MUSICAL THEATRE SONG CHART Name: Lalo Cavali Section: B3

KNOWING DOING
Action (Tactic)/
Line Paraphrase Particularization Subtext Adjustment Movement Music Beat/Objective

The literal meaning of the line Personalization 1. What you REALLY mean Staging/Choreography i.e., p, mf, ff
Every spoken line, sung lyric & AIR Verb/Adverb
in your own words Character 2. Personal (if different from the lyric) (as needed) music climax

April… April… It’s pronounced L-AH-L-OU My name is April.

April… April… Ah, L-AH-L-OU Fuck! p Special girl

Thank you. Thanks. Yep. Thanks a lot!

(Back to that conversation, I

AIR Ok, let me fix this.
woke up again 1 hour later)
Whatcha thinking? What’s on your mind? What? Whatcha thinking? p
Barcelona Barcelona. Go home. Barcelona.

… oh… … huh… Yeah… Oh God! p

Flight Eighteen. Flight Eighteen. Your dog! I have a flight to catch.

Stay a minute. Stay a little more. I know, but just a little more. Come on… p
I would like to. That would be nice. Yes. I want to stay.
Stay a minute

… so?… … then… I could… Come here. p

Don’t be mean. Behave. No, he’s asleep. Don’t do this to me…

Stay a minute. Just a little more. Yeah, but. Let me show you… mp
No, I can’t I cannot. No. I wish.

Yes, you can. C’mon. C’mon. Oh please… mp

No, I can’t I really cannot. No! It’s a long flight.

Where you going? Where you’re flying to? What the hell… Fuck this. mp
Barcelona. Barcelona. Go home. First Barcelona.

So you said— That’s right. Yeah yeah. Yeah, yeah. mp

See ya!
And Madrid. Madrid too. Then to school. Then Madrid.

Bon voyage. Safe travels. Whatever. See ya. mp

On a Boeing. It’ll be on a Boeing. You have a lot to do. It’s a huge plane.

Song Title: Barcelona Composer/Lyricist: Stephen Sondheim

Your Objective in ONE Sentence: To seduce April, have sex with her, and then have her leave.
Moment Before: After work, I met April for drinks at the Carlyle. When it was around 10pm, I invited her to come to my apartment.