i LAN BEETHOVEN ~ KLAVIER-KONZERTE | | OP58 und 73 in kritisch-instpuktiver Ausgabe | mit erlduternden Anmerkungen EUGEN DALBERT Klavierstimme Op.73,Fuinftes Konzertin Es durVORWORT. Die velogende Anegabe iat ene rein saljshti empfundene. Der Heranageer will di angrgstenen Weirngen, fie Phasietongmeichen, die Piagendie nd Bemerkungen sum Vertindas Jer Autfarng dorehaseaicht als onbedingt amgobend odor allen rshighinwalen. Dielben ellen nur als Teithéon fr den vorgembritenen Scher denen tod Keinornogs die fice Entwickelung miner indvidellen Auffaung in alndemischpedantncher Weie beoitetigen, Sie olen ala Being sur Esnterong der Werke etrachtet werden, ei vou ar Scbuleeiners, Die Tongue Botboves ist cine unrschipiehe; de usahlgen latches Avigaben, wold ereiae,Kinnen dao alle mehr oder weniger B= Lsterangen von Wert eathales, Sih sinus, dio eintg ribtige wed wihro Lar gefunden aa haben, wate Selbt- ‘erhobung. In unerer hetigen Zeit, wo bat Orchotervorrigen dan »Mitcheamschens — dio tauige Volgo dev Minrertndses dev Hilowechen Ceines — an der Togeordaung i kann mn den Seber niche gntgend vor derarsigen Vesirungen warn. Er aple nllch vod wabr, vermche det etrfonde Work im romen Geist dev Konousten ‘od nicht in winem sgeaen, jens lenoen,wiedmageben.~ Sole die Fekanstmachang der InngthigesEefubron fen Hlemurgelers ihm dae! ale nicht engherier Fubrer air sihigenloterptetativn der Basthoveseen Toaschptoogen verhelfen Kane, 9 int he Zeck voltage rankfurt a. M., Mise 1900, Eugen d’Albert, AVANT-PROPOS. La prtete dition eo purment wuhjetiva L'Siteur ne ptnd yu tiger en plopts ata lox indonons quit donne, lee signer da pron, Toe digs et lr marques servant & Fatlience de Patrplaion. Gen inictions ne daivent mavir que de guide's Vleve avaach, sas cennéat, une fgon acodémiqu et pllanesqu, ier ptadie 4m conception inivdulle,” Flee doivent dee coavidéin comme de yes yur aris & Vnteptation foe eres, sant aucune pélanerie. Las aaron dp Hethoren exsuttnt an fonds muse inipuinbl, diarombmbl teutes te indinone impetanien imager avoir orchete es senjolvement — tre comequence de ln fauie inerpiation de Tait de Blow — sont & Torte dy jour, on me aauat top péveie {leyecoase de les aberrations, Qi jue ateo naturel vist, quil emayo do rendre Vauree dass le grasd ert i compoviter, nom debt lesen pope, turtmest moins grand. Si ete pallintio, it de longs nator expvence fe Pita, onda Tere & ane jute interprtation dee elations de Beatie, sans eopendat te pout Tai un guide & ‘lle aur parfsitement ait gon Yat Eugen d’Albert, PREFACE. ‘The present dition Sa trend prey from the mbjotve point of view. ‘The editor thereof by oo metas srke to put formard the dietons given, the phnsingsigns the Sngerings and the remarks tending to faciiate the conception tf the onatente oe teing abately atheiatve, or the only coset nen, Thay ane onthe ontay, intended to mre at {general gute tothe more advanud student only andy no means to indurace hi individual inerpretaton ofthe fame in the direction of acidemia podustrs. They must be rogrded as soatibutons wards the cluciation of the Wros, aad ao intended to be devoid of anything sveing of scblanic wifeen Bosthovens foansin of moloy ie 20 fneuoaible that innumerable eal edo may appear end yetench on o them eosin valuable eluridaons. 