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GEflHARO KDLBI.

STEFAN THURNE8

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Von Klassik bis Pop
FUR KEYBOARD LEiCHT ARRANGIERT
Tristesse
Soundvorschlag Melodie: Piano Etiide op. 10, Nr. 3 Frederic Chopin
Rhythmus: Piano Ballad (1810- 1849)
Tempo: J = 90 Arr.: Kolbl / Thumer
F C7 F Cl
i 3 3 5
$
n -m-
i
F Cl F Bb
i 2
$ 1 *

G7 C F Cl
3

lÿp . o 0

F Cl F Cl F

3
£ 0
0

.
Bb A7 Dm
3 4 1 3
0-0

m
-0- -0-
*

Bbm F C Dm Am Bb
O 5 4
#

* #
'=

F Bbm F Bkn F

M
4
$
W
i
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TT t 0
Guten Abend, gut’ Nacht
Soundvorschlag Melodie: Celesta Musik: Johannes Brahms ( 1 833 - 1 897)
Rhythmus: Slow Waltz Text: 1 . Strophe Volkslied. 2. Strophe G. Scherer
Tempo: » = 80 Arr.: Kdlbl / Thurner

i 4
A- j

I.Gu
...
I

ten
c
3

m'

A
0

bend,
0

gut' Nacht,
0

mit _
0
5

Ro sen be
G7

dacht.
1

m
mit-

i 0 77
2

ii 2

0 10 77
1

Nag - lein be steckt schlupf un ter die Deck! Mor - gen

F C G7 C
4 2 I

fruh, wenn Gott


-&ÿ

will.
0

wirst du wie der


0

ge
&

weckt,
m
mor - gen

F C G7 C
5 4 4
ZZ
0 0 0 Q-

friih . wenn Gott will. wirst du wie der ge weckt.

2. Guten Abend, gut’ Nacht,


von Englein bewacht,
die zeigen im Traum
dir Christkindleins Baum.
Schlaf nun selig und siiB,
schau im Traum's Paradies,
schlaf nun selig und siiB.
schau im Traum's Paradies.

© 2002 Edition Hage, Pommelsbrunn


Plaisir D’ Amour
Soundvorschlag Melodic: Oboe Jean Martini
Rhythmus: Slow Waltz (1741 - 1816)

Tempo: . = 100 Arr.: Kolbl / Thurner


F Cl F Bb F
l 2 3

in o -GC ZZI i B 0

C7 G7 C7 F Bb F
1 2 I 2 4

l S'' * Z2Z

Cl F Bb F Bb
1 4 2

Tv I #ÿ

F C7 F G C Dm
2 1 2 1 2

77 w 71

C G7 C Cl F Cl
1 2

inn 0 77ÿ 2Z
I 77

F Bb F C7 G7
3

1&- #
0 3 0 ?

Cl F Bb F Cl F
2 4

-O'
0 0
0 77
7T- m
© 2002 Edition Hage. Pommelsbrunn
Fur Elise
Soundvorschlag Melodie: Piano WoO 59 Ludwig van Beethoven
Rhythmus: Slow Waltz (1770 - 1827)
Tempo: « = 100 Arr.: Kolbl / Thurner

El Am El
2 4 I 2 4
5 4 2 4 5
a_ r_a# #
4 #

5 4
Am El Am El

BE
HI ML
£ M
0

m
1. 2.
Am Am C 5
G Am
5 2 1

i Be
ffl #

5 4
E7 Am E7 2
2 I

i *ÿ
0
#
M
■#

Am E7 Am E7 Am
3 2

TJ ]
0 0

© 2002 Edition Hage, Pommelsbrunn


Walzer
op. 39, Nr. 15
Soundvorschlag Melodie: Strings Johannes Brahms
Rhythmus: Slow Waltz (1833 - 1897)
Tempo: • =90 Arr.: Kolbl / Thurner

F Bt F

mm a
4
3

$ 3 0 0

Dm E7 1.
3 5 Am
#• #

[J If 5

2. F7
C7 F
Am

=fc=E
i

•5—
a 2 5

t> 5 0
P PS
G7 F
Bb 4 5 C7
2 3

$
0-
0— 0 it —* 0

Bb F Dm
2 5

= #
P
F C7 1. 2.
3 2F F

iPm
2
0' *5 i
U ILJ
#
0

© 2002 Edition Hage. Pommelsbrunn


So nimm denn meine Hande
Soundvorschlag Melodie: Mellow Organ Musik: Friedrich Silcher (1789 - 1 860)
Rhythmus: Piano Ballad Text: Julie Hausmann (1826 - 1901)
Tempo: J = 80 Arr.: Kolbl / Thurner

F Bb C7 F
4

S3 § 0 77 0 3 TJ
77~r
P
1 . So nimm denn mei ne Han de und fuh re mich bis

Bb C7 F

¥ t
an mein
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se lig En
0

de und
G-

e wig
2!
77

lich.
7
Ich

F C G7 C
C G C 5 5 4 3
2 2 1 2

P
0 0 77 -6
0
JP
¥ S- 77
2
P
mag al lein nicht ge hen, nicht ei nen Schritt: Wo

F Bb Cl F Cl F
4 2

¥ du wirst —
0

gehn und
t
ste
at

hen, da
77

nimm
-&ÿ

mich
77

mit.

2. In dein Erbarmen hiille 3. Wenn ich auch gleich nichts ftihle


mein schwaches Herz von deiner Macht,
und mach es ganzlich stille du t'iihrst mich doch zum Ziele
in Freud und Schmerz. auch durch die Nacht:
LaB ruhn zu deinen FiiBen so nimm denn meine Hande
dein armes Kind: und fiihre mich
es will die Augen schlieBen bis an mein selig Elide
und glauben blind. und ewiglieh!

® 2002 Edition Hage, Pommelsbrunn

HAGE Keyboard Keyboard EH 3655 19


An der schonen blauen Donau
op. 314
Soundvorschlag Melodie: Bowed Strings Johann StrauB
Rhythmus: Vienna Waltz (1825 - 1899)
Tempo: « =160 Arr.: Kolb! / Thurner

c 5 G7 5
I 2 3 1 3 I 2 3

i s i j
i 'i J J

U LJ r if
I
-0
J \ r ir i

ij J J i'J r ir * r Ml
2 3

F G7

i f if t f if

c Dm G7 C
o 1 5 5 2

I -#ÿ
-0-
&

© 2002 Edition Hage, Pommelsbrunn

20 EH 3655 Keyboard Keyboard /HAGE/


IMI
Traumerei
Soundvorschlag Melodie: Piano aus den Kinderszenen, op. 15 Robert Schumann
Rhythmus: ohne Rhythmus (1810- 1856)
Tempo: J = 65 Arr.: Kolb! / Thurner

F Bb F C7
I 3 2 1 2 3 5 1 2
# 0
0
0 0
0

F C F A7

$
m i
1 3

0
2

. * i 0

Dm C G C F D7
0
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3 2 J_2

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Gm 3 D7 Gm Bb 5 A7
1 2 #
£ 0
-# 3 5 X 5 j0 -m 0
0

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3
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5
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3 2 _
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F C7 i F C F
3 I 2
0
& 0
0
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G Gm C7

s
F i F
2 I

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i *
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Barcarole
aus der Oper Hoffmanns Erzahlungen
Soundvorschlag Melodie: Strings Jacques Offenbach
Rhythmus: Vienna Waltz (1819 - 1880)
.
Tempo: = 140 Arr.: Kolbl / Thurner

c G
3

0- 0 0- 0- 0

c 7
G

c
-0
$

F D7
2

t 0
$ &

G Bkiim
i 2 3 5

i
f
-&ÿ

© 2002 Edition Hage, Pommelsbrunn


G Bbdim G
1 2 3 5

I
i f i s ' i

G7 c G
3

i iS* # 77 ¥ ■# #
77 ■# -# 77 #

c G

i 77
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V B bd iin Dm C
l

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G7 Bbdim Dm
2

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G7 C
3

tSÿ- s 77 ZE
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Romanze
aus der Serenade Eine kleine Nachtmusik , KV 525
Soundvorschlag Melodie: Oboe & Slow Strings Wolfgang Amadeus Mozart
Rhythmus: Piano Ballad (1756 - 1791)
.
Tempo: =100 Arr.: Kolbl / Thurner

G Am D7 G
4 2

i-'-’r- r
0 0

T 0 0'- -G-

£
D7 G D7 G Am D7
3 2 3 2
0 0' 0

£
G C G D7

m
5
1 2 2 4 2 4

I * JL
0- G 0 0
0
-G-

G 3 D7 G 2

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D7 1
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m
4 4 3
1 2

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tfr-f l-J~
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77
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D D7 G E Am D7
4

I'r i nr r- rr *

G G

m
G Am C D7 G
2 4 I

#£ÿ P i 0
±
0
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o

© 2002 Edition Hage, Pommelsbrunn


Donauwellen
Soundvorschlag Melodie: Bowed Strings Joseph Ivanovici
Rhythmus: Vienna Waltz
. (1845 1902)
-

Tempo: =160 Arr.: Kolbl / Thurner

E7 Am
i 2 3

94 -sE 0-
3 0
0

Dm
Am E7
5 4 5 1
TIL T7 0 TJÿ
0 0-

PP
Dm
5 4
Am G7 3 G7 C

mm i 1 1
3 3 2 3
1 2
0
0- L fjtf
Tit l £

Dm
4 4 G7 C E7
2 3 3

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2
W
4
-0- 0

Dm E7
Am 5
4
Am
2 1 3
0 0— 0 0 0
T7
§ 0
TJ*~
t
©2002 Edition Hage, Pommelsbrunn
Gefangenenchor
Soundvorschlag Melodie: Strings & Choir aus der Oper Nabucco Musik: Giuseppe Verdi (1813 - 1901)
Rhythmus: Slow Rock Text: Temistocle Solera
.
Tempo: = 58 Arr.: Kolbl / Thurner

4 F

km
3 5

-&

Va, pen sie


m
ro, sul l’a li do -

C7 F B\> G7 C7
2 4 1

$ & MJ #ÿ i lJ
ra te; va, ti po sa sui cli vi, sui col li, o - ve o-

F C7 F Bi> F C7
5 2 2 2

m m ]H1M
$
lez - za - no te pi - de e mol
F
li
&
m
l’au - re dol ci — del suo
0

lo- na-

F C G7 C F
2
$ i J»1J. »JT] 0 5 i ¥
tal! Del Gior - da no- le ri ve — sa - lu ta, di Si -

c G7 C C7 F

fippiliilii m iin
2 2

0-
ii M5
on ne le tor ri at - ter - ra te. Oh mia pa - tria si bel - la e per -

rt nM n
C7 F , Bb F C7 F
2 3
$
du ta!
i mOh mem - bran za. si ca - rae — fa - tal! Ar - pa

© 2002 Edition Hage, Pommelsbrunn


c G7 C G7
2

d'or dei
m
7-

fa - ti
m m
di ci va
i
ti
0-0

per - che
5
mu ta
0

dal sa
m \
ce

F C C G7 C
i 2

\> J. 5
pen
0’

di? Le
0

me - mo - tie nel pet to- rac - cen


CX3 0' — 0

di. ci fa -

C7 Fm
G7 C 5 4 5

rtidr M
I 3

9 3 0 & r
vel la del tern po- che fu! O si mi le di So li - ma ai

C7
C 5 Fm C C7
3 5

9
m M %— %
&
* -0
& i
fa ti trag - gi un suo no di cru do la - men to, o t’i -

F C7 F
5 2 2 2 3

9
Ml
£ 0
0
0'- & 5 m 0

spt ri il Si gno re un con - cen to che ne in - fon da al — pa -

p C7 F A7 Dm F7 Bb Bdim C7 p
r A7

m
2
2 1 2 2
k tSÿ
p 5
P

ti re vir - tu. che ne in - fon - da al pa ti re- vir - tu, che ne in-

Dm F7 Bb Bdim Cl 2 F 3
2

¥ i 5 G-

fon - da al pa -
§
ti
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re vir -
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tu!
w 2Z
ft- 1-3 II
Solveigs Lied
aus der Peer Gynt Suite Nr. 2, op. 55
Soundvorschlag Melodie: Oboe & Strings Edvard Grieg
Rhythmus: Piano Ballad (1843- 1907)
Tempo: J = 70 Arr.: Kolbl / Thumer

Am
2 1 4

t
£
m
P

E7 2 Am G7
2 1

ILT "HJ 7J j P

c F G7 C

m
2
4
-p
— #

E7 Am Dm Am Dm E7
2 3 i 4 I

i pa
If
i

Am Dm Am Dm E7 Am
2 3 1

J*J C-T £ ]
© 2002 Edition Hage, Pommelsbrunn
Ave Maria
Soundvorschlag Melodie: Oboe & Slow Strings Johann Sebastian Bach (1685 - 1750) /
Rhythmus: Piano Ballad Charles Gounod (1818 - 1893)
Tempo: « = 76 Arr.: Kcilbl /Thumer

c Dm G7 C Am
3 1 2 1

S
TT -0-
£ *
TT
£
A ve Ma ri a, gra ti - a
Am
D7 G C 5 D7
G- 4

m
o
-#ÿ
i* j ■m
f m ittr -0

pie na, Do mi-nus te cum. be ne di eta

G Gdim Dm Fdim C
l 2
-G

m 0
5
0' G

tu in mu li e ri - bus, et be - ne di ctus

F Dm G7 C 4

rUii" i>
2 o
-e- 0 o *-7
0
1
tru ctus ven tris tu Je sus. San eta Ma-

F Adim Cm Fm G7
3
1 G- ■G-
3
§ I 0— 0
0

ri a, san eta Ma - ri a. Ma - ri a. o ra- pro

c Dm G Adim
c

i
5
0-
3
2
-G-
3
0 0

m M O

no bis, no bis pec-ca - to ri - bus, nunc et- in ho ra. in

Dm
1
-G

ho
0
2
0

ra
G7
0

mor
1ÿ?
3

tis — no -
1

strae
__
2

0
C
1

o
A
Dm

men.
G7

<>

A
C

o
men.
<>

©2002 Edition Hage, Pommelsbrunn


Morgenstimmung
aus der Peer Gynt Suite Nr. 1 , op. 46
Soundvorschlag Melodie: Flute Edvard Grieg
Rhythmus: 6/8 Ballad oder ohne Rhythmus (1843- 1907)
Tempo: = 40 Arr.: Kolbl / Thurner

C Am C
5 4 5 4
2 3
0
0

Am E
5 2 4 4 3

• J j j-

2 4
C E

J 5

2 4
Am G
5

rr;1
4

G7

© 2002 Edition Hage, Pommelsbrunn

30 EH 3655 Keyboard Keyboard /HAGE/ I


c Am Dm
5 2
0 0 0 0
0 0 -0 M

G7 Em C i

m 2 4
5

0 0
0 0
0 0 0 -0-

F Dm E F E G7
l
0 0 0'
EE tSÿ <5ÿ-

c Am c
2 3

0b
0b 0b
i 0b
5 0b
0b 0
0b
i 0b
0b

C
5 Am C Am C Am c
0 0
0 0 0 0 0 0
I
SPIELTIPP:
DieserTitel kann auch ohne Begleitautomatik gespielt werden.
In diesem Fall legt man auf die linke Hand einen Streicher Sound.
Abendsegen
aus der Marchenoper Hansel und Gretel
Soundvorschlag Melodie: Sopran Sax Musik: Engelbert Humperdinck ( 1 854 - 1921)
Rhythmus: Organ Ballad Oder ohne Rhythmus Text: Adelheid Wette
.
Tempo: = 85 Arr.: Kolbl / Thumer

c F c G
2 2 5 3

A - bends will
0

ich schla - fen gehn, vier -


-0-0

zehn En - gel
0- 0

um
m
mich — stehn:
0-

Dm C F Am
i
c F Gm Dm

0-0-0
-0-0 0

zwei zu mei - nen Haup ten, zwei zu mei - nen Fii Ben,

Bb7 Eb C7 F D7 G E7 Am
3 3

3 -0- 1
0

zwei zu mei ner Rech ten, zwei zu mei ner Lin ken,

F C Gm F
5 3 5 2
0
0 -0
$ $

zwei e, die mich de cken, zwei e, die mich we cken,

Am D7 C Dm G7 C
2 1 4

, -0 3
zwei - e. die mich wei sen zu Him - mels Pa ra dei sen!
Thema
aus dem Klavierkonzert b-moll, op. 23
Soundvorschlag Melodie: Piano & Strings Peter I. Tschaikowsky
Rhythmus: Slow Waltz (1840 - 1893)
Tempo: « = 85 Arr.: Kolbl / Thurner

5
c Dm
1 3
0-

G7 C

p n
5
2
0

a r if

0
-0'
I p-f

G7 5 c
2 1
0 0'
-0

i 1

Dm E7 A7 D7
2 5 3

I *
S5

Fjfdim
c
G7 c C D7 07

ra >n
3 5

+u THi'nu r ,ÿ

© 2002 Edition Hage, Pommelsbrunn


Nocturne op. 9, Nr. 2
Soundvorschlag Melodie: Piano Frederic Chopin
Rhythmus: Slow Waltz (1810- 1849)
.
Tempo: =100 Arr.: Kolbl / Thurner
c Fm C A7

m
i 5 3
=
Dm G E7 Am D7 G7

m
2 5 4 5
5
1 2 3 2 2 i

i is

c G D
2

F Fm C
CJfdim
5 D

Em Am D7 G Fm G7 C Fm
4 2 2 5

3 -0- J J |>J J E
-0-

Dm G E7
C A7 2 5
5
3 2 3

0-
i P 1»

Am Fm
4 D7 G7 C 4 C
2 5 2
0-

© 2002 Edition Hage, Pommelsbrunn


Wolgalied
aus der Operette Der Zarewitsch
Soundvorschlag Melodie: Pan Flute & Slow Strings Musik: Franz Lehar
Rhythmus: Piano Ballad Text: Bela Jenbach / Heinz Reichert
Tempo: J = 70 Arr.: KSlbl / Thurner

Bb Ab Bb D7 G
5 4 Bb Ab 5 Ab Bbdim 4 5

mm m
3

9t t S 2 #
Hast du dort o - ben ver -

D
3 4 C G 2 4
1 2
4 2 I
#=2=2 * 8
ges sen auf mich? Es sehnt doch mein Herz auch nach Lie be sich.

