porn studies * Edited by Linda Williams(©2004 Dae Use Prse Alger Designed Am Ru chan pectin Salty es, Infrtion tes ie pap is bok contents Acknedgments Por Studies Prolierating Pornograples On/Stene: An introduction * Linda Wiliams Contemporary Pornographies ow t Do Thing with the Starr por: Pornography erormance andthe President's Peis » Mat Je, ‘etin the Subba: orm Home Moles, the Live ‘Action Peformance of Loven Pam ad Tommy Let Hardie od Uncensed » Minette Hille Office shuts and Rebel Homers The Feasure of opnese Pornographic Comics or Women * Deborah Shan Going Onin: Consuming Pornograpy in the Digital Era + Tabet Person ay, Lesbian, and Homosocial Pomographios mosocaty nthe Clacal American Stag Fi Oft Screen, On-Screen = Thomas Wough The Cura thetic Specifies of ll male Moving. lage Porngrapy * Rich Cnte and Angelo Rstvacoments ihe seen. arpotng examine he eal no {changes suring te emergence of omer n Denna and nied Ste, whe fering band cor ques byway ofstaton. | Sampson fees. reseed a str of he sg i, yf | Jowed.* By mid-1970, the first hard-core narrative feature, Mona (ir, Bill narather" wa signaled by the aca of Dep Tht i Gerard 30,1973) which “burst nto the public conscionsess” 2999, 98. en dough we bck a programmatic history of filmed an-are poe qphy ts development, as evidenced above, has been narrative. The {Gauging a Revolution: 16 mm Fim and the Rise of the Pornographic Feature 2 eves of hurd, offering pester expictness with ach lap way toa prodeterminegend-nonsmlted representations of se on screen? This same account ofa steady, teleological march une nds reson forthe eventual doninance ofthe arate fre motion pictures What ee bac increasingly evident thatthe length harcore narrate constituted merely an ent act between of exsentaly poles underground tg movies nthe years 1908 0 and the smulaypetless mtings of por in the video age fener nthe mids and continuing tothe present} Although the period cen the early 19708304 themi-19f08 no widely eared the en age ofthe hard-core feature, lite effort 3 gone nt expliing and why the hard-core Feature emerged when it dd The many di es involved in answering this question and of eostactng a history tbe pomogrpbicflm-—necestate an appeach that accounts nt ony asc legal and industrial conideraions bt als fo sch cal actors ley. Tas story must then be considered within he appropriate al and political context, “€ The rebsonipbewee he entertainment indy a fe rors ch ike tat betwen the proper moneys ly Tk jedi shep cousin ke avay in thetic Nose anil owe htt este Noone nants Dect ert Ander fe want to adit ta hs, fo fe of beige by Sout pst othe try ed pomography such fragmentary, egy seal, as mich he sl of WHER {ike a fact Wit stay bas ben writen sot fe el istuies foe betel, tpi, sich as eben envth Ten and Sepen 2 Sica, olsen ed ‘sty standard account ofthe development of te harcore esti BE 1 follows: dig the 960, feaureengh softcore sex pic ent inthemaepace with Papo npired nag omen snd tert silted x. Around 1967, the sexton he purpose of this say st explore the ois fe accor ovesboutsfarsicouldge [Taran and 20 1974.77) Asbo Epi eri the psi rn 96 to 97, the yee Dap Tatra thr shor know aber ls, wih ad previo A ase corse oft catalog By ening aes tae age trou and showed flee uty wih focus one ge td newspapers. advertising. product alg nd eohe, and he to appeae above round in San Fanci, The ot eae a thensces tay the oe oad sation monies a thltund- cote op began apes srt aterar By 969-70 ste dacouesuncundingte sand besexalrolaton wen Stow” features emerge, smetines fered to mariage tne