1 would Ye cae of overeating one own poets to prune t imagine thatthe aupgtions made ate the only erect enon ‘tthe present tne, when otc prtrmasoes, acted manors and ving after eft — th regretale consequences ‘of mistnderaaoding the von Blow apr — ate the order of the day, the aude caneet be oo meh warned ain generating into auch foul Ue mt am playing aanlly and wearily, ning to itapet the work be take in band sot in bie ove, conainly mone limited, apt tot in tht ofthe great eompover. — IE giving publicity to the ‘epeience goed bythe etn ding many year of devon thereto should have enabled im t come formard 44 net ‘mtrowminded mentor ia he eonest interpretation of the Heshoren tone-zations hi aim will hare met with the fel fenunt of hoped-for sae. Frankfort o/M, March 1000, Eugen d’Albert.Konzert N°5 fur das Pianoforte L.vVAN BEETHOVEN. 0p.73. ete Kritch instructive Ausgabe mn Eugen Albert Allegro. wot ai Geo St—t 4 : ~ at iim 7 — —_ os = Pianoforte. 8) Der Bicganetn das erhbense aller Klaviekoncrt kaon niet grou ad brit sen vorgetrgen werden. Die Finger sen we Stal ein ‘The introduction tothe mort elie of ol Concertos anne be trae wih too mash breadth and grader The fee coos qui einen peat dre exeute ane ope grandeur dam1 Anaceimne MOM Ta original op MM doe Tig Moorea initial MAM. ds < Letrioet‘Tempo primo, 4s eee z cr Pop 7 ——2 Dias ve Te sind Legere als x Vorherige reer ‘anus fur Klavier im ean Size dee Boe Koss ‘iit ear Dir oat nlm tt Bsthovenchen Sone sorters so nr vn hme ‘ls de govthalichen Stace 1 Fh Fur br nat epg mar sll thn he oreo and rat rnly The ft cere of he principal ene Pein ae i rn Ben Be i el nm ln wy Aisudeatlect i pendrin eben stl nd Se rer et has 19 Gen qate move dpe! re Jovan pas latement qc ai icdejec ae ampleur slereleLs ane dane Is promis phree ds eonenrtaonsy8enal majeur de Bras off wn 1 Ge stceto doit tre congy dans Te veritable» » 2 i) Die Beaecnang Brthoress fora st Merv x rereben Notes ebrige se porate es Eisen intra The GEA esd da Fg deaich Geese ie due de Prseran bling Trenong der Fg Bacher tr, frst eden ome hr ha the fit ti ite panertss ely an sconpenyng rene at hs ogee tone Ee Tacvy har The eporating of ti igure bing indigent th corre anthrone ra ne Ie pei nee ot hn Tinta cnmpaguen stunner ita ae igure1) Dies Fingesnts ist say Geltung ou bringen 1 Altick i en ogato und Logatisim ©) Die Kontere + dafir govigaet den starmiachlidenschat icon Charahter dra ergehen. ‘Melodie snd Besodersheroreuheben 1) This fingering i specially evtd to give prominent the tormilyparinate character of the ascending figure. B) Paming gradaly int lpato ond logetinine. ©) The outlines of the malady must Be made rpecally prominent 12) Ge dogté ont tout petcalitrement prope & flr 1) Peer graduelloment un logto en legatssine ©) Lev ontoure de la milodie doivent ne particlitement bien détack ile arate feaguce et passions d a figaLis ace SEES poe ri ? eB Ba & Fa Ba * 4] tempo oe ? 