D7 G G
3 2 3 C 3 4 5 D7 4
1 1
4

Du
2 22
hast im
2=2
Him - mel viel
m
En - gel bei
i

dir,
"
1

schick’ doch ei nen da - von auch zu

5 3
G 3 1

& s 2-2-ÿ
I
«> <> * 5 1
*
mir!

D
C G D7 G

■7
2

rr
4
1 2 3 2 3
,f t 2— r# 1 1

P? I
Du hast im
# I
Him - mel
P
viel

G
C 3 4 5 D7 4 G Eb G
l 5

* £1

En - gel bei
l o 0 <>
o
dir, schick’ doch ei nen da - von auch zu mir!

SP1ELT1PP.
'927/1937 by G/ocken Verlag, Wien-London-Frankfurt am Main Dieses Lied kann auch einstimmig gespielt werden.
jruck erfolgt mit freundlicher Genehmigung der Glocken Verlag GmbH, Frankfurt am Main,
Die 2. Stimme kann mit der Harmony/Echo Funktion
vervielfaeht und automatisch erzeugt werden.
Abschiedswalzer
op. 69, Nr. 1
Soundvorschlag Melodie: Piano Frederic Chopin
Rhythmus: Slow Waltz (1810 - 1849)
Tempo: « = 90 Arr.: Kolbl / Thurner

C Ebdim Ddim C
4 2 l

i i r LT LT ir r I j 0

Lr ir

A7 G D7 G
3 2 4 2 3

i TS1-
- m p

C 5 Ei>dim Ddim C
2 3 2 I

0
0
0-
1

A7 G D7 G
3 2 2

i 0
0 »rj m
© 2002 Edition Hage, Pommelsbrunn
Largo
aus der Oper Xerxes
Soundvorschlag Melodie: English Horn & Slow Strings Georg Friedrich Handel
Rhythmus: Slow Waltz (1685 - 1759)
Tempo: J = 56 Arr.: Kolbl / Thumer

G Am D7 G C Am G D7

4 o'
4

0
-0 o• 0
m
Bm
C G Am D7 G ? Am 4 C D7
5 2 4

mm t -0
0

Em A7 D7 G C D7 G D7 G Am Bm
3 2 1 3
0'
5 0
!

C D7 Em A7 D7 G C D7 G
I 3 4
~0-0 -0- 0- g

5)2002 Edition Hage, Pommelsbrunn


Adagio Cantabile
aus der Klaviersonate Grande Sonate Pathetique op. 13

Soundvorschlag Melodie: Piano & Strings


Ludwig van Beethoven
Rhythmus: Piano Ballad
(1770 - 1827)
Tempo: . - IQ
Arr.: Kolbl / Thurner

G Em A7
D7 G D7 G 4 D
2 2 2 4
-m- I I

D7 G E7 Am D7 G
3
2 5

* g -Gh
u

Em A7
4 5
D7 G D7 G 2 D
2 2 4
1=2
F
0

P M

Am
D7 G E7 5 D7 G

m
3
2 1
4
1 P -G-

© 2002 Edition Hage, Pommelsbrunn


Die letzte Roseaus der Oper Martha
Soundvorschlag Melodie: Flugelhorn & Slow Strings Friedrich von Flotow (1812 - 1883)
Rhythmus: 8-Beat nach einem irischen Volkslied
Tempo: J = 90 An.: Kolbl / Thurner

c F C
5 1


Letz - te
m Ro
~77

se,
*

wie
0

magst
-&

du
i
so

1. 2.
G7 C
2 I

ein
-&
¥
sam
a
hier
i o
bluhn. Letz -
Pi
te Kei
I
ne

5 F C Am

XT
O

Blu
5l
0 £
te
JE

haucht
-#ÿ

Bal
-&

sarru
-&ÿ m
mit
O

la

E7 Am G7 c F
l

0
t M TT
0
2
' 0

ben - dem Duft. Kei ne Bliitt chen mehr-

c G7 C
l

■&-
■&
i 0 0
&
0
i «> i !
flat tern in stiir mi scher Luft.

© 2002 Edition Hage, Pommelsbrunn


Andante
aus dem Klavierkonzert C-Dur, KV 467
Soundvorschlag Melodie: Piano & Strings Wolfgang Amadeus Mozart
Rhythmus: 6/8 Ballad (1756 - 1791)
Tempo: , = 58 Art'.: Kdlbl / Thurner

F 5

m
5 4
-G-
I I

4 C7 5 5

r f\
2
Itr f'
1 2 3

F 5 Bb G7
3

tx/TTr
Os

b f- if if ,£

F 4
CL- C7 F
3
£ = i£& TSÿ-

J
© 2002 Edition Hage, Pommelsbrunn
Romanze
fur Violine und Orchester Nr. 2, F-Dur, op. 50
Soundvorschlag Melodie: Violin & Strings Ludwig van Beethoven
Rhythmus: Piano Ballad (1770 - 1827)
Tempo: • =15 Arr.: Kdlbl / Thurner

F Bt Csus4
l 2

5
i TT TT TT

C F C7 F
2 2

#
<>
n Ip i o

Bt> F C
2 1 5

<>
XT
<> P;
i

F C F C F Akiim F

m
3 1 4 1 2
$ -e-
zz_ ZL

Bb F C7 F
i i

1 o i tst <T TT7"


Liebestraum Nr. 3 op. 62
Sound\ orschlag Melodie: Piano Franz Lis:
Rhythmus: Slow Waltz (1811 - 188(
.
Tempo: = 111 Arr.: Kolbl / Thurnt

F A7 D7 G

I *3
i 77~r 77~r
£ i TJ-

C7 F
1 4

3 0 T77 o Z2 T77

A7 D7 G C7
2 5 1

% O Gh
GG Gh

■#

F Bkn F
3

I !E=S 77 77 -#
77ÿ 2

Dm A C7 F A7
1 4

i 0 77
TJ7

If
T77 77 Z2Z 77 i
D7 G C7 F

|| i 2ÿ

i 0 #
2
Z2Z 22

© 2002 Edition Hage, Pommelsbrunn


Die Moldau
Soundvorschlag Melodie: Strings Bedrich Smetana
Rhythmus: 6/8 Ballad (1824 - 1884)
.
Tempo: = 62 Arr.: Kolbl / Thurner
Dm Bb F Gm

hi i &

A7 2. Bb
Dm I Dm
2 4 I Dm 1 2 1
) 5 5 5
-0- J P
F Gm Dm

r p r P if r g iP~r I

g
I 3
g

A7 Dm 3
Abdim A Abdim A

f -F t? ir g-r *-ai£ 5

A7 Dm Bb C7 F

fes 3 I r >ir a
l

itf r if r ir=£=£

A7 l. 2.
Gm Dm
2 Dm Dm
gÿ=f-ir-fr p I rH* J> ii I
Thema
aus dem Ballett Der Schwanensee, op. 20
Soundvorschlag Melodie: Flute & Slow Strings Peter I. Tschaikowsky
Rhythmus: Piano Ballad (1840- 1893)
Tempo: • -15 Arr.: Kolbl / Thurner

Am Dm Am Dm 1 Am Dm

m
5 A 41““ 5

I £ ~7J

Am Dm Am Dm Am

fi #
p-
P
~rj

G G7 Em Dm F B7
3
O
0
0- 0 0- #
PM-

G G7 Em Dm F B7
3
1 O
0

I «- c_r_T

Am Dm Am Dm Am Dm

fi 0
P -j- * ~T7 ± 0 0

Am Dm Am Dm Am

fi p 7T
kM TT
o
TT
Largo
aus der Symphonie Nr. 9 Aus der Neuen Welt , op. 95
Soundvorschlag Melodie: English Horn & Strings Antonin Dvorak
Rhythmus: 8-Beat oder Piano Ballad (1841 - 1904)
.
Tempo: = 70 Arr.: Kolhl / Thurner

c G c E7 Am
L * 3 5

§ #
5 *- # 0'
Si #'

Dm G7 C F G F G F

i
5

0 m m -0 77 3 m 0 TT

G F G F c
3

0 77
m o
-0'
5a
0- -
0>'
m
G C Am Dm G7 C

i
3

|j. J> J # O
0 TT
O

©2002 Edition Hage, Pommelsbrunn

SPIELTIPP:
DieserTitel kann auch ohne Begleitautomatik gespielt werden.
In diesem Fall legt man auf die linke Hand einen Streicher Sound.
Mondscheinsonate
aus der Klaviersonate Sonata quasi una fantasia op. 27, Nr. 2
Soundvorschlag Melodie: Piano & Slow Strings Ludwig van Beethoven
Rhythmus: 6/8 Ballad (1770 - 1827)
Tempo: s = 65 Arr.: Kolbl / Thurner

Em c F
3 3
4
±
w w w w w w 0 i
B7 Em B7 Em B7 Em Am G D7
3
4
w*9 V
0
0 W
( rit. wenn olme Begleitrhythmus gespielt win0
i
LIT CUT r w 0

G Gm Bb Eb A 7 Dm Gm Dm A7
3
4
«>
MU If L/P $ 0-

Dm D Gm D Gm p> Bdim E7 Am
3 5
4 * -e-
i *

Bb Ebdim Am E7 Am E7 Am F#dim B7
3 3
4
t
0

I
Em Am Bbdim B7 Em
n 0
2

m 2

?
2

0
2

0
0

Fitdim Em Bbdim
3
3 3

0
2=? -0 0
0
0 0

© POOP Friitinn Hanp Pnmmpkhmnn


FJJdim B7 Ftfdim
3 2
i
T -•)
•\ •
r
B7 Am B7 F B7 C

■pm ra ny-mÿn m-rp


2 1
i
rf
0

\ * tM 53 f0O 0

Am B7 Em B7 Em Am G D7
3

-&
% ■■

g -6- 77 &ÿ
-0

G D7 G B7 Em B7 Em F B7 Em E
3 I 2
4 — M M 2Z

I
-#ÿ—
1 * * I
Am E Am E Am D7 G C Fjfdim B7 Em
3
l=tei #-
7ÿ~ 21 2! 1#-
P # #

Am Em Am Em B7 Em B7 Em
2

pi i&- tS>-
1&-
1
# &ÿ ~0-

B7 Em 5
3 3

§* ~d-
i 0
0
0
0
0
1
0 i
0
4
0
0
-- 0
0
0
V
0
0
-0
0
0
fl 1
SPIELTIPP:
Die ersten vierTakte konnen ohne Begleitrhythmus gespielt werden.
V'orher Synchrostart aktivieren, so dass mit deni Greifen des E-Moll
\kkordes in Takt 5 die Begleitautomatik startet.
O wie so trugerisch
aus der Oper Rigoletto
Soundvorschlag Melodie: Strings Musik: Giuseppe Verdi (1813 - 1901)
Rhythmus: Vienna Waltz Text: F. M. Piave. deutsch von Joh. Christoph Grunbaum
Tempo: « = 140 Arr.: Kolbl / Thurner

G D7 G
3
Jb4
1.0 wie
«

so
-9-
Ur=z
tru - ge - risch sind Wei - ber
m
her zen,
r &
mo - gen sie

D7 G D7
3 3
4
i m
kla gen, mb - gen sie seher zen:' Oft spielt ein La cheln

G D7
3
4
i l
um ih re Zfi ge. oft flie - Sen Tra nen, al les ist

G A7 D B7 Em
4
4 *
*=S=3
Lu ge. Habt
— ihr auch Schwii - re zum — Un ter pfan - de,

D7 G Am D7 G 5 D7 G
4
3
0 -G- 0$ 0

4
auf

Am

habt

ihr
flucht’-gem

D7

ge
G

baut,
San


P
de

I
D7
habt

0
ihr ge

G
■G-

2. Sehnt euer Herz sich nach siiSen Stunden,


ein holdes Liebchen ist bald gefunden.
5
baut.

Ja'
3
C,

upfi
habt
— ihr

D7 ,

ge
G

baut.

Doch bittre Reue wird der empfinden.


der nur an eine sich test will binden.
Habt ihr auch Schwiire zum Unterpfande,
auf fliicht’gem Sande habt ihr gebaut,
habt ihr gebaut, ja, habt ihr gebaut.
© 2002 Edition Hage, Pommelsbrunn
Rolling Home
Soundvorschlag Melodie: Akkordeon odcr Harmonica (Freddy Quinn) Seemannsweise
Rhythmus: Country Waltz oder Slow Waltz Arr.: Kdlbl / Thurner
.
Tempo: = 85
G7 C G7 C

s
5 1 3 4 5
1 1 1

Pm 5=ÿ
r I -m
ML 9

1 . Now fare

F
2 4 5 3

9' 9+ m 2 9
9
§ s w
well. Aus - tra - lian’s daugh - ters. we shall leave your fruit - ful shores. We shall

wm
G7 3 G7 C
1

f 9 9
a 9
9

soon cross deep blue wa ters. to see our homes and friends once more. Ref.: Roll - ing

m
C 5 C
3 1

home.
m
roll - ing
-&ÿ

home,
m
roll - ing
9'

home
f
a - cross the sea.
m
Roll - ing

1. 2.
F C G7 C C

home
s Sin
to dear old Ham - burg, roll - ing
i 9

home dear land to thee.


mm
Roll - ing thee.

2. We shall sing bag songs and shanties. 4. Off Cape Horn on a winter's morning.
say goodbye to all friends here. setting sails in ice and snow.
We shall soon trip our anchor, You could hear the shellbacks calling:
and for old Hamburg we shall steer. Hoist away, and let her go.
Ref.: Rolling home, rolling home... Ref.: Rolling home, rolling home...

