LESSON 3

VISUAL AND PERFORMING ARTS

Content Standard
The learner demonstrates appreciation of contemporary art forms, found in the
various regions by understanding the elements and principles
Performance Standard
The learner presents a form of integrated contemporary art based on the region
of his/her choice
Learning Competencies
Describes various contemporary art forms and their practices from the various
regions
Specific Learning Outcomes
Identify the different types of contemporary visual art forms in the Philippines;
Value the importance of each person having different opinions and views that
should be respected; and
Give examples of contemporary art forms that they see around them; and
Create a painting

1. Warmer
Is This Art?

Share your reaction on the line.

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The Fountain (1917) by Marcel Duchamp

https://images.app.goo.gl/4qiz2w2kZcCwX5dh9
Introduction

The Philippines is home to many contemporary arts. Its art is as rich as diverse
as its culture. It would be difficult to categorize all the different art forms found in the
archipelago due to its sheer number and variety.
Artists, including contemporary artists, are influenced by many factors such as
religion, education, and environment. The way they were brought up and the culture
they were raised in would indisputably have an effect, whether consciously or not, in
their art.

Artists would often look at their surroundings for inspiration for their art. Their
art would reflect the traits of their city and showcase the cultural traits of their
province. The celebrations in their town or the history of their city would, in one way or
another, mold their psyche and technique.

A few decades ago, the regional differences in art were quite distinct, and it was
easy to actually identify a cultural product from one region to another. These regional
differences could readily be seen in our decorative arts and crafts (fabric, jewelry,
pottery, etc.), our music, dance, and indigenous theater.

At present, these regional distinctions in the arts are not as apparent. With the
help of the Internet, Filipino artists are more connected with each other. They share
tips, techniques, and processes with others through videos and tutorials. Artists exhibit
their works and create groups and communities through social media accounts to
communicate their advocacies. This interconnection has resulted in artists inspiring each
other from all over the archipelago. This has also resulted in an integrative art that
everyone can relate to.

Instruction/Discussions

CONTEMPORARY VISUAL ARTS

In the previous lesson, we learned that art can come in any forms. In the case of
visual arts we learned that it can be classified into three, namely fine arts, decorative
arts and contemporary art forms. Fine arts are the type of visual art that are most
frequently associated with arts such as paintings, sculptures, and drawings. The
decorative art forms are the category of visual arts that pertains to artworks that are
not just aesthetically pleasing but functional as well. Examples of decorative art forms
include pottery, furniture, metal crafts, etc. Contemporary art forms refer to artworks
that are a result of the use of new techniques, technology and mediums. Contemporary
art forms cannot be easily categorized between the fine arts and the decorative arts
and hence results in different classification all together. Common examples of
contemporary visual art forms include performance art, installations, digital art, virtual
reality, etc.
Fine Arts

Most contemporary visual artists in the Philippines produced works that fall into
the fine arts category. The majority of the contemporary art produced in the Philippines
are paintings, sculptures, and drawings.

1. Paintings and illustrations

Courier Express (2013) Japs Antido

Paintings may be defined as a two-dimensional form of art that showcases

artistic expression created on a flat surface. Images are made by applying pigment on a
prepared surface using typically one or a combination of the following tools: brush,
palette knife, spray, finger, etc.

There are a number of medium used for painting and other two-dimensional
work. These include oil, acrylic, water color, poster color, pastel, ink, etc. These media
are applied on a surface such as canvas, paper, wood, cardboard, etc.

The beginnings of paintings and illustrations as we know it were the result of the
Spanish colonization. Early paintings and other fine arts were primarily religious in
nature. It was used to evangelized and spread Christianity throughout the archipelago.
As time passed, paintings and illustrations started to take on more secular subjects and
themes. Contemporary forms of paintings and illustrations in the Philippines generally
stem from our interaction with the Americans. Its earliest incarnation of contemporary
paintings and illustrations were for the images and drawings for the various publications
and textbooks of the American era.

a. Paintings themes

Contemporary paintings found in the Philippines range from the academic style,
the artistic style espoused by the European Art academies of the 1800s which promoted
the depiction of idealize and classical beauty to that of the stark realism and abstraction
of many modernist and contemporary styles. The themes used are also varied. The
common thematic categories in visual arts are religious, historical, portraiture, still life,
landscapes, nudes, and genres.

