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KEYBOARD
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Von Klassik bis Pop

FIU R UVeOARQ LMCm /i I! !i A ii G I £ fi T
IMAGE!
M USuCYfJtlA-S
INHALT ALPHABETISCH
TITEL SEITE TITEL SEITE
Abendlied 94 It Must Have Been Love 160

Air 36 Kaiserquartett 32
Always On My Mind 118 Kaiserwalzer 41
Amigos para siempre 70 Kanon 26
Andante grazioso 16 Klarinettenkonzert A-Dur 23
Angels 116 La Le Lu 153
Angie 110 La valse d'Amelie 162
Annchen von Tharau 92 Land Of Hope And Glory 96
Aura Lee 78 Leningrad 122
Autumn Leaves 140 Libiamo ne1 lieti calici . . 58
Ave Maria 34 Love Is Blue 72
Black Orpheus 141 Mandy 128
Brautchor 40 Meditation From Thais . . 57
Butterfly 91 Melodie in F 24
Cancan 42 Memory 146
Caro mio ben 63 Menuett 56
Chanson d’amour 142 Morgens urn sieben ist die Welt noch i. 0 151
Chariots Of Fire 166 0 mio babbino earn 22
Cielito Undo 80 On Top Of Old Smokey 84
Circle Of Life 154 Petersburger Schlittenfahrt 76
Dein ist mein ganzes Herz 98 Piano Man 112
Der Fruhling 28 Poeme 27
Der mit dem Wolf tanzt 152 Polwetzer Tanz 33
Der Schwan 38 Praludium in C-Dur 54
Dichter und Bauer 68 Prelude 45
Die kleine Kneipe 88 Rondo 55
Die Schlittschuhlaufer 30 Sailing 134
Eine kleine Nachtmusik 18 San Francisco 104
Es waren zwei Konigskinder ... 93 Scarborough Fair 90
(Everything I Do) I Do It For You . 164 Schwarze Augen 97
Father And Son 100 Serenade 52
Feelings 144 She Loves You 124
Fly Me To The Moon 137 She's The One 106
Freude schoner Gotterfunken . . 17 Tears In Heaven 102
Fruhlingsstimmen 46 The Entertainer 156
Fiir mich soil's rote Rosen regnen 138 Time After Time 126
Gabriellas sang 161 Tonight 150
Glory Hallelujah 85 Triumphmarsch 64
Go Down Moses 83 Try To Remember 143
Gold und Silber 74 Uber den Wellen 86
Gymnopedie Nr. 1 60 Una furtiva lagrima 66
Hard To Say I'm Sorry 120 Ungarischer Tanz Nr. 5 ... 48
Harry Lime Theme 148 Walzer Nr. 2 20
Heideroslein 95 We Are The Champions . . . 130
Hello 114 What A Feeling 158
Hochzeitsmarsch 44 Wiener Blut 50
Home On The Range 75 Winnetou-Melodie 149
House Of The Rising Sun 108 You Are Not Alone 132
Imagine 99 You Light Up My Life 136
In The Hall Of The Mountain King 62 Zum Geburtstag viel Gluck 82
Andante grazioso
aus dcr Klaviersonate A-Dur, KV 331
Soundvorschlag Mclodie: Piano Wolfgang Amadeus Mozart
Rhythmus: Slow Wallz (1756- 1791)
.
Tempo: = 95 AIT.: Kolbl Thinner
G D Em
3
4
1 g1 p -m-
D
D G C G 4 G
2 3
1 m
D G D G C G D7 G
&
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m
2 5
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D7
D7 G A7 G 4 G
2 3
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g1 mm 9
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Freude schoner Gotterfunken
aus der Sinfonie Nr. 9, op. 125
Soundvorschlag Mclodie: Brass & Bassoon Musik: Ludwig van Beethoven (1770 - 1827)
Rhythmus: Rock Ballad Text: Friedrich Schiller (1759 - 1805)
.
Tempo: = 105 Arr.: Kolbl Thumcr
C G7 c G7
3
fe 0 0
0
0 0 5 0 0 0' 7 O
1 . l ieu - de, scho - uer Got - ter - fun ken, T'och - ter aus F iy si - urn,
C G7 C G7 C
0 0
0
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Pf
wir be trc ten feu er trim - ken, Hi mm - li sche, dein Hei lig - turn!
G7 c G7 c G7 E7 Am G
3 1 4
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Dei ne Zau - ber bin - den- wie -
der. was die- Mo - de streng ge - teilt. A1
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gel weilt.
© 2009 HAGE Musikverlag, Pommelsbrunn
2. Wem der groBe Wurf gelungen, 4. Seid umschlungen, Millionen,

eines Freundes Freund zu sein. diesen Kuss der ganzen Welt!
Wer ein holdes Weib errungen, Brtider iiber'm Sternenzelt.
mische seinen Jubel ein! muss ein lieber Vater wohnen.
Ja. wer auch nur eine Seele Ihr sturzt nieder. Millionen?
sein nennt auf dem Erdenrund! Ahnest du den Schopfer, Welt?
Und wer es nie gekonnt, der stehle Such' ihn iiber'm Sternenzelt!
weinend sich aus diesem Bund. Uber Sternen muss er wohnen.
3. Freude trinken al le Wesen

an den Briisten der Natur.
Alle Guten. alle Bosen
folgen ihrer Rosenspur.
Kiisse gab sie uns. und Reben,
einen Freund, gepriift im Tod;
Wollust ward dem Wurm gegeben.
und der Cherub steht vor Gott!
Eine kleine Nachtmusik
Thema aus dem 1. Satz der Serenade in G-Dur, KV 525
Soundvorschlag Melodie: Bowed Strings Wolfgang Amadeus Mozart

Rhythmus: Polka Pop (1756-1791)
Tempo: .= 115 Air.: Kolbl Thurncr
G
2 1 1 2 2
* -&- i -G- i 0
-G
D7
A
i ~a
G D7
5 4 5 2
* -G- -G- 0
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0 -0-
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l
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0 0 0 a- 0- -0 0
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t4 u 0 7Z w 0 & 0 1 TJ
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SPIELTIPP:
Die ersten acht Takte konnen ohne Begleitrhythmus gespielt werden. Vorher
SYNCHRO START aktivieren, so dass mit dem CJreifen des G-Dur Akkordes in
Takt 9 die Begleitautomatik startet.
Walzer Nr. 2
aus der 2. Suite fur Jazzorchester
Soundvorschlag Melodic: Strings & Flute Musik:
Rhythmus: Vienna Waltz Dimitri Schostakowitsch
.
Tempo: = 180 Arr.: Kolbl / Thurner
Dm
5
i 4 • rJ •
77 #
A7
2 4 4
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2 1 2 3 2 1 -> 2
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O mio babbino caro aus der Oper Gianni Schicchi
Soundvorschlag Melodic: Strings Giacomo Puccini
Rhythmus: 6 8 Ballad (1858- 1924)
.
Tempo: = 47 Arr.: Kolbl Thumer
G
5
m
3
0 0 5 = 0
-0
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01
D7 Difclim Em A7
3 5
Pi £ # #' 0 0
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5 D7 G
3 5 2 2
£ = 3
c 3
Am G
* # s # 1
Klarinettenkonzert A-Dur 2. Satz Adagio, KV 622
Soundvorschlag Melodie: Clarinet & Slow Strings Wolfgang Amadeus Mozart
Rhythmus: English Waltz (1756- 1791)
.
Tempo: = 65 Arr.: Kolbl Thurner
C G7 C G7 C
1 3 1 2 3
i 4
4—0 0'
P £
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i ..in 0-0'
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Melodie in F
Soundvorschlag Melodie: Piano Anton Rubinstein
Rhvthmus: Swing oder 8-Beat (1829 - 1894)
.
F Cl F D7 Gm C7 F Cl
5 4
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Kanon
Soundvorschlag Mclodie: Church Organ Johann Pachelbel
Rhythmus: 8-Beat (1653 - 1706)
.
Tempo: = 100 Arr.: Kolbl Thumei
G D Em Bm C G C D G D Em Bm
4 4 2 1 5
i 4
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C G C D 5 4 Em 4 C 2 C 4
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Poeme
aus der Idylle Ein Sommernachtstream
Sound vorschlag Melodie:
Piano & Slow Strings Zdenek Fibich
Rhythmus: English Waltz (1850 - 1900)
Tempo: J = 1 00 Arr.: Kolbl Thumer
Cm Em Am Dm G7 C
2 1 3 1
i O' 0 zoL
Am G Eaug Am D7 G7
9 1 2 1 1
3
Dm
Am 5
5 4 C 5 F 4 9
3 9 3
n
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5 4 5 Gttdim Am
1 1
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1 1 1 1
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G7 *C 5 Fm
5 1
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£ F 0
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Der Friihling
Thema aus Die vier Jahreszeiten
Soundvorschlag Melodic: Bowed Strings Antonio Vivaldi
Rhythmus: 16-Beat (1678- 1741)
Tempo: J = 1 00 Arr.: Kolbl Thumcr
c 5
3 3
1 1
I %
m
r~t r L;
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F 4 C 3
pm 2 3
£
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Die Schlittschuhlaufer
Soundvorschlag Melodic:
Bowed Strings & Slow Strings Emile Charles Waldteufel
Rhythmus: Vienna Waltz (1837- 1915)
.
F Gm C7
1 2 2
M4 i -Gh-
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n 4
|n
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Kaiserquartett
Deutsche Nationalhymne
Soundvorschlag Melodic: Strings & Brass Joseph Haydn
Rhythmus: ohne Rhythmus (1732 1809)
-
Tempo: * = 80 Am: Kolbl Thurncr
G D G D C G D7 G C G D7 G C ettdim D
'i
i
e 0' z
H 0
at 0
=
0
0
G D G D C G D7 G C G D7 G C Ctfdim D
m
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C G C D7 Em Am G C G D7 G
wm
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PCJV ir
©2009 HAGE Musikverlag, Pommelsbrunn
SPIELTIPP:
DieserTitel solltc ohne laufende Begleitautomatik gespielt vverden. In die-
seni Fall legt man auf die linke Hand einen Streicher Sound. Fur die rechte
Hand empfiehlt sieh die Verwendung der Auto Harmony Funktion TRIO.
Polwetzer Tanz
aus der Oper Fiirst Igor
English Horn & Slow Strings Alexander Borodin
Rhythmus: 8-Bcat (1833 - 1887)
.
Tempo: = 90 AIT.: KOlbl Thinner
Am G
P mp *
3
Am B7 Em
—
l l
1 1
0 0
P -0- 0
0
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Am Em
4 0
= i
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m 3
Am D#dim Em
i l
0 0
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0'
5
P
c Am D7 G Em
P mP
1 3
TJ
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Am D#dim Em
1
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Ave Maria
Soundvorschlag Melodic: Clarinet & Slow Strings Musik: Franz Schubert (1797 - 1828)
Rhvthmus: 6 8 Ballad Originaltexl: Walter Scott
.
Tempo: = 65 DeutscherText: D. Adam Storck
Arr.: Kolbl dimmer
F F7
1 3 5 1 3 2 3 5
l7
Bb 3
Dbdim F
1 3
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-0
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2. Ave Maria! Unbefleckt! 3. Ave Maria! Reine Magd!

Wenn wir auf diesen Fels hinsinken Der Erde und der Luft Damonen.
7,um Schlaf, und uns dein Schutz bedeckt, von deines Auges Huld verjagt,
wird weich der harte Fels uns dtinken. sie konnen hier nicht bei uns wohnen.
Du lachelst, Rosendiifte wehen Wir woll'n uns still dem Schicksal beugen.
in dieser dumpfen Felsenkluft. da uns dein heilger Trost anweht;
O Mutter, hbre Kindes Flehen. der Jungfrau wolle hold dich neigen,
o Jungfrau, eine Jungfrau ruf! dem Kind, das fiir den Vater fleht!
Ave Maria! Ave Maria!
SPIELTIPP:
Splitpoint so einstellen, class der hochste Ton dcr linkcn Hand ..ck* ist -
nur so kann man das tiefe ,.f‘ in den letzten zwei Takten mit der rechten Hand spieien.
Die im Lied vorkommenden Akkorde Dm und F mussen entsprechend in einer ande-
ren Umkehrung gcspiclt werden.
Air
Thcma aus der Orchester-Suite Nr. 3 BWV 1068
Sound vorschlag Melodic:
Strings & Slow Strings Johann Sebastian Bach
Rhythmus: Piano Ballad (1685 - 1750)
.
Tempo: = 70 A rr.: Kolbl Thumcr
C Em Am C F D7
O
2 3
1 i
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0
0
Edim Gm
G G7 A7
5
4 3
0 0
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G7 C Em
5 4 2 3 3 4
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1-5 1 1 1
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G G7 5
A7 5
3 2
p HP #
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= 1
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tor E
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2 1 3
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C D7 G G7
1
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Der Schwan
aus Karneval der Tiere
Soundvorschlag Melodic: Oboe & Slow Strings Camille Saint-Saens
Rhythmus: English Walt/ (1835- 1921)
.
F
5 5
4 f— r -
Gm C7
I * m l
a 9
l
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l
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5
3
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1 1
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i If I kd i
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m
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Brautchor
aus der Oper Lohengrin
Soundvorschlag Melodic: Brass Richard W agner
Rhythmus: ohne Rhythmus (1813 - 1883)
Tempo: » = 150 Arr.: Kolbl Thumcr
G D7 G
G C
m
3 4 5
1
mm
3 1 2 2 1
*c ~d~
o
o i o
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0'
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Iren licli gc - f'iihrt zic het da - liin, no euch dcr Sc gen dcr
A7 D D7
3 4 G 3 4 G
2 3 1
Pi Lie he
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8
Sieg rei cher
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A7 D G D7 G
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eint euch in Trcu c /urn se l*g sten Paar.

Kaiserwalzer
Soundvorschlag Melodic: Strings Johann StraulJ, Sohn
Rliythmus: Vienna Waltz (1825 - 1899)
Tempo: « = 170 Arr.: Kolbl Thumer
G Gdim G C G7
1 1 2 1 2 1 2 1 3 1 4
m -&1-
4
4 -0 l l 0
5
C
c G7 5
G7 C G7
3 3 4
0 0 0 Sÿ-
0
0 -&1
0 0 0
5
F
A7 Dm C G7 C
r
3
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rf gif 0
2 1
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F Dm G7 C
rr w
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Dm
5
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]
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0— 0
t § 0
0
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G7 C G7 C G7 C
3
m 0
3 3
-0
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F
G7 A7 Dm 3 C G7 C
f *
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Cancan
aus der Operette Orpheus in der Unterwelt
Soundvorschlag Mclodie:
Bowed Strings & Brass Jacques Offenbach
Rhythm us: Polka Pop (1819 - 1880)
.
Tempo: = 140 AIT.: Kolbl Thumer
G7 C F C
l 4 2
-0-
l
t- ' i* n
G7 C 1.
5 G7
3 D7
= *
2.
G7
c G7
5 3 5
i 0
C G7 l.
5 3 2 2 1 C
#
i ♦ 1 r ir r r
2. G7 C G7 C G7 C G7
C
£ 0 0-
£ -0-
£ 0 ' 0
£ -0
c Cl
2
t§
1 1 2 1
9
i P p
F Cl F
l 4
9
o P P 1 P
77 77 M. P p
Cl F Cl
2 4 4
P W
P
9 P p
■Gb P P P
F Cl F
4
77 77 p
9 P P
H
Cl F Cl F Cl
2
9 P p P P
P P P P p P p P
F Cl F
o
9 P i i o
Soundvorschlag Melodie: Organ & Strings
Rhythmus: ohne Rhythmus
F£
.
Tempo: = 80
Dm
s
E7
PE
Hochzeitsmarsch
Am
4
aus Ein Sommer nachtstraum, op. 61, Nr. 9
F
Bb
£
F
3
#-
C F
m
4
_
Felix Mendelssohn Bartholdy
(1809 - 1847)
Arr.: Kolbl Thumer
1 2
w
3
Dm E7 Am Bb F C7 F
4 3
F= = V ir r
C7 F C7
3
|H i 3 5 3 -#ÿ
F Bb G7 C C7
1 9 1
±
P £
Dm E7 Am Bb F C7 F
5 4 3 2 4 2 3
-G-
F
ir r i W
Dm E7 Am Gm Bb F C7 F
4 3
-&ÿ
$
=r rit.
# I
Prelude
aus Te Deum, bekannt als Eurovisionsmelodie
Soundvorschlug Melodic:
Trumpet & Ilornsection Marc-Anloine Charpentier
Rhythmus: 8-Beat (1643 - 1704)
.
Tempo: = 110
C F
Air.: Kolbl Thurner
F Bb F
m
5 3
2 i i
&
i m -eh
C F
C F 5 3
1 2 1 1
$ # ac -#ÿ 1 22'
F
Bb F C F C 3
1 o 1
m
aP
i 1
Bb F C F
1 A
-#
i 3
F
C 3 Bb F C7 F
l> -Q-
c
I £ -m- ar
i 77
Fruhlingsstimmen
Soundvorschlag Melodie: Flute & Strings Johann StrauB, Sohn
.
Tempo: = 170 Arr: Kolbl Thumer
’t * J m * J i
ll ET l
1 \>1
m Lr»r r [T
#-
t Pfee i
G7
P i Hi V |g i l
4
py m fe,t p? p E3s=5
P i i
i £ fee
C7
c
5
_
i 3
4
7
If
A dim
I
C
F
&
n
1
1
0
Fjtdim
Adim
§ 0 0
5
* 0
#-
#
c G7
2 4 5
C G
1 5 5
#
§
* 0
i 0
i
D7 G
1 2 3 1 2 2
0
% 0
i
3 D7 3 3
1 2 2 2 2
4ÿ 0
i l
c D7 4
1 2 1 1 2 3
§ 0 0 0 0 0
P r
0- 0
0 0
5 h G 2* G
2 5
* * i 3 I
#- #
i t #
SPIELTIPP:
Die ersten vierTakte konnen ohne Begleitrhythmus gespielt werden. Vorher
SYNCHRO START aktivieren, so dass init dem Greifen des C-Dur Akkordes in
Takt 5 die Begleitautomatik startet.
Ungarischer Tanz Nr. 5
Soundvorschlag Mclodie: Bowed Strings Johannes Brahms
Rhythmus: Polka (1833 - 1897)
Tempo:, led A: 100 Ted B: 120 AIT.: Kolhl Thunicr
0 Dm Bbdim Dm Gm
2
Dm
mf-=- 4 w -0
£
-m-
A7 Dm Gm Dm
M iP o Gh
u rnw i m n
Gm Dm Edim Dm A7 L Dm 2< Dm
3
$ -0
D7 C7
4 3 4
Gm
$ : 0-
0' ;u p »Eirr»rÿ
l
-0 0
A7 5
F 3 4 2 4 Bb 3
1
g
I 1
P I 3 tfl
A7 Dm Gm Dm Fine
fe rÿr*r_r "r *r IP r y 0 0
m D
5
1
o
2 1 2 3
i it • 1 0
M
0 -0 -0 0 0 0
5
1 2 1
* 0
0
0 0
0
Em
3 1
t
0 -0-0
0 V 0-0
D A7 D D.C. al Fine
i 0
3
m. 0m s 0 0 0
0
0
W
Wiener Blut
Soundvorschlag Melodie: Strings Johann StrauB, Sota
.
G7
5 4 .1
u ,jw
l
feGf ir r J
* i
C Dm
l 2 1
P P m ir:
r iiJ u rg
Urn
G7
,
fi.l >ir
2 4 2
|
r r Jlir r
C C#dim
2 1 2
fl m r f pU uUWg
Dm G7
2 \ 2 1
r ir r $
c D7 G
a 1 i 4 3 2
n ii: n r
i - ~n
**
D7 Em D7
r ihr nir ,7r