3. Eastward eastward, ever eastward.


to the rising of the sun.
We have steered ever eastward,
since our voyage has begun.
Ref.: Rolling home, rolling home...
*
©2002 Edition Hage, Pommelsbrunn
Candlelight Waltz
Soundvorschlag Melodie: Flute & Strings (Nehmt Abschied, Briider) Schottisches Volkslied
Rhythmus: Slow Waltz oder Country Waltz Originaltext: Robert Burns
Tempo: * = 9? Deutseher Text: Claus Ludwig Laue
Arr.: Kolbl / Thurner
F Dtn Gm C7 F
1 2 I 2 4

I 9
-Ai 4
1 . Nehmt
22

Ab schied,
O

Brii der.
G

un ge
G

wiB ist-
0 72

al le
o

Wie der

Bb F Dm Gm Cl
1 4

if i=A 0 2 72 G G 0

kehr. die Zu kunft liegt in Fin ster nis und-

Bb Cl F Dm Gm
5 2

£ 72 72~r & 0 72
72 G
0 22

macht das Herz uns schwer. Ref.: Der Him mel wolbt sich u bers

F
Cl F F7 Bb 3
5 5

P G

Land .
0

a
G_

de. auf Wie der


Gÿ

sehn!
G
0-

Wir
g
ru
4
hen

Dm Cl Bb
4 Gm 3 2 Cl F
i

0 G
1

£ m £
1

G
2

72 TJ

all in Got tes Hand. lebt — wohl, auf Wie der sehn!

2. Die Sonne sinkt, es steigt die Nacht. vergangen ist der Tag.
Die Welt schlaft ein. und leis erwacht der Nachtigallen Schlag.
Ref.: Der Himmel wolbt sich Libers Land...

3. So ist in jedem Anbeginn das Ende nicht ntehr weit.


Wir kontmen her und gehen hin und mit uns geht die Zeit.
Ref.: Der Himmel wolbt sich iibers Land...

4. Nehmt Abschied. Briider, schlieBt den Kreis. das Leben ist kein Spiel.
Nur wer es rccht zu leben weiB. gelangt ans groBe Ziel.
Ref.: Der Himmel wolbt sich Libers Land...

©2002 Edition Hage, Pommelsbrunn


Santa Lucia
Soundvorschlag Melodie: Mandoline oder Akkordeon Neapolitanisches Volkslied
Rhythmus: Slow Waltz Arr.: Kolbl / Thurner
.
Tempo: =95
c G7 C
2 2

4t — I 0— & h I £ 5
* 0 0
0

l.Sul ma re luc - ci - ca l’a stro d’ar - gen to, pla ci da e

G7 C 5 4 F
3 2 2

22 % 0
i 5 I
f
0 G

Ton - da. pro spe - ro e il ven to. Ve m te all' a gi - le

5 C 2
G7 5

S
2 1 4 5 4

% % 0
i G- 0
0

bar - chet - ta mi a. San ta Lu ci a! San ta Lu

F
C 5 G7 5 C

2 %
3

t
f m G-
t
3

% %
2 I 4
77

ci a! Ve ni - te all’ a gi - le bar - chet ta mi a.

Dm 5 G7 C

§y
2
5 4
0
0
0-0
0 1 I 2

San ta Lu ci a! San ta Lu ci a!

2. Con questo zeffiro cosi soave 4. Mare si placido, vento si caro


oh! com’ e bello star su la nave! scordar fa i triboli al marinaro.
I: Su passaggieri. venite via! I: E va gridando con allegria,
Santa Lucia! Santa Lucia! :l Santa Lucia! Santa Lucia! :l

3. In fra le tende bandir la cena 5. O dolce Napoli, o suol beato,


in una sera cosi serena! ove sonidere voile il creato.
I: Chi non domanda, chi non desia? I: Tu sei l’impero dell’ armonia!
Santa Lucia! Santa Lucia! :l Santa Lucia! Santa Lucia! :l

62002 Edition Hage, Pommelsbrunn


O Sole Mio
Soundvorschlag Melodie: Akkordeon Musik und Text: Eduardo di Capua /
Rhythmus: Beguine Emmanuele Alfredo Mazzucchi / Giovanni Capurro
Tempo: .=11? Deutscher Text: Gunter Loose
Arr.: Kolbl / Thurner
G c
O
5 1

*E s #
p- TJ 3 0
P 0
-&ÿ
i 0

I . Hell scheint die Son ne auf die Er - de nie - der. aus der Ta -

D7 G D7 G
3 5
i
0 ■&
S 0 1 0
T 0
0 22 -&ÿ

ver ne hort man die Lie der. Doch zwei Ver lieb te

c G D7 G
4
0 m 0 22
2 1

-&
&
4

0
0
£ 0 TJ 0-

__
-6ÿ-

ntiis-sen Ab-schied neh - men. ein Som-mer - traum ist fur die zwei vor bei

D7
5 4 5 5

mm
1 2 4 2 4
2 3 2 3 o
i t
i g g H i its
Ref.: O
0

P
so le mi o. horst du das Lied? Es singt von

G Cm
2

i 4 g

Lie
g
be.
t
die
0

nie
0

ver
n
geht.
0

Ad dio.
%
o so le

G
i D7 G
1 3
9- -9
0 0 <> i
mi o. sollst mei - ne Lie be fur im - mer sein

2. Der schonste Sommer mul.l einmal vergehen


und wer sich lieb hat, wird das nie verstehen.
Doch die Erinn’rung kann dir keiner nehmen!
Glaub an das Gliick. es kehrt vielleicht zuriick.
Ref.: O sole mio. . .

Boosey & Hawkes Bote & Bock GmbH & Co. KG. Berlin (fur Deutschland, Osterreich. Schweiz, Tschechien, Slowakei,
Bosriien, Montenegro. Serbien. Kroatien) / Edition Bideri S.p.A. Napoli (alle anderen Lander).
Dieses Werk ist weltweit urheberrechtlich geschijtzt. Alle Rechte vorbehalten.
Dolannes Melodie
Soundvorschlag Melodie: Pan Flute Oder Trumpet Musik: Paul de Senneville
Rhythmus: 6/8 Ballad An-.: Kolbl / Thurner
Tempo: , = 58

Cl 1. 2.

m
F Cl

fT1
[XT I r 1* g. :J.

1. 2. 5 F
1 1 I
if 1» *

C7 1. 5 2.

M'ÿir r -
1 1
f M

i
1975 by Editions Delphine / Editions Tremplin / EMHA
BChte fur D/A/CH: Rolf Budde Musikverlag GmbH, Berlin.

HELTIPP:
fee Melodie klingt besondcrs schdn. wenn sie durch die
hrraony/Echo Funktion des Keyboards vcrvielfaeht wird.
La Paloma
(Freddy Quinn)
Soundvorschlag Melodie: Akkordeon Musik und spanischer Text: Sebastian de Yradier
Rhythmus: Rumba oder Tango Deutscher Text: Freddy Quinn / Victor Bach / Joe Kirsten
Tempo:. =112/116 Arr.: Kolbl / Thurner

c G7
4 2 1 2

P 0

1 . Ein
'—

Wind
o 0
*
N
weht von Slid und
P
5
zieht mich hin - aus auf
0 XT

See.-
22 i 3
Mein
blau- ist das Meer, wie groB kann der Him - mel sein? Ich

C G7 C
4 3 4

i <>

Kind,.
0
P
0

sei nicht trau - rig,


0
P 0

tut auch der


m 0

Ab - schied
<>
weh.
-&

Mein Herz
x>

schau' hoch vom Mast - korb weit in die Welt hin ein. Nach vorn.

G7
2 2 1 4

5 m 5 $ <>
0
0
P P 0 XT 27 0

geht an Bord. und fort muB die Rei - se geh’n. Dein Schmerz
geht mein Blick. zu nick darf kein See - mann schau'n. Kap Horn —

c
4

r
0

P 0
P * <>
t p-f— P~F
— wird ver-geh’n und schon wird das Wie - der seh'n.- Mich triigt die Sehn-sucht
— liegt auf Leek, jetzt heiGt es, auf Gott ver trau'n. See -mann, gib acht. denn

G7
5
0-0
t h 0— )
Pÿ 0 o'
0
0L - 0

fort in die blau - e Fer - ne,- un - ter mir Meer und ii - ber mir Nacht und
strahlt auch als GruG des Frie-dens hell in der Nacht das leuch-ten - de Kreuz des

© 1977 by ESPERANZA Musikverlag Werner Triepke & Co.


I

C G7 c G7
4

m . ■&-
x— #
f x x X iS>- t
Ster - ne.- Vor mir die Welt, so treibt mich der Wind des Le-bens.
Sii - dens. Schroff ist das Riff, und schnell geht ein Schiff zu - grun-de.-

C G7

■uwyyty
5 3

* # i •-m
wein' nicht, mein Kind, die Trii-nen, die sind ver ge - bens. La Pa - lo - ma o
Friih o der split schliigt je - dem von uns die Stun - de. La Pa - lo - ma o

C G7
3 3 5
I

4 mmmfa.
3 1 3

P
5

T
X

he, ein - mal muB es vor bei sein.. nur Er - inn’ - rung an
he,_ ein - mal muB es vor bei sein, ein mal holt uns die

F Dm G7 C G7

m m
1 3

f
x m
i mmEm
Stun -den der Lie - be bleibt noeh an Land zu ruck. See-manns-braut ist die
See. und das Meer gibt kei - nen von uns zu rLick . Sec-manns-braut ist die

C G7

m
3 3 5
3 5

i
n
See. und nur ihr kann
x1

ich treu sein.


Pm wenn
x
ti
der Sturm-wind sein
See,. und nur ihr kann ich treu sein.. wenn der Sturm-wind sein

2-C
.
Dm 1.
F G7 C
l 4
X s
X
X

Lied singt, dann winkt mir der gro - Ben Frei - heit Gluck, 2. Wie
Lied singt, dann winkt mir der gro - Ben Frei - heit Gluck.
Verwehter Glockenklang
Soundvorschlag Melodie: Mandoline mit Tremolo & Strings oder Flute Russisches Volkslied
Rhythmus: Rumba Arr.: Kolbl / Thurner
.
Tempo: =105

c
1 I

e I

F
~> 4
0
j± E 1

c G7 C G7


-
0-
F
o
0

5
c 3
4
2

f
5: £

F
C7 2 4 5
5 T 2 I
g
p 1
* g
r- 4* f r T
C
4 3 G7 C
2

#-0 0
<>

© 2002 Edition Hage, Pommelsbrunn


Taiga-Melodie
Soundvorschlag Melodie: Akkordeon & Strings oder Trumpet & Strings Russisches Volkslied
Rhythmus: Slow Waltz Arr.: Kolb] / Thurner
.
Tempo: = 1 00
F C7 F
5 2 2 2
.

4 77
2 i 5k
i d
1 . Sehn - sueht heiBt ein al - tes Lied der Tai ga, das schon da mats
Sehn - sucht lag ini Spiel der Ba - la - lai ka, wenn sie a bends

1. 2.

m
C7 D7 Gm
F F 2 5
&
0' i 77"
*

mei - ne Mut-ter sang. Und heut’ bleiben da von nur noch kur - ze
vor dem Haus er klang. tau - send Ang ste. daB ich es ver -

Dm A7 !• Bb7 A7

m
3 1 3 2 1 2

0' -* —m 0 1
Trau me, die in lan - gen Niieh - ten oft vor mir ent - stehn und
sau me . die ge - lieb - te Tai ga

2- Bb7 A7 F
Dm Cl C7

m
3 2 5 2

0'
* 3
noch ein-mal zu sehn. Sehn - sucht heiBt ein al tes Lied der
Sehn - sucht lag im Spiel der Ba - la -

F Cl F

5
2 2

m[f =m 1
77" 77"
i ZZZ

Tai ga. das schon da mals mei ne Mut - ter sang.


lai ka. wenn sie a bends vor dem Haus er klang.

2. Sehnsucht fiillt die vielen heiBen Tranen Sehnsucht heiBt ein altes Lied der Taiga,
und die Hoffnung. die im Herzen schwingt. das schon damals meine Mutter sang.
Sehnsucht liegt noch immer in den Tonen Sehnsucht lag im Spiel der Balalaika.
abends, wenn das alte Lied erklingt. wenn sie abends vor dem Haus erklang.

Die endlosen Steppen und die tiefen Walder.


die wie graue Schatten oft vor mir erstehn.
Neblige Fliisse. taubedeekte Felder,
alles mocht' ich einmal. einmal wiedersehn.

@2002 Edition Hage, Pommelsbrunn


Das einsame Glockchen
Soundvorschlag Melodie: Strings & Bells oder Bandoneon & Strings Russisches Volkslied
Rhythmus: Piano Ballad Arr.: Kolbl / Thurner
Tempo: J = 60
G D7
2 1 5 3 2 3

i* 35
0 i O
0- TT

1. 2.
G

.
l 3 4

I o 0
0

0
i

C G A7

i 4
o I 0 2 0 I 0
o

D7 G
3 1

i 0- 0-
TT
=E 0
o
*

.
D7 G
2

i TT i TT

P -#•
i
5 TT

© 2002 Edition Hage, Pommelsbrunn


La Sorella
Soundvorschlag Melodie: Brass Italienisches Volkslied
Rhythmus: Polka Arr.: Kolbl / Thurner
Tempo: • =100

G7 sempre staccato C

P-
i $ t
TJ

G7 C

-
2 1 4
4
-0
-0-
V: 1 i 7 -0
PPi

G7 C G7

7 2
m 0
0
F
0
m
c G7 c G7 C

frHnr; vr 3 2
i *
#ÿ
1

1. 2.
G7 C G7
C C

¥
S 2002 Edition Hage, Pommelsbrunn
21 #
t #-
i*— f-4 -iif x ii

SPIELT1PP:
sempre staccato = alle weiteren Noten auch kurz spiclen
La Mer
Soundvorschlag Melodie: Vibes oder Flute Musik und Originaltext: Charles Trenet
Rhythmus: Slowfox Deutscher Text: Hans Fritz Beckmann
Tempo: • = 90 Arr.: Kolbl / Thurner

F Dm Bb C7 F Dm Bb C7 F A7
I 3 3 3

i
2
Q! o # TJ7 -& O
0-
0

Das Meer wiegt sich im Tanz und rauscht hin zu dem Strand.
Meer fun - kelt im Glanz der Nacht wie ein Di - a - mant.

Cl C7
Dm 3 F Dm Bb D7 Gm 5 3
2 3

¥ Zu sei - nem
0

ew
0-

'gen Ziel,
W

das
o

Meer,
i 0

um dort
0

wie im
Spie - gelt des Him mels Dom, das Meer, im end - lo - sen

Bb 1. 2.
Dm G7
Cl Cl F E7
2 4 I Gm 1

$ 22 <> m 72 i -0
d

Spiel hin zu glei ten. Das zei ten. Wie


Strom der Ge -

A A E7
Fitm D E7 3
F#m D
-3
A
3 5 3

i $ o

schon
&
ist die
«PI=
- se Nacht! Die Welt
0

ist wie
0

ein
<>

Traum.

G7 C Am F G7 C Am F G7
i r r -3
2 3
0 727 ■6-
A t 0
O
0

Wir seh’n all ih - re Pracht ver emt schwe - bend im

© Copyright 1945 by Editions Raoul Breton, Paris


Fur Deutschland: Edition Marbot GmbH, Hamburg
C Cl F Dm Bb Cl F Dm
1 3 3

9
cv
l 1 O
77

Raum! Das Meer wiegt sich im Tanz und

Bb Cl F A7 Dm Cl 3 F Dm Bb D7
3
3 2
o
9
§ TT

tragt schwan-kend zum Land wie-der das Boot zu-rtick, das Meer,

i
Gm
Cl Bb 1. 2.
3 Dm Gm Cl F Cl F
5 2 4 Cl

9 % IL 77 <4 77 t TT I
als wollt' es ins Gluck uns ge lei ten. Das lei ten.