A. Religious themes were the primary subject for the artworks during the Spanish
colonial times. In the present, many religious-themed paintings can be seen in the
murals of many churches and in paintings with social commentaries like that of Joey
Velasco (1967-2010) and Renato Habulan (b.1953).

Other than Joey Velasco’s Hapag ng Pag-asa, many of his paintings depict Jesus
Christ in the present day. Renato Habulan’s boceto pen and ink series shows the
similarities of the suffering of the human condition with that of the passion of Christ
through the use of Christian iconography.

B. Historical themes can be seen in the works of Angono Rizal native Carlo’s
“Botong” V. Francisco (1912-1969) whose masterpiece Filipino Struggles through
History depicts Manila’s historical events. This mural is displayed in the Manila City
Hall. Other historical-themed works include Blood Compact, First Mass at Limasawa,
etc.

C. Portraiture paintings are used to commemorate

personalities and are seen in many formal institutions
such as government offices. It started during the rise
of the Ilustrados during the Spanish colonial times. It
was and has been a symbolism of one’s rise to power
and wealth. Many artists started their careers as
portraiture artists such as Iloilo-born Antipas Delovato
(b.1954) and Rafael del Casal, favorite portraiture
artist of the Philippine elite who was the commissioned
artist to create the portrait of San Pedro Calungsod in
2000.

Portraits of President Rodrigo Duterte

by Daryl de Leon Descallar

One of the most ubiquitous portraiture paintings seen in the Philippines are the
official portraitures of the Philippine presidents. The latest as of writing is the official
portrait of President Rodrigo Duterte by Davao artist Daryl de Leon Descallar
(b.1963).
D. Still Life is a work of art that portrays
inanimate objects. It was traditionally
composed of a basket or bowl of fruits and
flowers in vases on
a table. One of the most notable and earliest
still life artists was Paz Paterno. She was born
in Sta. Cruz, Manila in 1867 and died in 1914.

Vicente Manansala (1910 - 1981): Still life – fish

More contemporary artists who were notable still life artists were the Filipino-
Chinese Ang Kiukok (1931-2005), and the cubist and kapampangan artist Vicente
Manansala (1910-1981) who created still life paintings that feature items and
ingredients one would find in a typical Filipino kitchen.

E. Landscapes depict the beauty of the outdoors. It can be that of the natural
environment such as the countryside and other rural scenery, including seascapes
which focuses on the imagery of bodies of water. Some landscapes highlight the
hustle and bustle of the city streets and scenes through urban landscapes. Many
early Filipino landscape artists made use of the academic style under the guidance
of Fernando Amorsolo. One such artist was Martino Abellana (1914-1988) who also
became a mentor to generations of Visayan artists and is referred to as the “Dean
of Cebuano Painters.” Later artist such as Diosdado M. Lorenzo (1906-1984) veered
away from the realistic scenery depictions to a more modernist take on landscape
paintings. Manuel Baldemor (b.1947) of Paete, Laguna transformed his hometown
into simple geometric forms and imbibed it
with a festive vibe, while Ilocano artist
Prudencio Lamarrosa (b.1943) was inspired
by the Amburayan River to create his surreal
landscapes.

Martino Abellana “Mantabago, Carcar”

F. Nude, as a subject of painting in the Philippines, was
rare before the twentieth century but has since been an
accepted and popular subject in the Philippine
contemporary visual arts. Early contemporary nudes
can be seen in the works of Fernando Amorsolo (1892-
1972) and his characteristic Dalagang Bukid. Almost all
contemporary artists in one time or another in their
career have dabbled in nudes, including Ben Cabrera
(b.1942), Cesar Legaspi (1917-1994), Batangas
abstract artist Romulo Olazo (1935-2015), Vicente
Manansala (1910-1981), etc.

Fernando Amorsolo “Dalagang Bukid”

G. Genres are paintings whose themes showcase

people doing everyday activities and chores.
Earliest examples of this type in Philippine
history is the Boxer Codex (1590), which
illustrated the different social classes and
attires of the different inhabitants of the
country at the time. In the nineteenth century,
miniature genre paintings were very popular
as souvenirs to tourists.

Mauro Malang Santos- At the church

Some genre contemporary artists include the Manila-born Mauro Malang Santos
(b.1928) known for his collection of fiesta-inspired paintings. The artist from Nueva
Ecija, Mario Parial (1944-2013), is praised for his colorful genre paintings that
feature his distinct figurative style.

