi - a._________Ì 

PanagIA "KOUKOUZELISSA"
(painted by St. John Koukouzelis)
 Blessed be the Name of the Lord
Second Mode
adapted from traditional melody

   
170



  
(twice)

   
less-ƒed ƒbe  
the ƒname 
of__Ì the    
ƒLord hence-forth and 
ƒfor 
- evƒƒ- 
er-more.

   
the   ƒthe
 Lord
 
First
Choir:
Bless-ed ƒƒbe
name ƒƒof

           

Second
Choir:
ƒƒhence-forth and ƒfor - ƒƒev - - er -ƒƒmore.________