Beruflich Dokumente
Kultur Dokumente
Tazia McAffee
Dr. Haslam
ENGL 1010
28 October 2020
speak-in-foreign-accents/549527/
Speak in Foreign Accents?” by Isabel Fattal. Fattal is the assistant editor for “The Atlantic” and
wrote this article on January 4th, 2018. This article was written to bring awareness to the
problem that foreign accents are often being used as the dialect for an “evil” character. The
author shows many examples of this in past and present animations. In this article, the author
often refers to two experts in the field. The first is Calvin Gidney, an associate professor in child
study and human development at Tufts University who specializes in sociolinguistics; the next is
Julie Dobrow, a senior lecturer at Tufts who specializes in issues of children and media. Fattal
often references these two individuals and the study they collaborated on. The study that Fattal
focused on in this article was a study on how many television programs showed a distinct dialect
difference between good and bad characters. This article was written at a good time to induce
change, because this pattern in television is not only a thing of the past, but it is still happening
Throughout this article, the author makes the point that the main problem is that this is
happening in children's television, and it needs to be changed. This then begs the question of
what this is teaching children about interacting with diversity in the United States. One of the
first points Fattal brings up is the dialect differences in the Disney movie “The Lion King”. Scar
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is the evil character in this movie, while Mufasa is the hero. Mufasa speaks in an American
accent, while Scar speaks in a British English accent. Fattal continues to tell how Gidney heard
this two decades ago in the theater, and was astonished by this information. In addition to that,
Gidney was shocked by the dialect of the hyenas. The hyenas had an African-Americans or
Latina sounding accent, and this is concerning because the hyenas are also considered evil in this
movie. This shocking realization led to a collaboration between him and Dobrow. They wanted
to find out how those trends played out on other children's television shows and movies. In their
study, Gidney and Dobrow sampled 12 shows. They found that all but two of the shows found a
correlated dialect with the characters personality traits. Gidney was most concerned about the
common denominator of villains sounding different or more diverse than the general population.
showrunners are more often concerned with finding a “good idea” rather than a “conventional
idea”. Many shows, current and past, have this kind of pattern. In other studies they performed,
In “Why Do Cartoon Villains Speak in Foreign Accents?” Isabel Fattal is very effective
in persuading her readers that change needs to be made in the dialect of supposed “good” versus
“evil” characters. She establishes ethos throughout the article by referencing Calvin Gidney and
Julie Dobrow, two different experts in the field. Next, she demonstrates logos early on by
showing some of the statistics and numbers used during the primary study. Lastly, she institutes
pathos throughout the article by mentioning the factor of kids and how television shapes the
To begin with, Isabel Fattal establishes ethos early on by referencing work done by
Calvin Gidey and Julie Dobrow. These two individuals accredit her article because they are
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experts in the field. The definition of ethos is an argument constructed on the credibility of the
person making the argument. Calvin Gidney is an associate professor in child study and human
his field and is very credible when talking about dialect. In addition to that, Julie Dobrow is a
senior lecturer at Tufts who specializes in issues of children and media. Therefore, she is an
expert in her field and is extremely credible when it comes to children's media (television shows
and movies). These two collaborated to perform and track a study done on television shows and
their chosen dialects. The study showed that the most wicked accent seemed to be British
English. This was used in “The Lion King” with the character Scar, and in “Aladdin” with the
character Jafar. This study also found that evil sidekicks or henchmen have diverse accents as
well. These are different though because they are associated with “low socioeconomic status,
‘Italian-American gangster’” Fattal states. These examples and studies, done by experts, help to
accredit her article and show evidence that this is actually happening. This is very important to
the overall article, because without accreditation, people would not trust that the article is giving
Secondly, Fattal demonstrates logos by the use of facts and statistics to back up her story.
She builds upon the information in a study done by Gidey and Dobrow. In her article, she tells
the specifics of the results of the study, further proving her point. She tells the facts and numbers
of their initial study. For example, Fattal writes, “Gidney and Dobrow had a team of coders
analyze 323 animated TV characters using measures such as ethnic and gender identification,
physical appearance, hero/villain status, and linguistic markers”. Using facts and statistics like
these help to support and validate her article and her use of logos throughout it. This also helps to
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support the overall intended purpose behind this article because readers will be more inclined to
read her story if they know that what she is saying is backed up by actual evidence. Rather than
Last but not least, Fattal institutes pathos by involving children and how they might be
affected by this pattern. Throughout the article, Fattal mentions the effect that these shows might
have on children, considering children are typically the ones who watch these animated shows.
Another big thing she brings up is that this is not only a thing of the past, but it is happening
today as well. One current example is in the television show “Phineas and Ferb”, in this show,
Phineas and the other main characters all have American accents. Whereas the villain, Dr.