G A7 Et* D7 G
2
4 zz A
P m
* m § -# £3 3
C F C C7 F
l 2 3 5
fp* pp 1 *ÿ » a -;-#
PP #
G7 C7 F C7
1 2 2 3
l J- i’lJ i 5 i
#— # #-— «
* #
P
F E7 i. Am
3 5 1 2
& E # i
P t »• 9
2- Am Bl> F C7
A 0 0 0 F=i <s- « # P m n
M-0 O
F Bb F
O
5
# * © #
7
£ P
C7 Gm C7 1. F 2. F
:J m 9 W
2
P P P
P H=il
Serenade
aus dem Streichquartett Nr. 18 in F-Dur
Soundvorschlag Melodic: Strings Joseph Haydn
Rhythmus: 8-Bcat (1732- 1809)
Tempo: » = 90 AIT.: Kolbl Thumet
mm
C 4
F C G7
4
C G7 C G7 C
4
4 3
ft # s ♦
m mm
4
F C G7
1 4
-#
c G7 4
c G7 C
4 4 1
,r ir r * C-/I
G Am D G C C#dim
m
3 3
p a'
D Eb D Eb D
& 0 90 0
0ÿ
mm IN O
T 0
i
G D7 G D7
3
*4 4 1 2
#' 0 F I0
mr cur ♦
r
# P-
G D7 G 3
D7 2 G
1 3
4 #- »
* # ♦ -J 0 0 0
0 m 0- i P
D7 G D7 o
'
#_*2_
1 1
4 3
§ 0 0 0
m 0
0 0 0
G D7 o G D7 G
2
1 2 1 3
4 0 0
$
0ÿ
? 0H-
? 0 M 0
Praludium in C-Dur
aus dem Wohltemperierten Klavier
Piano & Strings Johann Sebastian Bach
Rliythmus: 8-Bcat (1685- 1750)
Tempo: • = 100 An.: Kolbl Thumcr
m
C 3 Dm
E3=ÿin
; 1
. 1 =f
1 3
r p
J
eftr
G7
s
0
0-
1 3
0
0
m 0
0- 0
c Am
id
5
1
3=ÿ1S
1 3
i
EJ- LI
D7
3
1 Jl 5p"—
=3=i3 n «H .E=r
G 5
C
1 3 1 2
i 0- 0
i 0 -0-
i 0
0 0
I. Em Am 2.
n Hu
5
1 3
I i -#
<>
Rondo op. 36, Nr. 5
Soundvorschlag Melodie: Piano & Slow Strings Muzio Clementi

Rhythmus: Piano Ballad (1752 1832)
-
.
G D G
2
i-G-
0
D7 Am D7 G D7
1 5
-G-
* 0
& ~0-
1. 2. A7 D
G G 5 5
• 3
A
0 0
0
A7 D D7 G
-G- -G-
0 0
D7 G C Am D7
3 1
0 u
0 0
0 0-0 0
D7 I. D7 2.
G Em Am :
5 G G
-G-
0
£ 0
0
0
Menuett
aus dem Streichquintett E-Dur, op. 13, Nr. 5
Soundvorschlag Melodic: Bowed Strings Luigi Boccherini
.
Tempo: = 90
F C7
AIT.: Kolbl Thurner
4 1 i 2 4
to p j J p
£
F G7
5
0' 0'
£icjr Lf JlL!r u
0
c F G7 i. C 2- c Fm
4 1
$ i i
c Fm C Fm C Fm
4
nujn'ÿ'OnG1
C7 F C7
I 3 fcj r
F Bb C7
$ J p J ninnn
* 1 0 ■
» # ~ —
F n
Bb C7 '• F Fm 2. p
jLUnn\nprz t

Meditation From Thais
Soundvorschlag Melodic: Soprano Sax & Slow Strings Jules Massenet
Rhythmus: 16-Beat Ballad (1842 - 1912)
.
Tempo: = 70 Arc.: Kolbl Thumcr
G 2
j 3
5 5-3
_
0
c Am
l i
m
l l
"IT- faTJlr 0
Fttdim Fttaug 2
mm
D7 Em G
mu I } 3 3
4 5-3
rJ -0- »J 0
E
Dm Am
m
2 4
‘tfi 2 5
m -0 * *
c. l
Em Am D7
l 3
0
0
0
0
1 i ~G~
G
l
G 2 4 F#7 4 p-_i
2 Ab
!F I r
l 5 2
0
Pi
G
i 2 o
O o
: -0-
Libiamo ne’ lieti calici aus der Oper La Traviata
Soundvorschlag Melodie: Bowed Strings Giuseppe Verdi
Rhythmus: Vienna Waltz (1813 - 1901)
Tempo: » = 170 Arr.: Kolbl Thumcr
C
1 4
1 J=3 0 0 0
1. Li bia mo, li bia - mo ne’ lie ti
G7 C
n• 3
-0-
gFf CJ C-Tir T
0
ca li ci che la. bel lez za in lio
i 0 0 I S
ra, e la. fug ge vol, fug vol
G7 C
m
3
-0
§ 0 0 0 0
i
o ra s’in nc brii
_ a- vo lut la.
F c
E3
1
Li biam
0
ne’
0
dol
m 0
fre mi li che
G7 C F
3 1
0
i P i P
0 -Gh-
su sci ta la mo re, poi che quell’

mm
Em B7
2
0 0 #- 0 ~n 0
o 0 0
oc chio al co re on ni po ten te
Em G7 c
o'
-0-
t ■0 0 -0
va. Li bia mo, a mo re, a
G7
2 O' 3 3
0 § 0 0 0 0
te p r r
i #
mor I ra i ca It ci piu cal di ba ci a
C C#dim Dm G7 C
3
3?
0 ♦
'ÿw%f r r fte p I I a
l=J
-a
vra.
2. Tra voi. tra voi sapro dividere il tempo mio giocondo;

tutto e foil ia, follia nel mondo cio che non e piacer.
Godiam, fugace e rapido e il gaudio dell' amore;
e un fior che nasce e muore ne piu si pud goder.
Godiam c'invita, c’invita un fervido accento lu singhier.
3. Godiamo la tazza, la tazza e il cantico la notte abbella e il riso,

in questo, in questo paradiso ne scopra il nuovo di.
La vita e nel tripudio. Quando non s’ami ancora.
Nol dite a chi 1'ignora. E il mio destin cosi.
Godiamo la tazza, la tazza e il cantico la notte abbella e il riso;
in questo, in questo paradiso ne scopra il nuovo di.
Gymnopedie Nr. 1
Soundvorschlag Melodic: Piano & Slow Strings Eric Satie
.
5
FMaj7 3 CMaj7 FMaj7 CMaj7
P i t i
¥ g f g
FMaj7 CMaj7 FMaj7 CMaj7

3
i
1
m
o'

3 l 2
Em Am Dm
2
o~-
Cm Gm Dm
l
~o
0
V-0-
0
1 0 V-0 0
Cm Gm Cm Gm
l 1
0 0
TZL T7 ac 0 <E
V0-
Dm Gm Dm
2
0 TT' 0
M
1.
Em Am G Em
2
0- 0
0 0- 0
0
Gm 2.
Am 4 C Cm Eb
1 4 5
tz22
<S4-
\>-6
~o
3
-&ÿ 1 0
-
Gm
Gm Eb A dim 4 Cm
1 1
#
V-0 v-e
In The Hall Of The Mountain King
aus der Peer-Gynt-Suite Nr. 1
Soundvorschlag Melodie:
Pizzicato Strings & Bassoon Edvard Grieg
Rhythmus: House oder 8-Bcat Rock (1843 - 1907)
.
Tempo: = 100-120 An.: Kolbl Thumcr
Am C
1 2
1 4 2 4 1 1 2
** • 'n Tiff
Am C
1 4 4 1 1 ? > i 1 2
*m__m
P=F=P
r- tn
HTf#rr
ri i iji
r
• •
•
Jttfÿ - ■
.
Am 2
C
1 4 4 1 1 1 2
# * JJ f J f •
Am
E7 4
Am 1
1 4 4 1 • « f- T»
353 '4
Caro mio ben
Soundvorschlag Melodic: Piano & Slow Strings Giuseppe Giordani
Rhythmus: Piano Ballad (1753 - 1798)
.
Tempo: = 62 Am: Kolbl Thumer
C G7 C F
t
5
m 9
3
it
5
m -G-
Ca - ro mio ben, ere di mi al -
Am Dm C D7 G C F
3
-Q- 9
3
9
1 5
m 9
men, sen /a di te lan gui-sceil cor, ca ro mio
m
Am Dm C G7 C G7 C G7
m
2 4
__m
9 9 9
9 9 9
ben, sen za di te _ lan gui sec il cor.
c D7 G D G D7
i
m 9
9
II tuo fe - del so spi ra o

- - gnor. Ccs - sa, cru - del tan to ri
G G7 C G D7 G C
3
5 5
m
2 5
m
_ P
-G- 9 9 -G-
9 9-
gor! Ces - sa, cm - del, tan to ri gor, tan to ri gor! Ca ro mio
F Am Dm C G7 Am Dm
5 m 2
s 4 5
3
ben, ere di mi al
- -
-G-
men. sen -
9
za di
9
te lan gui
PPI
see il cor, ca ro mio
c Dm C Am Em Am Dm G7 C
s -G-
1
m ■G-
n
p=
ben, ere di mi al
- - men, sen za di te — lan gui see il cor.
Triumphmarsch
aus der Oper Aida
Soundvorschlag Mclodie: Brass & Strings Giuseppe Verdi
Rhythmus: Marsch (1813 - 1901)
Tempo: • = 100 Arr.: Kolbl Thumcr
G D7 G
I
W pir~tti #
D7 G
3
4' r P r nr
4 2 1
LT r tj iji
Gm l D7 Gm F
i * -0
w 1 7 \>eTÿp ■p-
G
G D7 G Cm D7 G
3
1 4 1
f 1 2
a~frrrij
1 3
C G7 C G7 C G7 C G7
1 3
0
0 § t 0
3
C G7 C D7 G7 c G7 c
12 2 2 2
r •• 0 0 0 , 0 0
2
.1
G7 C G7 C G7 C G7 c 2
0 0 0 0— 0' ?? 0 0 2Z
T
2
G Cm 2 G Cm 2 G D7
0—0 0'
0’ 0’ 0 0 0’ 0 0
0 0 0
G G7 C G7 C G7 c
2
#- pz
0 #
0' 0 0' -0 0 0 S
0s 2
G7 C G7 C G7 c
0 0 0' 0’ 0 0 0-
2
Una furtiva lagrima
Soundvorschlag Mclodie: aus der Oper L’elisir d’amore
Guitar & Slow Strings Gaetano Donizetti
Rhvthmus: English W alt/ (1797 1848)
-
.
Tempo: = 95 A IT.: Kolbl Thumer
Am E7
fei i J g
5 4
J &
V na fur ti va la - gri - ma neg - li oc - chi suoi spun -
Am G C Dm
3
HE £ 0
M i
zz 0
I 0
to, quel - le i'c sto se gio - va ni in vi di
Ditdim E Am E
5
1 i r- r
ar. sem bro: che piit cer can do io vo,
Am E E7 C
ji r r ir r
3
J zzz
m
pm
che
m’a
Am
piii ccr
-m-
ma
__
can do
lo
io
vc
E7
1
-0—0
vo,.
do, lo
G7
5
~F7
ve
C
do.
5
m’a
E7 Am
22Z
ma,
77
si,
In so lot stan te i pal - pi - ti

r * if
del
r r im
suo bel cor. sen
Am G c
3 Q_
0 77
77
tir, l miei so spir con fon de re per
Dm D#dim E Am E Am
2
0' 0 » ■
0'
0
&
po CO co" suoi so spir, pal pi ti, I pal pi - ti sen
E Am E Am E E7
& i
*ÿ
m 4
UL id
tir, eon Ion de - re i miei to’ suoi so spir,
A E7 F#m D A
id 0
0
0
1 2
77 m£ l
0
0 0
5
eie - lo, si pud-- mo nr, ill piu- non- ehie - do, non
E7 A E7 A E7
id 0
chic
0
do,
H=7
4
77 •
ah!
0
eie - lo, si pud si

0
pud- mo
m l
F#m D A E7 A
Bm
9
id=ÿ i
0
£ 0
77 77T
f 0
nr, di piu non- chie - do, non ehie do.
E7 A
l
id 0
0
0
777-
0
0
0 7T-
&
Dichter und Bauer Operette
Clarinet & Strings Franz von Suppc
Rhythmus: Vienna Waltz (1819 1895)
-
Tempo: » = 180 An.: Kolbl 1'humer

F Dm
m \ £ i t
G
t
Bt> C7 F
5 2
i> r ? r
C7 F C7
5
$ * i
F C7
i iEEj
F
F C7 F
i
# #
I i
A E7 A E7
5 2
-0-
F
A E7 A E7
O
i±
# 1 m
A
2 3
ya
- M M i #
C7 F
4 5
O
3 1
0
0
* I s g #
A7 Dm
4 5 F7
2 3 3
SI
.2Z f 0 #
i
Gm
F 5
Bb C7 o
1 1 22.-
#
0 f l 0
g at Sh-
C7 F
3
£
€ i " E #
i i E
— »-
£ 0 3ÿ=2
#
0 I 22
Amigos para siempre
Soundvorschlag Melodic: E-Piano & Bells Musik: Andrew Lloyd Webber
Rhythmus: 16-Beat Ballad Text: Don Black
.
i {*
3
* i 0 0m ' 0 i
1. I don’t have to say a word to you, you seem to know what - e ver
Gm Bkn F
P 0-0-0 1 0-0 m \?0 $

2
p TJ
mood I’m go - ing through. Feel as thought I’ve known you for e ver.
P i £ 0 m 0 TJ £ 0 0
You can look in to my eyes and sec the way I feel and how the
Gm Bkn F 5
m
4 2 3
P 0 — 0— 0
world is treat-ing me.
a
May -be
0
I have known you

:s
for - e
o
ver.
Sift
A - mi -gos pa ra
Cl 3 2
B!> 4 5 4 3 2 4 5 F 3 5 4 1 I
2 3 2 1 1 2 3 1 3
i i f f f s I 1
0— 0— 0
7 * ' i=M n* y %
siem pre means you’ll al - ways be my friend. A-mics per sent - pre means a lor e that can - not
Dm 2
Cl
3 5 Gm 4 4 1 4
1 3 D
P I f I 111
1=1 1 ? J>J- J J
end. Inends for life, not just a sum - mer or a spring, a - mi gos
- pa - ra
Cl
F 5 Bb 5 2 4 5
3 3 1 2 3
2
111 S I f 1 H1 £ 7
#-#-#
r g
* -e- T2
siem pre. I feel you near me e - ven when we arc a part. Just know ing
Dm 2
F 3 5 1 3 5 Gm 4 1
1 3 3
you are
l l I i i i i
in tills world can warm my
a
heart.
P
Mi ends for
111 i i
life, not just a summer or
i i i
a
Cl
4 F Bt> Bkn F
2 5
<>
f 7 j) j j jli -St 77 l
0
<1
I
spring, a mi - gos pa - ra siem pre.
2. We share memories I won't forget.