Most contemporary artists do not limit themselves to a particular theme. They will
experiment and venture to other subjects to better express themselves. The same can
be different styles and techniques throughout their careers. Some contemporary artists
would also try out other visual media like sculpture, design, etc.
Name: ____________________________________ Date: _________
Grade/Section: _____________________ Score: ________

Try this!

Activity 1
Directions: Choose and research on a contemporary Filipino painting made in the last
50 years that you find interesting. Type your research on a short bond paper. Your
research should include the following information:

 Image/picture of the painting

 Title of the painting
 Artist (give some information about the artist)
 When it was made
 Painting theme used
 Date created
 Describe the elements seen in the painting and its meaning to overall
artwork
 Give the reasons why you chose this painting

Enrichment

Activity 2

Directions: Create a painting that is inspired by your

chosen painting. It should be rendered on a ¼ size
illustration board. Prepare to provide the following
information:

Title
Meaning of the painting
Details from the research painting incorporated
in your work.
 2. Sculptures

Sculptures are artworks that are three-dimensional. The classifications of sculptures are
traditionally divided into two, namely: free-standing and relief.

 Free standing sculptures, also known as in the round, are sculptures that
are raised independently in its given space. It can be often observed from all
points of view.

 Reliefs are sculptures that are raised from a background. Depending on the
figure’s distance from the background, it can be also classified into bas-relief
and high relief. Bas-relief or low reliefs are reliefs that are slightly protruding
from their background, while high reliefs are reliefs that are prominently raised
against their background, giving the sculpture more dimensionality.

See the difference on the given example below.

Relief Free-standing

Interior of Santi Giovanni e Paolo in Venice. “Monument of the Valier

Sculptures are made by either adding or

subtracting materials. Subtraction is
used in carving, while addition is seen in
sculpting techniques like molding, Myron
casting, and welding. Discobolos
Roman copy after a Greek bronze original of
about 450 BCE
Marble. Height 5' 1"
(Rome, Museo Nazionale delle Terme)
 Contemporary art forms that are related to sculptures like mobiles and three
dimensional light-manipulations such as holograms are not easily classified between
free-standing and reliefs and hence are classified in contemporary art forms.

The Philippines has a sculptural tradition dating long before the arrival of the first
colonizers. We have long been casting metal, molding clay, and carving stone and wood
to create various sculptural pieces. Examples of precolonial sculptural artworks include
the panolongs of the Torogan, the Maranao Royal house, the Sunduk or the grave
markers of the Badjao, and the many interpretations of the Ifugao Rice God, the Bulul.

Wood carving is found throughout the different regions and communities of the
country. It is used to create and decorate the items used in one’s daily life such as
furniture, utensils, shelter, and transportation. This art form has existed throughout the
history of the Philippines and is still alive in many cultural hubs in the country such as
Paete, Laguna and Betis, Pampanga,

During the Spanish colonization, the most notable sculptural pieces were the
santos, which were sculptural representations of Christ and Christian saints. Many of
these religious iconographies can be seen in Spanish colonial churches in the
Philippines.

Many of these santos are venerated, and grand religious events are centered
around them. This is especially true with the Black Nazarene in Quiapo, the Santo Niño
in Cebu, and Our Lady of Peñafrancia in Naga.

Contemporary sculpture in the Philippines can also depict the different themes
used in paintings and drawings. It can also be classified into two styles. The
academic/classical and modern. Classical style follows the aesthetics of the ancient
Greeks and Romans as taught by the European art academies, while the modern style is
often abstracted and is not as particular about the realistic portrayal or representation
of figures compared to the classical style.

During the American colonial period, classical sculptures portrayed prominent

people of society and politics. This was led by the Bulacan native Guillermo Tolentino
(1890-1976) whose sculptural masterpieces include the Bonifacio Monument and the
Oblation in UP Diliman. Tolentino was a professor at the said university and mentored
other classical style sculptors such as Anastacio Caedo (1907-1990) and Froilan
Madriñan.
 Caedo was a Batangeño whose most recognizable
work is the memorial at the MacArthur landing site in
Leyte. Froilan Madriñan was a Paete artist who was a
master in wood carving. He was a great influence to
many aspiring artists of Paete, mentoring contemporary
sculptors like Luisito Ac-ac (B.1952) who is famous for
his lifelike wooden sculptures and Mario Dayo (b.1948)
who is known for his Baroque style relief murals.