nuanced undead offi and hy the orgie Sims ar white-oters wearing the mate of een respec FG dewioped and wy arabes fran, he dona par thy ke thrghviou ones of eal postions, Conese Bp pon What want 0 sgt sat tof itor petifmm tear mee inte at ret —conibatedta tind in the development ofthe feature Indeed, 16 ram fils revo dul im mask bringing hardcore film tof the bck roomanl i ‘hem “on scene” in cities around the United States. The discourse of rele tion seualand otherwise was mobize to diferente the new fm fs rom existing alt motion pcre product, Moreover, the spe tion il, whichhasben characterised a dea edn the bisy fi pornography, competed ively with mn is, making the eet strumental nthe deelpenent of he hace feature ‘Thisioguiry affords urseveral impotent outcomes Fst sna ‘fhe ps in the history of lmed pornography, istry tht is HE ally gone ignored in lm tues, despite te cultural and econ ‘he form hashad on Americanentetanent snc the lat 960s fone is fe ior ap’ i.” an accurate understanding of the his omogzphi fre wold seer prerequisite for continuing ci ‘alot legal scussons. Secon, recent work has detonated he eg ‘of ntuence sempotation and pornography had om mainstream lain try practices the 19608 and 9708 (WYat 1999; Lewis 2000) big important that our understanding ofthe history of explitation an snqapy approach the level fou understanding of Hollywood ug esod. Thi and finaly hishistory belpsus acknowlagethe diese fn which the 16 mm gauge hs been wsed-in iter moviemaling evimentl il, education, ndosty, and pernograpy, . ‘Te Sexpotation Fm Some discussion of th sapletton mathe is necessary for conte ing the areal of 15 mu prtares atid the emergence of bao eat Balt Daring! Stocking! Trae discs from he ery 9205 a late 9505 ‘clssicl"exlotaton linseed U.S. audiences te sige biden bythe Production Code as wel as by many sate and locales shipbodies. Usually couched as exposs of cntemporay pbs, ie ‘onal acts, e morality pays, lel exploitation fms minted poston in the market by including moments of specicle une syng een in mainstream movies scenes set in diet camps, sb pee dances, and footage of childbirts, victims of venereal disease, and pale — “eigen a ange of ces. The fms survived in an len hostile env Feeney ncudinga“squacep an aeoductar educational statement the pornographic feature These conditions rose ust a porta | india el dessins andthe porn ater oten cited sma icine how exposure ofthe problem in question vas neseesary fo Inaganot ts eradication, But the Hellpwond sein system cred pesos, and with it the se regulatory infastractre shat hd been in ee since 1922, ninsteam productions began reintegrate mest ofthe F feat under the Production Code Schiele 1999) Ppt ie 19908 and erly 19 oe,2 nem erp of sree made ces genres tht contained my bat not have a educational i fei, Rass Meyer's The mara Mr, Teas (959) i generally ako pase ofthis new bed of expan Bm, nas uch Splinter sch Te Adventures Lay Bar Hers Tee ews 1960) and Me Pers Pes i. Dick Cee, 16) Most of Aptnbe cies operated comets, athe dog a aration wat sprinkled with double enendres, bt they lacked very sel is. “Set Athough female nudity provided the daw, always remained Aaesses were shot onl from the waist up or fom behind = Yue cutis gradual gave way to a seater ange of Seploation Sls Fs, though by no means always, constiuted fictional nratives in spectacle! adit inthe contet of sexual stations and in time ane seual ctivity-The range of explain ims made during the “absincided suburkan exposes fg. Sn the Suburbs Joe So F 6, dramas about big ity decalence (eg, To Turn