!
i
Schlafe, mein Prinzchen, schlaf ein
Soundvorschlag Melodie: E-Piano oder E-Piano & Strings Musik: Bernhard Flies, 1796
Rhythmus: Slow Waltz Text: Friedrich Wilhelm Gotter (1746 - 1797)
.
Tempo: = 90 Arr.: Kolbl / Thurner
F Cl F Bb
3 3
9 § 0
-0 i 0
4 -0 77 22

l.Schla - fe, mein Prinz-chen, es ruhn Schaf-chen und Vo - gel - chen

F Cl
2 3 I 2
7Tÿ O
S 0 0
t 0
■e-
i
nun: Gar - ten und Wie se ver stummt:

F Cl F Bb
3 3

i fe 0

auch nicht ein


0

Bien - chen
0

mehr
T2L

summt;
22
i 0

Lu - na
0 0

mit
0

sil -
0

her -
0

item

F Cl
2 4
<Sr 0' G-
% fe P T 0
P 0

Schein gu - cket zum Fen - ster her - ein. Schla - fe beim

F Cl F Cl F

0
-6P- G i 0
-0 0 72

sil - ber - nen Schein,. schla -fe, mein Prinz-chen, schlaf ein, schlaf

Cl F Cl F

I fe
ein,
2 0

schlaf —
-0 22

ein.
77
?2Z
F
0
0 aL 77

2. Auch in dem Schlosse schon liegt 3. Wer ist begluckter als Du?
alles in Schlummer gewiegt; Nichts als Vergniigen und Ruh.
reget kein Miiuschen sich mehr; Spielwerk und Zucker vollauf,
Keller und Kiiche sind leer. und noch Karessen im Kauf!
Nur in der Zofe Gemach Alles besorgt und bereit,
tonet ein schmelzendes Ach. daG nur mein Prinzchen nicht schreit!
Was fiir ein Ach mag das sein? Was wird das kiinftig erst sein?
Schlafe, mein Prinzchen, schlaf ein, Schlafe, mein Prinzchen, schlaf ein,
schlaf ein, schlaf ein! schlaf ein, schlaf ein!
Swannee River
Soundvorschlag Melodie: Harmonica Oder Piano Musik und Text:
Rhythmus: Foxtrot Stephen C. Foster
Tempo: J =150 AIT.: Kolbl / Thurner
c C7 F c
3 5 3 3 2

e <>

1 . Way down
j
up - on
J J i
the
j
Swan
r
nee Ri
~7Jÿ

- ver.
<>

far. far
5
a
All up and down the old ere a - tion. sad iy i

D7 G7 C Cl F c
5 3 2

o
way,- there’s
m -m-
where my heart is
m
turn ing ev -
~77ÿ

er,
-e- ■0-

there’s where the


i
roanr,. still long - ing for the old plan ta - tion and for the

G7 C G7 C
3 1

old folks
~0 «>

stay.-
Pi Ref.: All the world
0

is sad and drear


ZZ

y-
old folks at home¬

F C G7 c C7
I 5 3

TJ
ZZ ZZ -0- 3ÿ W -0-

ev’ ry where I roam. Oh, dar - kies, how my

F c G7 C
5 3 2

I
~7J
1 ~77ÿ

-0
i o <>
]
heart grows wear - y, far from the old folks at home-

2. All round the little farm I wandered 3. One little hut among the bushes,
when I was young; one that 1 love.
the many happy days I squandered, still sadly to my mem'ry rushes,
many the songs I sung. no matter where 1 rove.
When I was playing with my brother When will I see the bees a-humming.
happy was I. all round the comb?
Oh ! Take me to my kind old mother, When will I hear the banjo tumming
there let me live and die! down in my good old home.
Ref.: All the world is sad and dreary... Ref.: All the world is sad and dreary...
La Pastorella
Soundvorschlag Melodie: Akkordeon oder Trumpet Musik: Walter Geiger
Rhythmus: 8-Beat oder Rumba Text: Robert Jung
.
Tempo: =90/112 Arr.: Kolbl / Thurner

m
F C7
I T 4

i ? e
m
I. Es
i
war
m

an ei - nem Frith - lings -tag. es


Gar - de - na
m
grim te schon wie
*
l
w
neu war die
Schii fe - rin vom Val zog al - lein hin auf in das

F
I I 2 5
0 &
T 6 i 0'
O
i
Welt, der Win - ter hat ein Ab - schieds- 1 ied beim Wind be-stellt.
Land, dort. wo sie ei - nen Som - mer lang die Ru - he fand.

1. 2.
C7

m
I 1 2

¥ s
Die
i
Ref,: La Pas - to - rel - la
0
£
ist so
I
jung
0

und schon

Gnt C7 F
1 2 i

i* i 0

und
0'

viel
a •
V
zu lang al
m.

lein auf
0

Ber
m
ges-hohn. Die
Bb
5 4 5

m
3 2 3 Gm Cl 5
3 2 I ! 3 i 3
I I
ip *
Lie - be ist kein Spiel der E wig - keit drum sehenk ihr - je - den
Pa - sto - rel - la, die so jung und schon, wird ei - nes Ta - ges

1. 2.
4 F 7 F
I I 2

Tag von
ft
dei
m
ner Zeit. La auch
Wi

ver
<>
Q

stehn.
<>
ii

2. Er hat gesagt: Ich wart auf Dich, der Herbst kommt bald und dann bist Du mein,
Und wirst ein ganzes Leben lang nur gliicklich sein.
Sie schaut ins grime Tal zuriick und denkt an ihn und fiihlt, es wird wahr.
Sie wird fur immer bei ihm sein im niichsten Jahr.
Ref.: La Pastorella ist so jung...
© by montana
La Golondrina
Soundvorschlag Melodie: Trumpet oder Nylon Guitar
Rhythmus: Rumba Mexikanisches Volkslied
Tempo: « = 112 Arr.: Kolbl /Thurner

o
c G7
3 2

e -6ÿ- 0 0 0 i 0 0
0 If 0
9
A don - de i ra ve loz y fa - ti ga da. La Go - Ion

C G7 C
5 3 2 2

O’
0 0
o
S o'
w
dri na que dea - qui se va. Oh! Si en el vien to

C7 F C G7 C
3 5 3 3 4

0
o
i i 0
# 0
0 O

la es - tra - vi a da bus - can - doa hri goy no lo en - con - tra ra.

G7 C Dm
5

0 o 0 £ 0
B
0 n
i 0

' £
Jun-toa mile - cho le pon - dre - su ni - do, en don - de pue - da

G7 c G7 C

mm
T 3 2

<> t 0 0
# A
la e - sta-cion pa sar. Tam - bien es toy en la re gion per - di

.
F G7 C
2 3 5 4
u
I P
0 -O’
0 0
<> 5
do o cie - lo san to y sin po - der vo lar.

2002 Edition Hage, Pommelsbrunn


Ballade Pour Adeline
(Richard Clayderman)
Soundvorschlag Melodie: Piano & Strings Musik: Paul de Senneville
Rhythmus: Piano Ballad Arr.: Kolbl / Thurner
.
Tempo: = 66

1 5 rit.
1 3 4

“HT |T3|. |T3|. -#


V
4—# -#

1. Hd. nrrrrrrr
c
5 a tempo Dm G7
0 JL
0 9
5>-
7

c
TT 0
-9- 0-
l O 9- 9- 2=* 0-0-0-0-0-

Dm G7 C
O CL

Am Em F G7 C Am
5 3 3 3 5

I I 3 1#-
£
Em F Gsus4 G7
3 3 5 1 1 2
0 ~77
0 » 0 0 0 0
0 0
0 ~0

C Dm G7
0- 0 CL O

WM
77 77 0-r-CL Gh

c- c- s- 0 - CL ± 0 &

C E\> F G C
n 0 ■

CL
4 2 I 5 2 2 - 77 77
1[
& 0-
C 0 C~ 9- 0—0 0 0

Dm G7 C
0-0-0—0— 0

i
CL 77 0 CL CL
u
2 5
l 0 S CL 0ÿ

F G7 c F
c F
3 G7 3 G7 C
4 2 i 2 I 4 2 4 2
0
0 s 0
0 8 0 0
0 8
i 0 0

! 0

SPIELTIPP:
Die ersten vierTakte ohne Begleitrhythmus spielen.
Vorher Synchrostart aktivieren, so class mit clem Greifen
des C-Dur Akkordes in Takt 5 die Begleitautomatik startet.
El Condor Pasa
Soundvorschlag Melodie: Pan Flute Musik und Text:
Rhythmus: Rumba Daniel A. Robles / Jorge Milchberj
Tempo: « = 95 Arr.: Kolbl / Thurner
Em G [ B7 ;4
3 2 1 2 5
i ■0-

Em G
1 3 2 1 5

* ± #
-#ÿ

c
B? 4 Em 4 5
I 2. 3

LI

G C
2 4 5

u <r-
I 2

7 p c g
G
A
B7 4 Em
a i
u
M 0
-#1 5zd
F
Moritat vom Mackie Messer
aus der Dreigroschenoper
Soundvorschlag Melodie: Brass Musik: Kurt Weill
Rhythmus: Swing Text: Bertolt Brecht
Tempo: » = 160 AIT.: Kolbl / Thurner

C Dm
l

E 0
-0- c,
I 0 77

1 . Und der Hai - fisch, der hat Ziih ne und die

G7 T
C Am Dm
4 1 I

77
0 0 O 0
0
Gh 77
i 2

triigt er im Ge - sicht. und Mac Heath, der hat ein Mes - ser.

1.-8. 9.
G7

.
C C

.
2 1
77
I 0 <> 0 1 O
I
doch das Mes ser sieht man nicht. 2. An ’nem Preisl

2. An 'nem schonen blauen Sonntag 6. Und das groBe Feuer in Soho,


liegt ein toter Mann am Strand. sieben Kinder und ein Greis.
und ein Mensch geht urn die Ecke, in der Menge Mackie Messer.
den man Mackie Messer nennt. den man nichts fragt und der nichts weiB.

3. Und Schntul Meier bleibt verschwunden 7. Ach es sind des Haifischs Flossen
und so mancher reiche Mann. rot. wenn dieser Blut vergieBt!
und sein Geld hat Mackie Messer, Mackie Messer triigt 'nen Handschuh.
dem man nichts beweisen kann. drauf man keine Untat liest.

4. Jenny Tow ler ward gefunden 8. An der Themse grtinem Wasser


m it 'nem Messer in der Brust. fallen plotzlich Leute um!
und am Kai geht Mackie Messer. Es ist weder Pest noch Cholera.
der von allem nichts gewuBt. doch es heiBt: MacHeath geht um.

5. Wo ist Alfons Glite. der Fuhrherr? 9. Und die minderjahr'ge Witwe.


Kommt das je ans Sonnenlicht? deren Namen jeder weiB.
Wer es immer wissen konnte - wachte auf und war geschiindet.
Mackie Messer weiB es nicht. Mackie. welches war dein Preis!
La Montanara (Montanara Chor)
Soundvorschlag Melodie: Horn oder Akkordeon Musik und Originaltext: Toni Ortelli
Rhythmus: Slow Waltz DeutscherText. Ralph Maria Siegel
Tempo: J = 80 AIT.: Kolbl / Thurner

m
F C7
2 5 2 3

m Horst Du das Lied der


-0-

Ber - ge,
£
die Ber - ge. sie grii-BenDich.
i 0' 0

Horst Du mein E - cho


PS

F
3 2 5

$ 0
0
i
schal - len und lei se ver - hal - len. Dort wo in blau - en Fer - nen die

Bb Gm C7 Am Dm Gm C7 F

m
5
-G-

Pg
Wei - ten ent - schwin-den. mocht’ ich Dich wie-der - fin - den, mein un-ver-gess- ’nes Gluck.

C7
3 3 2 3

£ 5— 5 -0 ± 0' 0’ 0
0' 0

La Mon - ta - na - ra o - he, von fern rauscht der Was - ser - fall, und dutch die grit - nen

F
% j nn m
Tan nen bricht sil - bern das Licht. La Mon - ta - na - ra o - he. tm
B\> Gm Cl Am Dm Gm Cl F
5
19
9
l 0
? 0
0 &
Klang al ter Lie - der, laut hallt mein E - cho wie - der, nur Du horst es nicht.

F G7 Cl
1 3 3 2 3 3

k i 5ÿ 0 3 0
0- i 0
1 0 — 0'

Weit sind die Schwal - ben nach Sti - den ge - flo - gen. ii - ber die e \vi gen

F c F ED Cl
3 5 2 2

9
0' 0
0
5 0
0
I
0

Ber - ge und Ta - ler, und ei ne Wol ke kam ein - sam ge - zo - gen.

Gm Cl F ED F C7 F
2 5

9 0
0- £ 0 1
0
* 77-

dort wart' ich nn - mer ver - geb - lich auf Dich, ver - geb - lich auf Dich.
O Mia Bella Napoli
Soundvorschlag Melodie: Musette oder Piano Musik: Gerhard Winkler
Rhythmus: Rumba Text: Ralph Maria Siegel
Tempo: .=112 Arr.: Kolbl / Thurner

c F C
4
0
0-0-0
0
0 — sr- «>

Hcirt ihr wie die Stras-sen - san - ger sin - gen. wenn sie durch die en - gen Gas - sen ziehn.

G7 C G7 C
3 3
$
0 0 50 §
0 0
O

In al le Hiiu ser dr in gen sehn-siicht" ge Me lo dien.

F C
3 4

i 0-0-0-0-0

Wenn dann ih - re Man - do -


0

li - nen
0

kla - gen,
LF LT-bT
fan -gen sie-sich al - le Her-zen
«»

ein.

G7 C D7 G7
2 3

4h Was ih - re Lie - der sa - gen


0
>5 *
riihrt auch ein Herz
5 0

von
O

Stein:
T 0

0
0 0

mi - a bel - la

c 5 4 3 G7 2 4
3 2 I i 3

0' 0
5■
G 0
I I I f Mi I 0

Na po - li. wer dieh nur ein mal sah. o mi - a bel - la


c
5 4 3

m
3 2 1 1 2 2 1

PP in 5 2

__
-m-
1M
Na po - li. der blieb gern e wig da. Wo dun - kel die Zy -

A7 Dm B7

3 77 m 0

pres - sen stehn San - ta Lu ci a! Wo blii - ten-schwe-re Diif te wehn —

Em B7 G7 C 5

0 i 0
<» 0
0
0-' m 0
i
3

P
von sanf - ten Hohn. O mi -a bel - la Na - po - li, du Stadt am

G7 2 5
3

ipsi g
__
t •- m § 77
blau en Meer O mi - a bel - la Na po - li, mein Herz ist

C
4 F Fm

wm
2 3
2 0

* 3 0

sehn suchts- schwer. In mir klingt ei - ne Me lo - die. wo ich auch

C Em Dm G7 C

o ±0;
2

m 0
4
0— 0 u

sei . O mi - a bel - la Na po - li. dir bleib ich treu.


Granada
Soundvorschlag Melodie: Violin & Strings oder Trompete & Strings Musik und Originaltext:
Rhythmus: Waltz Augustin Lara
Tempo: J =160 Arr.: Kolbl / Thurner

C Ekiim
i

i>
0 0'
0 10
m 0-

im
Dm 3 G7
I

& 7

C
#-ÿ
0 0 2 ~TJ

1 3

i £= j— 7 -A 0
0
to E'F r r
Em B7
4 2
-Gh W- l l 5 0 \
0

Em B7
4 2
#ÿ
0
f 0
P*1 0 i
© Copyright 1932 by Peer International Corp., New York
Fur Deutschland: Peermusic (Germany) GmbH, Hamburg
Em G7 C
2 3 1

I p 0 t&Z 0
0
0 0i $

Eklim Dm 3 G7

0i £= ■#
0
P

§l l i } -#1 #
5 5 0 01
P
01
P
c
3 4

77 22 77 S 9-

F Fm C Fm
3 4 3 4 3 4

I 00 01
p 5 Z
5 0
5 5

C Fm C
4 3

5 w #- ♦ 0
0 0
0L
P ¥

G7 C
4

fe 0 0 5=£ 0 0
0
i 0 1-... 7
Capri Fischer
Soundvorschlag Melodie: Akkordeon 2V \ ■’ c 1 Musik: Gerhard Winkler
Rhythmus: Rumba Text: Ralph Maria Siegel
Tempo: *=112 } fV’ÿ ' f Arr.: Kolbl / Thurner

c % 2 5

e m
Wenn
*
bei
p
Ca -
r
pri
pr
die ro
r
te
ip
Son - ne
r P
im Meer
0

ver
n

sinkt.