Sculptural bust by Anastacio Caedo

One of Guillermo Tolentino’s most well-known students was Napoleon Abueva

(b.1930). Abueva was born in Tagbilaran, Bohol. He is credited to be the pioneer of
modern of modern sculpture in the Philippines and is sometimes referred to as the
“Father of Modern Sculpture” in the Philippines. Abueva’s sculptures often gave a feel of
playfulness, fluidity, and movement. He has worked with various with various materials
such as stone, metal, and concrete but still prefers wood, particularly molave and narra.
His masterpiece Allegorical Harpoon (molave, 1964) is considered to be one of his best
abstract sculptural works.

Other contemporary sculptors that show evidences of Abueva’s influence are

Renato Rocha (1937-2001) and Ros Arcilla (b.1938), Renato Rocha was born in Uson,
Masbate. He apprenticed under Anastacio Caedo and
later with Napoleon Abueva. His works are critically
acclaimed, winning a streak of competitions in 1960-
1965. His style is described as figurative abstraction, and
like his mentor he prefers to work with wood. Ross Arcilla
has worked with an array of materials such as wood,
jade, aluminum, bronze, and glass. Like his mentor,
Rocha’s style is similarly of abstraction and geometric
simplification. He hails from Caramoan, Camarines Sur.

Many other figurative expressionist sculptors

emerged in the late 1970s such as Julie Lluch (b.1946) who was born in Iligan City,
Lanao del Norte. Her early works were terra-cotta sculptural portraits of family and
friends which further developed to her trademark expressive depiction of women.
Another expressionist contemporary sculptor is Quezon City artist Agnes Arellano
(1949). Arellano’s dramatic sculptures of cast and modeled plaster and synthetic marble
she calls inscapes focuses on the essential meaning of a figure rather than just its
surface appearance.
 Other contemporary sculptors that follow the modernist philosophy include:
Antique-born painter, sculptor, and graphic designer Jerry Navarro Elizalde (1924-1999)
whose sculptural work is evocative of indigenous tribal art, making use of woodcuts and
other found materials: Solomon Saprid (1917-2003) who is well known for his bronze
sculptural that make use of welded pieces, giving it a rough impression; and for his
series of sculptures entitled Tikbalang; and Conrado Mercado (1945) of Bustos, Bulacan
who initially gained fame from his beaten aluminum reliefs and open-cage construction.

The contemporary sculptural arts mentioned is but a drop in the river of talented
and unique sculptors the country has to offer. Every day, new talents are emerging and
discovered.

DECORATIVE ARTS AND CRAFTS

The decorative arts and crafts of the contemporary times stem from the
traditional indigenous crafts found throughout the country. Some of you might wonder
why these traditional and indigenous products and process are included in a discussion
about contemporary art. As defined earlier contemporary art are artworks produced in
the present. Many respected Filipino artists of today such as the GAMABA (Gawad ng
Manlilikhang Bayan) Awardees expresses their art through these indigenous products.
Undoubtedly, these decorative arts and crafts are part of our artistic history and
traditions. And these artworks are an important source of inspiration to present and
future Filipino artists. Many artists of today, as you will learn throughout this book, uses
their cultural artistic heritage, and decorative arts processes in their contemporary
artistic expression. Hence it is important to discuss these to be aware of these types of
traditional art. Here are some examples of contemporary decorative arts found in the
country.

Pottery

Pottery is the art and craft of making pots and other wares using clay or mud.
Pottery tradition in the country has survived for centuries. Early pottery artifacts have
shown the skills and artistry of our pottery makers. They made every day items such as
food containers and water vessels, and some are created
for formal and ritualistic purposes as burial jars or as
figurative mementos.

In contemporary times, studio pottery is quite

popular. Studio pottery is a handmade one of a kind
ceramic that is sought after by collectors. Studio pottery
come in many forms such as functional items like cookware
and tableware, but many present day ceramic artists
venture in more sculptural pieces. A notable artist of studio
pottery is UguBigyan of Tiaong, Quezon. His studio in
Quezon is a popular tourist attraction to those who visit the province. His works of
pottery art pieces are recognized here and abroad.

-Philippines National Museum- Pottery Replica

Carving

Carving is the art of manipulating and creating objects by subtracting and

shaping solid material such as wood and stone. Filipinos are excellent carvers. This is
perhaps due to our long history with the art. Many traditional arts and crafts in the
country are products of carving. Here are examples of such time-honored sculptural
crafts that are still seen and made today.