a Trick i Chater | eng), pochodramasabout sexs obsesin eT Curse Her 7d Julian Mass, 1968), and spoofs of csc tales eg. aca he yok Nan i. Wa Edwards 969) and contemporary ences (e, “a ye Wii Henig 196). | Serageof Holywood movies and foreign“ lsin the eal 9608 elf many exhiors to into sexplotation The Tent Rep of Ei comnision on Oconty and Poragraphy sates that by 1969, roughly si fac cen and hardop theses, acliding specie cis sch "ihe Art Theater Guild and Pussycat, gully laed sexplatation prod Je Buxpson 197,37), Lous Sher At Theater Gul fr example, bean sting of houses specializing in European at films in 1954. By 196s, "Surlad mosed ito distbuton, ezaing Andy Warhol ies lke Lone “oe Conboy dz. Andy Washol and Paul Morisey, 1968) and Fes (it Fad Mersey, 1968), and eventually eeplatation and porn fins such 2s Besides AIF Siliman 1969), Mone, and Hist ofthe Ble oi. Alex DeRenzy, 170} (Sherpxt972, 2, In 96, businessmanVince Mandaba nd seated Le Angeles ulin thx 2 hese Aer binges byte deparnent fr show 4 ge oben nove, Miranda wo ew move de in busine th expended ine nd ny Sting te cage, Ov te rte morthses, hich lint became Calf ae Thetrchan By 18, Mianaopeteor Hoses Rainy Sei ‘Meanwhile, dozens of other urban theaters and rural drive-ins-— particu inthe Soh programmed ten seas af sexton move Inadiion testers ela played exit ins a= afothers tke them fom ine wine ering the 9608 Thi ai rem especialy ress ict uch Woman Mac lg 966), Vm ss Meyer 1968) and Wit» Sih (Am Meine, 570) bal long tons nthowee and igh tea 2s Vary owed when Abons Danish pet Moma "a om the ep house tine ei and ne ew pin” [P Ou 96,1 The im ken recom taints Ares ni 986, ten payed an Lo lowed enough that the mae Sm companies si thelr sepresetaesin | ame concerned tht Sexplitatin pictres were geting fooking imap ‘hnins—and in uly 197, Motion Pctre Assacatin of Aer president Jack Valent launched a campaign o dgsude eos fof Booking sexpatation fms PMetzge a Leighton” 1970.4" sao Campaign” 197, 4-5, "Valent: Too Many" 1970" Vaen sonal" 1970, 4-5) An etaliched group of distibutor andsebistrbutos set Are of theaters paving seploation po, ithe egulty race ally. American Film DistBating (aro), Adon, Boxe neat (Cans, Distibpix Entertainment Ventures, Ee, ad Op te tional were ust some ofthe ler companies that carved ot ace segment of te motion pierre marketplace, Inr968,aro,Bnobelateane ‘onal, Distibp. and Olympic nternsioal allecivey reese tity 4 Pictures. In 2969, between 15 and 50 Feature length sexpofation pie ‘at the ccutSarupson 197, 3). A catalog issued by Distrib pk thc sted peed om the previous five year, inched ove hind feature length tes, the vast majority a cor (Disp Catalogue gy addition, dozen of smaller companies sed fm ot 6 perme ‘exploitation films were produced andesite in sg miso 0508 25900, with a fair number" coming in $40,000, While sore meee © Ae ogeter for as ine as 5.0001 $10,000, few ofthe more elaborate | lorpoductions made in 1959-70 amt mote than 3100.00 (Sampson ‘gps 32-4) Reel terns dered from cy tocty and tte 0 at, Lo tala midrange product usually rented for 3a fe, generally depen Fagen he sie ofthe market a past performance, Bete features could | eamand percentages (4). | y1970 the explaation industry began orate. Tatonssxpl- tex mer possible, er high-end operations, such the Passes chai, ic sught cu ony he highest prods Kaen na) But ne iepetant othe development of hard-core motion pictues, the industy © taste cleaving along te ines of 6 men and 3§ me production dex Fe -aateur” gauge, a contzast tothe mim gage for“potesnnals fom tat point