And we'll share more my friend
we haven't started yet.
Something happens when we're together.
When I look at you I wonder why
there has to come a time when we must say goodbye.
I'm alive when we are together.
3. When 1 look at you 1 wonder why

there has to come a time when we must say goodbye.
I'm alive when we are together.
Love Is Blue
(A1 Martino)
Soundvorschlag Melodic: Flute Musik: Andre Popp
Rhythmus: 8-Beal text: Pierre Cour
.
Tempo: - 100 Arr.: Kolbl Tluimer
Dm Bb A7 Dm G7 C F
.3 5
i EEE
0
m- 0 •’ 5 ~o m 0'
0
5
1. Blue, blue, my world is blue,
3. Black, black, the nights I’ve known
Dm Bb C F Dm G7 C F Dm Bb
m
3 5 2 3
55
0 '* ' ,i 3=3
TJ
0
0 0 S
G
blue is my world, now I’m with-out you. Grey, grey, my life is grey, cold is my heart since
long - ing for you, so lost and a - lone. Gone, gone, the love we knew, blue is my world, now
A7 Dm G7 C F Dm Bb C F
5 2 3
G 0’ $ 0 0 G 0 •0 $
G
you w ent a way. - 2. Red, red, my eyes are red, cry - ing for y ou a lone in my bed.
I’m with-out you. 4. Red, red, my eyes are red, cry - ing for you a - lone in my bed.
Dm G7 C F Dm Bb A7 Dm
3
¥ G
Green,
Green,
0’
green,
green,
my
my
0
jeal
jeal
-
-
-Si-
ous heart,
ous heart, I
0
doubt -ed you

doubt -ed you
and
and
b
now we’re a
now we’re a
G
part.
part.
*t
D A7 D
3 4 D G 5 4 G
i i
£
When
1
£
we
m
met,
0
how the
G
bright
4
sun
H
shone
o
then
TJ
lore
sR
died,
m 4
now the
A7 D Dm G7 C F
3 o 1 5 2
i
-&-ÿ n -0' s #
rain bow is gone . 5. Black, black, the nights I’ve known

6. Grey, grey, my life is grey,
Dm Bb C F Dm G7 C F
3 5 2
9- § 77 §
G-
* iS-
Xong - ing for you, so lost and a lone. Blue, blue, my world is blue,
cold is my heart since you went a way. Blue, blue, my world is blue,
Dm Bb A7 Dm Bb A7 Dm
inm blue
blue
is mv world,
is my world,
)
now
now
I’m with-out
I’m with-out
o
you.
you.
0
Blue
■#
is my world, now
k
I’m with out you.
!
Gold und Silber
Walzer, op. 79
Soundvorschlag Melodie: Strings
Rhythmus: Vienna Waltz Franz Lehar
.
C G7 C
5 1
0 O 5 i
Dm
2 1
i 0
0 0
0-
G7 C G7 C G7
2 4
I &•
D7 G7 C G7
2 5 2
i 77
i O1"
C G7 c C7 A7
2 1
0-
i
Dm Fm C G7 C
I 75
= 13 1=7
Home On The Range
Soundvorschlag Melodie: Harmonica
Rhythmus: Slow Waltz Traditional
Tempo: * = 120 AIT.: Kolbl Thumer
G D7 G
1 2 1
4 • £* 0- i 0 3
1. Oh, give me a
D
C G A7 5
4 3 4 3 1 2
-Gh
0 0 0 0
0
home where the buf - fa - lo roam where the deer and the an tc - lope Play-
Pr
D7 G c Cm G
1 3 4
0 3 -0— m- 5 3
F 0'
T where sel - dom is heard a dis - cou - rag-ing
T
word and the skies are not

D7 G
D7 G 3 4 3
o 1 1
~IoL i
clou - dy all day. Home, home oh the range where the
D
Em A7 5 D7 G G7
3 1 2 1 3
01-0J-0 0' & -0-

S
a
0
deer and the an te - lope play

'* If where sel - dom is heard a dis -
Cm
C 5 G D7 G
4 1 3
5 :oL I
eou rag - ing word and the skies are not clou - dy all day.
2. How often at night where the heavens are bright 3. Then give me a land where the bright diamond sand
With the light of the glittering stars Flows leisurely down to the stream
Have I stood there amazed and asked as I gazed Where the graceful white swan goes gliding along
If their glory exceeds that of ours Like a maid in a heavenly dream
Home, home on the range Home, home on the range
Where the deer and the antelope play Where the deer and the antelop play
Where seldom is heard a discouraging word Where the seldom is heard a discouraging word
And the skies are not cloudy all day And the skies are not cloudy all day
Petersburger Schlittenfahrt
op. 52
Soundvorschlag Melodie: Bowed Strings & Bells Richard Hilcnberg
Rhythmus: Polka (1848- 1925)
.
N.C. C G7
l i 1 5
il 3=F=£ 0
0 0
v w
c G7
3 5 4
I -ST 5 is
* -#
i
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.
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Fjkiim C Dm G7 C
3 1 3 5
-ÿ77
* J *
¥ 0
#3 -0-\'r0- u #
t ¥ m
Aura Lee (Elvis Presley)
Sound\ orschlag Melodie:
E Piano & Slow Strings
Rhythmus: 8-Beat Traditional
Tempo: J = 85 AIT.: Kolbl Thumer
C A7 D G7
4 C
ii J-J-J 4 2
2
i
f # XT -&
D7 G7 C
l 4
i 1 . When the
JE
black - bird
i
in the spring, 'neath the
#
wil -
#
low
TT
tree, sat
£
and rock'd, I
D7 G7 C E7 Am Cl F Fm
4
fi> o m— a n
M-jLp
heard him sing, sing - ing Au - ra Lee. Au - ra Lee, Au - ra Lee, maid with gold - en
C A7 D7 Dm G7 C
4
I O
hair; sun -
0
shine came a
0
long with
0--
thee,
m
and swall -
p
ows in the
o
air.
D7 G7 C
1 4
I 0
2. In thy
0
blush the
0
rose was bom,

fit
5
mu -
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sic, when you

0 TT
spake,
0
through thine
£
a /.urc
E7 Am C7
D7 G7 C s F Fm
i) J J ,J JLJ
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0
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f I®
eye the mom, spark- ling seemed to break. Au - ra Lee, Au - ra Lee, birds of crim - son
A7
C 4 , D7 Dm G7 C
o J J J J i
J 2
J J J J
f O
wing, nev er song have sung to me, as in that sweet spring.
A7
D G7 C
J J 4 J J
f 2
3. Aura Lee! the bird may flee, 4. When the mistletoe was green,
the willow's golden hair midst the winter's snows.
swing through winter fitfully, sunshine in thy face was seen.
on the stormy air. kissing lips of rose.
Yet if thy blue eyes I see, Aura Lee, Aura Lee,
gloom will soon depart; take my golden ring;
For to me, sweet Aura Lee Love and light return with thee,
is sunshine through the heart. and swallows with the spring.
Cielito Lindo
Soundvorschlag Melodie: Akkordcon
Rhythmus: Vienna Waltz Traditional
.
Tempo: = 170 Arr.: Kdlbl Thumcr
C G7
5 3 4 C G7 C
1 1
ft s
o
1. De
a
0
la
a
Sier
a
a
ra
0
Mo
5 0
rc
0
na,
5
cie
-6
TJ
li
-0
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to
0
lin
0
do,
0
vie
5
5 G7 5
1 3 2
i ■6
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ncn
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ba jan
0—0
do,
0
un
0
par
0
de o
-e
77
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ne gros,
c
2
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5
li
0
to
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lin
0
0
do.
0
de
o
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con tra
0
bail
G-
do.
&
s
E7 F
4 3 9 A7 Dm G7
2 ] 3
I 7T-
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G
G
ay, ay,
f
ay,
r
77
G
77
can
0
ta > no
C G7
5 3 3 5
1 1 2 1 2 4
i f
llo
G
a
res,
s
a 0
por
a
G
que
0
can
i
tan
0
do
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se a
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le
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gran,
0
cic
c G7
m mm
4 1
2 5 1 3
ft li
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los
77
co
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ra
0 0 0 G
7.0 nes.
0
0
El F
C
TT-
4
D
G- M
3
1
2 A7 Dm
& . G7
5
3
r
S 77
P
Ay, ay, ay,
2Z
ay- can ta no
C G7
5 3 5
1 1 2 3
: 25:
O
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9
i 9
9
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llo res, por que can tan do sc a le gran, cie
c
3 4 4 3
o 1 1 1
&
I i==i #
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77
9
l T
ll to lin do, los CO ra zo ncs.
2. Pajaro que abandona,

Cielito Undo, su primer nido,
Si lo encuentra ocupado,
Cielito Undo, bien merecido.
3. Ese lunar que tienes,

Cielito lindo, junto a la boca,
No se lo des a nadie,
Cielito lindo, que a mi me toca.
4. Si tu boquita morena,
Fuera de azucar, fuera de aziicar,
Yo me lo pasaria.
Cielito lindo, chupa que chupa.
5. De tu casa a la mia,
Cielito lindo. no hay mas que un paso,
Antes que venga tu madre.
Cielito lindo, dame un abrazo.
6. Una flecha en el aire,

Cielito lindo, lanzo Cupido,
y como fue jugando.
Cielito lindo, yo fui el herido.
Zum Geburtstag viel Gluck
Akkordeon & Slow Strings Musik: Trank Darnel, nach Mildred J. Hill
Rhythmus: linglish Walt/ Text: egon 1. frauenberger
.
G D7 G
l 2
i ib4
4
0-
Zum
0
Gc
0
hurts -
0
tag
§
viel
22
Gliick!
0
Zum Ge hurts - tag viel

-&
Gluck! Zum Ge -
C G D7 G D7
5 3 2 1 5 4 1
i hurts
0
tag
4'--
al les
0
Gu
0
to! Zum
51
Cie -
0
hurts -
0
tag viel
G
Gliick! Zum
0•
Ge -
G D7 G
i i
0
hurts
0
tag
0
viel
G
Gluck! Zum
0V 0
Ge
0
hurts tag viel

G
Gliick! Zum
-
•
Ge
G G
5 3 C 5 5 D7 4
3 2 1 1
i hurts lag,
0'
zum
4
Ge hurts
0
tag,
0
zum
0
Ge
r
hurts
0
lag
r
viel
G
&
Gliick!
© Mit freundlicher Genehmigung der edition effel-music, maria m. frauenberger, munchen / GEMA-Nr.: 4.054.503
Go Down Moses
Soundvorschlag Melodie: Piano & Slow Strings
Rhythmus: Medium Swing Traditional
.
Tempo: = 115 Arr.: Kolbl Thnmer
E7 Am Dm E7
Am
.DA
? 3
c
1 1
m i i j J
r T
1
T f o -0-
1. When
E7 Am E7 Am E7
5 1
m t 4b iT3 5 i 4b
Is rael was in E - gypt - land: Let my peo - pie go. Op
Am E7 Am F7 E7 Am
i
pressed so hard
r r they
ip
could not
r stand,
4b
let
4b
my
* peo - pic go.
i
E7 Am Dm
5 Dm
I) J J ,J
Go down, Mo ses, way down in E gypt land.
E7
Am Dm Am
fj •
. 2
l
4b \
o
Tell ole Pha raoh: Let my peo - pie go.
2. ..Thus spoke the Lord," bold Moses said, let my people go.
„lf not I’ll smite your firstborn dead," let my people go.
3. „No more shall they in bondage toil," let my people go.

„Let them come out with Egypt's spoil," let my people go.
On Top Of Old Smokey
Soundvorschlag Melodic: Blues Harp
Rhythmus: Counlry Waltz Traditional
.
F C G7 C F
Slopp Slarl
1 2 3 1 3
¥ 0
J J J IJ 1
J "a
1 . On top
0
of
-0-
old Smo key
C G7
i 3
<5' -G- 0 G>-

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all cov - crcd with snow, 1 lost my true lov
C G7 C C7
Slopp
.3 1
rj » -Gh 0
(J • ~o 0 0 0
cr. from court - ing too slow. 2. For court - ing IS
F C
m
5 Start 3
1 1 1
&
picas ure, but part - ing is grief, for a
G7 C F C
i
-0
false -heart -
0
cd
-a-
lov
1 cr,
-0
IS worse than
-0-
a thief.
3. A thief will just rob you 5. They'll hug you and kiss you
and take all you have. and tell you more lies,
But a false-hearted lover than the tish in the ocean
will lead you to the grave. and the stars in the skies.
4. The grave will decay you 6. For the leaves they will wither,
and turn you to dust. the roots they will die,
There's not one man in a hundred and you'll be forsaken
that a poor girl can trust. and never know why.
Glory Hallelujah
(John Brown’s Body)
Soundvorschlag Melodic: Modem Harp
Rhythmus: Country Swing Traditional
Tempo: . = 165 Arr.: Kdlhl Thurner
G C
4 3
c o
at o -&ÿ -0 at
1 . John Brown's bo - dy lies a mould' -ring in the grave, John Brown’s
G
4 4 3
* m at ■0
■0 0 0
i o a
0
bo - dy lies a mould' -ring in the grave, John Brown’s — bo - dy lies a
B7 Em C D7 G C G
0 T7 77"
~G~ -G- TJ <>
mould’ -ring in the grave. His soul goes march - ing on!
C
4 3 3
2 3 1 1
0- 1 O
o
o
Glo n, glo r>- hal le lu jah! Glo
G
2 4
I 1 3
-0 at 0- 0
-0
o w-
glo ry. hal le lu jah! Glo ry- glo ry, hal - le
B7 D7
Em 4
4 3 Am G C G
1
-G- s; T7 G
# -G
a
TJ
f=f
lu jah, His soul goes march ing on.
2. The stars in the Heavens arc looking kindly down. ...

On the grave of old John Brown.
3. He's gone to be a soldier in the army of the Lord!

His soul is marching on.
••
Uber den Wellen
Soundvorschlag Melodic: Strings Juventino Rosas
Rhythmus: Vienna Waltz (1868 - 1894)
.
C
1 1 3 1 3
i 4 -0
0
r ir r r ir -0-
G7
5
i 0
0
f->w r 'r r‘
G7 C
C 3 4 3 2
2 1 1 1 2
* pi $$ÿ W 0
0-
-&
F
C7 4
3 2 3
0 0
0
0
-0-
£
c Dm G7 C Fine
4
0
1 0
5
5
3 2 1 0 ■
1 2 3
£ ♦
I 2Z
I
0
G7
1 2 1
ift Z
P 0
l=i 0
$
4
c
1
0
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2 1
0
Z- Z 0
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2
P-
1
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C#dim 5 Dm F
1 2 1 2
m -
0- *
t TJ O i
c G7 C D.C. al Fine
1 2 1 2 3
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0 0 0-
0 0
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E24
Die kleine Kneipe
(Peter Alexander)
Soundvorschlag Melodic: Bandoneon Mnsik undText: Petrus Kartner
Rhythmics: 6 8 Slow Rock Michael Kun/e Oliver Spieker
Tempo: » - 60 Arr. Kolbl Thumer
Gm Cm Gm
5
PI i 0• m 0- 0 m 0 X I 0
¥ 0- P
5
# - # m X X 3 X
4
1 Der A head scukt sich auf die Da - chcr der Yor - stadt. die
D7
¥ Kin - der am Hof mils

x
sen heim.
i P
Die Krii - mers -
*
Irau fegl das
x
Trot
Gm
¥ toir vor dem La - den, ilrr Mann triigt

X
die
X
Oh st ki sten
X
rein.
i P
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G7
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Men-schcn sind
X X
mil - de,
X
3=3
doeh vie
m
le
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geh'n nicht gleich naeh

3
Cm
3 Gm
1 1
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1 Ians’,
1
denu
x
drii -
x
ben
x
klingt aus ei ner of - fe nen Tii re
X
Mu -
G
D7 4
1 1 2 4
¥
t
lz
X
sik auf den
J J- w - ■
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Gch - slcig
VABO MUSIC / Intersong Basart Music Publishers (Strengholt Music Group, Naarden)
hin
¥:
aus. Die klei - nc
&
Used by permission of Strengholt Music Group. Naarden - Holland.
OO
5
1 4
PH Knci
-0
pe
m
in
5
W7
un
0
sc rer
0
5
Stra
w- 0
Ik,
w
da
0
wo
0
das
D7
2
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#
0 ■
0 #
5 a7
t i
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C G
3 O
3 3 4
1 2
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I * 3; 1=5
I
Knci
*
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*
un
* 0
rcr
0 0-0
sc Stra Ik. da liagt didi
D7 G
i
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kei
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was
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du hast
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bist.
o'
2. Die Postkarten dort an der Wand in der Ecke,

das Foto vom FuGballverein,
das Stimmengewirr. die Musik aus der Jukebox.
all das ist ein Stiickchen daheim.
Du wirfst eine Mark in den MUnzautomaten.
schaust andern beim Kartenspiel zu.
Und stehst mit dem Pils in der Hand an der Theke
und bist gleich mit jedeni per du.
3. Man redet sich heiB und spricht sich von der Seele.
was einem die Laune vergiillt.
Bei Korn und bei Bier findet mancher die Fosung
fur alle Probleme der Welt.
Wer Hunger hat, der bestellt Wiirstchen mit Kraut,
weil es andere Speisen nicht gibt.
Die Rechnung, die steht auf dem Bierdeckel drauf.
doch beim Wirt hier hat jeder Kredit.
SP1ELTIPP:
Die erste Strophe kann auch ohne Begleitautomatik gcspielt werden.
In diesem Fall legt man auf die linke Hand einen Streicher Sound. Der Rhythmus
wird im vorletzten Takt auf der ersten Seite gestartet. Dazu verwendei man am
besten einen am Keyboard angesehlossenen Fubsehalter.
Scarborough Fair
Soundvorschlag Melodie: Mute (Simon & Garfunkel)
Rhvthmus: English Waltz Traditional
Tempo: .= 120 Arr. : Kolhl Thumcr
Dm C Dm
i Mi4
1. Are you go ing to
-0’
Scar
m
bo -
0
rough Fair?
G Dm
|ng &
0 £ & &
Pars ley, sage, rose ma ry and thyme. Re mem her
F C Dm
4 2
i £=F
me to one
0’
who
0
lives
5 0
there,
i l
3
for
o
once she
C Dm C
2 1 5
i $ S'
was a
0’
true love of mine.

a7 ZX7
o 0
m
Dm Bb C Dm G Dm
i $
a77 a7 ■# w 0 § a7 ZX7
2. Have her make me a cambric shirt. 5. Plow the land with the horn of a lamb.
Parsley, sage, rosemary and Ihyme. Parsley, sage, rosemary and thyme.
Without no seam nor fine needle work, Then sow some seeds from north of the dam,
and then she'll be a true love of mine. and then she'll be a true love of mine.
3. Have her wash it in yonder dry well. 6. If she tells me she can't. I'll reply.
Parsley, sage, rosemary and thyme. Parsley, sage, rosemary and thyme.
Where water ne'er sprung nor drop of rain fell, Let me know that at least she will try,
and then she'll be a true love of mine. and then she'll be a true love of mine.
4. Have her find me an acre of land. 7. Love imposes impossible tasks.

Parsley, sage, rosemary and thyme. Parsley, sage, rosemary and thyme.
Between the sea foam and over the sand, Though not more than any heart asks,
and then she'll be a true love of mine. and I must know she's a true love of mine.

