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CARL FISCHER'S

MUSIC LIBRARY
i pong

No. 304

JOH. SEB. BACH


THIRTY
TWO AND THREE
PART INVENTIONS
for

PIANO
!

i^ nri
DEDE
m^m
Price $1.25

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CARL FISCHER'S MUSIC LIBRARY
Nos.254,255,304

JOH. SEB. BACH


Two -and Three -Part
Inventions
for

TIAKO
Edited by

CARL CZERNY

Part I. 15 Two-part lnventions( Library N? 254)


Part II. 15 Three-part Inventions! Library N9255)
Complete in one Volume (Library N° 304)

boston Carl Fischer Inc. Chicago


306 S Wabash Ave
253 Tremont Street
NEW YORK °' '

Cooper Square
. -

Contents. Inhalt.
-o-o-o

I.) 15 Two-Part Inventions .Pag.4. I.) 15 Zweistimmige Inventionen.. Pag. 4


II.) 15 Three-Part Inventions « 84. II.) 15 Dreistimmi&e Inventionen 84

-;«>:

These two and three part inventions seem really Die zwei-und dreistimmigen Inventionen scheint
to have been expressly written by J. S Bach as
. J.S.Bach recht eigentlich als Vorbereitung auf sei-
a preparation for his pupils for his greater works, ne grosseren Werke-namentlich auf das „Wohltem-
particularly his "Welltempered Clavichord," and perirte Clavier"- fiir seine Schiller verfasst zu ha
for this purpose they cannot be too highly recom- ben,und als solche sind sie nicht genug zu empfeh-
mended. Even at the present time a conscientious len. Auch gegenwartig nochwird fiir je den talent-
study of these inventions will prove to be of the vollen Zogling des Klavierspiels,-das fleissigeUe-
greatest advantage, in developing the musical ben dieser Inventionen, in Bezugauf musikalischen
taste and finger technic of every talented student, Gesehmack und Finger- Ausbildung von grossem
desirous of rising above of mediocrity In none Nut z en sein. Denn in keinem der neuen, leich-
of the easier modern works is the left hand given tern Musikstiicke ist der linken Hand eine so
such an independent treatment of the theme. selbstandige Behandlung des Themas zugeteilt,
The title, with which J. S. Bach has prefaced als eben hierin.
these inventions reads literally: Der welchen J.S.Bach diesen Inventio-
Titel,
"A true guide ivherein it is pointed out to nen beilegte, heisst wortlich:
the lovers of the Clavichord in a clear man- „Aufrichtige Anleitung worn it denen Liebha-
ner, not only how to play clearly in two parts, bern des Claviers eine deutliche Arth gezeigt
but also with further progression to handle wird, nicht allein mit zwo Stimmen reine
correctly and ivell three obligato parts, also spielen zu lernen,sondern auch bei weiteren
at the same time ?iot only to acquire good in- Progressen mit dreien obligaten Partien rich-
ventions,but also how to develop them well; and tig und wohl zu verfahren,anbei auch slu-
above all, to gam a cantabile style in playing gleich gute Tnventiones nicht allein zube-
and in this connection obtain a strong fore- kommen,sondem auch selbige wohl durchzu-
."
of the composition
taste fuhren,am Alter meisten aber eine cantabile
The keys used in common are: C major, C min- Arth im Spielen zu erlangen und darneben
or, D major, D minor, E\? ma jor,E major, EminonFma- einen stark en Vorsch?nack von der Compo-
jor,Fminor,Gmajor> G minor, A major, A minor, B\> sition zu iiberkommen ." —
major, B minor. Ihre gemeinschaftlichen Tonarten sind: Cdur,
The two part inventions were composed inCoe- Cmoll, Ddur, Dmoll,Esdur, Edur, Emoll,Fdur, F-
then, while those in three parts were probably not moll, Gdur, Gmoll, Adur, Amoll, Bdur, Hmoll
finished until the beginning of the Leipzic period. Die zweistimmigen Inventionen sind inCoth-
One of the two original manuscripts of this work enkomponiert worden,die dreistimmigen dagegen
isfoundin the "Clavierbuchlein fur W. F. Bach" mogen erst zu Anfang der Leipziger Periode voll-
(Coethen, 1720); the other, with numerous alter- endet gewesen sein. Von zwei Originalhandschrif -
ations, was formerly among the possessions of Ph. ten dieses Werkes befindet sich die eine in dem
E.Bach and passed later into the hands of L. Clavierbiichlein fiir W. F. Bach(C6then,1720) die ;

Spohr. M. Hauptmann used the latter as a guide andere, mehrfach verbesserte, war friiher im Be -
in the critical comparison of this edition. sitze von Ph.E. Bach und ging spater indie Hande
L.Spohr's iiber,wonach seiner Zeit M. Hauptmann fiir
unsre Ausgabe den kritischenVergleichubernahm.

i m- i $
Inverted Mordent. Mordent Trill without Afterbeat Trill with Afterbeat
Praller Mordent Triller o/ine Nachschlag Triller mit Nachschlag
^v*»fv

Trill with Double-turn from above. Trillwith Double-turn from below.


Triller mit Doppelschlag von oben. Triller mit Doppelschlag von unten.
7158 62
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15 Inventions a 2 voix. 15 Inventions a 3 voix.

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7158-62
&anl 'ptecfot Sdttttott
BOOKS BY

E. ROBERT SCHMITZ
7<& &afitune o£ Itt&fiOtatiott
The Capture of Inspiration proves that science does not shackle art, but

provides it with the power and the means to respond to the highest aesthe-
tic ideals. In this book E. Robert Schmitz gives the musician an understand-
ing of the physical forces that are the basic materials of his art. His study

of the physiology applied to pianistic performance and his investigation

and analysis of mental musical processes offer to the pianist greater re-

sults from the expenditure of his energy; he acquires a sense of technical


freedom which opens endless vistas of musical expression. This is a sig-

nificant contribution toward a greater musical art. PRICE: *3.50

SCHMITZ EDITION • &6*fU*t ZtucUt


This fine edition was inspired by Chopin's letters and essays on piano technique. In accordance
with Chopin's principles and practices, Mr. Schmitz offers a flexible system of fingering; basing

his notations upon unvarying structural characteristics of keyboard and hand, he indicates the
fundamental basis for the selection of individual fingerings. Each Etude is preceded by an
explanatory text which encourages a true musical performance. PRICE: *2«50

SCHMITZ EDITION

These comparatively easy pieces, which are among the world's greatest

music, are attractive and constructive material for students. In this edition

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PRICE: M I.2."» and to permit simultaneous study of the musical and technical texts.

CARL FISCHER, INC.


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