C#dim Dm G7
2 I

i 0

und am
0

Him-mel die blei


0

- che
0
5 0-05
Si - chel
0

des Mon - des


<>

blinkt, zieh’n die


0

Dm G7 Dm G7 Dm
1 2

m
Fi-scher mit ih - ren Boo -ten
0

auf's Meer hin


0 o

aus,
0
und sie le - gen
0

im wei - ten

G7 C
2
0— 0-0— 0-*
0 0 0—
O 0
0 -7- ■7

Bo-gen die Net - ze aus. Nur die Ster-ne, sie zei - gen ih-nen am Fir - ma

Caug F
I 2 4 3 3

i TT

ment ih -
0

ren Weg mit den Bil - dern.


0 0—0-0-*
t
die je - der Fi-scher
o

kennt.
0

Und von

Fm C G7
2 4
0-0 r ft - 0 0
<>
O
0
0

Boot zu Boot das al te Lied er klingt. Hor’ von fern. wie es

© 1943 by Musik-Edition Europaton / Peter Schaeffers, Berlin


c G7

IV
p *
m t
m
» 9
m
singt: Bel - la, bel - la, bel la Ma-rie, bleib' mir treu, ich komm" zu

C G7 C Fine

£g m
3

#-9
-G-
9 Q
m
rtick mor-gen friih! Bel-la, bel-la, bel - la Ma-rie, ver - giB mieh me:i

B b> Eb

? T
*
1 2

#
s <>
inS O

Sieh den Lich - ter schein drau - Ben auf dem Meer,

5 G7
s
1_ 2 4 2 .5
Cm

»
T? T
S
ru - he -
#

los und
m
klein. Was kann das sein,
w was irrt
9

dort
"
spat nacht’s um - her?

Fm G7 Cm

m me
1 2 1 1 2
1 <» TT
tz 9

WeiBt du was da fahrt, was die Flut durch quert?

G7 C D. S. al Fine
2 5 4 2
hk gB
#
9-'
' ■91-

I
1» u
*
Un - ge - ziihl - te Fi - scher. de ren Lied von fern man hurt !
Stenka Rasin
Soundvorschlag Melodie: Violin & Strings Oder Bandoneon & Strings Russisches Volkslied
Rhythmus: Slow Waltz Arr.: Kolbl / Thurner
.
Tempo: = 80

G D7 G

1 . Auf der
— ■

Wol
3

0- m
ga brei - ten
0

Flu ten durch das


5
m-

en ge In - sel - tor, bricht auf

c G D7 G C

Ml
2 1 5 1
t=ii 0 0' 0
-& 0-0

bunt be - mal-ten Boo - ten Sten-ka Ra sins Schar her - vor, bricht auf bunt be - mal-ten

1.-5. 6.
G D7 2 G l G

0
-&
0
1 i
Boo ten Sten - ka Ra sins Schar her vor. 2. Auf der fort.

2. Auf der ersten mit der Fiirstin, 5. „Dass sich zwischen freien Mannern
einer schonen Perserin, nicht um sie ein Zwist entspinn’,
fahrt nach festlich heit’rem Mahle nimm die Schone. Wolga,
frohgestimmt er selbst dahin. Mutter Wolga, nimm sie hin!“

3. Und es geht ein leises Grollen 6. Und er hebt mit ktihnem Schwunge
durch der Kosaken Reih’n, seine Fiirstin tiber Bord.
soli um Weibes Willen schleudert weit sie in die Fluten
uns’re Not vergessen sein? und die Wolga tragt sie fort.

4. Um den schlanken Leib der Schonen


legt er fester seinen Arm:
fragend blickt sie auf zu Stenka:
„Winkt mir Freude oder Harm?"

© 2002 Edition Hage, Pommelsbrunn


Amazing Grace
Soundvorschlag Melodie: Harmonica oder Bag Pipe Traditional
Rhythmus: Slow Waltz aus der Sammlung von John Newton (1779)
Tempo: • = 80 AIT.: Kolbl / Thurner
G C G
1 3
3 2

i s=?4

1. A ma zing
0

grace,
JE

how
-e-

sweet
0

the sounds,
m
that-
0 0

saved
0

m D7 G C G
3 3
2

i * ft?

wretch like
0

me. 1_ once
#

was
o 1&-

lost, but now


0

am found, was —
0

1.-4. 5.
D7 G

m
G

i i
0

blind but
3

now I
■0-

see.
0 i
2. ’T was
D7 3
0 0
m 3

G7 C G D7 C G

m
3 3
2

i & 0 0
0 m
0 0 0
-0- 0

2. ‘T was grace that taught my heart to fear, 4. How sweet the name of Jesus sounds
and grace my fears relieved; in an believer's ear.
how' precious did that grace appear It soothes his sorrows, heals the wounds.
the hour I first believed. and drives away his fear.

3. Thro's many dangers, toils and snares, 5. Must Jesus bear the cross alone
1 have already come. and all the world go free?
’Tis grace hath bro't me safe thus far, No, there’s a cross for ev'ry one
and grace will lead me home. and there's a cross for me.
Oh Danny Boy
Soundvorschlag Melodie: Harmonica Musik und Text:
Rhythmus: Country Shuffle Edward Weatherly ( 1848 - 1929)
Tempo: .=115 Arr.: Kdlbl / Thurner

C C7 F Em
1 3

P 0
§
1 . Oh Dan - ny boy, the
0
0

pipes, the pipes are


0

call
-&
mg
i 0

from glen to
-sC-

glen, and

Am D7 G7 C C7 F
1 1 3

0
0 0 o
I 0
0
0 4
0 0
■&
down the moun-tain side. The sum-mer’s gone. and all the flowers are dy mg

Fm C G7 C G7 C
2 1 2

i 0 ■0 0
0
77ÿ
0

w O

'tis you. ’tis you must go and I must bide. But come ye back when

Am
F G7 C 5 F Em D7
5 2 2 2

0 0
3 -o-
£3 p-
£3
0
0
0 o
sum-mer’s in the mead ow or when the val ley's hushed and white with snow

G7 C F c Am Fm C
I 5 3 2 2 1 4 2
221 0 0
i 0-0-0 O' 0
0
T 0
0
0
0
0
'tis I’ll be here in sun-shine or in shad ow. Oh Dan - ny boy, oh Dan - ny

G7 C Am Fm C Dm G7 c
3 1 1 4 2 3

0
I 0
0
0
o 0 0 <»
boy. 1 love you so.

2. And if you come, when all the flowers are dying


SPIELTIPP: and I am dead, as dead I well may be,
Dicse Melodic klingt besonders schbn. you’ll come and find the place where 1 am lying
wenn sie durch die Harmony/Echo
and kneel and say an ,.Ave" there for me.
Funktion des Keyboards vervielfacht wird.
And I shall hear, tho" soft you tread above me
and all my dreams will warm and sweeter be.
If you'll not fail to tell me that you love me
© 2002 Edition Hage, Pommelsbrunn I’ll simply sleep in peace until you come to me.
Guantanamera
Soundvorschlag Melodie: Trumpet oder Brass Musik und Text: Pete Seeger /
Rhythmus: Rumba oder Cha Cha Cha Julian Orbon / Hector Angulo / Jose Marti
Tempo:. =115/125 Arr.: Kolbl / Thurner

F Bb Cl Bb F Bb Cl
2 2

$
m 0-
0
%

Bb F
5 Cl 4 Bb Cl
! 3 2
m
$ -0 -0
S3 0 -0
i
Ref.: Guan - ta - na - me - ra, gua - ji - ra guan - ta - na - me - ra.

F Cl
2 Bb 4 F Bb Cl
1 5 3 2 4

$ ±
-0
i
Guan - ta - na - me ra, gua - ji - ra guan - ta - na - me ra. 1 . Yo soy un

F Bb Cl Bb F Bb Cl Bb
2 2

$ 0— 0

horn -
0—0

bre sin - ce - ro,


t 0

de don-de ere -
i
ce la pa!-ma.
f t 0-

Yo soy un

Bb Bb F Bb Cl

m
F Cl
4

0-0 -0—0- i 7 0 0 i
3
horn - bre sin - ce - ro, de don-de ere - ce la pal-ma. Y an-tes de
F C7
4 B 4 Bb F Bb Cl
5 3

m
I 2 4

l*TTf mo rir me quie


o

ro,
0

e -
0

char mis ver sos del al ma.

F F
B? Cl 4 Bb Cl 2 B

fa i jlfj* 3
0
2 !

i =3
Ref.: Guan - ta - na-me-ra,
7 0

gua-ji - ra
0

guan
UU'
- ta - na-me-ra. Guan - ta - na-me

Cl
4 F Bb Cl F Bb
3 2

m
5 4 I 2

ra,
5Ef
gua -
0

ji -
0

ra guan - ta - na - me
-s-
ra.
0 m 1
e *— 0
m
Cl Bb F Bb Cl Bb F
4 2

¥ 0
0
0
r> i s
0 0
0
XT

2. Cultivo una rosa blanca, 3. Con los porbre de la tierra,


en junio como en enero. quiero yo mi suerte echar.
Cultivo una rosa blanca, Con los porbre de la tierra.
en junio como en enero. quiero yo mi suerte echar.
Para el amigo sincero, El arroyo de la sierra,
que me da su mano franca. me complace mas que el mar.
Ref.: Guantanamera... Ref.: Guantanamera...
Summertime
aus der Oper Porgy And Bess
Soundvorschlag Melodie: Sax oder Growl Sax Musik und Text: George Gershwin
Rhythmus: Swing Arr.: Kolbl / Thurner
.
Tempo: = 90

Dm A7 F G7 Bb A7 Dm A7
i

a 0-
i
Sum - mer time

Dm A7 Dm A7 Dm Gm Bb7

m
2 I 5

an’ the liv-ing is eas


f3! fish are
-0-

jump - in’, and the cot-ton is

A7 Bb7 A7 Dm A7 Dm A7 Dm A7

s
■>

* >-l t
high. Oh, yo’ dad-dy’s rich, —
*
and yo’ ma
9

is good
T7

look
i
in’

F G7 F Bb7 A7 Dm A 7 Dm A7
2

*i i o
so hush lit - tie ba - by, don't- yo' cry.. One of these

Dm A7 Dm A7 Dm A7 Dm Gm
2

4 «— * i
mor-ning’s you goin’ to rise
#

— up sing -
f3!
__
in’ then you’ll spread yo' wings
__
Bb7 A 7 Bb7 A 7 Dm A7 Dm A7


s -#ÿ

an’ you'll take. the sky. But till that mor-nin’, there’s a noth -in’ can

Dm A7 F G7 F Bb7 A7 Dm A 7 Dm
2 2 r\
i i I
o
harm
f3!
you. with dad - dy an’ mam - my stand in
XT

by-
XT
Lili Marleen (Lale Andersen)
Soundvorschlag Melodic: Piano oder Vibraphone Musik: Norbert Schultze
Rhvthmus: Swing Text: Hans Leip
.
Tempo: = SO Arr.: Kolbl / Thurner

Dm G7 C Dm G7
2
5 0'
g
5
0 n
0
g
0 0 0 0 -9-

1 . Vor der Ka-ser - ne, vor dem gro - Ben Tor

C F Fttdim

, 0
0-0 m
0
0
-&
3

m 0

stand ei - ne La - ter ne und steht sie noch da - vor. so woll’n wir da uns

C A7 Dm G7 C A7 Dm G7
4 1

0
0' £ 0
5 0
0'
0
5 -
0
0

wie - der - sehn. bei der La - ter ne woll’n wir stehn wie einst Li Mar

Dm 1.-4. 5.
C A7 G7
5 C C
2Z
0
■0’-
g T 1
w
leen. wie einst Li - li Mar leen. leen.

2. Uns're beiden Schatten 4. Deine Sehritte kennt sie,


sah'n wie einer aus. deinen zarten Gang,
DaB wir so lieb uns hatten. alle Abend brennt sie,
das sah man gleich daraus. doch mich vergaB sie lang.
Und alle Leute soil'll es sehn. Und sollte mir ein Leid geschehn,
vvenn wir bei der Laterne stehn wer wird bei der Laterne stehn.
wie einst Lili Marleen. mit dir. Lili Marleen.
wie einst Lili Marleen. mit dir, Lili Marleen?

3. Schon riefder Posten, 5. Aus dem stillen Raume.


sie blasen Zapfenstreich. aus der Erde Grund
es kann drei Tage kosten. hebt mich wie im Traume
Kam’rad. ich komm sogleich! dein verliebter Mund.
Da sagten wir auf Wiedersehn. Wenn sich die spiiten Nebel drehn,
Wie gerne wollt" ich mit dir gehn. werd' ich bei der Laterne stehn.
mit dir. Lili Marleen, wie einst Lili Marleen,
mit dir, Lili Marleen. wie einst Lili Marleen.
Oh Happy Day
Soundvorschlag Melodie: Rock Organ Spiritual
Rhythmus: Soul Beat oder Rhythm & Blues Arr.: Kolbl / Thurner
.
Tempo: = 120
G C
5 5 G D7
2 2 1 3
t t
0
% %
■m
0 ml t 4b
i '
S J 9
4b
Jij J >J t
Oh hap - py day,-

G C G E7 Am
2 2 3

:— o i & t -
0

oh hap - py day.. when Je - sus wa shed.

D7 Am D7 Am
#
t r r r
oh when He
Twa
u shed.
S *
when
0

Je
r
sus
T
wa
u shed,

1.
D7 G C G
2 D7 2 3

ifefs 0-
§§ 4b % 0
”5 s Vd- p
he washed my sins — a -way..
0

Oh hap-py day. Oh hap-py


4b

day
__
2. 5 G
D7 2 4 c
1 2

* t % it ( >
t XT'
t V
i
He taught me how to watch. fight and
joic ing ev e ry

G D7 1. 2.
3 I 3

* O 0 8 i t 1 Pi 0
0
*
stay. fight and pray. And live re -
day. ev' - ry day,- oh hap - py day,_

G C G D7 G
4
0 *
0
i 0
0 0
t t
-0
0
9
4b
0

oh hap-py
0' O
O

day.
\
Greensleeves
Soundvorschlag Melodie: Flute Musik und Text:
Rhythmus: Slow Waltz Altenglisches Volkslied
Tempo: .=116 Arr.: Kolbl / Thurner

Dm G C Am Dm
I 0 1 2

1. A las,
0

my love,-
¥ you do
-0

me
i
wrong. to cast me

G C Am Dm G C Am
1 l 2 2

off- dis cour - teous - ly, and I have lov


¥ ed you so long- de

Dm A7 Dm F c
l

$
0 CJ • 33 -0

light ing in. your com - pa ny. Ref.: Green sleeves- was all my

Am Dm G C Am F
5

¥ 1
joy. Green sleeves- was my de - light, Green sleeves was my

C Am Dm A7 Dm
2
g=i
i 0 d•
1
heart of gold.. and who but my la dy Green sleeves.

2. 1 bought thee petticoats of the best, 4. Thy gown was of the grassy green,
the cloth so fine as fine might be. thy sleeves of satin hanging by,
I gave thee jewels for thy chest which made thee be our harvest queen,
and all this cost I spent on thee. and yet thou wouldst not love me.
Ref.: Greensleeves... Ref.: Greensleeves...

3. Thy crimson stockings, all of silk, 5. Well, l will pray to God on high
with gold all wrought above the knee, that thou my constancy may’st see
thy pumps, as white as was the milk. for I am still thy lover true,
and yet thou wouldst not love me. come once again, and love me.
Ref.: Greensleeves... Ref.: Greensleeves...
Streets of London
Soundvorschlag Melodic: Harmonica oder Folk Guitar Musik und Text:
Rhythmus: Country 8-Beat Ralph McTell
Tempo: .=122 Arr.: Kolbl / Thurner
F C Dm Am Bb C F
5 3

i ? (» ft
-& 25 ■& -6 0 TT

1 . Have you
i iu
seen- the

C Dm Am Bb

old
TJ

man
m
in the closed down mar ket.
77V
1

S 0-

kick - ing off the


$

F Bb C F C

77 0

__
0 ~72 W 0 G G 0

pa - pers with his worn out shoes? In his eyes — you see no pride

Dm Am Bb F
2 1 I 4

A 0' 5 £3 T 77

hand held loose - ly at his side


__ Yes - ter - day’s pa - per tell - ing

C7 F Bb Am
4

G
0 O i 0 2

yes ter - day’s news. Ref.: So how can you tell me you re
F C7 Dm G7 C C7

TT i 0 0 g— # * o
lone iy. and say for you that the sun don’t shine?