1 Mit Ausdrek Die rechte Hand nicht ru schach der Ton muss en warmer, selenvoller sin. Die erste Butsnote nt twas fe betopen, damit sie nabrend doe! Tukton mack Wath exprarion The righthand mat ot be to faint the tne mast hae arm ond eulfal coloring. The fie neti the Bane mast be soma empharie, tn order thal may reround trough tre bre ec expresson, La main 4oite ae dit pas dre 0p fale Ie tom doit te plein de cal a protire ote de basse afin que rtontependaat (ois mesare. ) Der Hersagebr gbrault folgenden Fingers: The itor ser the folowing fin ahs at pes aed te fee rode I faa aecentner10 Poco anima. ‘© eusigund krftg voretragen R spite sein trae cand wiger. Tevip continuously dhe hiding forthe descending figure in the left hand Rabat ah Si te ea Sag neath odo fhe pg her ie [otigonrse Ito a virworalie noprfcal charetr 0 igenden Figur der des durf weng 2 emploblen ender Vrtrag dedDer obere Die Bogen sind Me {im folgenden Tabte saftretende ru berlehen, Ein suagerprochenes on legato fat am Plata as 5 Galeag fa ° oveehebenworu der Grbraach des Daumess su empfehlen ist The fingaring shown hove is that geen by Beethoven hase Tage har rely show frm fang A tie one i le eri rer ner pati mon he falowing bar ete The derp hours mut ound ball-ie;th ue of the und forthe parpoe i heefor advisable Le doigts suplrioer ert de Beethoves Ial-mdne "e phaae Un legato ben stint st io au place por bien fire velo e legs {ee Iiaiona trvent Se digas te de la mesure eairaate Es notes profondes debate does ser ame des clochanset prurqi nots recommandons Templo du pce) Manchv Dirigenten shen her gorn dem Kisvivepiclas im Vortrag des Shemas cof initatng piano- fering of the thon Many conductors ore Jortespaying inthe secede to tor teri tn ralentovoment dela mesure ost ich ale ©) legatissimoiat £42 BEE 5 2 ) Diese bopletenden Piguren sind dachaas nebenstchlich 2 behantels B Hier tie de for hervor. Im den nlcheten act Taktensiedeholt ich disslbe Nuaneireng, 1) Thee ascompenimentfigures maut be treated throughout ot sscondry. 1B) Hare the planaforte some nto prominence again Inthe ect eigh brs the same tne-cloring is repeated. © Ces figures traits comme tout Alt secondaires 1B) Tete jeu de plano tes Te mine nuance 4 spite.a) Die rhythnische Betonung ribet vos Frant List hr. ‘The rhythmic asentaation amanates from Prant Lise ‘Lecentaaton rythmigee eat de Prone Lise,Tutti. Solo. Tutti, 1) Die Obtaven snd in erbeblich rascer fo beginat sae die Hand immer locker werden ‘Okteven mit IelehtestomHlandpelesk ‘Ausfukrang kommen. The ectoves must be played én materially gui fn he rat toe bars with foie and contact ‘Pogernbat thnce sweetie from wher hr diniuendo beging the hand mast Some more and more rlased, wat the Tea cotanes are rendered legierioima eith he wrist eo ippe ae er pouie, doivent Str jouses dans es doigte spl; male par TS dertibes onteneGil emma unlem®——_y 1 Mit init Ansrck Ws ‘hee Fespeanod s orandeeogon das Ende in fo sich ein Aline ritardan sinreten 1 lassen. ‘Die Tvller mit Nachachag. Drains war sogs| 8) Se Footnote 8 on Page 2 1B) Every deviation from thi cadens, even the acening fa the higher towards te clo and the final bas-note give the conductor his ue fircoming it. or thes ftroduce alight rterdands ) Bnvente the shakes with w notecof-complament. Brahm wat evn of opinion tht « notenef-comple ‘he finish of every sha 1) Voir Ie remargur & Ie page 2 1 Mae fet al senrer de cette cadene sk monter Tote supilere, La division rythmiqu vers afin et a note de base Lt fin facitet la rent a chef orehetre; pour Ie ma shjctionaht The rhythmical apport toon tt adoiale sees eset1) Bilow opie Bir rl des Ht be iorer Wiederholung im Orchester aicht safest wird ndesten wurde diese ‘Anwieht doch neha bebe. Blow played ie the grown that the Bin ths repetition inthe ooheta sma retolead. THs view ighowre, Blow jouait et ji eat ripétition 4 Torbestre, west pas risus; copendant en confintatalites, ' as!