on, companies such as Kodak and Bel and Howell ma. "Rledthe 6 mim gage cist pot for mil- and upper-middle © sasfamles Zimmermann 1995 17-3). Families ot ony shot amateur Feat ay auject ut sls bought an ened shot He on > fie ragef ops Outs such Cale le, ofa ln, and Bk = tk specalzed in newsels pers ls an om, bt econ © pais produced hit "art sraties” wnt he clos via eet Jalen through camera sores ad eres (Suter tng | Seva eat the mid ojo sever indus ed companies ncn Nas Pouce Cine ods, and anty Peductos pr | lands hee nonnative wich sly ated ono 0 “otc fl froma edit awl athe cnet th they were "po Fed forthe echsive se of ati and at stents" The ttf | huge uring Weld War and in the pas pid a a elo ts {eiombat and newsrel paoyipy a wellsin he poring eh © Sls musi. A overpriced, ater ae 8 mm cupmentbecane | pour anongmatcrsand home moc entsastsn he 9505, «mh = tcoheconsdered a emiprotesionl Isla othe uepublic eatin at the beginning o 67, the year he San rai ame = her advertised the st bese Se. The Rosie, traditional heats wi several hundred seat Snot Steet al Vale, had been serving ap 2 sendy steam of so-called nus when offered "Nasghty Nyasa Eager Beavers Their Busy Besa proclaimed lf“ Home oft et ‘Beaver Films. Alitl over anon later, the Peres at Thirand Misi, also began advertising “Eager Beaver Films” Those to hoses wee joined bythe Gay Pare and other vers. The desigton of cg ape flowy have described the enthusiasm of the oxscgen perme, ‘more important the term served ab a signal for those who Kew Ht a serwasacupherasm fr the female pubicazea. The Gay Pree an Pee ‘used tardard ads thst nde when ths pograms changed The Rone = ‘as far more imaginative nit svertsing snouncing program change) ‘with new tiles such as “Beaver ei “Beaton Beers “Bers Sea? "Beavers in Blown al “Eager Beavers Demanding Tr Right heater Protest “The beaver fms emerged fom the raion of hone and ard fi shot on and edited wih 26 mun equipment and featuring compet le models. eyo us ofthe 16mm gauge, enlyat ste and he ‘ers shared certain tributes. At he sc structural level, exch eta naked female, or females posing forthe canara Theil ened to bebe twee three ana ten minuteshongand weeusully cenetacteo eee shots rather than a single ong ake. The worn ho pose forthe cae ‘ended to acknowledge is presence and tht of the unseen spect, ‘But differences between the at tudes and the eaves ens well “he women inthear studies were more qucecent, nkeepng witha template qualites ofthe nde (Nea 992, 5-3). y conta, the women In the beaver ims employed more over sexual gazes and movement ‘hey che hips, groundtheitpelises and heed the bedsores mwhich they eclned As ite Jonson sugges he bese i "mee Infuenced bythe moving camer style of documentary productions | ofumateur faking which ped an “intimacy ad spiny Bak sonveyedan ‘apparent spontaneous sei unscipedaeee feet splay" heincreased sense of inimacy ad spontaneity inthe eave is vere part and parcel ofthe 16mm gauge andthe dicoures of ‘ata? — tached 1999, 312-4, ‘The shift in where 16 mm adult flee were shown from homes ‘des, and lw peole pep-ahow vee to testers —ecueed fr seve reasons Fst nthe home marke, x6 min had ben displaced by caper {um and super produc Those who made 10 mum al vies were merch ofa new market fr thr wares, Second, stents in college Alea ‘ues were using 16 mm equipment to ake adult movies, bth to eam fa maney and to hone ter lmmakig sk Making x mm ms with onowedequipmentina ld with net round euler war arealisticoption | fhe sens: making tm explain films would have proven di feu Tad, and inal, seapotton