The Ifugao’s rice god or the bulul is represented

through carved wood and is used as a decorative element
throughout their daily wares. The Muslims of Western
Mindanao carved geometric patterns and stylized images of
plants and animals called okir. Popular decorative motifs are
the sarimanok and the naga. These are the used as
decorations in their houses, boats, instruments, containers,
weapons, and utensils. Similar carving processes are found
within the tribal groups of Mindanao like the Tausugs, the
Maranaos, and the Badjaos. Tagbanuas of Palawan carve
animal sculptures used as ritual objects or sometimes as
decorations for their houses and trinkets for their children.

Bulul
https://images.app.goo.l/HmLsRsHulpZrdPbL7
Weaving

Weaving is the art of interlacing threads or

fibers to create textile, fabric or other similar
products. Philippine textiles are often made from
indigenous plants such as piña, abaca, maguey, and
cotton. Traditional weaving methods can still be
seen in the different towns in the Ilocos Region.
Many of the woven products such as blankets called
binakol and pinilian are brought to Manila and
abroad and sold as handicrafts. In the mountain
provinces, the ikat process is being revived. The ikat
is a dyeing process that involves resist-dyeing and dyeing to achieve a desired pattern,
after which the fibers are then woven.
https://images.app.goo.gl/3mLmShMIj4UUgzYU9

The ikat is the same dyeing process used by the tribal groups of Mindanao like
the T’boli, Bagobo, Mandaya, etc. Their ikats are designed with stylized animal figures
such as birds, lizards, frogs, and humans. The Bagobos add beads to the woven fabric
to increase its beauty.

Basket weaving is also alive in the different regions. Notable examples are the
backpacks of the Mandaya tribe in Eastern Mindanao and the decorated bags of the
Bagobo. Also worth mentioning are the woven baskets of the Tagbanua tribe in
Palawan with their iconic conical cover called basag.

Another weaving decorative art is mats. These traditional floor coverings typically
made of pandan, swamp grass, bamboo, and palm leaf provide cool relief from the
country’s humid environment. The mats of Basey, Samar are especially artistic with
them being decorated with bright lively colors and embroidered with flowers, peacocks,
and fantasy settings. These mats can be made-to-order to have the name and the
portrait of the owner. Also colorful are the sesed mats of the Maranao. The designs of
the Maranao mat are made with patterns of stripes or plaid.

Metalwork

Metalwork is the art of creating and

manipulating metal to create various items
such as jewelry, weapons, etc. Based on
archaeological records and recovered artifacts,
the Filipinos were skilled metalworkers. Many
amazing jewelries and ornaments discovered
from different sites proved that early Filipinos
talent. Perhaps the most remarkable of the
https://images.app.goo.gl/syE2sKEKmkng2cj
find is the collection of precolonial gold Jewelry
that consists of ornaments, earrings,
necklaces, gold woven belts and sashes. Although many have been lost, the remaining
ones displayed at the Ayala Museum show the mastery and technical skill of the early
Filipino metalsmiths.

Metal ornaments and jewelry are found in different regions. These are often
considered as one’s prized possession and are passed from one generation to another.
Metalwork Sound in the country comes in different forms. These can come as the tiny
bells by the Bagobo that they attached to their possession and small brass or gold
jewelry pieces like necklaces decorated with animal figures.

The Maranaos from Tugaya, Lanao del Sur Are the largest manufacturer of
brassware in the Philippines. One of their most popular products is the gador or
decorated brass urns made using the lost-wax process.

It is good that many of our traditional decorative arts and crafts are still made today.
Demands from local and foreign patrons have kept it alive. But continuous efforts and
patronage have to be made to make sure these ethnic traditions survive for the future
generations to experience and appreciate.

CONTEMPORARY ART FORMS

Many contemporary art forms cannot be easily classified and categorized

following the traditional definitions. Some contemporary art forms bur the distinctions
between the disciplines and generous. Some are products of new technological
advancements and cannot be categorized using the outdated definitions, hence the
need to classify them under their own heading as contemporary art forms.