F C Dm Am
3 2 1

$J
Let
J J
me take
r W
you by the hand —
m

and lead
0

you through
■0-

the streets
0

of Lon - don.

Bb F C7 F
2

1
77
J o
I’ll show you some thing to make you change. your mind.

2. Have you seen the old girl who walks the streets of London,
dirt in her hair and the clothes in rags?
She's no time for talking, she just keeps right on walking.
Carrying her home in two carrier bags.
Ref.: So how can you tell me...

3. And in the all night cafe, at a quarter past eleven.


same old man sitting there on his own.
Looking at the world over the rim of his teacup.
And each tea lasts an hour and he wanders home alone.
Ret'.: So how can you tell me...

4. And have you seen the old man outside the Seamen's Mission?
Memory fading with the medal ribbons that he wears.
And in our winter city the rain cries a little pity
for one more forgotten hero, and a world that doesn't care.
Ref.: So how can you tell me...
Spanish Eyes
(Engelbert)
Soundvorschlag Melodie: Vibes & Strings oder Marimba & Strings Musik: Bert Kaempfert
Rhythmus: Rumba Text: Charles Singleton / Eddie Snyder
Tempo: J = 1 1 2 Arr.: Kolbl / Thurner

C
3 4 5

m
1 2 3 1

8 » »
1 . Blue spa - nish eyes,- tear-drops are fall - ing from your spa - nish

G7
5 3 4
3 2
8 s
5
eyes..
8
Please,
J * *
please don’t
8
cry,.
8 ±
this is

just a - di

c
3 3
3 1
s 8

os and not good - bye.. Soon I’ll re tum,-

F Fm
5 4 4
Cl 3 1 3
V&-
5 5
P
bring-ing you all the love your heart can hold. Please say „si,

C G7 C
4 3
8 fit #-
o
si.“. Say you and your spa - nish eyes will wait for me..

2. Blue Spanish eyes,


prettiest eyes in all of Mexico.
True Spanish eyes,
please smile for me once more before I go.
Soon I’ll return,
bringing you all the love your heart can hold.
Please say „si, si.“
Say you and your Spanish eyes will wait for me.
Summerwind (Frank Sinatra) Musik: Henry Mayer
Soundvorschlag Melodie: Piano & Strings Text: Hans Bradtke
Rhythmus: Piano Ballad Englischer Text : Johnny Mercer
Tempo: J = 80 Arr.: Kolbl / Thurner

c Am Dm G7 C Dm G7 c
3 4
m 0
0 0 71
I i 0
--0 71

i
1 . The sum - mer wind came
pain - ted kites, the
au - tumn wind. the

Dm G7 Dm
3 1 4
zz 0 0-Gh
0 &ÿ Gÿ-
0
5 5
blow/ -in' in a cross the sea,- it lin - gered there to
days and nights went fly ing by;_ the world was new be
win - ter winds have come and gone; and still the days, those

G7 c
4
g 1 4

i 0-Gh 0 0' 71 71•


0

P 2
P
touch your hair and walk with me;. all sum -mer long we
neath a blue urn brel - la sky. Then sof - ter than a
lone - ly days, go on and on.- And guess who sighs his

Cl 4 F Fm C Am
3

i
0 0- 0 0 0 0
o
f
sang a song and strolled ingol den sand. two sweet - hearts
pi - per man, one day it called to you. I lost you
lul - la - bies through nights that nev er end? My fi - ckle

1.+2. 3.
Dm G7 C G7 G7 C
Dm 1 Dm 2

i and
10

the
0

sum- mer wind.


71
i i
2. Like
i- l 0 0

to the sum-mer wind. 3. The


friend, the sum -mer wdnd, the sum-mer wind.
Yesterday
(The Beatles)
Soundvorschlag Melodie: Flute Musik und Text:
Rhythmus: Piano Ballad John Lennon / Paul McCartney
.
Tempo: = 80 Arr.: Kolbl / Thumer

F A7 Dm

i
2

77 t m 0
0
0
±
Yes - ter - day all my trou - bles seemed so far a - way.
Sud - den - ly I’m not half the man I used to be.

Bb C7 F Dm G7 Bb F
5 4 5

m 0
0
0'
0 0

now it looks as though they're here


there's a shad-ow hang - ing o
to stay,oh.
ver me. Oh
I be - lieve in
yes - ter - day came
yes - ter -day
sud - den - ly
____
Em A7 Dm Bb C7 F Em A7
1 3 1

m
0
2
i 0
i o 77 2

Why she had to go I don’t know she would - n’t say. 1 said

Dm Bb C7 F
3 3

¥
0 0
#

t- PP
some - thing wrong now' long for yes - ter day. Yes - ter - day

A7 Dm Bb C7 F
5 4
&
! (0 0 -a
0'
fen
love was such an eas - y game to play. Now I need a place to hide a - way. Oh.

Dm G7 Bb F Dm G7 Bb F
5

0 0 SsJ 0 T3 1 II
be - lieve in yes - ter - day __ Mh mh mh mh mh mh mh
__
Only You
Soundvorschlag Melodie: Sax & Slow Strings (The Platters) Musik und Text:
t: Rhythmus: Slow Rock Ande Rand / Buck Ram
y .
Tempo: = 70 Arr.: Kolbl / Thurner
:r
c E7

pm On - ly
5
(>

you
<>
G
I

can make
3
ZL *

all this world


0

seem right.
O

you can make all this change in me.

Am C7
I
2
XT XT
G
77
<> O M
on ly you- can make the dark - ness bright. On - Iv
for it's true, you are my de sti ny. When you

F
1.
G7
c E7 Am
2 3 5
ZZ 2 G G TT
<> 2
ZZ 7Z G

you and you a lone can thrill me like you do. and
hold my hand 1

D7 Dirt G7
2 2 I
G- 77
n i
2 ZZ TfJ
<>

fill my heart with love for on iy you. On iy

2.
Fm C A7 D7
5 2 2 I

i TT7

un
0

der - stand
2
1 ZZ

the ma gic
G

that
2!

you
XT

do.
G

You're my
7Z r—
dream
g

come

G7 C Fm C
3
XT XT

iP
0
2 P P 2 XT
O <>

true, my one and on iy you.


Candle In The Wind (Elton John)
Soundvorschlag Melodie: Piano & Strings Musik und Text:
Rhythmus: Piano Ballad Elton John / Bernie Taupin
Tempo: J = 60 Arr.: Kolbl / Thurner

D G C G
5 c 2 5 4 D
t 2

77
0
0
2

B
3
0
1

m i

0
■e
5

m
4

0
2

0
3

0
G-

G C

pspp m
JU nJ-._
3

0 —
* P— P 0

1 . Good-bye Eng - land’s rose; may you ev - er grow in our hearts. You were the grace that

G c
4 5 l

I i 0

placed
0 — 0— 0

it - self
0

where lives were


1
torn
-p
■p

a - part
__ You called out
p
to our

G c

mm__ coun-try
&
and you whis-pered
P \
4

to those — in pain.
P 0— 0

Now you be -long


0

to

I t=
G

p i m £ 0 p
p o
I
2

P
hea - ven, and the stars spell out your name. Ref.: And it
D
G C
I 2

pri'ty 0
m -0 — 0

seems to me you lived your life- like a can - die in- the wind. Ne - ver

G D
2
*=*ÿ

fa - ding with the sun


0

r
set
’ p c_f T
when the rain set in
__ And your

c 5
3 3 Em 3
i 1
4 -0
*
E=E l 3 0

foot - steps will al - ways fall here a - mong Eng-land’s green - est hills -- Your

D C

* -0- m *=-? N
i

0~
Si
can - die’s burned out long -
be - fore your leg - end e ver will-

G D7
5 4 3 G
1 2 5
4
o -G
m o
<>
o
1
2. Loveliness we’ve lost; 3. Goodbye England’s rose;
these empty days without your smile. may you ever grow in our hearts.
This torch we’ll always carry You were the grace that placed itself
for our nation’s golden child. where lives were tom apart.
And even though we try, Goodbye England’s rose,
the truth brings us to tears; from a country lost without your soul,
all our words cannot express who’ll miss the wings of your compassion
the joy you brought us through the years. more than you’ll ever know.
Ref.: And it seems to me... Ref.: And it seems to me...
Bridge Over Troubled Water (Simon & Garfunkel)
Soundvorschlag Melodie: Piano & Strings Musik undText:
Rhythmus: Piano Ballad Paul Simon
Tempo: , = 90 Arr.: Kdlbl / Thurner

F
5 C Bb F D7 Bb Bbm
T©- 4 1

i m p-

F Bb F Bb
4

m
0 77

l.When you're

F Bb F Bb
3

$ wear
77

____
t m
feel - ing
n

small.
4
When tears
I
are
down and out when you’re on the streets. when eve - ning
sil - ver. girl sail on by. Your time has

F Bb F Bb F B, 5

m
5
3
in
£
your eyes. I will dry them — all.
W ••
B m
m
falls so hard . 1 will com fort- you.
come to shine. All your dreams are on their way.

c
F c Dm 3 F Am
l 3

0 $ a
0 P 0 0 0 77

I’m on your side. oh. when times get-- rough. .

I’ll take your part, oh, when dark - ness- comes.


See how they shine. oh, if you need friend.
Song For Guy
(Elton John)
Soundvorschlag Melodie: Piano & Strings Musik: Elton John
Rhythmus: 16-Beat Ballad Arr.: Kolbl / Thurner
Tempo: J = 56

c G
3

¥ «> #ÿ b
iP=3 0

1. 2.
Bb F

i o I o

c
5 5 4
1

■PPP
1 1
i
PPPP3
0 D Q

O <>

F 4 1. 2.
5 2 3 c

m
3

3
ft «>
o
<>
o ST
-#ÿ

Bi>
5 4
2 Dm
2
; ::
illifg i gg
1 2
#ÿ
#
A7 Dm
5 5 4
2 3 2
#_ _#_ 2 2

i * # 0 0 # 0 A 0
*=&
or
I
Bl>
5
2 Dm
£
1 2
10 :: m_0
* : 0 0 0 0
i0 j0 #-
t if 8 # # 0 0
t
f= I 8

E7 F E\>
G 5
5 4 l G7
l
0ÿ
0ÿ 0 0 0 0 0
t I* * E #- #- # #ÿ
#- #
?

c G
3

0-0
O -#-# ~o 0 0 0 0

Bb 1. 2.
F

5 -&
& i
o -d- 0 + 0 0 -O-
The Last Waltz
(Engelbert)
Soundvorschlag Melodie: Piano & Strings Musik undText:
Rhythmus: Slow Waltz Les Reed / Barry Mason
.
Tempo: = 100 Arr.: Kolbl / Thurner

c 4
1
5 &-• F
a- I 5

4 J2Z 21 £ 2Z
:: —T N
11
* P
won - dered should 1 go or should 1
But the love we had was go - ing

Em Dm G7 C
2 2 2

I o7

stay,-
2T7"
±
t> JI rn
the band had on - ly one more song to
0

Play-
strong, through the good and bad we get a long.

F Em Dm
2 2

I& ±
And then I saw you
0

out the cor - ner of my


13-

eye,. a
i lit - tie girl, a -
And then the flame of love died in your eye, my heart was broke in two when

C
G7 C G7 5 F

-m zzz
i
-6 22 C,
0 0 0
0 -e-
0 0
lone and so shy. I had the last waltz with you.
you said good bye.

G7 Caug
C

m
4 5 5 5

m
2 1 2
77ÿ
&
0
2Z 0
t ■G tg= <Sÿ 3
F
two lone - ly peo - pie to geth er. 1 fell in

F
5 G7 C

m
2 1 3 3

i G>

love
=
with
13

you, the last


3
waltz should last for ev
O

er.
m 0

It’s all
F Fm C Ebdim
G
77
m
m G

P 777
2

m G -0-0
1

o ver now, noth-ing left to say, just my tears and the or - ches - tra

Dm G7 F Em
2 3
JZL G
% 0 0 0 0 O7

play mg. La la la la la la la la la,

c
Dm G7 C G7 5
2 1

0 3 G

f 0
0 G‘
0
0
0 G G
0

la la la la la la la la la. I had the last waltz with

G7
F 4 5 C 5

a.
l l l

3 0-0 0 0
7T7

r
3 3:
G G 2Z H 0
IN -G- G

you, two lone iy peo - pie to geth er. I

Caug F
5 5 G7 C
2 2 3
G G
G G. 0
G G
fell in love with you. the last waltz should last for ev er.

3 F C
1 2

G
G
3:
G
3E
0
F=f
G"
La la la la la la la la la.
Strangers In The Night
(Frank Sinatra)
Soundvorschlag Melodie: Clarinet oder Piano & Strings Musik: Bert Kaempfert
Rhythmus: 8-Beat Text: Charles Singleton / Eddie Snyder
Tempo: < = 92 Arr.: Kolbl / Thurner

$ 0 -0- -0-
0

Strang-ers in the night ex-chang-ing glan - ces, wond’r-ing in the night

Aklim

•* 0

what were the chan - ces we'd be shar - ing love. be - fore the night was

Gin
5

b <> <> &


through. Some-thing in your eyes. was so in - vit - ing. some-thing in your smile —

C7

£ 0

was so ex - cit ing, some-thing in


0

my heart
m told me
0

I must
0

have

F Cm D7
5

you. Strang-ers in the night, ,


£
twolone-ly peo-ple we were strang-ers in the night,
Gm Bbm

9 0 0 P 0-0 0 1 0-& 0— &ÿ

up to the mo - ment when we said our first hel - lo, lit - tie did we know

F Dm Gm C7 F
2 3

9-0 0-0 0-0 0-0 -&


0 0 0

love was just a glance a - way a warm em - brae - ing dance a - way and e - ver since that night

9 0 0 1 0
0 0 77 0
0-
0

we’ve been to - geth er, lov - ers at first sight, in love for - ev er,

C7 F
l 5

$ -0 0
0-0- • 0- 0-0 0 77 O

it turned out so right, for strang-ers in the night.


Morning Has Broken
Soundvorschlag Melodie: Flute Musik: Giilisches Volkslied
Rhythmus: Slow Waltz Text: Eleanor Farjeon
.
Tempo: =108 Arr.: Kolbl / Thurner

c Am Dm G7 c Am Dm G7
i I 5 4

I 4
-&
-©ÿ
-

i— »
G7 F c
C 5 Dm 5 4 3
1 n 3 1 2

i 1=4. Mor-ning has


#

bro
z*
-G> 77

ken
J
r
like the first
r
morn ing.

Em Am D7 G7 c F
i 2

PPP1 Black- bird has


iS
o-
spo ken
zzz 0'

r
like the first bird.
#

Praise for
#

the sing
2Z

G7
C Am D7 3 C F
5 2 4 1

77 ■# = 2

mg. praise for


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morn mg,
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praise for them spring mg
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ilPi f:
fresh from the world.
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2. Sweet the rain's new fall, sunlit from heaven. 3. Mine is the sunlight, mine is the morning.
like the first dewfall on the first grass. born of the one light Eden saw play.
Praise for the sweetness of the wet garden. Praise with elation, praise ev'ry morning.
sprung in completeness where his feet pass. god's recreation of the new day.
Nights In White Satin (The Moody Blues)
Soundvorschlag Melodie: Flute & Strings Musik und Text:
Rhythnuis: 6/8 Ballad Justin Hayward
.
Tempo: = 60 Art.: Kolbl / Thurner

Em D C B7
3
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m
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1.=3. Nights in white sa - tin nev-er reach - ing the end. Let-ters I've
2.Gaz-ing at peo-ple. some hand in hand. Just what I'm

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writ-ten nev-er mean- ing to send.- Beau-ty I'd al - ways missed.
go - ing through, they can’t un - der - stand.. Some try to tell me, thoughts

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with these eyes be - tore. Just what the truth is I can't say a - ny -
they can - not de - fend. Just what you want to be. you'll be in the

Em A
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more
end
____ 'Cause 1
And 1
love you. yes I love you, oh. how

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love you. —
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Lady In Black
Soundvorschlag Melodie: Rock Organ (Uriah Heep) Musik und Text:
Rhythmus: Rock Ken Hensley
.
Tempo: = 90 Arr.: Kolbl / Thurner
Em
2 2

I e p
1 i 0ÿ
I. She
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came to me one mor - ning, one lone-ly Sun-day mor - ning, her
asked me name my foe then. I
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said the need with - in some men to


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would not think of bat - tie that re - du - ces men to a - ni - mals. So

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long hair flow-ing in the mid win -ter wind. I know not how she found — me, for in
fight and kill their broth-ers with-out thought of love or god. And I begged her give me hor ses to-
eas - y to be - gin and yet im - pos - si - ble to end. For she’s the moth-er of all men did —

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dark-ness I was walk ing, and de - struc-tion lay a -round me — from a fight I could not win.
tram - pie down my en - e - my. So eag - er was my pas - sion to de - vour this way of life.
coun-sel me so wise-ly then. I- feared to walk a - lone a gain and asked if she would stay.