fime were gad ceri tore tape. By 1967 fll otal ema nity svat ofl brit faes—was a regular featore of septation fins. That x6 mm rede eo rained relatively sont nd inexpensive and tha septation {ms were somewhat mote daring (swells protected by increasingly i ea" curt decisions} Seems ro have ge $6 mam flmsers an oer Jed operator ceson to push acepabletheatralinits and make and show expense beaver lns* Initia here waste incentive fr sexpitstion tests equip mith Jj pojetion and steady custome seo instal 6m projectors 6 show poles shorts, Indeed the imitedbighnesof standard 6 mn po. jin made x6 mm indy dal forhardops, and eve kee so fer rivets ‘Ths necessitated she creation of ne, smaller weaves torefont heaters famtcoes called “pocket theaters” of in cinemas." ban 1

geo the Pare Adult Cem on Seventh Averive covered the sign ofbia pr an the teste el as ie more shan a pce seis | off fom te pol rom byt our and Shenk (Crckom a Way"170. 4) The Merald Theses on orsyeccond Stet oft eale Dewerson one een andl heer a scond PY. Rak 9 4) Other mae cies had ret feos trton operations ad Bo inna nd Har Core ae exer nts oe a dP ‘Bout eit tbe on the story of the frm sult et be nae “tie eft primary parpoos: tpn sro pn ‘Gea 974 and 3 comple exploration othe gener paar fe a oer cle the techy Ke ie ithe elope hi ee ere Mere, thy id ot die he 6 an satin ee = inpestant step thie deepen find nw ay ce bt Tarun td Zi and Willams bok eve ar Semin thon idl ‘eto acbate of pormnsaphy 4 tbe Wl Poop Cenfernc in Los Anes in Ast 998 ted conferees aad, ges, hyscans, por rodacers apes {tht some neal seed ob acd om tig the i oa Isp, en Dep Thaw oe, oe pi when vie care ods ‘tthe cin a ttn of ard nea the ts coed {his pid Eig sre of eee cro soot fe Hay ‘ou! sd sste, wu ln Sas uch as Verna Ha, Rar Pace, tn Wa Maro were rfl hatte ay ay ong. tart sootng edhe, poh pees alee acetal ste sxtadethe confines ofthe por crane ag oft pte ao ahs (559 § Une mm fis, 16 sm mis ob ely hops up wed Iga pep sows nd bet Sin tothe erecta £6 mm ms aed up in bc a ihc ‘a Wang, DC, les Angeles a resume aks (Sebo a” g7) In 295th Fama oa Here Cinema Ut cig Set eee Narmande ab Were fee's pat screnn 4 me canes [sgh tne Ana skeetv ater nhs hight cb ate + bere shure lor .00 oe served ler by nda mall our | ‘bes en yey scot Se ound ick sk, lyon want ace 2° mous hom Hose a8 1969, 1. eerie enable eto oa they wee prose het reas conmitedpratechbs sn ot uc les often, 5 Gama bya ocelot an nah er 1967 © armallaiperal ode pyoueRmeinadethe raring others ih {Sos Argel Apa Ata Pak Cem an New ek sk Mile ot ne nfrmaton, see Waugh 996, epee 269-7. Wieconers ouch ot Man and ir Mat Cnber 96), Hea She Ma Cimber, 970, a Bak Bat 7) a gener ced ke ‘onesn the decent of he are etre, This asp een 0 ‘mr tht ht ty neler fs intraune a er fez length ther hn because any hia rene > ‘nal espana he arcane etre woul deo White tater wee mat fen ad a and shown in ge wns, Mach mere epee’ tater Thread the movie ert) sehen ar wea the rubra ache, ity ay ace up Stale rns. Anh may ofthe is aang ase sre ies, foe se ad hoe fe, fring ang on wih ete ae sf electro Ths ala hae ta» pe ene fr te slid perndocumenares chat Prep Dvr poh Ale. Deez. 1970 2 mag interview with Sn Francco pom etepenc the Michel rtsco ths in, cud auton epost ash ti Chote the Ofarl "Heres something interting. Like, om th gat ‘ie wes "Would yo aber ne nn docanentary or at Dramatic lr, 98% Notndy was ose documentary ns Asked oe ‘rey wd gen poole wend igcren inves boat Datei" nk rye ern ciqus ou ping people mabigi belle o wich nae, ehacterdevopne hgh thy were rain tote nar, the Milde 5 Smathers hatte annals the poatinefchenerSne [The Making More spo, 9 Ustorumtey the arisen Ms aro oy yh mare Fer antes ae onthe ners of tations neon fo poop Leen 995-96 Sure tess Oh ten andre ln na pi oat maar nly 8196 1996. 