Butterfly
(Danyel Gerard) Musik: Danyel Gerard
Soundvorschlag Melodic: Fantasia Originaltext: Ralph Bernet
Rhy tlunus: Teil A Piano Ballad, Teil B Polka Pop Deutscher Text: Ben Juris
.
0 c F C F
1 2 i 2
E 0
1 . A uf dem
#
Feld bliih te weifi

-
w
der Jas - min,
-Q~
0
and ich ging oh - ne Ziel

m
vor mich
G C F C
1 2
■&-
m -0 0 0
w
r2 1 ■&
hin. Wie im Traum, da sail ich dicli am We - ge so al - lein,
G7 C
4 1 E3 5
1 3
g - g -g
#• *
Si
I
wie ein Schmet- ter - ling im Son - ncn - schcin. But - ter - fiy, m> But - ter - fly , je - der
G7
F C
m
3
1 2
10
0 u
0' # t 0 * <>
Tag mit dir war schon. But ter fly, my But - ter - fly,
F 1.+2. 3.
5 G7 F C
1 4 3 4 C c 1 1
• I
P
#-
0
0 P 0' -0—0 •- m
V
7'
wann wcrd ich dieh wie der seh’n? 2. Je - des seh'n?
2. Jedes Wort von dir klang wie Musik, 3. Es ist still, nur der Wind singt sein Lied,
und so tief wie die See war das Gluck. und ich seh, wie ein Vogel dort zieht,
Eine Welt voll Poesie, die Zeit blieb fur uns steh'n. er fliegt hoch, hoch iiber’m Meer ins Sonnenlicht hinein,
doch der Abschied kam, ich musste geh’n. gerne mocht ich sein Begleiter sein.
••
Annchen von Tharau
Soundvorschlag Mclodie: Akkordcon
Rhythmus: English Waltz Deutsches Yolkslied
.
Tempo: = 120 Arr.: Kolb] I'humer
G D7 G
3
i lb3
4
0'
1 . Ann
0
5
chen von Tha rau
-0 M
ist,
ML
die mir ge lain,
D A7 D G
3
i I
M
sie ist mem Le ben, mein

0~
Gut
m
und mein
0 T77
Geld.
0-
Ami
0 m
chen von
D7 G D
m
3
i I
Tha
0
rau
i
hat wie der ihr Herz
-GH-
auf mich ge rich tet in
A7 D D7 G
3
i * 0'
Lieb’
m
und in
o7
Schmerz. Aim
0
- chen
0
von Tha -
0
rau,
0-
mein Reich - turn,
i
mein
D7 G G7 C G D7 G
I i 77
Gut,
0
du mei
0
ne See le. mein

5
Mei sell und mein Blut.
2. Kiim alles Wetter gleieh auf uns zu schlahn, 4. Wiirde.st du gleieh einmal von mirgetrennt,
wir sind gesinnt beieinander zu stahn. lebtest da, wo man die Sonne kaum kennt,
Krankheit. Verfolgung. Betriibnis und Pein ich will dir folgen durch Wiilder und Meer,
soil unsrer Liebe Verknotigung sein. Eisen und Kerker und feindliches Heer.
Annchen von Tharau, mein Reichtum, mein Annchen von Tharau, mein Licht, meine Sonn\
Gut.du meine Seele, mein Fleisch und mein Blut. mein Leben schlieBt sich um deines herum.
3. Recht als ein Palmenbauni iiber sich steigt,

je mehr ihn Regel und Hagel anficht.
so wird die Lieb' in uns machtig und groB
durch Freud’ und Leiden, durch allerlei Not.
Annchen von Tharau, mein Reichtum, mein Gut.
du meine Seele, mein Fleisch und mein Blut.
© 2009 HAGE Musikverlag. Pommelsbrunn

Es waren zwei Konigskinder
Soundvorschlag Mclodie: Oboe & Slow Strings
Rhythmus: Piano Ballad Deutsches Volkslicd
G D7 G
2 1
ie
i = LJ US
0
-0
O'
1. Es
D7 G D7 G
l 4
$ i
0
'
0 0
ren
0-
/wci Ko mgs
O 0
0 IPS
\va kin der, die hat ten ein - an der so
D7 G D7 G C
77
l
m
4
0
m 0
0
5
-0-
0 m
'1 V konn ten zu sain men nicht koni men, das
G D7 G D7 G D7 G
i
0 0— 0
0 o- a 0 #— p- m o-
Was - scr war viel- zu- tief, das Was - scr war viel- zu- tief.
2. ,.Ach Liebster, kannst du nicht schwimmen, 4. Ein Fischer wohl fischte lange,
so schwimme doch her zu mir, bis er den Toten fand
drei Kerzcn will ich dir anziinden. „Sieh da, du liebliche Jungfrau,
und die sollen leuchten dir, hast hier deinen Konigssohn,
und die sollen leuchten dir."' hast hier deinen Konigssohn."
3. Das hort eine falsche Nonne, 5. Sie nahm ihn in ihre Arme
die tat, als wenn sie schlief. und kuBt ihm den bleichen Mund,
sie tat die Kerzen ausloschen. es muBt ihr das Herze brechen.
der Jungling ertrank so tief, sank in den Tod zur Stund,
der Jiingling ertrank so tief. sank in den Tod zur Stund.
©2009 HAGE Musikverlag, Pommeisbrunn

Abendlied
(Der Mond ist aufgegangen)
Soundvorschlag Melodie: Oboe & Slow Strings
Rhythmus: Piano Ballad Deutsches Volkslied
.
F Bb C7 F Bb Cl F
l 2 3
i b C
1. Der
-0
Mond ist auf - ge gan gen, die gold - nen Stem - lein
&-
pran
m
gen am
Bb F Cl F Bb Cl F
0
-& t 0 0 -&
Him - mel hell und klar. Der Wald steht schwarz und schwei get, und
Bb Cl F Dm Bb Cl F
0 3
0 0
M 0
-0 0
aus den Wie sen stei get der vvei Ik Xe bel wun der - bar.
2. Wie ist die Welt so stille 5. Gott, laB dein Heil uns schauen,
und in der Dammrung Hiille auf nichts Verganglichs trauen.
so traulich und so hold nicht Eitelkeit uns freun;
als eine stille Rammer, laB uns einfaltig werden
wo ihr des Tages Jammer und vor dir hier auf Erden
verschlafen und vergessen sollt. wie Kinder fromm und frohlich sein.
3. Seht ihr den Mond dort stehen? 6. Wollst endlich sonder Griimen
Er ist nur halb zu sehen aus dieser Welt uns nehmen
und ist doch rund und schon. durch einen sanften Tod:
So sind wohl manche Sachen, und wenn du uns genommen,
die wir getrost belachen, laB uns in’ Himmel kommen.
weil unsre Augen sie nicht sehn. du unser Herr und unser Gott.
4. Wir stolzen Menschenkinder 7. So legt euch denn, ihr Briider,

sind eitel arme Sunder in Gottes Namen nieder;
und wissen gar nicht viel. kalt ist der Abendhauch.
Wir spinnen Luftgespinste Verschon uns, Gott, mit Strafen
und suchen viele Kiinste und laB uns ruhig schlafen.
und kommen weiter von dem Ziel. Und unsern kranken Nachbarn auch!

Heideroslein
(Sah ein Knab’ ein Roslein steh’n)
English Horn & Slow Strings
Rhythmus: English Walt/ Deutsches Volkslied
.
F C7 F
2
4 O 1 o m W- O 1
1. Sah ein Knab’ ein Ros lein steh’n, Ros lein
Bb F c F A7
3
I?-0- m 0 Gh- zn o 0 TJ TJ
auf der Hei den, war so jung und mor gen
Dm F Gm F C F
0 <s>- 77 0
77 77 0
schon, lief er schnell, es nah' zu seh’n, sah’s mil
C7 F Bb C7
2
$ 77 77 £ 0 0
vie len Freu den. Ros lein, Ros lein, Ros lein
Dm Bb F Cl F
£
Gh- a
Ros
0
lein
Z7
m
2
0' m 77
rot, auf der Hei den.
2. Knabe sprach: „Ich breche dich, 3. Und der wilde Knabe brach
Roslein auf der Heiden!" ’s Roslein auf der Heiden;
Roslein sprach: „Ich steche dich, Rosleinwehrte sich und stach,
dass du ewig denkst an mich, half ihm doch kein Weh und Ach,
und ich will's nicht leiden.“ rnusst’ es eben leiden.
Roslein, Roslein, Roslein rot, Roslein auf der Heiden. Roslein, Roslein, Roslein rot, Roslein auf der Heiden.
©2009 HAGE Musikverlag, Pommelsbrunn

Land Of Hope And Glory
aus Pomp And Circumstance, op. 39
Soundvorschlag Melodie: Brass & Strings Edward Elgar
Rhythmus: Piano Ballad oder 8-Beat (1857 - 1934)
Tempo: = 78. Arr.: Kolbl Thumer
C G7 C F C D7 G
4 3
i I•* n
m m #
© 77 0 0 0
c D7 Bm Em Am D7 G G7
l 2
&
P
O 0
■©■
0 -a o
C G7 C F C D7 G
3
4r u 0
Z2 -& 22
F G7 C
C D7 Bm Em C7
1
£ hJ b
4
o 2
i ©
£
© F
F G7 Em Am Dm G7
2 2
5
2 5 5 c
i 0
Q_
i
I
2
I
0
5»
U=4 O
SPIELTIPP:
Diescr Titel kann auch ohne Bcglcitautomatik gespiclt werden.
In diesem Fall legt man auf die linke Hand einen Streicher Sound.
Schwarze Augen
Soundvorschlag Melodic: Akkordeon
Rhythmus: Vienna Walt/. Russischcs Volkslied
.
A7 Dm A7
2 1 2 3
0' 5 m 0' 0- 0'

f
m
4r4+ 0—0 0
Dm Gm Dm A7
1 3 2 3 2 3 2
9-
*ÿ
00
t i
0 0 0’
/- i
0
0 m
Dm A7 Dm
l 1 2 2 1
m 0 It ttJ 0 22 m
A7 Dm Gm Dm
5 2 1 4 2
0-0 0 72 t-
9 0 o m 0
&
t t
0 22
m
A7 Dm A7 Dm
2 1 3
-6- 0
? rJ 0 0' 0— 0
0
Edim Dm Gm Dm
4 A7 4 5 3
A*-J-B
3 1 2
r-Eÿr 2Z
¥
&
I 0' 0
A7
4 Dm Edim A7 Dm
4, 1 2 3 2 2 3
-—
0
5 0' JO 0 0'
0
5 i 0
5 0' $
0 0 0
Dein ist mein ganzes Herz
aus der Operette Land des Lachelns
Grand Piano & Strings Musik: Fran/, Lehar
Rhythmus: Piano Ballad Text: Ludwig LIcrzer Frit/ Lohner
.
C G7
5 l 1
m 0 = 0 i »
m * «-
P
c Csus4 C Em
4
4
= g
i Deni
m
ist mein
0
gan - /es
0
Her/,! Wo
0
du nicht
a
hist,
0
kann ich nicht

0
<>
sein,
Am Em l D7
5 3
i 73T
m 0
0 0
i=i -fit- 0
0
so wie die Bln me welkt, wenn sie nicht kiisst der Son - nen
Gdim
G
5
Dm
n-
3
i <>
schein ! Dein
0
ist mein
0
schons
0
tes Lied,
0
weil
0
es al
Fm C F#dim
5 5 1 1 5
i lein aus der

0
Lie -
0
be er
0
bliiht! Sag mir

0
nocli ein
0
tnal, mein
m
C Dm G7 5
1 1
0 0 i 0 0'
p o
<>
ein zig Lieh, o. sag noch ein - mal mir: ich hab dieh lieb!
© 1929/1957 GLOCKEN VERLAG, Wien - Frankfurt - London SPIELTIPP:

Abdruck erfolgt mit freundlicher Genehmigung der Glocken Die ersien drei Takte konnen ohne Begleitrhythmus gespielt wer-
Verlag GmbH. Frankfurt am Main
den. Vorher SYNCHRO START aktivieren, so dass mit dem Greifen
des C-Dur Akkordcs in Takt 4 die Beglcitautomatik startet.
Imagine
(John Lennon)
Soundvorschlag Mclodie: E-Piano oder Piano Musik und Text:
Rhythmus: Piano Ballad John Lennon
Tempo: .
= 78 \n.: Kdlbl Thumer
m
5 F 2
C F
1
E Sh-
0 F3
= t
c F C F
-ft «T~3 0— 0
ftrj J 0 3
1. 1 ma gine there’s no heav en, it’s eas - y if you try.

tries, it is - n’t hard to do.
c F C F
No
hell
0-0
_ he - low
77
us,
0
a
m hove us
0
on 1} sky
3?
Nothing to kill or die for, and no re - li gion too.

G7 5
m
c Dm F 5 1 4 *
m
4
M
0
-
0 m
o i 0
0 -
m
0-
0
0
I - ma gine all the peo - pie, liv ing
-
for to - da\ l di uh uh
I - ma gine all the peo - pie, liv ing
- life in peace.- l h uh
- uh
!• C 2. F G C E7
uh. 2. 1
0
m
ma - gine there’s
0
0 — 0—
no coun
T
uh.
£
1 4
r
You may say
0 r 0
1 'm
§
a drea-mer,
F G C E7 F G
0 r f f m o-
7
W 0 0 m
m
but I’m not the on - ly one. I hope some day - you’ll
E7 F
C d G7 C
3
0
r 0 Z2l
P
join us,
¥ i
and the world will
o
be as one.
©1971 Lenono Music

¥alV\er \wdSoiv
(Cat Stevens)
Classic Guitar & Strings Musik und Text:
Rhythmus: 16-Beat Ballad Cat Stevens
Tempo: • = 75 Arr.: Kolbl Thumer
G D C Am
2
i w (
1. It's not time

*
to make a change, just re lax
#
and take
—•
it eas -
0— 0 =3
y. You're still
G Em Am D7 G D
2
0
0
young, that’s your fault, there’s so

m 0
0
much you have to know.

2
Find a girl,
0
sett -le down,

i p
if you
C Am G Em Am D7
I -0— 0 — 0— 0
-j '
0 7 0 s 0
m 0
p
want to, you can mar ry. Look at me, I am old, but I’m hap-py. 2. I was
G D C Am G Em
i * • p’ m 0
J p 0' 000 F
0—03 0
0m w 0
once like you are now, and 1 know that it's not eas y, to be calm, when you’ve found some thing
Am D7 G D C Am
2
i * 0 0
go-ing on.
i p
Take your
m
time, think a lot,
0
i p
think of ev
0-0-0 at
’ry - thing you’ve got. For you will

0
© Copyright 1970 Cat Music Limited. Used by permission of Music Sales Limited.
All Rights Reserved. International Copyright Secured.
Em G D7 Bm
m
G C G
2
still be here to mor row, but your

0
dreams may not.

i
3. How can I
0
try
U
to
r LT
ex -plain? When I
5. All the — times that I cried, keeping
C Am G Em Am D7
< 0 — 0— 0— 0
n-rn n 0
LT r * 10
do he turns a - way a - gain, it’s al - ways been the same, same old sto - ry. From the
all the things I knew in - side. It’s hard,- but it’s harder to 'g note it. 11' the} were
G Bm C Am G Em
3
m
mo - ment I could talk
0
p
I was or
0 0
dered to lis
w_
ten,
0 0
now there’s a
=3 0
0
way and I know that I

0
right, I’d a - gree, but it’s them they know, not me, now there’s a way and I know that I
D G D C G 1. 2.
pm have to go
0
a - way.
3
know I have to go.

i 1ÿ3
4. I w as
have to go a - w ay. know I have to go.
Tears In Heaven
(Eric Clapton)
Soundvorschlag Melodic: Modem Harp Musik undText:
Rhythmus: 8-Bcat Erie Clapton Will Jennings
.
Tempo: = 82 AIT.: Kolb! Thumer
G D Em G C D7 G
i *E S- m m o -d
2 1
:SL t
D Em G C G D7 C D7
I a m 0
m s rr* J
1. Would you know my name if I saw you in heav en? —
2. Would you hold my hand- if I saw you in heav en? _
G D Em G C G 07
i m I
Would it be
Would you help
the same
me stand
m d>'- t
if
if
I
I
0
0
saw you in heav

saw you in heav
#1.
en? —
en? _
Em B7 G7 E7 Am
r t m ri 3
I must be strong.
TJ
2
and
Jg
car ry on,-
- 'Cause I know 1 don't be - long-
I'U find my vvay- through night and day ,- 'Causc I know I just can't stay-
D7 G D Em G C D7 G
i * TJ
m 0 &0
0
o -d 0
2 1
dÿ
here in heav - en.

here in heav - en.
Bb F Gm C7 F C Dm F7
¥ I
5
0— 0-
m
3
0 0
0 ’ m
0 o
Time can bring you down, time can bend your knees.
Bb F Gm Cl F Cl D7 C D7
¥ t * * i
m 0— 0
- a 22! i
0
t4
l ime can break your heart, have you beg- ging please, beg-ging please.
D Em G C G D7 C D7
m .
3
i 4
a 0
3. = instrumental
4. W ould you know
0 0
0
my name il
*
I saw you in heav

0 m
en'7 _
G D Em G C G D7
i 4
i 0
Would it
0
be
0
the same
0 01 o'
m if
m
1
0
0
saw you in heav en? _
Em B7 G7 E7 Am
. mm
3 2 2
4
* 7
(3.)Bc-yond
I must
the door-
be strong
TJ im - 0
there's peace I'm sure,

and car ry on,- -
0 0
And I
'Cause I
0
know there'll be no more

know don't be - long
D7 G D Em G C D7 G
i 4 7 *
3
m J *
0
<> -&ÿ 0
2 1
i
tears in heav - en.
here in heav - en.
San Francisco (Scotl McKenzie)
Soundvorschlag Melodie: Sopran Sax Musik und Text:
Rhythmus: 8-Beat John Phillips
Tempo: . 108 An.: Kdlhl Thumer
G Bm Em C G
s l s
i O ~a
m
w
M 0
i •-
If
#
you’re go ing
come-
-
zz
to
to
a
San
San
Iran
Iran
D Em C G D
5
~77T 0
2ZZ 0 % 0— O
cis - co. be sure to wear some flow - ers in your hair.

cis co-
-
summer time will be a lov - ing day.
Em G C G
l 4 ->
i * 0
In-
§
If you are
the
0
6 0
go
streets-
- ing to
of
San
San
-&
Fran
Fran
&
0
cis-co,-
cis-co,-
a7
0 -0
5
you’re gon
gent
-
-
*
na
le
Bm Em Dsus4 D 1. Em
I £
meet
o
people
7
some gent
with flow
0
le
ers
0-
peo
in
- pic
their
o
there.
hair.
J 0
For
0
those
0—
who
1
2. F 5 5
4 3 4
1 1
I f
i * 0
All
— 0— 0
a - cross
0
the
0
na
0
4
0-®
tion
__ 77 i i
such
E
0-0
a strange vi -
0
bra
G 4
3 5 4 1
1
i * 0
$
0
tion,
— &
Z2 0 0
% 0
r
peo pie -
0
m
Kr~r
mo
__ tion
i
F 5 4 3 r> 4
1 1 1 1 1
i
i
k &
72 l % *
There’s a whole gen - er a lion with a new ex - plan a -
G
3 D 4 4
1 1
i
sz i i
r
■&
o
i
tion, peo pie in mo tion,
D Em 5
c
1 3 4
4 rj*
72* t
peo pie
- in
f
mo tion. For those who come to
G D Em 5
C G
1
72'
l
&
rj
''s
San Fran CIS - co, be sure to wear some flow - ers in vour
D Em G C G
o 1 4
i 5 5 $
n I o
hair. II vou come to San Fran CIS - co,
Bin Em G
1 3
* I O
P P o O
sum - mer time will be a lov ing day.

