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Author’s Introduction 

 
Literary 
 
His gigantic, shadowy form, clothed like the ghost in Hamlet, in complete armour, but with 
the beaver up, was seen at midnight, by the moon’s fitful beams, to advance slowly along 
the gloomy avenue. 
 
This is an allusion to Shakespeare’s Hamlet, when the ghost of Hamlet’s father, dressed as 
the king in full armor, appears to Hamlet. 
 
Literary 
 
Poor Polidori had some terrible idea about a skull-headed lady who was punished for 
peeping through a key-hole—what to see I forget: something very shocking and wrong of 
course; but when she was reduced to a worse condition than the renowned Tom of 
Coventry, he did not know what to do with her and was obliged to dispatch her to the tomb 
of the Capulets, the only place for which she was fitted. 
 
This passage contains two allusions: the first to the Old English legend of Lady Godiva, who 
rode naked in protest of excessive taxation, and Tom of Coventry, the man who was struck 
blind for “peeping” on her, and the second to the family tomb of Juliet Capulet in 
Shakespeare’s Romeo and Juliet. 
 
Literary 
 
Everything must have a beginning, to speak in Sanchean phrase; and that beginning must 
be linked to something that went before. 
This is an allusion to the character Sancho Panza from Miguel de Cervantes’s novel Don 
Quixote, who is known for his humorous, sometimes ironic, and witty sayings. 
 
Historical/Political 
 
In all matters of discovery and invention, even of those that appertain to the imagination, we 
are continually reminded of the story of Columbus and his egg. 
 
This is an allusion to a story recounted in Washington Irving’s The Life and Voyages of 
Christopher Columbus. 
 
Historical/Political 
They talked of the experiments of Dr. Darwin (I speak not of what the doctor really did or 
said that he did, but, as more to my purpose, of what was then spoken of as having been 
done by him), who preserved a piece of vermicelli in a glass case till by some extraordinary 
means it began to move with voluntary motion. 
 
This is an allusion to Erasmus Darwin, grandfather of Charles Darwin, and his experiments 
and theories of “spontaneous evolution.” 
 
Religious 
Frightful must it be, for supremely frightful would be the effect of any human endeavour to 
mock the stupendous mechanism of the Creator of the world. 
 
This is an allusion to the Judeo-Christian allegory of God and the creation of the world. 
 
Preface 
Historical/Political 
The event on which this fiction is founded has been supposed, by Dr. Darwin, and some of 
the physiological writers of Germany, as not of impossible occurrence. 
 
This is an allusion to Erasmus Darwin, Charles Darwin’s grandfather, and his experiments 
and theories of “spontaneous evolution.” 
 
Literary 
I am going to unexplored regions, to “the land of mist and snow;” but I shall kill no albatross, 
therefore do not be alarmed for my safety, or if I should come back to you as worn and 
woeful as the “Ancient Mariner?” 
 
This is an allusion to the ancient mariner of Samuel Taylor Coleridge’s poem “The Rime of 
the Ancient Mariner.” 
 
Literary 
You have hope, and the world before you, and have no cause for despair. But I—I have lost 
everything, and cannot begin life anew. 
 
This is an allusion to Satan’s words in John Milton’s epic poem “Paradise Lost”: “The world 
was all before them, where to choose / Their place of rest, and Providence their guide.” 
 
Chapter I 
Historical/Political 
The father of their charge was one of those Italians nursed in the memory of the antique 
glory of Italy—one among the schiavi ognor frementi, who exerted himself to obtain the 
liberty of his country. 
 
Italian for “slaves always fretting,” this is a reference to the Italians who rebelled under the 
Austrian domination of Italy during the eighteenth and nineteenth centuries. 
 
Chapter II 
Literary 
He tried to make us act plays, and to enter into masquerades, in which the characters were 
drawn from the heroes of Roncesvalles, of the Round Table of King Arthur, and the 
chivalrous train who shed their blood to redeem the holy sepulchre from the hands of the 
infidels. 
 
This quote contains two allusions: one is to the medieval French hero and military leader 
Roland, who died at Roncesvalles, and the second is to King Arthur, the legendary King of 
Britain, and his Knights of the Round Table. 
 
Historical/Political 
Ah! Cornelius Agrippa! My dear Victor, do not waste your time upon this; it is sad trash. 
 
This is an allusion to Cornelius Agrippa, a sixteenth-century German physician who was 
persecuted for his occult beliefs. 
 
Chapter III 
Literary 
I loved my brothers, Elizabeth, and Clerval; these were “old familiar faces;” but I believed 
myself totally unfitted for the company of strangers. 
 
This is an allusion to the Romantic writer Charles Lamb’s poem “The Old Familiar Faces.” 
 