34-59. BM Uy Te ae 16st mabe ad ‘shar of x6 ma ae Smad pc pa ld Aderng i Soph he Gy Fae Tse San Fic fr te ant “ex elation” base urn eae” (Spo 196, Baa ok sant gale mover and eplatatnpor ln fered ys eb pine fe, the tm eon tw ten pd Bote ese fim ithe much dition. Ferenc, fer x how a San Frances Petar wa ‘ged forte bce ew acme tht th tester ose es ingordes"onsre tat yo are rived fom sein wht youve se time and gun Ths weeks [i show i ight pour ally We ea ue (Pesaran 97) Soh hppa stance nave wt at {let sowacing the none al engin king sg” wth he any ing ever och ater the tater cr “Tape ee et atone the Alt is nds” ano Vig 2197) Among the uti opting between 968 and 97 were a Pen ‘mer Fn rodctions Ca. Aten, ejend he Meare Pre Che roca. Cinna 7, Clan, Casas Fils, Dragon Fs, Du Fe se Predictions, etn, Caf, openie Ae retin, ik Pd Stns, ana Aden Produtos, yo Pods Peds Samuel Fils Li, opr Productions snl Nees Datos nde Ale anys Ditsng Comping. Den, hier Dire Li of Deets Koln, on Enerpin, Maro, Probe Ria Stcey Shep which eat ian in om, sb dso ms Aan ty alone eed he By ine ree to72 Tis itinerant Song Wend Vee calc ‘heath colecton an The Aeron Fl te Cty 75 an os. the princi of a 1 ars salience by orn coy eCard cng Me (Ge “The mea tthe ony difeene oie elit and esi. fs bewcen pornos the tnalted wx ober 97), 9 empha tga), What wad cote o be Known ee tone sesh at fan feuaton edtng mal sen plaare—s tev tein the ey sero sce mth eae hare et ‘sping ceonention 18 The pele of competion fom 6 maemo exendatbarkto atest ore Ha yet eget a rks Cae Ad Grp ents in Hostn 1, ipendanH joralJsy7. ‘sx Dg eStats Set Sanaa Obceiy 7 nienden Fl rk en 5-4 esa hate Cali of Fete ins. 2969972. 1976 eee Un ey of afr ree apn San 1968S Sep ee Aton’ Vey, December 8,24 ‘ts Hessel Ses Sir Sex Cote on Waring 6 a Eesha eration tl Coot” 197%, Yanna 3.7 eat am 168 Leer flomestitrs Nove, Something Went Veo ae, Reta 17 "Raey Mego: Arca of Ea Fl Comment 9, ‘Cock ander Way on Soe Tt 12nd Fl ural De ene 9 4 Dips Cisay 7 Something Wed Video coon Sate. amour to Hore Cine Brcernement 196, Age rt res ae “cut Longa en” 96 Vary ane. hes rig 1992 "rye aly he Dandelion ence” Vat Tp 501-3, edn, DF. 1996-Telep intervew wih the thr. mary 24 gh epee ith he or: Ag 5 um, es. 1965 Diy Movies At Dire Than Bet” Adam lm Quercy r3 by im. 2999,°A Minor of Mader Perv aie ar 1a Bion, Pop athe Fi Ament 2 es Ela tl A nest WY: Poms 340-52 ‘five Sn Fk Hit ie et Wate, mn, Nene Decemb 3, 38 nun te, 999-7 Coleop’ i a the "ewer Fil Sec ok Parogephic res afFeneSensl Resposseots In Singing Sie Rp senna oro by Hy Radner and Moya Lk, Moe pes Unberiy of Mines Pres 30124ay Ralph 98. “Puss Chie Ce. Tn ah ie Sf tein Bins” Fn Jaa, Mach 33. ouian ote enter Cmte and eres Bas ods bw 9, ee Keni fle gud Bales enon bay, Asin era, Pl 095-06" on Pamogap Fm Crim 20. v6. ews on 290. Haid Hand Cre: How Sra ser Cee She ar Pn Indy New Ye: NewYork User Dre. Maconough Seam opt “The Stary of Shep: Sa Cae, Har Cte, Bue” ‘Sow: I 26 wan Eateries er 0970, Something Wei Video clei Se “Te Maing oe Movs How the OFutel Does 1970, Son Francs Ba 75 Malone, Sp sg7s “Dean Grer Where the ton "Adam Fe Wo toe Leigh Hae Two Weds Pg Tie 70. no, eben 8 4 Men vet 1970, San Francia Baer, Ag ‘Mean jn 2973 “arn Fm Ano Dept Report Take One Meh sara, Wiliam 1974 “The Pon Capital af Ames,” New Yak Tes ie Fanaa 8-9, 20-35. a