= ° 1) Boi Aaowendigersenprign mun seh de abe Is earning thi by heart one mast have the devi innpsed om the mind [or coe fut bien se grees dans la méssire Ie forme dsemblables deo pang eda pseageanalozue sen Formen dieser ui dr analogen Stell a Seite © genau en forme af tis and he ther anlogous passages om Page ® thoroughlyBhat 3? i Veaccato a. cet gy cee lt L_sforsato a Eerib tropes ape a sae" =5 pee ae BT woe 1») Anslog der nimlichen Stolle auf Seite it spilt der Herausgeber hier Anslagous to thelike passage on Page the editor plage ‘Comma dana le més pstage le page Heiter joa ik 1) Der Hereusgbor spelt Mer ach The editor alo render he Te, Pie ou augy 4) Yerelelce dis Atmerkung asf Seite 3) Del Rluvier tet af das vite Vewal in alto wtbred dem Aushten ds Abkords im Orchester 1) Compare ith the fot 3 ne bar chile the chard i being eained by th Orchetra, 2) Com Bre Mfate vente au euros temp cost ieire pendant que Ieceorl et soutene par Tsspacers Dgtemps rer eee oe Te oa, bs [BP tapieramente ae itr Radens inte 1) Man laae den AXkord im Ore wih the dene. dine rd te iin dlcatemeat te pus faement possible “EE Lange, bis in Finns augearbes Aion tricot see serenVietlsin Klee terintineen, Auman’ at rapes ee ef ese BE 8 emg ed enter acento cigs een Sod gn ec ge hep-th forth Bet inthe piano det af .de e 1 Die Biaitze ds Kier ‘The panaforte mast come tu wtheosierbly grater bee dth thn the proving tempo. Les entree du paso doivent dtr coasidérblement pls argos que a mesure ganda,a9 Mego allege Bolo. ') Allmiblich von einem non legato in sin login Gbergehend as rodualy from anon lgato ovr to lepatinine Passer graatloment de ton Ingato Togatiesino.1») Aus eliricen GrndenIhat der Herageber dle ereieherte Lent hier fort, For sefevidentreuons the sitr had linincted the implfied notation Poue ew ruions facies h concevon, Taster imine fel Im imple‘Alles nom legate. Die Anfangaoten jeder Grappe imo. The whale non legato. The intit-nte of each gronp toe played srertioine Le tout om legate. Let notes initiator fe shagueae 1) Adagio un poco mos atti. tS jen Sut ala breve #8 dirigien an de ih mentek ct ‘Chopiaehe Yortagenane’ 2) Some fe editions (pie Kulla) ge he Beta” ney on erry ie to epply the sivoney Hyte of Chapin tt " Eine (en le de Ria loess nen Cp bu ii ings to diet this movement a ale breve i sovament i tat remain vie ioaphout. I therefore Net ingoiie de dirge ete pase aabeee toajoure restr virile, on dase girder Zep (6 ©) Aaathrang de ncn Vert ein Zarate. = ection of heat be GED Do rtrd tease tt Eacntn Sera tne Ne pueraleste © Der Herapeer opt Fi elon toner i thes Sep Date pe rn* Poco pit animate. dees Ted i aad sais sy Nock sarter in Vortag as 3) Beetovensenes stv 6) Die Triler sind static en 8) The rendering mast be ween move delat than the ist Se 8) A Bathovenstecnte. See Bb BAND. 1) The whale of thaoe thes mus be played without notefcomploment ie encore lan délcate que lu premiere fl 8) Staccato de Be in Page 6 remargue . ©) Les tells doivent tous Btze Jou&) Austitrang: Eucetion Serhuehntel je swei and svel vo eiaander zu trenen end ite ‘The plosing-loope must be silly ober, teafre, the semiguacen must be detached from eachother