She’s The One (Robbie Williams)
Soundvorschlag Melodie: Fantasia Musik und Text:
Rhythmus: Piano Ballad Karl W'allinger
.
Tempo: = 78 Arr.: Kolbl Thnmer
G CMaj7 G
Q-
0 m G-
0
G 7 0
I was her, she was me, we were one, we were free.—
CMaj7 Am D7 G
i i 0 FEW
5
0- a m 0— 0 i
And if there's some-bod y call-ing me on, she's the one
__
CMaj7 Am D7 G
i 4
5
0 3E 0 0 m1 7 • 0— 0 G
If there's some -bod y call-ing me on, she's the one.
CMaj7 G CMaj7 G
jT3lf
i 4
We were young,
f i.) jbi
w e were w rong,-
0
1 y
w e were fine,
* y
all a -long.
CMaj7 Am D7 G
4
I 4
0
0
And if there's some -bod y

0 •
cal] -ing
0—0
me on, she's the one

__
?
G7 C
i 4
-G
w i 0
W hen you get to where you wan-na go

0 0- 0-
and you know the things you wan-na know, —

0 0
5 0'
you're
G G7 C
4
i
& 0
t i
0
0
smil mg. W hen you said whal you wan - na say and you
Am Dsus4 D7
l
i
0— 0
55 0
F
.r IH
o
o
2
l
know the way you wan na play, you'll be so high, you'll be fly ing. Though the sea,-
I was hop¬
G CMaj7 G CMaj7
* »~* 4ÿm f i 7, m »17, m 0-

f
will be strong,
she was me
__ I know we'll
we were one,--
_ car - ry on
we were free
__ Cause if there's some -bod
And if there's some -bod
m
Am D7 G CMaj7
5
0 0
0 m 0 S I 7 «1 0 0 t 0
0
y call -ing me on, she's the one

__
__ If there's some -bod -
y call ing me on, she's the one
Am D7 G CMaj7
0 i
gi
w i J 0 0 o :iu * Jÿr
l
0
0 0
\ call -ing me on, she's the one.- And if there's some -bod
Am D7 G CMaj7 G
0 0 m& 0—0 & ± 0 —0 & ±

y call -ing me on, she's the one. She's the one.
House Of The Rising Sun (The Animals)
Soundvorschlag Melodie: Rock Organ
Rhythmus: Slow Rock Traditional
Tempo: • = 65 Arr.: Kolbl Thurner
D E7
Am C F Am 4
2
Gh-
-6
2Z
77
Am El Am C D
1 l
$4 1 . There is
t pm *
a house
7
in New Or -
i
F 5 Am C E7
i I i I 0•
5; #ÿ
2 M
leans, they call the Ris ing- Sun. And it’s
Am C D F
3 3
i t MM i m
i
been the ru in of rna - ny a poor boy, and
Am E7 Am E7 5 Am
-I J- *
God,
J)
I
S1
know, I’m
_
0 TJ7
one.
I
2. My moth
I £
er
m
C D F 5 Am C
3 1
t £ £ 0 ■
0'
i A i i i
was a tail or, she sewed those new blue-

c D
m
E7 Am 4
1 2
m- 3 1 1
r t i l 0—
jeans, my fath er was a gamb ling
F
3 Am E7 Am C
3 I
£ i £ 0
22
G’
Z5
-&
man, down in New Or leans.
D F Am E7 Am
Gh-
pk o•
w Z2I 3
G'
3. Now the only thing a gambler needs

is a suitcase and a trunk.
And the only time he’ll be satisfied
is when he's all adrunk.
4. Oh mother, tell your children

not to do what I have done.
Spend your lives in sin and misery
in the house of the Rising Sun.
5. Well I’ve got one foot on the platform,

the other foot on the train.
I’m going back to New Orleans,
to wear that ball and chain.
6. Well there is a house in New Orleans.

They call the Rising Sun.
And it’s been the ruin of many a poor boy,
and God 1 know I'm one.
Angie
(Rolling Stones)
Soundvorschlag Melodie: Violin & Slow Strings Musik und Text:
Rhythmus: Piano Ballad Mick Jagger Keith Richards
Tempo: •= 68 Arr.: Kolbl Thumer
Am E7 G F C
An-gie,
TJ
Ail - gic,
G -0000
when ivill those clouds all dis - ap

* m -0
pear?
F #
m
An-gic, you’re beautiful, but ain’t it time we said good bye?-
Am E7 G F C
P £
~TJ G 0-0-0
An-gie, An gie, where will it lead us from here? With no

An-gie, I still love you. Re mem - ber all those nights we cried.
-
All the
G Dm
-
Am
C F G
’n.n j
2
1 2 m
1 0 o'
<>
lov - ing in our souls and no

dreams we held so close seemed to
f
mo-ney in our coats,
all go up in smoke,
r you can’t say we’re sa - tis
let me wliis - per in your
lied.
ear.
m Am E7 G F 1. C 2. C
_
<0
rriciifr* ting
G <0 f0 -m-
i
An-gie,- An - gie, you can’t say we nev-cr tried. here? Oh,
An-gie,- An - gie, where will it lead us- from
G Dm
in. n J n , ha Am C F G
2 4
i m
0 0
± frTtrr
<>
An-gie, don’t you weep, all your

f r
kis-ses still taste sweet, I hate that sad ness in your eyes, but
Am E7 G F c
0 g- o
% 0 — 0— 0 0 0
An gie,
- An gic, ain’t it time \vc said good - bye? With no
G Dm
5 Am C F G
H /J J J1 1 i
2
m tz
0_
r
~Q_
o
lov-ing in our souls and no

f
mo-ney in our eoats, you can’t say we’re sa - tis - tied.
Dm Am Dm Am
4
0— 0 0- m~0
An -gic,
* I still love you, ba - by, ev-’ry-where I look I see your eyes.
Dm Am C F G
2 0 0
0 0 0
% i m * -o'
There ain’t a wo - man that comes close to you, come on ba-by, dry your eyes.
Am E7 G F C
5
2Z4 G
i 0-0-0 0 r r dp
i
An - gie, An gie, ain’t it good to be
P
a live?
Am E7 G F C
■ r
i
P7 I7Z G 0-0-0 0 0 ZZ
l 0
P .0
An gie,
- An gic, they can’t say we nev - er tried.
Piano Man (Billy Joel)
Soundvorschlag Melodic: Harmonica Musik und I c\t:
Rhythmus: Musette Billy Joel
.
C
4
G Am C F C D7 G7
n
1
fmii! 0
ft
£
10 m 0
0
F
C G Am C F G7 C 4
l 2
0 0 0 0
f
G F G C
5 F C 4 5 F 3 G
4 o 3 l 4
#
0 f 0
% «-m- 0
1. It’s tune o’ - clock on a
Am C F C D7 G7 C G
0
S
J'J i J J 0— 0 0'
i- h-lJ> J -#
sa - tur-day, the re - gu - lar crowd shuff les in. There’s an old man sitt-ing
m
Am C F G7 C F C
1 4
next
0
to me
__ n
mak-in’ love to
■
Iris
*
to -
*
nic
J
and gin.
%
2. He says,
G
Am F C D7
2 4 4
••00
2
24
P 0'
son, can you play me a me-mo-ry? I'm

Wnot real - ly sure
r how it goes. But it’s
C G7
Am F c
■1 JI J
'
n c 2
1
# i
5
1
£
P
7T7
0'
0
sad and it’s sweet and 1 knew it com plete, when I wore a youn ger man’s clothes.
G7
Am D F Am D F G 3 4 5
m
1 1 2
f!La la la, de de
#ÿ
daah.
J. u j)J
La la, de dc daaah
£
da
0-
dam.
0'
»-ÿ-
mJ Am F
4 c
J>! 1—3 3
D7 G7
P Sing us a
0’
0-0
song, you’re the pia-no man,

P
sing us
f
a song to - night. Well, we’re
n °JE Am F G7 1. - 3.
m
c
i
# jrnTd.a 1
0
5
i
4
p a
-0
M
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all in the mood lor a me - lo - dy,- and you’ve got us feel - in' al nght.
4. C F G F G F
5 4 5 F C 3 4 5 C
3 2 3
t -0
0 n
r I
right.
3. Now John at the bar is a friend of mine, 6. And the waitress is practicing politics,
he gets me my drinks for free. as the businessman slowly gets stoned.
And he’s quick with a joke or to light up your smoke, Yes, they’re sharing a drink they call loneliness,
but there's some place that he'd rather be. but it’s better than drinkin’ alone.
4. He says. Bill, I believe this is killing me, 7. It’s a pretty good crowd for a Saturday,
as the smile ran away from his face. and the manager gives me a smile.
Well I'm sure that 1 could be a moviestar, 'cause he knows that it’s me they’ve been cornin’ to see,
if I could get out of this place, oh. to forget about life for a while.
5. Now Paul is a Real Estate novelist, 8. And the piano, it sounds like a carnival,
who never had time for a wife. and the microphone smells like a beer.
And he’s talkin' with Davy, who’s still in the Navy, And they sit at the bar and put bread in my jar,
and probably will be for life. and say, man, what are you doin' here?
SPIELTIPP:
Die Achtelschliige dieses Stiickes wie die
Viertelschliige des Walzers (Musette) zahlcn. Dann
entsprechen zwei durchlaufende Takte des Keyboards
einem notierten Takt im Stuck .
Hello
(Lionel Richie)
Soundvorschlag Melodie: Piano Musik undText:
Rhythmus: 16-Beat Ballad oder Piano Ballad Lionel Richie
.
Am G F G Am
5 5 5 5 5
F G F G
m
3 2 3 3
m Fjff
3
1 1 1 1 1
0
T
t l % ft 0
1. I’ve
Am G F G Am G
m
3 2 3 2
1
$ 0
0
*=5 0
1 w
been a - lone with you in - side my mind. And in my dreams I’ve kissed your lips
long to see the sun - light in your hair. And tell you time and time a - gain
F G Am 3 2
G F G
2
0 0
i § 0 0
a thou- sand times. I some -times see you pass out - side my door. Hcl-
how much I care. Some - times I feel my heart will o - ver flow. llel -
Am G F A Dm G7
3
1 f-
0
0 0 -0 0 P— a 0
&
lo,
lo,
is it
I’ve just
me you’re look ing for?-
got to let you know
__ I can
Cause I
see it in your eyes,
won-der where you are,
I
and
can
I
C 2 F Bl> E7
4 3 2
ii see it
0— 0
in your smile.
won - der what you do. -
0 p
You’re
Are you
0
all I’ve cv
some -where feel
'
cr
0
wan -
0
ted, and my
or is
- ing lone - ly,
Am G Am G Dm G7 c F
— — m-
f r r *ÿ3=5 p
2
J J p -fr w 0 0
0
7 r r
arms are o - pen wide. ’Cause you know just what to say, and you know just what to do.- And I
some -one lov ing you? Tell me how to win your heart, for I have n’t got a clue. But
Bt> E7 ’• Am G F G F
m m
3 2
i
i
i want
let
to
me
tell
start
you
by
so
say -
much,
ing,
♦
I love
1 love
you.
s I f i I
Am G F G 2- Am G F G F A
ppi
i
t=t l f t ± 0
F 2 o
2.1 you.
Angels
(Robbie Williams)
Soundvorschlag Melodie: Nylon Guitar & Strings Musik und Text:
Rhythmus: Piano Ballad Robert Williams Guy Chambers
Tempo: . = 75 Arr.: Kolbl Thumer
C
1 5 2
'1
1.1 sit and wait,
i 0
does an an gel
0
con - tem -plate-
F G7 C
l l
0-0 35
5 ± 0 m 0' 0 0
S
my late, and do they know- the pla-ces where we go, when we're grey and old.
F G7 Dm F
ala
1 3
± 0ÿ
•mm
m
'cos I have been told, that sal - va tion lets their wings-
m
Am F Bb F
2
m— 0±&
§ ■L
i— 0 m + J*J
j-i 7 j)-i 0
un-fold. — So when I’m ly ing in my bed thoughts run-ning through my head, and I
C Bt> F C G
I
4 1 2 1 4
0 m 0 m m
• d-+- d
feel that love is dead. I’m lov ing an-gels in-stead. And through it all she of-fers me — pro-
Am F C
3 1 2 l
¥ tec - tion, a lot of love and af -

0
P
fee - tion, whe-therl’m right or
0L
w rong.
0 —
And down the wa
0
ter
G Am F
tm 0-m-0-0
m a: 0 0
P am
fall, wher-ev - cr it — may take me, I know that life won’t break me, when I come — to
C Dm Bb F C
3
i G
call
fc=5
0
J 0
she won’t for sake- me.

m
0
I’m lov - ing an - gels

m in stead.
O
2. When I'm feeling weak

and my pain walks down a one way street,
1 look above, and I know I'll always be blessed with love,
and as the feeling grows she breathes flesh to my bones,
and when love is dead,
I’m loving angels instead.
Always On My Mind
(Elvis Presley)
Soundvorschlag Melodie: Musik und Text:
English Horn & Strings Mark James Johnny Christopher
Rhythmus: 8-Beat Rodney Francis Wayne Carson
.
G D Em 2
3
i fcw( j
p
1. May -be
0--
1
w
didn’t
#ÿ
treat you
77
quite as good- as I
2. May-be I did-n’t hold you all those lone - ly, lone - ly
C D G D Em 2
1 1
i 4
$
should have.
times.-
4' 4 0 p
May-be I
0'
did - n’t
And I guess I nev - er
lor e you
told you
quite as of - ten as I
I’m so hap-py that you’re
0 0
A7 C G C G
1 3
u
4
* 0 4 d‘ *
0 0 0
0'
0
5 G
could have.- Lit -tie things I should have said and done I just nev - er took the
mine . If I make you feel se - cond best, girl, I’m so sor-ry I was
4 G
Am D7 2 3 2 5
3
ins time..
77 s f %
You were
i 4
al - ways on
* i
my
I
mind,
4— 0 4— 0
blind. 't oil were al - ways on my mind,
D7 5 1. G 2. G G
c 4 5 1 3 3 C D 4 Bm
1 1 2
i is
\ou
M m
were
r ou were
4-0-9
al
al
-
-
ways on
ways on
0 0
my
my
o
o
mind.
G
77
mind. Tell
% W
G
Em C G Am D7 4 Bm
1 2
i 4
-G
me, tell
0
me
0
P
that your srveet love
0-
has -n’t
22
died. Give
g S
Em C G Am D7 G
i i
l
i m • 0
m 0
m 0-
2
m 0
1
me, give me one more chance to keep you sa - tis - lied, sa - tis - fled,
D Em 2
A7 c G
l 3
i 4 0 77
O IPjP
Lit- tie things I should have said
0'
0
5
and done
4 G
c
m
Am D7 2 3 2 5
4 3
Pn •• 0 m
I just nev-er took the time.