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hav - ing spoke she turned a - way and though I found no words to say. I

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faith and trust in me she said and
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filled my heart with life. There


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is no strength in num - bers have


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think up - on that wind -y day.
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One Moment In Time
(Whitney Houston)
Soundvorschlag Melodie: Piano & Strings oder Flute & Strings Musik und Text:
Rhythmus: Piano Ballad Albert Hammond / John Bettis I

.
Tempo: = 75 Arr.: Kolbl / Thurner

c 4 Am Dm
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1 . Each day I live 1 want to be a day to
heart for ev' - ry gain. to taste the

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I faced the
me.
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my fin - est
this much re -

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d av¬ is yet un - know-n. 2. 1 broke my mains. Ref.: Give me one mo - ment in

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time
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when I'm
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than 1 thought 1 could be.


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heart - beat a - way and the ans - wers are all up to me. Give me one mo - ment in

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time. when I'm rac ing with des - ti ny. then in that one

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mo ment in time. I will feel. I will feel e - ter - ni - ty.

3. I've lived to be the very best,


I want it all, no time for less.
I've laid the plans, now lay the chance
here in my hands.
Ref.: Give me one moment in time...
J o*J
(-1 <? /
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My Way
Comme D’Habitude
(Frank Sinatra)
Soundvorschlag Melodie: Piano & Slow Strings Musik: Claude Francois / Jacques Revaux
oder Soprano Sax & Slow Strings Originaltext: Gilles Thibaut
Rhythmus: Piano Ballad Englischer Text: PaulAnka
Tempo: J= 80 Arr.: Kolbl / Thurner
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now
grets
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face the fin - al cur - tain my friend. I’ll say it clear. I'll state my
gain too few to men - tion, 1 did what I had to do. and saw it

C7 F F7
3

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5P m 5
0 77 77
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case. of which I'm cer-tain. I’ve lived a life that’s full, I’ve tra- veiled
through with - out ex - emp-tion. I planned each char-tered course. each care - ful

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each
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doubt I ate it up and spit it out. I faced it all and I stood

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i
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tall and did it my way. 2. I've

2. I've loved, I’ve laughed and cried.


I’ve had my fill; my share of losing.
And now, as tears subside,
1 find it all so amusing.
To think I did all that;
And may 1 say - not in a shy way,
„0h no, oh no not me,
I did it my way“.

For what is a man, what has he got?


If not himself, then he has naught.
To say the things he truly feels;
And not the words of one who kneels.
The record shows I took the blows -
And did it my way!
Time To Say Goodbye (Sarah Brightman / Andrea Bocelli)
Soundvorschlag Melodie: Piano & Strings Musik und Text: F. Sartori /
Rhythmus: Piano Ballad L. Quarantotto / F. Peterson
Tempo: « = 58 Arr.: Kdlbl / Thurner

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so che non e'e


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se non ci sei
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con me.
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tut-ti il mio cuo-re che hai ac-ce-so


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la lu - ce
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Time
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say Good -

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it's time to say Good-bye.


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Quan-do sei lon-ta-na so-gno al-l'o-riz-zon-te e man-can le pa-


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ro le. e io si lo so che sei con me, con me tu mia lu-na, tu sei qui con me

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mi - o
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so - le. tu sei qui con me, con me, con me, con me.
0

Time
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to
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say Good

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bye pa - esi che non ho mai ve - du-to e vis - su - to con te a-des-so si li vi -

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say Good-
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Conquest Of Paradise
(Vangelis)
Soundvorschlag Melodie: Flute & Strings oder Piano & Strings Musik: Vangelis
Rhythmus: Slow Waltz Arr.: Kolbl / Thurner
.
Tempo: -12

Dm A7 Dm
1 5 2 1 5

! 1
i 0

C F C Bb A
I 5 3 1

=
Dm F
A7 Dm C 5
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i [_f| j igg HUES


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Killing Me Softly
(Roberta Flack / The Fugees)
Soundvorschlag Melodie: E-Piano Musik: Charles Fox
Rhythmus: Hip Hop oder 16-Beat Text: Norman Gimbel
.
Tempo: = 95 Arr.: Kolbl / Thurner

Dm G7 C F
2

m 0 m 5 0
____
a
I . I heard he sang— a good song. I heard he had a style
2. I felt all flushed with fev - er em-barr - assed by the crowd

Dm G7 Am

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and so 1 came- to see him and list - en for- a while.


I felt he found- my lett - ers and read each one- out loud.

Dm G7 C E
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And there he was this young — boy a stran - ger tomy eyes
__
I prayed that he would fin isb but he just kept right on

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0-0 0
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--

_
Strumm-ing my pain with his fin gers sing-ing my life with his words

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sm 1 0 000
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kill- ing me soft ly with his song


__ kill- ing me soft iy with his- song tell-ing my whole

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life _ with his words kill - ing me soft iy with his song.
Sierra Madre del Sur
(Schiirzenjager)
Soundvorschlag Melodie: Trumpet & Strings Musik und Text:
Oder Pan Flute & Strings Wolfgang Roloff / Hans Hee
Rhythmus: 6/8 Ballad oder 6/8 Slow Rock Arr.: Kolbl / Thurner
Tempo: » = 64
c 1
1 3

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1 . Wenn der
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Men-schen der Sier - ra


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auf
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Are You Lonesome Tonight
Soundvorschlag Melodie: (Elvis Presley) Musik und Text:
Mundharmonika oder Piano & Strings Lou Handman / Roy Turk
Rhythmus: Country Waltz oder Slow Waltz Arr.: Kolbl / Thurner
.
Tempo: = 90
C Em Am
! 2 5

0 5 0
0-

Are you lone - some to night, do you nuss me to night. are you

c C7 F G7
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sor
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ry we
0

drift - ed
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a part?
t
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£=4
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stray to a bright er sun - ny day when I
0-

kissed you and called


5
you
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sweet

c C7 F

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heart? Do the chairs in your par - lor seem emp - ty and

m D7 Dm G7
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bare. do you gaze at your door - step and pic ture me there? Is your

c Em D7 Dm

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heart filled with pain, shall I come back a gain, tell me dear are you

1. 2.
G7 C G7
C
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1
lone some to night? Are you night?.
Please Release Me
Soundvorschlag Melodie: Piano & Strings (Engelbert) Musik und Text: Eddie Miller /
Rhythmus: Country Shuffle Dub Williams / Robert Young
Tempo: • =100 Arr.: Kolbl /Thurner
G

mm
G D7 2 3 5 4 3 2 4
1 2 I 2

I ( i % i
1 . Please
2.1
9

re
have
lease
found
i
me
a
ft
let
new
me
love
3. Please re lease me can't you

c D7 G
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go-
dear.
s
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don’t
will
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love you
al - ways
an
want
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y
her
more.
near.
see. You'd be a fool to cling to me.

D7 G 4 3 2 C 5

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To
Her
live
lips
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are
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lives would be
warm while yours
f P
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sin. So re
are cold. So re
To live our lives would be a sin. So re

G 1.+2. D7
4 D7 G 2 3
4 2 3 1

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lease me and let me love a gain.
lease me, my dar - ling, let me go-
lease me and let me love a-

3. c G
G 5 4 D7 G C G
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gain.
Thank You For The Music (Abba)
Soundvorschlag Melodie: Piano & Slow Strings Musik und Text:
Rhythmu.s: 8-Beat Benny Andersson / Bjorn Ulvaeus
=
Tempo: » 95 Arr.: Kolbl / Thurner
F Akiim Gm C7 F

1 f— p: • '? f f- 1
1 . I'm noth - ing spe
2.Moth-er says I
_ cial
was
in
a
fact-
dan
I'm a bit-
cer be - fore —
of a bore .
1 could walk.
-

Cm 2 F Bt> D7

i If Bg 2
0'
i
0
r.f M m
i
If
she says
I tell
I
a joke,
be - gan --
— you've
to
pro - ba - bly heard
sing long be - fore-
— it be - lore.-
I could talk —
Gm C7 Caug F C
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i But I have a ta - lent,


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a w'on-der - fui thing


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'Cause
and I've of - ten won-dered. how did it all start?
— Who

Btun

m|j f r r.r__
F Faug Dm

li §j§ r
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a- a
ev - 'ry - one list - ens when I start to sing I'm so great - ful and proud.
found out that noth - ing can cap - ture a heart — like a mel - o - dy can?

Dm Cl

mm
Gm Cl 5 5
O
3

i $
1 :LS:dl\rMÿ
All
Well, who
1 want
ev
is
er
to
it
sing
was. I'm
it out
a
loud.
fan.
So
So
i say
say
% F
5 Gm Cl F Dm

thank you
i f
for the
4

mu - sic the songs


0

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2

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sing - ing, thanks for


0'

all
P
the
F
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3 2 4 1

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joy they’re bring - ing. Who can live with - out it, I ask in all hon - es - ty —

Bb Bkn F D7
2

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0 0

what would life be? With-out a song or a dance what are we? So say

Gm C7 0F Bkn F
1 3

9 t I f f
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thank you for the mu - sic for giv - ing it to me.

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I've been so luck - y, 1 am the girl with gold - en hair. I wan - na

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3

0 0
m 77V

sing it out to ev ry bo - dy. What a joy, what a life, what a chance!

F Gm F Bkn F
3 1

9 0
77 0 77 8
me.
Fernando (Abba)
Soundvorschlag Melodie: Panflute & Strings Musik und Text: Benny Andersson /
Rhythmus: 8-Beat Bjorn Ulvaeus / Stig Anderson
Tempo: = 92 . Arr.: Kolb] / Thurner
F
i 3 2r-l
% P? fTf-r-tSEf 727

SIP
nur beim
I . Mai spielen
13 3
1ÿ4 4
ft
V
m0 0— m-o-'-
& 0 f #T
*
__—
#

l.Can you hear the drums Fer-nan-do? I re-mem-ber long a - go a - noth-er star-ry night like
2. They were elos-er now Fer-nan-do ev-’ry ho - ur. ev-'ry mi-nute seemed to last e - ter - nal -

m
Am Dm

..
1 3 4

I V 0— 0

this.
ly-
In the fi - re - light Fer - nan -do,-
I was so a - fraid Fer nan - do
__ G7
you were hum - ming to your -
we were voune
'
and Cull of
;
4
G S i
3 4
13
1,-1 1 3i—l 1 2

* 0
•m 10 0— 0 1

i
self and soft - ly strum-ming your gui - tar.
life and none of us pre - pared to die.

t • *
com - ing from a - far..
al - most made me cry.
J s~
c

c
m
I could hear the dis - tant drums and sounds of bu - gle calls were
And I’m not a -shamed to

5
I
a
a1 0
say the roar of guns and can-nons

There was sonre-thing in


a
0

the
G7

air

G7
3

*00
2

that night
__i the stars—

3 2
a 5€ i a a

_
f a a a S3 a— 0-
were bright
__ a
Fer - nan do
__ a— a
They were shin - ing there for you and me,
* 0

for li -

c A7

it a a
-
m J~jJ J~J a
her - ly. Fer- nan do Though we nev - er thought that we could lose, there's no re-gret.

(rh ('Tnru/i'inbt 1 Ci"7C l •


i
D7

o
i to
If I had to do the same
#
3

a- gain
2

.
— I would
__ my friend.
2:
3

SPH__
Fer -
c

nun - do

Am
13 14 3 4

% \ ' = » # rrf) jn /JilJl J # #


<>
3. Now we're old and grey Fer - nan -do. since ma-ny years I have-n't seen a rif-le in your hand.

Dm
i 3 1 4

I 0

Can you hear the drums Fer - nan -do?


* zk

Do you still re-call the fright-ful night we crossed the Ri -o


0

G
1 3 I 4
Ti 4
2
3
i
4
2
c

Grande?
000

I ettn see it in your eyes how' proud you


* i
w'ere
1t i
to fight for
i J m
free-dom in this land.

G7 c

fprfÿyj±3
_ &
3 2
55

_
0

__ --
0 0 0

There was some-thing in the air that night the stars were bright
__ Fer - nan do --
G7 c
3 2

I T
*—
They
0-0

w’ere
— 0— 0— 0
shin-ing there for
0

you and me
0 ipi •
for li
0 0

ber - ty,- Fer- nan do


0— 0

Though we

to
A7 D7 G
3 2

0 0 0 m
nev-er thought that we could lose
0 *00
there's no re-gret.
0
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If I had to do the same a -gain


0

1 would. -

C F c
3 3 3

0
0
0

my friend
__ Fer
PJto__
-
*ÿ

nan do
- 0
0
TV
*>
Chiquitita
Soundvorschlag Melodie: Piano & Strings (Abba) Musik und Text:
Rhythmus: Toil A Piano Ballad. Teil B Modem Polka Benny Andersson / Bjorn Ulvaeus
Tempo: * = 80 Arr.: Kolbl / Thurner

0 2 3
1
4 .3 3
1
4 G F G
n

t f * g % w
* *
c
% 2

i 1ZL
0 O
1 . Chi - qui
2. Chi - qui
0

ti - ta.
ti - ta.
0

tell me what's
tell me the
0

3. So the walls eame tumb - lin'


G

i i>

wrong.
<> -&

You're en - chained by
77 « .
your own sor - row.
truth- I’m a shoul - der you can cry on.-
down - and your love’s a blown out cand - le.-

i
4

■& ' m F
Z2J
G

■&-
1

0 O

In your eyes there is no hope


Your best friend. Pm the one you
All IS gone and it seems too
c 1

i for
must
0

to - mor
re - ly
-
0

row.
on.-
o i
How I
You were
0

hate to see you like


al - ways sure of your
0 I O

this.-
self-
*>

hard to hand - le.- Chi - qui - ti ta, tell me the truth.


Em

i 0
& 77 0 0-
O

There is no way you can de - ny it.


Now 1 see you've bro - ken a feath - er.
There is no way you can de - ny it.
G
F G C
g
f
4

iSF
0 77 2Z 0 3 O
can see that you're oh so sad, so qui - et.
hope we can patch it up to - geth - er.
see that you’re oh so sad, so qui - et.
F
E 4

g
2 2

in
i i
Chi-qui - ti - ta. you and I know
s f
how the
p-

m
heart-aches come and they

c 2 3 3 G

77 W
3 1 1

t % u
1
g
go and the scars are leav - in'.
<> t
You’ll be
* danc - in' once a gain and the

F G C
5 3 2

I
pain will end.
#

You will
■#

have
77

no time for griev-in'.


O
i
Chi-qui -

|g
i
ti - ta.
p*
you and I cry
i
but the sun is
i
still in the sky
zz o

and

c 2 3 3 G F
1 1 1

i
shin -
-m-

in' a-bove you.


o
r*
Let me
i*
hear you sing once
iÿe
more like you
o•

did be

G C G
2 I

i
fore. sing a
77

new
77

song Chi - qui


#

- ti - ta.
&
#
0
P
Try once

F G C D.S. ohne Wiederholung


g 2

ItSÿ

more like you


77~r

did be fore. sing a


77

new
77

song. Chi - qui - ti ta.