in groyps of to Be canal nota lapo nto Barred leet Tes atu du phreeé doivent five shrervéesstrlotment lex debleseroche doivent re spares pargroupesde deus, Se garer de tomber dane un legeto enbroui 4) Die Kontaen dr Melodie sw snd plastic ervrehsben, Manliether lee etic EBekt da von Delis inainerInstramenttionlere Gosagte te mats Brought out plasty. One sold rad what Berke yvonne roc qe iin swoon trenton! Ee doivent re datachésplatguement Live ce gue Beir it de ce mognifique effet dats ma meode Cinstrmentation The contours ofthe melody Les cononns de Ia mélodieSof) ff tae) fats fae). a,Poco pit adap. Rondo. = ‘Allegre do Mit Nachdrack. Tati. Sas > =e nang des Rondothemaa it artertem Ansilg hingshaueht werden. 3) bes Bi uchalien mt lees, Auf tine guten Steinway wird ies am 2) Des Ba ark auageprigt, das aforzato aut doo rmeiten Ashe thr star 5} This sts uf wafed from afer and we proaror of the rondstheme, The fovth wus be ofthe lightest B) Fae Bytet mun be sotelned fore fong Fines sh ample vo of he peal. hie wl wound wt bet on a good Stein. 2) The sign must be bouplt out prominent te sfrzate the seoud guar mast be ery it wener comme dans Ie Wwintaie ome on préerscar du ime de rondens et dit fre jo aveletnsherEa pm eee 1) Die Vorehage Karz and als Auftakt rar Hanpinote ©) Die Arpereicen moplicat geschlowte, beisabe 2 1) The upponsntemema he short und sree a phate to hep 2) Phe cipeapioe must Be at shorten pomible elmost se stack wimaltoneonly withthe principal note 8) Les soln Wagrément dolvent tre courter ot serve de temps levé pour In note principale 1) Len arpoges doivent &tre aut "ue ponte en noes East toutes prem era ae©) All non Ingato ene bef Beethoven Hea wiederkehrende Anselgsfor, Gliding grodealy ito «lgetnine Beep Beton: cclrig Si en ae fala ‘iok i frguently found in Beethoven's sorssf markirt. Die Stelle it mit Peer wad Bravour vorzetrages ent inte growps of te-trongly.. Tie partge mact be played with fire end Breve Margueesrhemoas Er eythnn sate. Cx pssage dat te Jos we fen eon wares« ‘Tete rohiger and suedraehevel spielen underat beim wchaten Tale is Hauplviimane saricheabehres “lose onc apne hema led farce mack of tro sitet wrath on emotes to employ tril ritento here. This mut be vigoroulyrrsted. Newertsea when the paneer canes ‘ake jiebars more quit and with much ezprenian and oie revert othe peveilngempeote seth ber ies bets dotebestee get es porile de leurs des rop- sy ble reseed plan uent Fenty um obtener ds Thm a ne Me ih od eed ete Saige ses ont te pring dering of th th, st mast Krecme in with frocaet and animation levy oe ay, tontparnly ext are pene apaiion ds hn eae di rene genet vee“oe Sl. : 4 Die von vielen Vintuoren anpewandte Brlechereng: ence ees WEB. bere. BEE ae by austonrang: eves Exseation2) Kein Zartcalten. a) Novetord. a) Pas retin1) Slabs Seite 2b. See page 40. oie page 188n'est F say alg da str ite ner eB fara ay Eiretentalle ts fF ‘Bren das Oreener lsdann ch leeteend Man ec sd Vreagwse im aie Ete cx anlagou to the sniarpamage on Pa Busters eet Yon Blow played ir tas: RDS PE Re ie in his editions advocates the principle of sd im ech Spion Coe A greatest th eres coming in “tnd brig Compare eh th ame tle of xeton in he Fs oor mun gables: ® Ame pas amples, rch jn Comparer ce mie style Cexéution dans a promi phrase age 5. ate| Se Ganed'an anda