0 f j - '
I t I
You were al - ways on my
** t
mind,
0—0-
0—0
5
C 4 5 1 D7 G D Em G C G Am D7
i M
••0
you were al - ways on my
0—0
0
O
o
mind.
-e
77
&
2
TJ
&
% 22
-a
-6
iS
73
G D Em 2
C D
3 1
i 4
3. May -be I
May -be I
did -n’t
did-n’t
77
treat you
hold you
i=g
quite as good
■#
as I should have.
all those lone-ly, lone ly times.
1
G D Em 2
C D G
1 3 1
4 4
♦
y
P
May -be I
0'
m
did-n’t love you
0 TTv t J"J J J =
quite as oft-en as I could have
A
__
# I
And I guess I ncv-cr told you I’m so hap py that you're mine.
Hard To Say I’m Sorry
(Chicago)
Soundvorschlag Melodie: Pan Hute Nlusik und Text:
Rhythmus: 16-Beat Ballad David Wallace Foster Peter Cetera
Tempo:
- 70
G 1 2 4 C D
Arr.: Kolbl Thumer
Djtdim
1 2 4
4
I 4 0
0
0 0
0 0 0
0
Dsus4 D
Em A7 4 3 G
1 2 4
4=5 m
1 1
I 0 0
0 0
0
0
0
0
0 I o
G Bm C
V\n JJ J J 0—0 k=i i) J 0 0

1=3 0
1. Ev-ery-bod - v needs a lit-tle time a-way,-

2. Could-n’t stand to be
—
kept a-way,-
I heard her say,-
just for the day
__ from each
from your
Em D G Bm
i 4
-&
oth
bod
Q.
er.
i
E ven lo vers need
-
Would -n’t want to be
- a ho
swept
li
a
-
-
day,.
way,
%
:
Em Em
c 3
4
2 5 D 5 Am
1 3 3 1 1 ;
i i 0
far
far
0 -0
a - way —
a - way —
0
from each
from the
t
oth
one that I
er.
2
love.
J
Hold
Hold
me now,
me now
__ —
T>
it’s
it’s
D 4
G
3 Em Am Dsus4 D
] 3
I I i 0-0
hard for me to say

hard for me to say
I’m
I’m
&
sor
sor
-
-
ry,
ry,
0
I
I
just
just
want
want you
0
you- to stay
to know
-
__
G C D Dtklim Em A7
m
4
1 2 5
I * 0
m 0
0 77
m s 1=6= 0
0— 0
Aft - er all that we’ve been through,- I will make it up to you, I pro
5
D C D G C D Dttdim
m
3 3 4
i
1 0
0
0
0 0
mi sc to. And aft - er all that’s been said and done, you’re just
'• Em Cjtdim Dsus4 D Dsus4 D
i &
I 0
0 0 0 m 5 4
0 i
the part of me I can’t let go.
2.
Em Am Dsus4 D Dsus4 D G
l
i 4
f
0
the part
0-0-0
of me
0
I can’t let
* g
go.
1 0 O I
Leningrad
(Billy Joel)
Soundvorschlag Mclodie: Piano & Strings Musik und Text:
Rhythmus: Piano Ballad Billy Joel
.
C G Dm A F C
0' 0 ■ 0 0*
m 1
-&ÿ
2
0 m
0
1
Dm G7 5
Am F Gsus4 G7 C
3 5 1 2 4
%
0
0
0 0
3
Dm F G C Dm
1 l 3 1 1
i Yik - tor was bom

0 i
in spring ol
and learned to
four - tv four,
serve the state,
0-0 i
and nev - er saw
fol lowed the rules,
-
a
F G C7 C Fttdim
2 2
0-0 V-J J ± 0-0

O
his fa - thcr an - y - more. A child— of sa - cri - lice, a child of war,

and drank his vod - ka straight. The on ly way to live was drown the hate,
C Gjklim Am F G7 1. Dm
i C t l
5 0 0 0 0-0
an - oth - er son- who nev er had a fa - tlier af - ter Le - nin - grad. Went off to school
a rus-sian life- was ve ry *
sad, and such was life in Le - nin -
2.
Gm 4
m
Cm 5 5 2
c 2
a m
5: 0 0 0
0-0-0— 0 0
>0=0 0— 0— 0 0 0 0
0
grad. I was bom in four- ty - nine, a cold war kid in Me - Car - thy time,
Child - ten lived in Le - vit-town, and hid in the shel - ters- un - der - ground, 'til the
Gsus4
Fsus4 F G
|> U l \ 0 0
0
0
0
0 0
0 i 0 0
i
0
0
0
0
0-
0
0
r
m.
stop ’em at the thir - ty- eighth pa ral lei, blast those yel-low reds to hell.
So viets- turned — their ships a round, tore the Cu-ban mis - siles down.
Csus4
5 Cm Gm
Cold
m
90
war kids were hard to kill,

0
un der their
- desk
0 0 — 0—
in an air
0 H
raid
0
drill.
In that bright oc to - her sun, we knew- our child - hood- days were done. And
Gsus4
Fsus4 F
m
4 G
1
9-0
0
0
; 0 0
I 0
3ÿ 0 0-0
0 0
Ha - ven’t they heard we won the war, what do they keep on light - ing for?
I watched my friends go off to war, what do the) keep on fight - ing for?
C Dm F G C Dm
l ] l l
£
5
Vik - tor was sent
. ±
to some Red Ar -
0
my town,
« l
0
served out his time,
* &
And so my child and 1 came to this place, to meet him eye
F G C7 C F#dim
fi 0 m 0
2
i 0 0
2
0-0
77
be - came a cir - eus clown. The grea - test hap - pi - ness he’d ev - er found,
to eve and face to face. He made my daugh-ter laugh, then we em- braced,
C Gtfdim Am F G7 C
l
§3 6 £ 0 0 A'
i
was mak-ing rus sian child - ren glad, and children lived in Le - nin - grad.
we nev - er knew - what friends we had, un - til we came to Le - nin - grad.
G Dm A F C
2
0' 0'
0
0- 0 0
m -0-
I 2
0
0
Dm G7 5
Am F Gsus4 G7 C
3 5 4
0 0
0
0
0
0 0
5 o
1
She Loves You
(The Beatles)
Soundvorschlag Melodie: Modem Haip Musik und Text:
Rhythmus: 60er Guitar Pop John Lennon Paul McCartney
5 5
Em 3 2 A7 3
1 m 1 Mm
0 l l
pii
0 &- c
±
Shc loves you, yeah, yeah, yeah. She loves you, yeah, yeah, yeah. She
m
C G
0 &} Q. O
& 1
& :ni
I y 0
lores you, yeah, yeah, yeah, yeah. 1. You think you’ve lost your love.-
Em Bm D G Em
4% W
Well 1
0
saw her
r r Jli ¥ r
yes - ter - day.
± 0
It’s
si
you she’s think - ing of, and she
Bm D G Em
I 4
wm 0 —0
O-
mi 4
re¬
told me what to say. She says she loves you, and you know that can’t be bad.
Cm D
1 1
i t -0—0
Yes she loves you, and you know you should

0
tp
be
TT
<>
glad.
J=3=f*
2. She
G Em Bm D G
* ■ts
£
0 # — 5 0
±Zjf± J J r cj
said you hurt her so,- she al - most lost her mind But now she says she knows,
so its up to you. I think it’s on ly fair. Pride can hurt you, too, —
Em Bm D G
2 4
i 0
0' $ * V -0— 0— 0
0
% % P
t- $ 0
-0
vou’re not the hurt - ing kind. She says she loves you, and you know that can’t be
a po - lo - gi/c to her. Be -cause she lor es you, and you know that can’t be
D
Em 5 4 Cm 5
1
m
1 1 2 4 3
I i
-&
bad.
bad.
i -Gh
& 0
0 —
Yes she
Yes she
0
loves you,
lores you,
2Z
and you
and you
know
know
you should
you should
0
VL
be
be
n
glad.
glad.
Em A7
Q- 1 g Q- 0 1
i
$
0 S- 0
l
Sh-
£=f
She loves you, yeah, yeah, yeah. She loves you, yeah,
Cm D7 L G
pmm I
0-0 0 0± £ ■&0 0
0 M 0m
yeah, reah. With a love like that, you know you should be glad. 3. And
2. G Cm D7 G
* -& i 0-0 0 £ 00 0 r .F l
glad. With a lore like that, you know you should — be glad.
Time After Time
(Cyndi Lauper)
Soundvorschlag Melodie: E-Piano & Fantasia Musik und Text:
Rhythmus: 1 6-Beat Ballad Cyndi Lauper Robert Hyman
.
Bb C Am
4 5 3 Bb F Bb F
2 3 1 3
i Q!
n 8 0
Ly - ing in
5 0-
my
0
bed I hear — the
Bb F Bb F Bb F Bb F
¥ 0'
clock tick,- and

mz J>J J>J
think of you
__
0'
Caught up- in
0'
cir cles, —
5 0
con
Bb C Am
Bb F Bb F 4 5 3 Bb
2 3 l
4 P
__
#' 77
0
l f=i t -
*-0
fu sion- is noth - ing new.- Hash - back,- warm nights
Bb C Am
4 C Am 4 5 3 Bb C
2 2 3 l 2
i *
al -
r*
5
most left
0
be -hind --
■& s
Suit - case- of
i
me -
* 8
mo-ries, time af -
0
ter.
Bb F Bb F Bb F Bb F
‘
3
S' s 0 4 0' M 0 m N
77
Some
Af
- times
ter
you
my
pic
pic
-
-
ture me,-
ture fades
I'm
and
walk
dark
-
-
ing- too
ness has —
far
turned
a - head. —
to grey
__
Bb F Bb F Bb F Bb F 4
2
0-'- 0- 0'- 5 0
f
You're call ing to me, — I can't hear, — what you har e said. Then
Watch - ing. through win - dows, — you're won der - ing if I'm O. K._
C Am
Bb 5 3 Bb 4 C Am
3 l 2
J
you
f=f
said-
%
"Go
i0 i I f f -G-
slow,- I fall - be -hind."
Sec rets- sto len- from deep in - side._
© Copyright 1984 Rellla Music Corp. / Dub Notes Music*, USA. Warner/Chappell Music Limited (50%) / Sony/ATV Music Publishing (UK) Limited (50%).
* fur D, A, CH by Edition intro Meisel GmbH. Used by permission of Music Sales Limited. All Rights Reserved. International Copyright Secured.
5 4
Bb C Am Bb 2 C 2 1
1
¥ ?
The se
The drum —
cond
beats
hand
out
un
of
-
0
winds
time
3
__
__
0
a
If you're lost,
0 :•
you can look, —
0-0
and you will
Dm 2 Bb 4 C 3 4 F
2 1 2
p a 5 2 a:
: »
find
S
me, time af
i
ter time.
2
If you
a
fall
__
4
C Dm Bb C
m
l 4
2
¥ a
i
at a
-a a a
will catch- you, I'll
a
he
a a
wait
»—4
ing,
g
time
a
af ter time
__
4
F C l Dm
§ÿ35 a
If
a
you're lost,
a
you
a— a a
can look,- and
a
you will
M find
*=2
me,
Bb 4 C F C 5
2 2 1
a
4 a
I a 1* a a a a— a a
time af ter time. If you fall, I will catch you,
Dm 3 Bb 4 C F
1 2
¥ a
will he
a a
wait
0
a
ing, time
a
af
I 1
ter time.
2
Bb C F Bb C F
¥ l-
Time
J a
af ter time.
2 7
Time
a
af ter lime.
TT
Mandy
Soundvorschlag Melodie: Piano & Slow Strings (Barry Manilow) Musik und Text:
Rhythmus: Piano Ballad Richard Kerr / Scott English
.
C CMaj7 C CMaj7
—
I
w
remember all my life-
& m
rain - in’ down as cold
■0 — 0 -&ÿ
as ice,
Dm Dm7 Bb Gsus4
r J1! Lr r r K
4
lug J'l.Lr C.n>r g 0'- 0
shad-ows of a man a face through a win - dow cry-in’ in the night the night goes — in to
C CMaj7 C CMaj7
¥ * hr n i 0 f
mom ing. Just an - oth er day. hap - py peo - pie pass my way, -
stand -ing on the edge of time I’ve walked a - way when love was mine,
n rhjij
Gsus4
Dm Dm7 Bb
5
0
look -ing in their eyes I see a mem-o-ry I nev - er re-al -ized how hap - pv you made— me. Oh
caught up in a world of up-hill climb - ing the tears arc in my mind and noth ing is rhym ing. Oh
Gsus4
C Am F G
0
1 5
C/LTC/ LriQcf
3
0-0 m
Man - dv, well s ou came and you gave- with -out tak ing but I sent you a -way. Oh Man-
Gsus4
C Am F G
4 err
3
» Jc/icjt/cj c 0
dy, well you kissed — me and stopped me from shak ing and I need you to-day, oh
1. G
C Am F 2 4
1 2 1
4-4/- r Man dy.

f p TT
O
2 0
I’m
(c\ 1 Q71 Qrroon f4ar ' /J icir* O nd K r\ hi l lo i I iCHO/.l /"''ki'ir'krw-dl A r-v Kr l I f /A *-t 1C AO/. \ 0/%«*ÿ ,rv,r* CKjtt fli ,ÿ1/»
2. Am
Em F Dm
x
f~ r-J-ir r
Man (Jy.
* •— m 0
P
G7
r
3 Dm Dm7
3
TT *
:t
F~=» »
P llM
Yes ler day's a dream I face the mom -ing
Gsus4
B\> C Am F
ar IN p J7r. I
CJÿCT Ef
ery ing on a bree/.e the pain is call - ing. Oh Man dy, well you came —
and von gave with -out tak
Gs us4
G C Am F
m
3 1 5
I =3
f
ing
F0 d 0=4
but I sent you a -way. Oh Man - dy, well you kissed me and stopped
0
me from shak
Gs us4
G C Am F
tup 0 0 0 0
afl-JlTTr. 5
izzs tr
ing. and I need you to - day. Oh Man dy, well y ou came and you gave- with -out tak-
Gs us4
m
G C Am F
if] 1
w
5
ing
0 — 0-0-0
but I sent y ou a - w ay . Oh Man well you kissed
0
UUU-l 0
- dy, me and stopped me from shak-
Gs us4 C
G 4 5 Am F G
2 3
I® ing
i
and
0-0
1
u
<>
need
B
you.
0
"
0 *
Gsus4
2 C Am F G Gs us4 C
1 4
-o- ~77
E 8 C>
o a
We Are The Champions
(Queen)
Soundvorschlag Melodie: E. Piano & Strings Musik und Text: Freddie Mercury
Rhythmus: 6 8-Ballad Arr.: Kolbl Thumcr
Tempo: » = 63
Dm
Gm 3 Gm
I I 1
m 0 1 rSÿ-
m 5
5
1. I’ve paid my dues time af ter time,
bows and my cnr tain calls.
Dm Gm Dm
m
l
m- 0
6— « i m 0
I’ve done my sen - tcnce but com- mi t - ted no

You brought me frame and fortune and cv’rything that goes with it. I thank y ou
Gm Dm Bb Eb
¥ crime.
all, but
And bad
it’s been no bed
2 3
mis
of
lakes
roses
T
I’ve made
no
a
plea sure -
Bb F
Bb Eb 4 2
i
3
¥ &
few,
cruise.
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I con - sider
had
it
my
a
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r
share
chal
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of
lenge
sand
be
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kicked
fore
in
the whole
*
my
human
Gm C7 F
F l 5 G
4 5
m
1 4
2
B m
i 0'- 0 0
0
0 0
0 0 t 0 § WL IN
lace but I’ve come through and I need to go on and on and on and on.
race and 1 ain’t gomia lose and I need to go on and on and on and on.
F G
C 4 Em Am 3 4
i
i
1 1
i 0'
M
0
0 i 0 0
0
5 0 0
0
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s
We are the chant
0
pi ons
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my
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friends, and
F
c 2 Em A7
i 3 3 2
|• 0
0
0
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at
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we’ll keep on light mg till the end.
F Bdim C
Dm G 5, 4 4,
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5
1 3J. 1 2
i We
#
are the
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chant pions,
rr-
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we are the
T
cham pions,
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no time for
Dm Eb F7
Gm
k i 4 4 Ld 4
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los ers
0
’cause wc are
m
the cham
T7
pions
5 0
of
J
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I. Cm F Cm F Cm Gsus4
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0
my
2. C Em Am F G
2
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world.
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0
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9
cham -
9
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r
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S 4 9
0
0
and
5
C 2 Em F A7
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i 9
we'll
0
0
keep on
0
light
T
ing till
0
the
%
end.
J 0
w
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5
4
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0
arc the
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cham
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Dm Eb F7
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los ers ’cause

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5
You Are Not Alone (Michael Jackson)
Soundvorschlag Melodic: E. Piano Musik und Text: Robert S. Kelly /
Rhythm us: 16 Beat Ballad Danny Van-Passel / Eddy Van-Passel
.
Tempo: = 68 Arr.: Kolbl / Thumer
C Am
4
fm lug
0
1. An - o -ther day — has gone I’m still all- a - lone

__ How could- this bc._
Tor 1 am here with you — Though you’re far a - vvay-
Dm G C
0
2 0
0
You’re not here — with me

__
__ You ne - ver said — good-bye
__ Some -one tell- me why.-
1 am here — to stay Tou are not — a - lone-- I am here —
with you -
Am Dm '• G
~0—~
£ m 3
Did you have

Though we’re far-
lo go-
a - part
and leave my world
You're al ways in -
— so
my
cold. Ev-’ry
Gin A7 F
5
inm day 1 sit _ and ask — my -self how did love slip
— a - way. Some -thing whis pers in my ear and
E
Gsus4 G Gsus4 G C
4 r Fixr
says
-
that you are not-
0 0-
a - lone. heart, You are not-

~0
wm
a lone.
i
Ai> Al>
4 3 Gm C 3 Gm Gsus4
m__
o 1 1 4
0
Tone lone — all a-lone why — lone lone 2. Just the o ther night
C Am Dm
is 0
1 thought 1 heard — you cry

__
__ Ask - ing me-
0
ri to come- and hold you in — my

Tor am here — w ith you Though you’re far a way I am here — to
G C Am
i arms.
stay.
JL
i can hear —
You are not
your prayers. —
a - lone.
P m5
Your bur- dens I _ will bear. _
I am here — with you.
0
P
But did I need —
Tough we're far
£ 0
§
your hand-
a part.-
-
Dm L G Gm A7
fT ?
so for
P
e
r
-
E
ver can-
0
be
-&1-
gin.
m3
Hv-’ry day I sit and ask —

p p
E
my self how
-
•
-0
You’re al - ways in my
F Gsus4 G
I 0- 0
did love slip

m1 2
a - way.
1 5
0 0
Some - thing whis

w -0-
pers in my ear and

0-
says
1
0
5
that you are not

0
a -lone
2- Gsus4 G C Ab Gm Fm
4
0 2Y
'fy-na u1'
heart. You are not — a lone. Whis -per three words— and I’ll — come run ning.
Ab Gm Gsus4 G
3
—0 1
0 _0 n• o 4
0 0
-0 4 0
and girl — you know that I’ll — be there. I’ll be there. You are not — a -lone -
C Am Dm
•
i
-r-& 0
0 0
0
i £ 0 0
i am here with you. Though you’re far a - way. I am here — to stay.
G C Am 4 2
m
2 1
i -6-
You are not

0 m
a -lone.
71
I am here —
— P
w ith you.
2 % I|
if
Though w e’re far a
Dm Ab Bb
3 Gsus4 G C 3 4 C
3 1
i *
part. You’re al - ways in
F~f~t
my heart. You are not

•• 0
a -lone
__ &
o
o
Sailing
(Rod Stewart)
Soundvorsehlag Melodie: Musik und Text:
Modern Harp & Slow Strings Gavin Sutherland
Rhythmus: Piano Ballad A rr.: Kdlbl Thumer
Tempo: » = 70
G Em C G
i l 2
I E
1. 1 am
0
0— 0
sailing, I am sail - ing,

9 0
home a -
0
gain,
~TJ
wm % w
'cross the sea. I am
v rn m
A Em Am G D
l l
sai ling s tor -my