Collage

Collage is the method of combining printed images with other flat media and
pasted on a canvas or board. This contemporary art method first came about in the
early 1900s as part of the experimentation of the cubists Picasso and Braque. They
made use of cutouts of newspaper that were pasted onto their paintings. Collages
create a great variety of texture and color not found in traditional painting.
Contemporary artist Dina Gadia (b.1986), born in Anda, Pangasinan, uses collages to
highlight focal interest while creating new results, as well as Jonathan Benitez (b.1971),
a Palawan-based painter and collage artist born Iligan City, Mindanao. He incorporates
collages as a discourse on consumerist aims of advertising and environmental
awareness.

Assemblage

Assemblage is a term used by French artist Jean Dubuffet in 1952 to describe a

series of artworks made from paper collages, wood scraps, and other found objects.
Although it started with small scale pieces, recent development in this contemporary art
form has included larger objects and discards. Assemblages often blur the distinction
between painting and sculpture.
 Among the pioneers in assem-blage art in the Philippines is Lao Lianben
(b.1948). He was born in Manila on April 21, 1948. He used indigenous found materials
for his artworks in the 1960s. He placed twigs and small branches on top of carved
wooden panels as commentary on forest devastation.

Roberto Feleo’s (b.1954) works called Sapin-sapin show a combination of

different pieces, both found and made, that portray traditional, historical, iconic, and
popular images.

Mobile

The mobile is a sculptural work that is suspended from the ceiling or a protruding
base. It is typically made with a number of balancing rods dangling in different lengths
carrying one or more elements. This was pioneered by the American artist Alexander
Calder. The mobile is an example of a kinetic sculpture since it is moving due to its
interaction with the wind.

Contemporary artists who have created mobiles include bronze sculpture and
designer Eduardo Castrillo (1942-2016) and premier glass sculptor Ramon Orlina
(b.1944).

Performance Art

Performance art is a mix of visual arts and performing Arts. Its early incarnations
were the Happenings of the Dada Movement in the 1916. The medium used in
performance art is the artist himself, and the artwork is the acting and the movements
of the artist. Music and sound are often incorporated in the performance. Words and
dialogues are not given as much focus compared to the movements. A performance, to
be considered performance art, should be done in front of a live audience. Artist would
often include various disciplines in their art such as digital art, videos, fashion, etc.
Performance art can be done spontaneously or rehearsed period it can be done in a
simple manner or as a large scale event.

Some notable artists who have dabbled in the field of performance art is
international Filipino artists David Medalla (b.1948) whose performance in Brother of
Isidora gained him recognition from other artists who both here and abroad. Medalla
was born in Manila and has since based himself in cities such as London, Paris, and
New York. Other than performance art, he also expresses himself in other forms of
visual arts such as painting, sculpture, installation, and kinetic art. Danny C. Sillada
(b.1963), like Medalla, is a multi-talented artist. Born in Davao Oriental, Sillada is a
painter, poet, musician, installation artist, and a performance artist. He combines music
and art in his performance art.

Installation Art

Installation art is a form of contemporary art that involves the arrangement of

objects in the given space. It is associated with the conceptual art and the data
movement. Installation art is intentionally designed to be experienced as a temporary
work of art. It incorporates different materials that may include traditional sculptural
materials such as wood, metal and different objects as well as technology based
mediums such as light, sound, videos, and digital media among many others. It can be
designed to be very simple or very complex.

Some contemporary Filipino artists who have gained recognition for their
installations are Leeroy New (b.1986) and Aze Ong. Leeroy New hails from General
Santos City. He uses the things around him for inspiration for his different artworks that
range from fashion, sculpture, and other fields of visual arts. One of his installations
was geared toward awareness and rehabilitation of the Pasig River. It was entitled
Bakawan Floating Island Project Which he collaborated on with urban designer Julia
Nebrija. Aze Ong is known for her trademark crocheted art pieces. Her art pieces
consists of colorful, organic, and fluid crochet pieces inspired by her stay with the ethnic
group of Talaandigs from Bukidnon. Her installations have been exhibited in many
museums in the country such as the Yuchenco Museum where she exhibited an 8.83
meter high crochet installation entitled Liwanag sa Kawalan ng Kulay and Liwanag at
the Cultural Center of the Philippines.
Name: _________________________________ Date: ____________
Grade/Section: _________________________ Score: ___________

Evaluation
Directions: Create a chart of the artists mentioned in the lesson, and classify them
using the template below.

LUZON VISAYAS MINDANAO

Paintings

Sculptures

Decorative Arts

Contemporary Arts