Doofenshmirtz has a German sounding accent. This example leads to a good point Fattal brought
up. She claims, “Since television is a prominent source of cultural messaging for children, this
correlation of foreign accents with ‘bad’ characters could have concerning implications for the
way kids are being taught to engage with diversity in the United States”. In other words,
television is used to teach children and if all of the evil characters are foreign, then what is that
languages and people that are diverse or foreign with being considered the bad guy while making
any American accent with being the good hero. This could be a big problem and everyone can
see that. The purpose of pathos is to appeal to the reader's emotions, and this example definitely
did that. The majority of people are more sympathetic towards children, so that helps to establish
pathos. When we are talking about children and potentially negatively affecting their future
opinions on diversity. That will appeal to the reader’s emotions, and will leave the majority of
All in all, Isabel Fattal was extremely successful in convincing her readers that foreign
dialects are often associated with “evil” characters, and American dialects are correlated with
“heroic” or “good” characters. She effectively uses ethos, logos, and pathos to strengthen her
overall argument and draw the readers in. She does this by instituting credibility and ethos with
evidence from experts in the field. She then exhibits her use of logos through referencing
statistics and facts drawn from the conclusions of scientific studies. Finally, she uses pathos to
grasp hold of the reader's emotions by discussing how diversity is seen in television shows and
movies, and how this might affect the minds of impressionable young children.
Works Cited
Fattal, I. (2018, January 04). Why Do Cartoon Villains Speak in Foreign Accents?Retrieved
do-cartoon-villains-speak-in-foreign-accents/549527/
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● You already mentioned the name of the article, you won't need to refer to it in this way
again.
○ I chose to not change this. This is because I wanted my thesis statement to be very
clear, and I think restating the name of my article in my thesis helps to establish
clarity.
● Personally, I think that if you said, "Next, she demonstrates logos..." It would flow a lot
better.
● Here, use single quotation marks (apostrophes). This will help the clarify that this is a
quote within a quote.
● This isn't super necessary, but it does help clarify the sentence, so I would put commas
around this.
● I'd reorder this to be, "Because of this, readers..."
○ I chose not to use this suggestion because I don't like to start sentences with
‘because’. I don’t know where I learned this, but I don’t like to start a sentence
with that.
● Do you want 'exclaims' or do you want 'explains' or 'claims'?
● I might change this to single quotation marks, but again up to you. Both are correct.
● I'd separate this into two different sentences. Then change it to, "that. This is why..." This
will make two of the same words be right next to each other.
● I don't quite understand what the "Then building on top of that and..." part means. I think
that the word "and" is a little unnecessary. Also, I think it might be a good idea to
separate the two thoughts before and after the comma.
● Extremely well done. Just a couple of grammatical errors. Otherwise, it flows extremely
well. Nice job!
Bryson Kunz Paragraphs:
● I really liked how well the essay flowed. It was super clean and extremely well
organized. This made it easy to understand the points and the explanations behind them.
One example of this was the introduction and background of the essay. Both gave you the
perfect amount of information to know exactly what was going on during the essay. I
don’t think you really need to add or subtract anything to either of these paragraphs. Your
thesis statement is crystal clear, and is easily understandable throughout the whole essay.
All of the claims point directly to your essay, and it makes it easier to understand the
topic of the essay. The conclusion was amazing! It ended it really nicely, while at the
same time, described how effective the article was at teaching the specific topic. I really
enjoyed how you used a paragraph to briefly explain how they used the rhetorical triangle
in the article. This helped the article flow really nicely once you got into the body
paragraphs. I thoroughly enjoyed how it was organized. In all honesty, reading this after
reading a not very well organized essay was very refreshing. Your points and claims are
extremely easy to understand because of how well it was organized. Honestly, there are
one or two parts where you can improve the grammar, but they are very minor and really
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don’t need to be fixed. It just comes down to preference and style. Good luck on the
Final! I guarantee that you will do a better job than I will!
cover an overview of the original text, even as so to give examples while they are
explaining what is going on. The thesis statement is saying how Fattal was effective in
using ethos, pathos, and logos to persuade the reader into thinking that change is needed
to be made in the dialect of good vs evil characters, and does focus on the text. The
conclusion does seem to make an argument about the overall effectiveness as they tie in
and reference what they were trying to talk about in the claim’s separate paragraphs, but
it does just feel like a rewritten but also the same thesis as before so I would just add on
to that to make it flow more. The essay does focus on rhetorical elements of the text but I
feel like as they are then explained they begin to be underplayed and it doesn’t focus on
the strategies themselves. Overall this essay does flow well and focuses on the rhetorical
elements, but there is a need of more elaboration when explaining examples.