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The kick drum is an integral piece to master when mixing a song. It often serves as the Industry Insights
heartbeat that keeps all other elements glued together forward and creates a foundation for (Https://Sundownsessionsstudio.Com/Category/Industry-
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Mixing Tips
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Unfortunately, there are a lot of misconceptions around properly mixing the kick drum and
Tips/)
it’s not given nearly enough attention in the mix stage. So, we’ve dedicated this entire post to
helping up and coming engineers master professional tricks for getting the kick to sit in a mix. Music Business Tips
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Music Licensing
1. Remove Unnecessary With EQ (Https://Sundownsessionsstudio.Com/Category/Music-
Licensing/)
A common area to cause problems is the 400Hz – 500Hz Plugins And VSTs
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range. This is an area where unnecessary frequency build up
And-Vsts/)
can cause a boxy, almost cardboard sound. Cutting it out with
an EQ that has a fairly tight bandwidth can help bring out the Promotions
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more pleasing areas.
content/uploads/2019/05/Screen-
Shot-2019-05-27-at-1.51.04- Recording Tips
AM.png) (Https://Sundownsessionsstudio.Com/Category/Music-
The 400Hz-500Hz is a Another area that’s up for debate between engineers is cutting Recording-Tips/)
common area to cut
out low end content with a high pass lter. Although, this may Songwriting
content.
seem surprising for a bass heavy instrument, there can still be (Https://Sundownsessionsstudio.Com/Category/Songwriting/)
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content/uploads/2019/05/Screen-
Shot-2019-05-27-at-
2. Enhance With EQ
1.51.24-AM.png)
Using a High-Pass lter
to tighten up the kick.
Once you’ve gone through and removed content that’s hurting the
mix, it’s time to enhance the sound of your kick drum. You can shape the kick by adding EQ in
areas that are having a positive e ect on it’s sound.
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1/10/2021 9 Pro Tips For Mixing Kick Drum | Sundown Sessions Studio
The rst area to boost is in the 50Hz – 80Hz range. This area is the sub-harmonics of your kick
that are often felt rather than heard. Moving up, the 100Hz-250Hz range where you’ll often
nd the fundamental frequency of the kick and body of its tone.
Finally the upperange has important content as well. Try searching in and around 3khz-8khz
for the actual attack of the beater hitting the skin. Where you boost in this area depends on
what style of kick you’re going for. It can really help de ne it in a dense mix.
The video below is a nice quick crash course in what was just talked about when it comes to
mixing kick drum with EQ.
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3. Use Compression
Understanding how to use compression when mixing any instrument is di cult and a kick
drum is no exception. Your attack and release times are integral to shaping its dynamics with
this tool.
Think of each kick drum hit as two separate parts. The rst is the initial sound of the beater
hitting the skin, followed by the resonant tone of the drum.
If you want to mix the kick drum in a way that has more punch, use an attack time of 20-
40ms. This allows the initial attack of the kick to pass through and compresses the resonance.
On the other hand setting a quick attack and a release of 20-40ms will clamp down on the
beater noise and give the kick more body.
Use your threshold and ratio settings to adjust how much compression you want. A little can
go a long way however and I wouldn’t suggest more than 6db of gain reduction max. Check
out the video below for some additional tips on using compression when mixing kick drum.
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4. Use Triggers
There’s a lot of stigma around using triggers on a drum set. However, done properly a
triggered can be extremely transparent and really help your kick drum to sit in a mix.
Sometimes the thing that may give you the most trouble mixing
a kick has nothing to do with the drums. Because the bass and
kick operate largely in the same frequency spectrum, they can
easily contradict each other.
You may have to sacri ce part of one instruments frequency content for the other, but don’t
be discouraged. These types of sacri ces go unnoticed in a mix as the other instrument lls in
the empty space.
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A mix buss compressor that’s used wrong can really take away from your kick drums punch
and power. Using an extremely fast attack time is often not preferred as it cuts back on the
start of any transient elements.
Instead, using an attack time of 10ms-30ms will allow for that initial attack of the kick to go
untouched. The compressor can then take care of the non-rhythmic elements and glue the
rest of the track together.
A lot of people get to the overheads when mixing and go about it with the wrong approach.
Many peoples rst attempts involve, using a high pass lter that aggressively cuts out most of
the lowend content.
Although, you may not want all of the sub-frequencies, the low end content in the overheads
is still integral to the sound of your drums. Because of this I will rarely remove much from the
low end allowing for the overheads to augment the sound of the kick even more.
The same applies to room mics, where low end content o ers a di erent, more distant image
of the kick drum.
A mistake many beginner engineers make is to send the kick drum through a reverb the same
way you would with the snare or overheads. This seems like a logical approach to getting it to
sit in the mix with everything else.
However, doing so can actually cause the kick to get easily lost. This is because low frequency
content builds up quickly in reverb, making the track “muddy” so to speak.
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Hi, I'm Frenzo
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@manlikefrenzo
Any reverb that you need on the kick can instead come from the overheads. This will place the
kick through reverb along with everything else for a more controlled low end. The method
above is also an alternative for mixing reverb with your kick drum.
(https://sundownsessionsstudio.com/wp-
Because of this, you don’t always want to mix your content/uploads/2019/05/NS10.png)
kick on bass heavy speakers. Referencing your Referencing your mix on less bass
heavy speakers can help you properly
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place the kick drum.
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By now you’ve hopefully realized just how much goes into properly mixing kick drum. Start by
removing problem areas with EQ then enhance it. Adding e ects like compression is a great
choice when used properly but be careful with reverb.
Finally, think about the other areas of your mix that may have a bearing on the kick drum
such as the bass guitar, overhead EQ, and upper range content.
If you enjoyed these tips and are looking for more useful advice on the music production
industry, check out the Sundown Sessions Blog (https://sundownsessionsstudio.com/blog/).
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