Literary 
Chance—or rather the evil influence, the Angel of Destruction, which asserted omnipotent 
sway over me from the moment I turned my reluctant steps from my father’s door—led me 
first to M. Krempe, professor of natural philosophy. 
 
The phrase “Angel of Destruction” is an allusion to Milton’s Satan in “Paradise Lost,” who is 
presented as a fallen archangel of God who pledges to destroy God’s new creation: man. 
 
Mythological 
The modern masters promise very little; they know that metals cannot be transmuted, and 
that the elixir of life is a chimera. 
 
This is an allusion to the chimera, a female monster in Greek mythology that had a lion’s 
head, a goat’s body, and a serpent’s tail, and breathed fire. 
 
Chapter IV 
Literary 
I was like the Arabian who had been buried with the dead, and found a passage to life, 
aided only by one glimmering, and seemingly ineffectual, light. 
 
This is an allusion to the Arabian sailor Sinbad of The Thousand and One Nights. 
 
Chapter V 
Literary 
I had gazed on him while unfinished; he was ugly then; but when those muscles and joints 
were rendered capable of motion, it became a thing such as even Dante could not have 
conceived. 
 
This is an allusion to Dante Alighieri’s (1265–1321) depiction of the circles of Hell in his long 
narrative poem “The Divine Comedy.” 
 
Literary 
My heart palpitated in the sickness of fear; and I hurried on with irregular steps, not daring 
to look about me:— Like one who, on a lonely road, Doth walk in fear and dread, And, 
having once turned round, walks on, And turns no more his head; Because he knows a 
frightful fiend Doth close behind him tread. 
 
This is an allusion to Samuel Taylor Coleridge’s poem “The Rime of the Ancient Mariner.” 
 
Literary 
You may easily believe,” said he, “how great was the difficulty to persuade my father that all 
necessary knowledge was not comprised in the noble art of bookkeeping; and, indeed, I 
believe I left him incredulous to the last, for his constant answer to my unwearied entreaties 
was the same as that of the Dutch schoolmaster in the Vicar of Wakefield:—‘I have ten 
thousand florins a year without Greek, I eat heartily without Greek.’ 
 
This is an allusion to the stubborn schoolmaster in Oliver Goldsmith’s novel The Vicar of 
Wakefield (1766). 
 
Chapter VI 
Literary 
Justine, you may remember, was a great favourite of yours; and I recollect you once 
remarked, that if you were in an ill-humour, one glance from Justine could dissipate it, for 
the same reason that Ariosto gives concerning the beauty of Angelica—she looked so 
frank-hearted and happy. 
 
This is an allusion to Orlando from Ludovico Ariosto’s epic poem “Orlando Furioso” (1532), 
who becomes fascinated with the beauty of the married Angelica. 
 
Chapter VII 
Literary 
I contemplated the lake: the waters were placid; all around was calm; and the snowy 
mountains, “the palaces of nature,” were not changed. By degrees the calm and heavenly 
scene restored me, and I continued my journey towards Geneva. 
 
This is an allusion to the phrase “the palaces of nature,” which is taken from Lord Byron’s 
narrative poem “Childe Harold’s Pilgrimage” (1812). 
 
Literary 
The road ran by the side of the lake, which became narrower as I approached my native 
town. I discovered more distinctly the black sides of Jura, and the bright summit of Mont 
Blanc. 
 
Though the reference is to the actual mountain in Europe, these lines also contain an 
allusion to Percy Bysshe Shelley’s poem “Mont Blanc,” in which the author uses the 
mountain to represent the actuating power of the universe. 
 
Chapter XI 
Literary 
But I was enchanted by the appearance of the hut: here the snow and rain could not 
penetrate; the ground was dry; and it presented to me then as exquisite and divine a retreat 
as Pandæmonium appeared to the dæmons of hell after their sufferings in the lake of fire. 
 
This is an allusion to Pandæmonium, the new kingdom Satan and his troops build in Hell in 
Milton’s “Paradise Lost.” 
 
Chapter XII 
Literary 
It was as the ass and the lap-dog; yet surely the gentle ass whose intentions were 
affectionate, although his manners were rude, deserved better treatment than blows and 
execration. 
 
This is an allusion to the Aesop fable of the ass and the lapdog, in which the lapdog is 
rewarded for fawning over its master but the ass is punished for doing so. 
 
Chapter XV 
Literary 
‘The path of my departure was free’; and there was none to lament my annihilation. 
 
This is an allusion to Percy Bysshe Shelley’s poem “Mutability,” in which the line “the path of 
its departure still is free” appears. 
 
Mythological 
Induced by these feelings, I was of course led to admire peaceable lawgivers, Numa, Solon, 
and Lycurgus, in preference to Romulus and Theseus. 
 
This is an allusion to the ancient Roman myth of Romulus and Remus and the founding of 
Rome and to Theseus, the mythical king and founder of Athens. 
 