-0
wa
—
-
0
ters,
i
to
0
he near — you,
1 9
to
0
be free.
i m
2. I am
G Em C G
1 2
4
l 0—
fly -
0
ing, I am fly - ing,

s
like a
-0 0
bird,
E— w 1r i w
'cross the sky. I am
m
A Em Am G D
f > n 0-0- s 0
i
0
% 9 0 t
i
fly ing pass -ing high clouds, to be near you, to be free. 3. Can you
...
G Em C G
m
l 2
I 4
0— 0
hear me,
i
can you hear me,
t
through the
0 0
dark night, far a way.

w I am
A Em Am G D
nJ i in 0— 0 r
t
0
i 9 0 -eh i
i
1
dy ing for -c\ - cr try - ing, to be with — you, who can say. 4. Can you
G Em C G
1 2
I i
hear ine,
?
can you hear
*
me,
; r r [f
through the dark night,
£7
§
far a way.
I
I am
A Em Am G D
a i i
1
I
i1*
dv nig for - ev - er try - ing, to be with
— you, who can saw
*
5. We arc
G Em C G
i=£
sail - ina
i-
£
we are
2
sail - ing,
%
3
home a gam,
t m
'cross the
O-
sea.
i
2
We are
A Em Am G D
i
f f i f
sail ing so deep vva - ters, to be near — you, to be free. Oh Lord to be
Am G D Am G D
a
5
t
near you,
i
to be
O-
free. Oh Lord to be near you,

%
m
to be
&
free. Oh Lord to be
Am G Em Am G
2
$ §
near you,
I
to be free.
J
o
TJ7
& I
You Light Up My Life
(LeAnn Rimes)
Pan Mute & Slow Strings Musik und Text:
Rhythmus: English Waltz Joe Brooks
.
Dm Dm G7 C
4
¥ 1
1. So
2. Rol
ma
lin’
n>
0
at
5
nights
sea,
i
I
a
4 0
sit
drift
0'
by
on
$
my
the
Am Bm E7 Am A7
I 2
t win
wa
-
-a
dow
ter
wait
could
0-
mg
it
0
for
be
5
some
final
w-
one
iy I’m
to
5
sing
turn -
me
ing
this
for
song.
home,
77’
Dm G7
5 4 2 C Am
3 2 1
i* So
final
*
ma
iy,
mny
a
dreams
chance
5
I
S
to
0
kept
say
0'-
deep
hey,
4
in
I
side
love
0'
me
you,
0
a
5
B7 D D7
2 4 3 1
I w
lone
nev
in
er
0
the
a
w
dark
gain
but now
to
you’ve
be
i
come
all
0
a
a
long.
lone.
1
And
’Cause
l*
E7
G 3 3 3
I 1 2
i* ZJ
you
0
light up my
W1
<s-
life
T
0
you give me
w
hope
D7
m
Am 3 3 4
2 l
2; $ 0 0
to car
F
ry on. You
0
light up my
f days and
r fill my
Am G
G Em D7 4
2-5
P 77 77
m -6
77-
nights with song.
Fly Me To The Moon
(Frank Sinatra)
Soundvorschlag Melodic: Sax Musik und Text:
Rhythmus: Jazz Waltz Bart Howard
Tempo: , = 130 Arr.: Kolbl Thumer
Am Dm G7 C F
¥
5
ft m 0
5
w 0'
m
2 5
0
5 ■#
Fly me to the moon, and let me play a - mong the stars, let me see what
Bdim E7 Am A7 Dm G7
4 2 3 2 3 1 4 3
I spring
0
is like on Ju pi
0
ter and
O
Mars,
w
In
0
oth - er words,
77 0
hold
£
my
Em A7 Dm G7 C E7
1 3
i O-
hand !
-O
V
In oth -
0 77
er words, dar -
0
ling kiss
O
me!
O
*
Am Dm G7 C F
i
5
3E M 0 0
S
& m 2
MI
5
#
5 M
Fill m\ heart with song, and let me sing for - cv - er more ; Yon arc all I
Bdim E7 Am A7 Dm G7
is 3■s a
4 D 3 o 3 2
i #
long
■
for all i
#'
tvor
§
ship and
M
a
-&
dore. In oth -
22
er words, please
M
be
• Em A7 Dm G7 C E7
m
3
I o'
true !
o 0
In oth - er words,
o
I love you.
0
0 o
2- c Cttdim Dm G7 C
i 22Z
tme !
77
In oth
0
E
er
77
words.
*
I
0
love
77J_
you!
Fur mich soli’s rote Rosen regnen
(Hildegard Knef)
Soundvorschlag Mclodie: Sax & Slow Strings Musik: Hans Hammerschmid
Rhythmus: English Waltz Text: Hildegard Knef
.
C Dm C Gsus4
5
9r iU 'r T
J>
U r
T
■“
a 'r -m-
l.Mit
Dm G7 Em A7
1
±_
0 -m- 0 0
sech zehn sag te ieh still, ich will, will
Dm G7 C A7
jJ J. 0
7
grot’) sein, will sie gen, will froh sein, me lu gen. \ht
Dm G7 Em A7
2
0 0
-O-
0
± -0-+
sech zehn sag tc ich still, ich will, will
G7 Gaug
Dm 3
5 3 1 1 2
% 1 0
w %ÿ 0
al les o der nichts. Fiir
C
4 Am Dm G7
2 1
3 0-
mich soil’s ro tc Ro sen reg nen,

Em Am Dm G7
3 4 2 3
1 o
J | D J- J 9 9 i s
r
9
mir soil ten siirnt li che

f
Wun der be "eg nen. Die
c G7
4 Am Dm
2 2
$ Well soli
9
te sich ntn
9
ge
77
stal
9
ten
A7
Dm
5
3 G7 c
J A
w
4 1 2 5
und
9-
ih re Sor
9'
gen
p
fiir
9
sieh be
9
hal
i
ten.
9
w
Gsus4
Dm C 5 C
5
9 9
5 9
S
2. Und spater sagte ich noch, ich mocht’

verstehen. viel sehen. erfahren. bewahren.
Und spater sagte ich noch, ich mocht’
nicht allein sein und doch frei sein.
Ftir mich soil’s rote Rosen regnen, mir sollten samtliche Wunder begegnen.
Das Gliick sollte sich sanft verhalten. es soil mein Schicksal mit Liebe verwalten.
3. Und heute sage ich still, ich sol It '

mich fiigen. begniigen. ich kann mich nicht fiigen.
Kami mich nicht begniigen, will immer noch siegen,
will alles oder nichts.
Fiir mich soil's rote Rosen regnen, mir sollten samtliche Wunder begegnen.
Mich fern von Altem neu entfalten, von dem was erwartet, das meiste halten.
Autumn Leaves
(Nat King Cole)
Soundvorschlag Melodie: Jazz Guitar Musik. Joseph Kosma
Rhythmus: Jaz z club Originaltcxt: Jacques Prevert
.
Tempo: = 160 Englischer Text: Johnny Mercer
Arr.: Kolbl Thunier
Am D7 G C
1 5 1 5 1
I fc*(
0
The fall -
i
ing
o
leaves
Pi
drift
0
by
0
the
■s-
win - dow,
Gh 0
the au - tumn
Fjtdim B7 Em l
m
1 2
i* o
leaves
j
of
■
P~t»'
red and gold.
i
I see your--
3
Am D7 3
G C
1 1 1
I * O
bps. The sum

0
mer-
-Gb
kiss
&
es,
0
the
0
sun -
0
burned
Ffdim B7 Em Ftfdim
s 3 1 2 4
i XT
hands,
m
I
P3
used to
o
hold.
0
i pt
Since you went a way,
B7 Em Am D7
3 1 5
I * m
the
0
days grow
o
long,
0 ♦
and
0
soon
I
I’ll
O
hear
0
old
0
win -
TL
ter’s
Em
G F#dim B7 4
5 0
2
i* o
song.
0
i
But
0
miss you most of

~Z2L
all
I
my
g
dar
g
ling,
C
5 B7 Em
O
1
I i
&
when
I ~/T?
au
1
tumn
TJ
leaves start
0
to
o
fall.
* I
Black Orpheus
(Antonio Carlos Jobim)
Soundvorschlag VIelodie: Spanish Guitar Musik: Luiz Bonfa
Rhythmus: Bossa Nova Arr.: Kolbl Thurner
Tempo: . 130
N.C.
i m
I 2 2
i
i i 2
# 0 0 0
£
Am Bdim E7 Am Bdim E7 Am Dm G7
H s o
1
#
5
2Z 1
C Ctfdim Dm G7 C F
1 l l
i <> iSt
7 S3 o 0 •* -01
Bdim E7 Am Bdim E7 Am Bdim E7

1
o
1
0
5
B m
Am Bdim E7 Edim A7 Dm
4 3 1
i o iSG 0 f 0
XT 221
Bdim E7 Am G F Bdim E7
5 1 5 1
i J7r # *
<> t PI 221
<> 0 Bi
Am Dm Am Dm Am Dm Em Am
i o m o
Chanson d’amour
(Manhattan Transfer)
Soundvorschlag Mclodie: Vibraphone
Rhythmus: Swing Musik und Text: Wayne Shanklin
.
ternar C7 F Gm C7
5 5 1
i -0 0 r£f-r CJ ir TT
F G7 Gm C7 Caug
5
i TT
Chan
TT7-
son d’a mour,

» O
ra - da - da - da
i f
da,
- r*
play it en-core,-
F A7 D7 Gm C7
m
4 5
i
_
<> izzzi
ii
TT o
here in my heart,- ra- da -da -da - da,
Caug F Gm C7 F G7 Gm
5
*r more and more.-

t IT TT
Chan son d’a - mour,

J » d
ra-da-da-da-
C7 Caug F A7 D7 Gm
ii if i
5 2
0s TT
<>
4
izZZT
m O
da, t’a-dore, each time I hear,
Gjtdim C7 F 1. Cl
5 5 1 Gm
I (>
*
' JJ
ra da - da - da
- - da, chan son,
u\f* i
chan -son-
#
d’a -mour.
TT
2. C7 F
5 5 1
i* liv ’ry-time I
-
# #
hear
#
chanson,
0
chan son
ir i #
d’a -mour.
TT 77
Try To Remember
Soundvorschlag Melodie: Modem Harp Musik: Harvey Schmidt
Rhythmus: English Waltz Text: Tom Jones
G Am D7 G
5 1
i r ib4
4
1. Try to re mem - her the kind

mm
of Sep tern -
W
her
0
when
a
life
=
was
Am D7 G Am
5 5 1
I * -a- i i -&ÿ
r pr 1 r 1 mm
slow and oh, so mel - low. Try to re mem - her the kind of Sep
Bm
D7 G Am D7
1
*i 0 O = -&ÿ
i 1 ■&
tern - her when grass was green and grain so yel - low. 'fry to re
Em Am D7 C F
n
5 4 4 G 5 4
2
3. J J’J |J J j J I j-
i f 'r r
mem - her the kind of Sep - tem - her when
r
you were a
r
ten - der and
P
cal
0-
low
G
D7 5 Am D7 G
1 1
4' j]'a iÿjj. J •*

fel-low. Try to re - mem -her, and
J- JU
if you re -
1 j J
mem -her, then
-0
Si
fol-low, —
C D7 G
Vi TjOiGGOiGOO 0 1 \
fol-low, fol-low, fol low, fol-low, fol low, fol-low, fol-low; fol-low. Fol - low.
2. Try to remember when life was so tender 3. Deep in December, it’s nice to remember,
that no one wept except the willow. although you know the snow will follow.
Try to remember when life was so tender Deep in December, it's nice to remember,
that dreams were kept beside your pillow. without a hurt the heart is hollow.
Try to remember when life was so tender Deep in December, it’s nice to remember,
that love was an ember about to billow. the fire of September that made us mellow.
Try to remember, and if you remember, Deep in December, our hearts should remember,
then follow. and follow.
Feelings
(Morris Albert)
Soundvorschlag Mclodie: Soprano Sax & Slow Strings Musik und Text:
Rhythmus: 16 Beat Morris Albert 1 ,ouis Gaste
.
Tempo: = 85 Arr.: Kdlbl Thumer
G Fjtm B7 Em Dftdim
*
4
t- m i
0 -0
Feel-ings noth - ing more than
G A7 C D7
1 3
p8__ 0 0 &
feel - ings try - ing to for - get my feel - ings of
m m
G FJfm B7 Em i
Dtfdim
lose.
&
Tear-drops.
m
rol - ling down on
s- -0
Feel - ings,- feelings like I’ve nev - er
G A7 C Cdim
pa my face,--
0
try - ing
3
to
-0
for
-0
get my feel - ings

1
of
A
lost you and feelings like I've nev - er have you again in my
G Gjtdim C Am D7
5
I * <>
line.
heart.
t
Feel ings,
t ± 1
for all my life I'll
Bm GJtdim Am D7
5
i t=®
feel
©-
it.
t-
0 0
I wish I've ncv- er

0
-
met you, girl;
o 0
0
you'll nev - er come a
G D7
m
4 G7 C Am 5 4 3
2 1
i i <>
o
gain.
e
77
%
Feel
%
mgs,
i 0
oh
Bm Gjjdim 5 4 3 Am D7
1 1 5
i M2
led
C
ings,
I 0
oh
i 0 3
2
feel
g
you
0
a - gain in my-
F#m
5 B7 Em Djfdim G
1 2 5
i i o
O
arms.
p*
o 0
4 gÿ- 0
0
0
0
0
A7 C B7 Em
m
2 3 2
% i
0
0
0
w
0
0 o I
Memory
aus dem Musical Cats
Soundvorschlag Melodie: Flute & Choir Musik: Andrew Lloyd Webber
Rhythmus: 6 8 Ballad Text: Trevor Nunn after T. S. Eliot
.
Tempo: = 58 Arr. : Kolbl Thumer
c
4
¥ Mid
Mem
night.
Vy.
p
Not
All
a
a
p
sound
lone
from the
in the
Am F
4 2
I pave
moon
P
ment.
light.
P
Has
I
P
the moon lost

can smile at
P
her mem ’ry? She

P
is smil - ing
0
a
the old days, I was beau - ti - ful
Em Dm
4 1
i 13'
lone .
then
L 0
In
I
0
the lamp
0'
light
0
5
the with ered
0
leaves col
re mem ber the time I knew what
Am G7
3 1 1 2
i lect
hap
P
at
pi
my
ness
0’
feet.
was,
p'~
And
0
let
the
the
wind
mem
0' 0-'
be
$
- gins
i
to
- - ’ry live a
C Em F Em
l 2
i moan.
gain.
0'
Ev
Burnt
0
’ry
out
■
0'
street
ends
lamp
of
P
seems to
smo ky
F Em C D7 G
i 0'
beat
days,
Ml
a
the
0'
fa
stale
ta
cold
lis
P
tie
P
0'
want
0-
ing.
smell of mom ing.
Em A7 D
1 2
4 m1-
0ÿ 0 f i p
Some one mut tcrs and a street lamp
The street lamp dies, an oth er night is
Em D
G 5 3 A7 4 5 2
3 1 1 L 1
4 i 0
5 i f f #
P*
«'
%
gut ters, and soon it will be mom mg.
o ver,. an oth er day is dawn ing.
C Am
4 4
1
it
4 r
Day
0ÿ
Touch
light.
me.
0
I
It’s
must
so
0
wait
eas
for
y
the
to
sun
0
0
leave
rise,
me,
F
4 Em
2 2
4 0
1
all
0
must think
a - lone
of
with
a
my
0"
new
mem
0
life,
’ry,
and
of
0
I
my
must - n’t
days in
M
give
the
in.
sun.
Dm Am
4 1
4 s? 0
When
If
5
the
you
01
dawn
touch
comes
me,
i
to
you’ll
night
un
0
will be
der - stand
a
/
what
me - mo - ry too.
hap - pi - ness
0
is.-
0ÿ
G7 c
3 1 1 2 1
|§ 0 5 0ÿ 0h~
5 0'
0 1
And a new' day will be gin.
Look a new day has be gun.
Harry Lime Theme
aus dem Film Der dritte Mann
Classic Guitar oder Zither
Rhythm us: Foxtrott Musik: Anton Karas
.
ternar oder bindr
C G7
3 1
3g J |»
c
g 1
G7
4° SB 5 4-» 4 XT
iSs r
Gaug C
C 3 2 4
1 4 1 1
$r P-d1 r m J. ~7>1§
G7 C
2 5 4
2 1 1
<ÿ> J- j§|ji g=gggg

A7
5 Dm
Jv-f
2 4
i_
J #J tjj TT
G7 C
2 2 5 2 5 3
1 1 2 2
4 ■5
Winnetou-Melodie
aus dcm Film Winnetou
Soundvorschlag Mclodie:
Modem Harp oder Strings
Rhythmus: Piano Ballad Musik: Martin Bottcher
.
Tempo: = 60
G D7
Arr.: Kolbl Thumer
l 2 2 5 O
i i3!
x
0
0
0
XT
x
T2L
‘1
k d f"
G C Bm
6 5
1 5
i
o
0
O
X
TT1-
♦
X
£ 0
14
C Am G Am G
1 5 1 5 3
i 4
22 #
0
<>
#
22 #
0
o
20
Am G
1 5 3 1 2 1 0 5
i t== 5ÿ
#
~TJT
0
#
<> i W-
*
1 F
27
D7 G C
2 2 1
i 4 o 77
F
o I©-1 77ÿ
44 5
Bm C Am D7 G
5 3
i
# <> #
77 X X O
0 0
© 1964 by SMV Schacht Musikverlage GmbH & Co. KG (vormals Allegro Theaterverlag). Hamburg
Tonight
Sound vorschlag Melodic: aus dem Musical Westside Story
Sopran Sax & Slow Strings Musik: Leonard Bernstein
Rhythmus: 8-Beal Text: Stephen Sondheim
Tempo: . 108 Atx: Kolbl Thumer
C D C D
A
1 5 o
-0
2Z
&• 0 0 o-
1
l.To night, to night it all be gan to night I
2. To night, to night the world is full of light with
C Am Bm Bb7 Eb
I 3 5 2
I 0
saw
suns
you
and
3
u
and
moons
the
all
22
world
ov
m
went
er
a
the
O
way.-
place.
&
To
To
night,
night,
0
to
to
F7 Eb Ab Fm Ddim
4 3
i
n
V-0
km 0 6- 0 7 0 CL
7 10
ZZI 0
night there’s on - ly you to night what you are, what you do, what you
night the world is wild a bright go - ing mad, shoot - ing sparks in to
G 4
Ab Ddim
o 3
i say.
space.
To
'lb
day
day,
all
the
day
0
world
I
was
had
just
0
an
a feel
ad -
&
ing
dress
a
a
Ebm A dim D7
1 3
i 0
mi
place
0
ra
for
0
cle
me
0
would
to
hap
£
live
pen
in
0
1
no
know
bet
*
now
ter
9-
F
I
than
was
al
o
right.
right.
G7 C
Ab 5 4 D C
I 1 2 1 3
I i
For
But
o
c,
here
here
0
you
you
o7
are
arc
1
and
and
0
what
what
0
was
was
once
once
0
a
a
Am Em Dm G7 C
1
i 77
0
o
t CL o OLL
world is a star to night.