Lex nee: onto sn Obey a2 Pongal Rd a, 24 Lou Sher fe yen anes ear. As wy Hard gph San rancee Marketplace incl Rept feo ion Obey nd Ponape Washingion, DC: Ud Se Government Ping Oe, Nea, yd 1992 The ema Made: At buen and Sexy, New es: a edge. “Wale rn'sevrs: Female na Mle Nudes on Sept Soren at Meni to. Vari Febuary 35, oltine Sex Ste Showman Begs Ye fr Censuship” 1970. ay Dacor 5 Fae Ther advertise, 1960. Sn ra Euamie Ag eck, Abe. Unnring th Siar The fan Ts of te Undead Pes. ow Yr: Cente Peclaanaaverisen 1570. Son Fons Bxamine Feb 5 Pci Ear 973 Gulden, New York Set uk at adetement 965 San Ponce Examine AOU Pern ogc” op. Pde Mich at “Arenas Review of te Tater 97. The Sous On, 8 ote, Willan 1975. Cepia Coon Now Yor: enon Be by, Da. 974" Protest (Be Ma nd Ts a” Aan "il Wo 4-98, Tiesunoaay Vin advertisement. 970 San Fron Emir, fae Spon, on 17). Tal Nf he Commision on On and Pern ‘a Vl 3. The Maplc: The fury Wstngtn, DC United Stee GovemmentPiting Of, | um Fcixo Outs Copeagen” 970, Yay Spe Sch. 199“ Darig! Saki Ta A Hit of Elation Hs, —Nerinoming. Phin Grows Sapper, Adu line fr he Home Micke, 1yyo-i960" inn he beef Ft Tower New Hipage Pra, 1 fx Smouin al on Lew Dash NC: Dake Uninet Pe © Sepaiew Tae Ais fr Ad Se) Bima" 1969. Vary, ry 5 © 9 -Seplaution maker Swen an dal Moca Pate evn 1969 0 © oie amy 20.8. | Serpe The nasal Comper” 1990 dept i fra Ap 720-2 kyr Ben 196416 mm Peer” on bay Something Weird Video Calo, Supplement 992, Seat: Someting Went army 2 _ Sse, jun A. 1996 Ble ee, Dog Ques nd Spear Avs Gane Mas Ca "are and Gay enti cn Undpound Ciena, nringon as ast Pas ams. Kev 974. "Curent Censaip asin dl im Mae Las Areas Tine Coed Feary 2 Tan Kennet and Sepen F 26 1994. Siena mvran Popp: ad ‘the Pg Who Mle Thar. New Wek: rer "Peon ees Campaiga 0 Kep Sex Fis ou of Repcable Theater” po Independent Fl ota, ebay 44-5. ae To Many Myst Fan Selaous Rn” 1g7, Idee Pie Jes ary 2p + er Addison, wea. “Bll Om, Boy King of 4. Forma. Grossing Over ‘2200.000 Present Cay Mal etn’ A Ply” ati, Deeb ws poe Har Core ere: 4,000 Werk Sn rnc Onde Coen: age” Vr: Spree 6 od manip We Hid Cae Pt” Vary, Nebr 518 pe "Sexp Sip Thy Pay Vr Ap. got snp Fie New Dern Yr October, 5.stan nl ose ead fe tb tepals ee ec Te Fr Me ene ss Oe Tere oe mn magn ye Pn Peo Fi Tu mean ea ew: Ch Vey Pe si jt ogee ignct XA Cometh rn ak ateg Soe” nonlin aed Chior Rath a pa Mate ete rai) ge nay Pe ‘wunpcat Gene pe rid Con New et: Oe Yun Ra ye oes Sa ry of Ate Fin hoary ts ey re ‘ideo Pornography, Visual Pleasure, and the Return ofthe Sublime ‘inpostodeen theory. pomnographicviewershiphatemergedaracenel | cregony providing the model for anew istorally specie constuction of plasure on ats putly usual and given verentirelytoteconsmption ‘feommodity images However precy becnise it realizes poster ‘iyo. pornographic viewership also betrays postmodernism’ greatest amity, ort east acrcia point of ambivalence, namely he displacement fie ealby the simlacral This ambivalence undeses the workef Freie Jameson, who consresthe visual a “setllypornogrspie, which sto | ptt tae sendin ap, mines finn” (meson 1992) amd ‘emarges more dramatic (and ambiguous) inthe crcl mock of Jan alld, which pve the pornograpi the character of something sealing 2 postmodern epistemology Solan, for stance, the faement of thereal unfolds an allegory of ooking ently the bp "tc splay of epeated bodies “Like thse twin sisters na dry picture ‘ecm seality oftheir bodies i ered by the resemblance, How to in est your energies none, when her beat is ime dpcte by Abeother? 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