Religious 
Like Adam, I was apparently united by no link to any other being in existence; but his state 
was far different from mine in every other respect. 
 
This is a biblical allusion to Adam, the father of man. 
 
Literary 
I considered Satan as the fitter emblem of my condition; for often, like him, when I viewed 
the bliss of my protectors, the bitter gall of envy rose within me. 
 
This is an allusion to Milton’s Satan of “Paradise Lost,” who looks upon Adam and Eve with 
envy for still having God’s love. 
 
Literary 
Satan had his companions, fellow-devils, to admire and encourage him; but I am solitary and 
abhorred. 
 
This is an allusion to Milton’s Satan in “Paradise Lost,” who falls to Hell with his army of 
rebel angels. 
 
Literary 
But it was all a dream; no Eve soothed my sorrows, nor shared my thoughts; I was alone. I 
remembered Adam’s supplication to his Creator. 
 
This is an allusion to Adam’s request to God in Milton’s “Paradise Lost” to make him a 
companion. 
 
Chapter XVI 
Literary 
I, like the arch-fiend, bore a hell within me; and, finding myself unsympathised with, wished 
to tear up the trees, spread havoc and destruction around me, and then to have sat down 
and enjoyed the ruin. 
 
This is an allusion to Satan in Milton’s “Paradise Lost,” who pronounces, “Which way I fly is 
Hell; myself am Hell.” 
 
Chapter XVIII 
Literary 
He was a being formed in the ‘very poetry of nature.’ 
 
This is an allusion to a quote from the poem “Rimini” by the Romantic poet Leigh Hunt, but 
it is also a subtle allusion to the work of the Romantic poet William Wordsworth, who was 
proclaimed the “Poet of Nature” by Percy Bysshe Shelley, Mary Shelley’s husband. 
 
Chapter XIX 
Historical/Political 
It was here that Charles I had collected his forces. This city had remained faithful to him, 
after the whole nation had forsaken his cause to join the standard of parliament and liberty. 
 
This is an allusion to King Charles I, whose authoritarian rule led to his execution in 1649. 
 
Historical/Political 
The memory of that unfortunate king, and his companions, the amiable Falkland, the 
insolent Goring, his queen, and son, gave a peculiar interest to every part of the city, which 
they might be supposed to have inhabited. 
 
This is an allusion to two royalists—Viscount Falkland and George Baron Goring—who 
supported King Charles I in the seventeenth century. 
 
Historical/Political 
We visited the tomb of the illustrious Hampden, and the field on which that patriot fell. 
 
This is an allusion to John Hampden, a seventeenth-century parliamentarian and patriot who 
famously challenged the authority of King Charles I and was killed defending his beliefs. 
 
Chapter XXII 
Religious 
Sweet and beloved Elizabeth! I read and re-read her letter and some softened feelings stole 
into my heart and dared to whisper paradisiacal dreams of love and joy; but the apple was 
already eaten, and the angel’s arm bared to drive me from all hope. 
 
This is an allusion to Eve’s eating of the forbidden apple and her and Adam’s subsequent 
banishment from Eden. 
 
Chapter XXIII 
Religious 
Man,” I cried, “how ignorant art thou in thy pride of wisdom! Cease; you know not what it is 
you say. 
 
These words are an allusion to Jesus’s proclamation to God before his crucifixion during 
which he asks, “Forgive them, for they know not what they do.” 
 
Chapter XXIV 
Historical/Political 
The Greeks wept for joy when they beheld the Mediterranean from the hills of Asia, and 
hailed with rapture the boundary of their toils. 
 
This is an allusion to the deliverance of more than ten thousand Greeks who were led to 
safety after their Persian rebel leader was defeated. 
 
Walton, in Continuation 
Literary 
All my speculations and hopes are as nothing; and, like the archangel who aspired to 
omnipotence, I am chained in an eternal hell. 
 
This is an allusion to Milton’s Satan in “Paradise Lost,” who was condemned to dwell in 
eternal “adamantine chains” in Hell. 
 
Literary 
The die is cast; I have consented to return if we are not destroyed. 
 
This is an allusion to Samuel Taylor Coleridge’s poem “The Rime of the Ancient Mariner,” 
when the figures Death and Life-in-Death cast dice for the mariner regarding his fate. 
 
Literary 
Evil henceforth became my good. 
 
This is an allusion to Milton’s Satan in “Paradise Lost,” who declares, “Evil, be thou my good” 
after he is cast from heaven. 
 
Literary 
Yet even that enemy of God and man had friends and associates in his desolation; I am 
alone. 
 
This is an allusion to Milton’s Satan in “Paradise Lost,” who still had the support of a legion 
of rebel angels who fell along with him as he was cast out of heaven. 

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