world is a star to night.
Morgens um sieben
ist die Welt noch in Ordnung
Trumpet & Slow Strings
(James Last)
Rhythmus: 6 8 Ballad Musik: James Last
Tempo: » = 60 Arr.: Kolbl Thumer
C G7 C G7 C
3
i v i l
Em Dm G7 Dm A7
3
I o- 3 -0-
Dm A7 Dm G7 C
i 0 i
G7 C G7
3
-jp-
i 1
Cl
c 2 3 F 4 3 2
1 3 2 I
i t * I
Fm C
3 Am
1 1 2
i $
£
Dm C
4 G7 2
1
w 0
'
V
]
I T
Der mit dem Wolf tanzt
aus dem Film Der mit dem Wolf tanzt
Horn Ensemble & Slow Strings
Rhythmus: Piano Ballad Musik: John Barry
.
C Am F G
2 1 4
c 0
0
i O
F C Dm G7
2 I 2
± 5
i 0 o
C Am F G
l 4
ii <>
F C Dm G7 L c 2- c Dm C7
l 4
mP 1
* r r r
5
F C 5
2 2 2
Dm G7 C
1
»4ÿ
4ÿ
s f ]
La Le Lu
aus dem Film We tin der Voter mit dem Solute
Soundvorschlag Mclodie: Vibes Musik und Text:
Rhythmus: Slow Fox Heino Gaze
Tempo: = 100. Arr.: Kolbl Thumer
C G7
l 2 4 1 2 1 3
P
1 2
77 Gh
77 m 0
G>
0
-& m
La lc lu, nur der Mann im Mond schaut zu, wenn die klei - nen
c 5
F D7 G7
1
i i
0 Gh- 77
0
-&
Ba bies schla fen, drum schlaf auch du.
C G7
l 2 2 1 3 1 2
i -&
La
77
lc
GL
lu,
0
vor
0 0
dem Bett - chen steh’n

Gh
zwei
G-
Schuh', die
0-
0
sind ge
c F C G7 C
l
i Gt
nau so mu dc,
~GL
geh’n
0
jetzt
0
zur
TT
Ruh’.
© 1 950 by Peter Schaeffers Musikverlag
IM M A
Circle Of Life
aus dem Film Konig der Lowen
Soundvorschlag Melodic: Synth Brass & Fantasia Musik: Elton John
Rhythmns: 16-Ballad Text: Tim Rice
-
Tempo: = 80
C Am Dm G7
AIT.. Kolbl Thumci
m
2 4 1
~w
O -0-0
~f7
0
5 W
1 . From the
C F G7 C
0'
0
jÿ0
we ar rive
m A
0 0 wm -e-
sun.
day on the pla - net, and blink - ing stepped in to the There’s
Am Dm Bit G7 F G
I m;*
more to be seen
’-LM-LL.** H
than can cv - er be seen, more to
-0
§
do than can ev
0 0-
B
cr be
lS>
done.
C F G7 C
I
0 — 0 I zz » S i *
m
0
r~r~iy
Am
2. Some say, eat or be cat - en,
Dm
4
_ 5
L
some say,. live and let live.
4
Bit 3 4
But
|1=j=fÿEEÿ
1 1 2
j:::F 0
II*
0 ? r's
pg
0
all are a - greed as they join the stamp ede, you should nev - er take more — than you
G7 4 r,
c 9
m
3 4 4 2
m IP?
5 !
l J
1 1
fEEÿ=giy=rÿEfEEE?
give. In the eirc - le of life, it’s the wheel of fort une.
G7
5 3
1 2 F 2 2
3 1 5 1 1
i
0
0 m 0—0-0
l
It’s
V- 0
the leap of faith,

V=ÿt
it’s the hand-

f
of hope.
f
C
5 4 5
2 2 CJtdim 3 4
3
Dm
4 1 1 1
i
0
i *
■
0
i 0-0
01- H
O ?
0
'['ill we lind our — place, on the path un wind - ing.
C s us 4 C
Ab C G7 3 4 5
1
n
4 1
§i *=T-Q •
0
‘
0-TJ n
9' L 0
o
<>
o
In the circ le, the circ le of life.
Cjtdim Dm Ab C
77
♦
-Si
Pp O
3. And some of us fall by the wayside,

and some of us soar to the stars.
And some of us sail through our troubles,
and some have to live with the scars.
4. There’s far too much to take in here,

more to find than can ever be found.
But the sun rolling high through the saphire sky,
keeps great and small on the endless round.
The Entertainer aus dem Film Der Clou
Clarinet oder Honky Tonk Piano Musik: Scott Joplin
Rhythmus: Ragtime oder Swing (temar) (1867- 1917)
.
Tempo: = 1 50 \IT.: Kolbl Thumer
8W loco
m m
1
4 4 4 2 1 2
#
#
9 +
W
C F C G7 C
g 1
is +
-0 0
0
F D7 G7
I
gas 4 3 2 3 1 2
i 0 0 0
i
c F C G7 C
0
1
0 0
a ±
2
m
2
0
Cl F Fm C G7
I
\3
0 0
m
i. c 2- c 4
p
1 T 1
0
i %4
mm
F Fm C
2
0
2 1
0
1
0
2
0 0
m
D7
pm
5
2
w
i
f-ftf #
$=$- Q4-ÿjr=f
G7 C
Lr r r ry
2
#
F Fm C i 2 1 F FJtdim
4
4
1
mm 0 0 0 TJ
c D7 G7 1. C 2- c
m
1 9 1 O
i 2
#_0
i 0 0
IP* Q
What A Feeling
aus dem Musical Flashdance
Soundvorschlag Melodic: Leadsynth Musik: Giorgio Moroder
Rhythmus: Disco Text: Irene Cara Keith Forsey
.
1'cmpo: = 125 Arr.: Kolbl Thumer
F C Gm Dm F C
3
i ? c TJ' 0 m ISF 0
Gh- § XT TJ
First,
0
when there’s
0-0
nothing but a
Gm Dm Bb F Eb
i ?— fiA m TJ i
5
0
77ÿ
P o
2
slow glow -ing dream that your fear seems to hide deep in - side your
Csus4 C F C Gm Dm
3 1
¥ m TJ 0 0 W- 0 3 p IS1 zz 0
mind. Ml a lone 1 have cried si lent

- tears full of pride in a
Bb F Eb C F
¥
5
m P m 0— e o
3
TJ 0
world made of steel, made of stone. Well I hear the
C Gm Dm Bb F
5
¥ 0-&
mu - sic,
0 =3
dose my
iSR-
eyes, feel the rhythm. wrap a round,

W
take a hold
Pof my
5
Eb Csus4 C Dm C Bb C 2
2 1 2 1
0 0-0
m-0
W- O o -&
33 E
heart. What a feel ing, bein’s be -lie v-

sion, and make it hap-
© 1983 WB Music Coro. Alcor Music. Carub Music and Famous Music Coro
4 5
Dm 4 C Bb C F 1 Gm
4 F Bb 4
mm
o 1 4 1
1
•• 2 3 1
¥
E JE
P
0
*
0 0
E
E E E E E
E
7
in’ I can’t have _ it all,- now I'm danc in’ for _ my life.
pen, pic -tures come- a - live, — you can dance right through your life.
Csus4 1. C 2- c F C
2 3
¥
E
o TT 0 E
F
TJ
<> O
-S ■E— E
lake your pas-
Gm Dm 5 Bb F Eb
i
7 — ?Sÿ-
i 77 E
!©ÿ E
E 77
m §
Csus4 C F C Gm Dm
mm
2 1 2
©
E
§ 77 E i E-Sf E3 22 E E
Now 1 hear the mu - sic, close my eyes, I am rhythm, in a
Bb F Eb Csus4 C
5
w 77T
g m iSE o
2
o
1
2?
2
E
E
flash it takes hold of my heart. What a feel -
3 5
Dm c Bb C 2 Dm 4 C Bb C 4
1
F 1 Gm 4
1
1 2 1 4
¥ s
m
0— 0 0 E-rE E 0 E E
E 0
E E -E
mg, bein’s be- liev in’ I can’t have- it all, now I'm danc
sion, and make it hap pen, pic -tures come a - live, _ now I’m danc
F Bb Csus4 • C 2- C F
4
2 3 1 2 2
0—0-
0 o 0
E o
in for my life. lake your pas- What a feel ing.

ing through my life.
It Must Have Been Love
aus dem Film Pretty Woman
Soundvorschlag Melodic: DX Modem & Strings Musik undText:
Rhythmus: 16-Beat Ballad Per Gessle
Tempo: , = 80 Am: Kdlbl Thumer
.....
C F G
3
r
i •mm$ i m m P i m
±
•J
1. Lay a -per
\v his on my pil low - leave the win - ter on the ground, I wake up
liev - ing we’re to - geth cr - that I’m shel-tered by your heart, but in and
c F Dm G
i §
lone - ly.
1
there’s air of
m m 9
$
si - lence
mm in the
m-
bed -room
7
and all
m m-
a
~a
round.
-
i m
Touch me novv,_
out - side, I turned to wa - ter like a tear-drop in your palm. Audit’s a hard—
Am C F G 5
3
f I close my
win-ter’s
eyes
day
7.
and dream a
I dream a
-m- o
way.
way.
m
It
It
-m-
must have been-
must have been- love —
t
lovc_
Am Dm
c 3
3
1
F 4 5 C 3
2 1 2 2 2 3
is but it’s o\
m •f
er now
% ■
• m
it must have been

m t %
good
••
but I
m
•
lost it some-how. —
%
__
but it's ov er now it was all that I wan ted, now, I’m liv - ing with -out
3
Am
G C F 4
1
2 1 2 2 2 2 2
IT It
It
5 -m-
must have been —
must have been -
m m
love
lov e
but it's ov
but it's ov
m Vf
er now
er now
r- from the mo - ment w e
it’s where the water
*
Dm
5 c 1. 2. c
3 G 3 G7 2
PPS m
t & m m 8 m • m mi -&
touched till the time had run out. 2. Make be¬

Hows, d's where the wind blows.
© Jimmy Fun Music

Gabriellas sang
Thema aus dem Film Wie im Himmel
linglish Horn & Slow Strings Musik: Stefan Nilsson
Rhythmus: 8-Beat Text: Py Biickman
.
Tempo: = 100 C
F
3 C Arr.: Kolbl Thumcr
1 1 r 3 1
Mg -0
0
0
PP
1 . Det Mi¬ nil som ll vet ar mitt, jag har
an da vii gen jag valt, min for
3 Am G C 2
F
5 o
r J
m
i
0
i m 0
i ■& v
-F
0
=1-
0-
fatt en stnnd liar pa jor den, och min king - tan har fort mig
tros tan langt bor - tom or den, som har vi - sat en li ten
Am C G '• C
3 1 1
I hit,
bit
m m
det jag sak
av den him
0’
nat och det

mel jag aid
j 1
jag
ng
J
fatt. 2. Det ar
2- C G7 F
5 5 C 3 2
2
J 2 i
I I
natt.
r
Jag
0
x ill
F
kiin
0
na
T
att jag le ver.
C G7 C G7
m
4 5 3 2 Dm 5
i i i 2
%
5
I
5 ■#
£
f -
f 2
All den tid jag har, ska jag lc va som jag

C
2 G7 C F A
1
J
is X ill.
F
Jag
■#
x ill
F
kiin na
f
att jag le
i
ver,
A7 C G7
4 Dm 4 3 C
2 1
ii ve
f
la
f
att
I
jag riic ker till.
La valse d’Amelie
aus dem Film Die fabelhafte Welt der Ainelie
Piano & Slow Strings Musik:
Rhythmus: Teil A + C ohnc Rhythmus, Teil B Slow Waltz Yann Pierre Tiersen
.
Tempo: Teil A + C = 100, Teil B * = 150 Arr.: Kolbl Thumcr
S Dm Am Dm Am
4
y.
4
0-'
rr i
-Gh 0
F C F C
4 1 4
0
0 0
&
4 3
Dm Dm
5 Am 4 Am
1 1
5 F
3 0 0
0
3
3
F C F C
4 1 4
0
4
,1
El Dm
4
Am Dm Am
9 "T #'
5
#'
F C F C
Dm Am Dm Am
|r ir p ~TJ-
<sÿ
m Z2Z
F C F C
l 4
iZ2Z 0 &1
7*7ÿ
f
0 <sÿ
Dm Am Dm Am
r 0 0
0 0
77
1
&-
2
0
0
721 m.
2
F C F C
1 1 2 1
i72L 0
'1/ 0 0~-- •6 77 0
i
0 0
W-
r
Dm Am Dm Am
0L
mm 77
W-
P
0
77
F C F C
l 4
i77L
0 w-
77ÿ
f
0
iSF t
4
[c] Dm Am Dm Am
4
0-' O 0 f 0
r
f 0 P 9 &
3
(Everything I Do) I Do It For You
aus dem Film Robin Hood - Konig der Diebe
Soundvorschlag Melodic: Piano & Strings Musik: Michael Kamen
Rhylhmus: Piano Ballad Text: Bryan Adams Robert John Lange
.
C G F G
3 1
GZ 0 10 0 G' 0 TJT m 0 • G
G
C G F
3 5 1 4
3
l.Look in - to my eyes,
TJ
i
0 0
you will see-

0
0— 0 0-
what
m
you mean to
2. Look in - to my heart, you will lind there’s noth ing there to
G C G
5 2
i me. Search your

0
heart,
* 0
P J 0
searcli your soul,

0' J J
and when sou
hide. Take me as I am,- take m\ life, - I would
F C G
3
2
J , a. j. ii
Dm
m
3
C
i 0 0 0
0
5
find me there you’ll search no more. Don’t tell me it’s not worth try - in'
gi\e it all, I would sac ri lice. Don’t tell me it’s not worth fight ing -
Dm C Dm
2
i Ch- 0
0 0 0-0 * * G
m 0
for. ’toil can't tell me it’s not worth dy in for. You know it's
for. I can’t help it there’s noth ing I want more. You know it's
C G c
2
0 0
G 0 0
true, ev ery - thing I do, 1 do it for you.

true, cv cry thing*
1 do. I do it for you.
1. 2. Bb
4
3 1
i -o1-
i -o1- P
Thcrc’s
*
no
c,
love
-m
like
Eb Bb
5 4 5 3 F 2
p
1 1 3 2 1
i E
your
77
love.
©ÿ E
and
E
no oth Cl could
#ÿ
give
#
more
g
love. There's
4 5
C 4 G 2 D 4 1 1

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Cl HUMID (AX SFS-AM “HIRMFfi

Von Klassik bis Pop

Abendlied 94 It Must Have Been Love 160

Brii der, wo dein

© 2009 HAGE Musikverlag, Pommelsbrunn

2. Wem der groBe Wurf gelungen, 4. Seid umschlungen, Millionen,

3. Freude trinken al le Wesen

Soundvorschlag Melodie: Bowed Strings Wolfgang Amadeus Mozart

FT J ir th:r j rtfr LMr m

f J j rn IJ' j~J r r ir »JJ— J 0 -0

i g j1 > > * « >

Tempo: * = 80 Am: Kolbl Thurncr

Mor gen, ob Men schen noch- so grau sain sind.

2. Ave Maria! Unbefleckt! 3. Ave Maria! Reine Magd!

J- - it*ÿ jjg ttj*

sc lire i te vor - an!

eint euch in Trcu c /urn se l*g sten Paar.

r ihr nir ,7r

Soundvorschlag Melodie: Piano & Slow Strings Muzio Clementi

© 2009 HAGE Musikverlag, Pommelsbrunn

1. Li bia mo, li bia - mo ne’ lie ti

ca li ci che la. bel lez za in lio

su sci ta la mo re, poi che quell’

va. Li bia mo, a mo re, a

mor I ra i ca It ci piu cal di ba ci a

2. Tra voi. tra voi sapro dividere il tempo mio giocondo;

3. Godiamo la tazza, la tazza e il cantico la notte abbella e il riso,

FMaj7 CMaj7 FMaj7 CMaj7

FMaj7 CMaj7 FMaj7 CMaj7

Ca - ro mio ben, ere di mi al -

men, sen /a di te lan gui-sceil cor, ca ro mio

ben, sen za di te _ lan gui sec il cor.

II tuo fe - del so spi ra o

gor! Ces - sa, cm - del, tan to ri gor, tan to ri gor! Ca ro mio

to, quel - le i'c sto se gio - va ni in vi di

In so lot stan te i pal - pi - ti

tir, l miei so spir con fon de re per

eie - lo, si pud si

nr, di piu non- chie - do, non ehie do.

Tempo: » = 180 An.: Kolbl 1'humer

P 0-0-0 1 0-0 m \?0 $

I have known you

2. We share memories I won't forget.

3. When 1 look at you 1 wonder why

doubt -ed you

rain bow is gone . 5. Black, black, the nights I’ve known

word and the skies are not

01-0J-0 0' & -0-

deer and the an te - lope play

rose was bom,

sic, when you

wing, nev er song have sung to me, as in that sweet spring.

llo res, por que can tan do sc a le gran, cie

2. Pajaro que abandona,

3. Ese lunar que tienes,

6. Una flecha en el aire,

Zum Ge hurts - tag viel

hurts tag viel

Is rael was in E - gypt - land: Let my peo - pie go. Op

3. „No more shall they in bondage toil," let my people go.

J- - itÿ jjg ttj