T

F C
l 2
2 77 #ÿ
#-0-0 -&
0-0-0 0 0
Something Stupid
(Nancy & Frank Sinatra)
Soundvorschlag Melodie: Piano & Strings Musik und Text: Carson Parks
Rhythmus: 8-Beat Arr.: Kolbl / Thurner
.
Tempo: = 97

Am D7 Am D7 G
1 3 3 3

$ r=£ P 0
0 P 0

I i

I
0

know I stand in
0-0-0-0

line un - til you think you have the


0-0

time to spend an

Am D7 Am D7 Am D7
2 4 2

i i
0-0

eve-ning with me __
l• d
* And if we
0-0

go some-place
0
---0-0-0

to dance, I

.
Am D7 G
1

i* know that there's a


0 5
chance you won't he
0 0

leav - ing with me.~


i -G 1 g1
And
0

Dm G7 C
3

|tg ppp 5 0 -0-0-0 0 S3


0 0
f
af - ter- wards we drop in - to a qui - et lit - tie place and have a drink or two.-

Eb Am D7 Am D7
I 3

i 0-0
0 sm m 0
0
0

And then I go and spoil it all by say - ing some-thing stu - pid like I

Din
G 5 3 9

up m
2

i love you __
i
I can
0— 0— 0

p
see it in your eyes that you de
G7
3 C
i #— #— # 3
f
0
<>
s 0
1

spise the same old lies you heard the night be - fore
__ And

A7 4

m
3 4 3 D7

i 0-0-0 0
m 3 1J
r
though it’s just a line to you, for
f
me it's true it nev - er seemed so
o

right be -fore.

G
Daug 3 2 4

i
2 i i 2

i 4 -i
r 0 — 0— 0— 0 ## -0 m
i prac-tise ev - ery day
r to find some cle - ver lines to say to make the

Am D7
Am D7 Am D7 2 3
1 2 4 1 I
t
0
3 77 0
i 0-0-0
* f
mean - mg come true. But then I think I'll wait un - til the

Dm
Am D7 G 5 3 2
2 ■

1 •f • 4 XT
0 o 0 — 0— 0 — 0

f
eve-ning gets late and I'm a - lone with you. The time is right your per-fume fills my
G7
3 C E
1 2
i 0 w
0-0-0-0
f
0 0 90 0 •40 5=5
f «> 0

head, the stars get red and, oh, the night's so blue. And

Am G
4 D7 Am D7 4 5 Eh
1 3 5
4 5 9 0
0—

r
0—0
•• 4 0-0-0
0 0 G

then I
f
go and spoil it all by
f
say-ing some-thing stu-pid like I
r love you. —
9

G Et> G E\> F G
5
t
i '0-

love
0

you
5
__
O
9
9 0

I love
0

you.
-&ÿ
$ £ § I
When A Man Loves A Woman
(Percy Sledge)
Soundvorschlag Melodie: E-Piano oder Organ Musik und Text:
Rhythmus: 6/8 Slow Rock Calvin Lewis / Andrew Wright
Tempo: « = 60 Arr.: Kolbl / Thurner

5C 4 G 5 Am 5 Em 3 F 4 G
3 2 3 2 2 2
— f gt
i t
w.
3:
t 77V t +
5ÿ it

5 C G c G
3 3

i WL
Sh' t
1 . When a man
man
loves a wo man .
loves a wo man ,

Am C F
5 5

i i 0

can’t keep
spend his very
his
last
mind
dime.
on noth - ing else.
t 0

He’ll trade
Tryin’ to
5
the
hold

G C G7

I world
1

for the good thing he’s found.


s
If she is
on to what he— — needs. He’d give up

c G Am C
5

0
0
0'
0 0 $ 3
bad he can’t see it. she can do no wrong.
all his com forts. sleep out in the rain.-

F G7 C

i i 0

Turn his back on his-


0 Tj i rJ
best friend
0
if he put her down.
%
If she said that’s the way- it ought to be.
1. 2.
G7 Cl F c
3 3 3

X y y \ 1 *!
i
2. When a Well, this man loves a wo - man,

Cl F
3
c Cl

i 5 5
I gave you ev ’ry - thing I had.

F C Am
3

l i 5 SEE 5
Tryin' to hold on to your pre cious love.

D7 G7
3
k t i±=*
Ba - by. please don't treat me bad. When a

C G Am c
5
i FTn m- i *
man. loves a wo man, down deep in his soul.—-
plays for a fool , he's- the last one to know.

1. 2.
F G7 c G7 3

t 3
She can bring him such mi - ser - y._ If she
Lov mg eves don’t ev - er see.
A Whiter Shade Of Pale (Procul Harum)
Soundvorschlag Melodie: Rock Organ Musik und Text:
Rhythmus: Rock Ballad Keith Reid / Gary Brooker
Tempo: j = 80 Arr.: Kolbl / Thurner
c Em Am c F Am
2 1 2

a-:
0 0
0

Dm F G G7 Em G7
3 2 3 4
0
J2 0 0-0
0

C F G F G C Em

4GUTI:J
i 5

0
a 0 0-

1 . We skipped the light fan -


2. She said there is no

Am C F Am Dm F
2

i S'
dan - go-
rea - son, —
77
T t 1
P
and turned cart
and the truth
#ÿ

wheels cross
is plain
the
IF
floor.
see,-
22 S
to

G G7 Em G7 C Em

i s x 0ln m 0 m *- 0 i u 7 nr m 5
0

I was feel - ing kind of sea - sick,- but the crowd called out for
but I wan - dered through my play - ing cards and- would not let her

© Onward Music Ltd


Am C F Am Dm F
3
-0- 0 9-
f ? P i
more . The room was hum - ming hard - er,-
be one of six - teen ves tal vir - gins

G G7 Em G7 C Em

0- -0-0 * m -0-& LFJ '


2
m m
4
£
2

as the ceil - ing flew a way.- When we called out for an


who were leav - ing for the coast. And al- though my eyes were

Am C F Am Dm G7
2 3 2

i
X 0

7
77
i y
u Lr Lr in __Jm ■0 0

oth
o
er drink
pen
the
__
wait
they might just
- er
as
brought a
well been
tray
closed
And so it

c Em Am
Dm
U U—
~n — 1P~J 2
1
C F
2
Am
0
4
F
9
*
was
&

that la - ter
a

f * 7
EJ
as the mil-ler told his tale,.

1.
G G7 Em G7 C F C G

|> i i «n 0— &
W i
W
2 3
77
■9-

that her face at first just ghost- ly turned a whit - er- shade of pale.

2.
c F C

p
2 3

P whit er
f
w
shade of
o
«>

pale.
i
Without You
(Mariah Carey / Nilsson)
Soundvorschlag Melodie: Soprano Sax oder Flute Musik und Text:
Rhythmus: Piano Ballad Peter Flam / Tom Evans
.
Tempo: = 68 Arr.: Kolbl / Thurner

F Am
2
_
i w 5EE
1 . No
m -— 0— 0— 0

can't for - get this eve-ning. or your


w 0 0— 0—

face as
*
you were leav - ing. But
m I
can't for - get to - mor - row, when 1 think of all my sor - row. When I

Gm Asus4 A Dm

mg
1 3
0— 0
0— 0 0
0 — 0 ~n
•• 0

guess that's just the way the sto - ry goes. You al - ways smile but in your eyes your sor - row
had you there but then 1 let you go. And now it's on - ly fair that 1 should let you

1.
G7 F C
5 Csus4 2

¥
0- 0
Sh 0 W-
i
shows.
i t
yes it shows.
0 j -&
IP
2. No I
know. what you should know.-

2.
C F Dm
Csus4 3

¥ -& i 1 77
0 0 i
I can't live. if liv-ing is with-out you. I can't

Gm C7 F

?— &-
0 0
0 i
live. I can't give an y more. I can't live. if

Dm Gm C7
3 3
ns
ts t M (2-
0
0
0 0 0
0
I
liv-ing is with-out you. I can't give. I can’t give an - y - more __
F Am
2

i ?
3. Well I
0

can't for - get this eve-ning, or your


-0— 0— 0

face as you were leav-ing. But I

Gm Asus4 A Dm
3

0
T 3rn-
i-j 0-0 iiQin g 0-0
0— 0
0

guess that’s just the way the sto - ry goes. You al-ways smile but in your eyes your sor - row-

G7 F Csus4 C
5

i
0-
f 77

shows. yes it shows. I can't

F Dm Gm
3

77 6 0
0
m &
live. if liv - ing is with-out you. I can't live. I can’t

Dm
C7 F 3
3

0 5 0
0
0- 0 0-
0 I
give an - y - more -- I can't live. if liv -ing is with-out you. 1 can't

1. 2‘
Gm C7 C7 F

tel
42.-
£
give. 1 can't give an - y-more __ I can't give an - y-more __
Ol’ Man River
aus dem Musical Showboat
Soundvorschlag Melodie: Harmonica oder Soprano Sax Musik und Text:
Rh\ thmus: Swing Ballad Jerome Kern / Oscar Hammerstein II
.
Tempo: = 100 AIT.: Kolbl / Thurner
c F C G7
3 2 3 3 3
m
0
0 % 0—0 0
9
-9 -9
0
i
Col-oured folks work on de Mis - sis - sip - pis. col-oured folks work while de white folks play.

C7 F C Dm G7 C

0 0 9 9 0 -e-
Pul 1 - in' dose boats from the dawn to sun - set, git -tin no rest till de judge -ment day.

Em B7 Em B7 Em B7 Em B7
4

0
0 0 0-
t 0
0
0
0

Don't look up an' don't look down, you don't dast make the white boss frown;

Em Am Em Am Em Am Em G7
2 I 2 2

i 0

bend
0

yo’ knees an'


0

bow
0

yo" head.
£
an'
0

pull dat rope un


0

til
0 W
you're dead.

c F c Dm
3 2 3 3

0 i0 0
0 2 0
i 0
0 0 i
.

Let me go 'way from de Mis - sis - sip Pi. let me go 'way from de white men boss.

Ddim C Bb G7 C

Show me
0 0

dat stream called de riv - er Jor -


0

dan.
m
dat’s de ol' stream dat
0

long
0

to
-&

cross __
Fm G7 c Am C F C F
l
A 3 4 1

I i 0

or
0

man riv - er, dat


0

ol'
0

man riv - er.


I
he must know
0

sump- in'
0 0

but
C Am Dm G7 Dm G7 c F
2 5 3
»
I I
i
0 0 0

7
0
P 7
0
7
J
o

don’t say noth -in’. he jus’ keep roll-in', he keeps on roll-in’ a long.

C G7 C Am C F c 2
Am
2 3 4

5 5 5 ♦

P j •
-1 0

He
0-0

don’t plant ’ta-ters, he


0

don’t
0

plant cot -ton, an' dem dat plants ’em is

c Eklim G7 C F

I I I 2 3

m
i
0
0 u
7 7

soon for - got - ten; but o’l man riv - er, he jus’ keeps roll - in’ a long.

C B7 Em B7 Em B7 Em B7
3

! 0
= P 0
0 A 0' — 0

You an me, we sweat and strain. bo - dy all ach - in' an

Em B7 Em Am Em Am Em Am

0
0 Z 0
4

J 0
0
0' — 0
0' — 0
w m
racked wid pain. "Tote dat barge!" "Lift dat bale." git a lit - tie drunk an' you

Em G7 C Am c F c i
2 3 4

r UU.
3 I

I 0

land
0

in
o
jail.
0

Ah
0

gits
7'
vvea-ry an
5 0

sick
0

of
5
try -in', Ah'm
0
7
tired of liv - in' an

Am 3
D7 c Am Dm G7 c
0 0
£ * £ <>
i
skeered of dy - in', but oT man riv - er. he jus' keeps roll - in' a long.
Moon River
:

Soundvorschlag Melodie: Clarinet aus dem Film Breakfast At Tiffany's Musik: Henry Mancini
Rhythrnus: Slow Waltz (Frank Sinatra) Text: Johnny Mercer
Tempo: • = 90 Arr.: Kolhl / Thurner
c Am F C F

i 44-
1
-m-
5
721
m 2

-6k
3 5

m
Moon Riv er, wid er than a mile: I'm cross in' you in

C Dm E7 Am Gm F
l

style some
i
day.
-0-

Old
i
dream ma
0

ker, you heart

Gm Am B7 Em Dm G7
2 3 5

I 0k

break -
¥
er, wher
P3|
ev
0

er
-0k

you're go
r
in’, I’m go in' your
77

way.
{

c Am F c F
3 1 5

I Two drift ers, off to see the world,


=
there’s
-0-'

such
inn
a lot of

c Dm E7 Am C F#dim
2 4

i -6h

world
wm to see.
-0k
We’re
<5

aft
-6k

er
3
the
Z2Z

same

i
F
-e-
C

6~
F

0 m -0k
*
C F

0
i

m
rain bow’s end wait - in’ 'round the bend,. my Huck - le - ber - ry

C Am Dm G7 C
4

i -6ÿ-

friend,
i
Moon Riv er.
77 -0k

and me.
Tara’s Theme
Soundvorschlag Melodic: aus dem Film Vom Winde verweht Musik: Max Steiner
Strings oder Flute Arr.: Kolb! / Thurner
Rhythmus: Piano Ballad
.
Tempo: = 75

F C7 F Abdim Ci m Cl F
3

m 0 * * i 0
m
1

0 s pp
I 5

F
Bb
Cl 4 3 F
5 I 5 2 1 1

I if <> s PP i TT
r-j| 1s e I
PP
C7 F Cl F
l

I o t PP o i
PP 5 o 1 J Ii
Bb
4 F Cl F Bb Am
: i

S PÿP o
-o-
i o

Gm Am Gm Cl F Cl

m
3

3 m
2

S
i

PP 3ÿ <>

F Bb F Cl F
l

lh Sj r 5 u I
0'
I
i TT
Somewhere My Love
(WeiBt Du wohin)
Soundvorschlag Melodie: Flarmonica & Strings aus dem Film Dr. Schiwago Musik: Maurice Jarre
Rhythmus: 6/8 Ballad oder 6/8 Slow Rock Text: Paul Francis Webster
.
Tempo: = 55 Arr.: Kolbl / Thurner
Cm G7 Fm 5
I 3
T
9 17ÿ
\T isF ;z m
90 0
Rot wie der Mond war Dein Mund, rein wie der Schnee war Dein Blick,

Cl Fm C7 Dm G7
2

i rau-schen-de
t
9~

Will
7~0

der, rau-schen-de
0

Fel - der,
0

bring mir mein Gluck


90ÿ

ein - mal
0

zu-riick.

C G7 Dm
I 2-1 4 2 2 1

0-
0
Is 7T7
w
0 90
5 17 0- 0 0
*
WeiBt Du wo hin die Trau - me all ent flieh'n. die un er
WeiBt Du wo hin mein Herz auf Rei sen geht. wenn lm rner -

F
G7 C 2 4
5 2

i <5F

fiillt
zu
an
es
0-

Dir vo - rii
sich nach Lie
ber
be
- zieh’n.
sehnt.
•111'
Zu
Trau
»:
Dir,
me
denn da
laB nie
0

nur
zu
C Eb
4 2 EG Eb G7
2 I 2

n % 4 l i r \r 1
9 %
will ich sem, Zu Dir. a - ber ich bin al lein.
En de geh'n, so lang. bis wir uns wie der seh'n.

C G7 Dm
I 2-1 2 2 I

0
19 0
0
0 90 17 0
5
0'
WeiBt Du wo hin mein Herz auf Rei sen geht, wenn lm mer

G7
1.
C
2. c4

s
2 5 2 5 1

I -&1-

zu es sich nach
0

Lie
19

be sehnt. es
t
sich nach Lie be
-G-

sehnt.
Bilitis
Soundvorschlag Melodic: Piano & Strings aus dem Film Bilitis Musik: Francis Lai
Rhythmus: Piano Ballad Arr.: Kolbl / Thurner
.
Tempo: = 70

c F G7 C
2 3 5 4

mm
I I I 2 5

P n 8 TT
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My Heart Will Go On
Love Theme aus dem Film Titanic
Soundvorschlag Melodie: Pan Flute & Slow Strings (Celine Dion)
Musik: James Horner
Oder Soprano Sax & Strings Text: Will Jennings
Rhythmus: 1 6-Beat Ballad Arr.: Kolbl / Thurner
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Tempo: = 45
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l.Ev
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us
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my dreams
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see you.
last for
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you,
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know
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we're
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on.
one.
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was when
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the
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and
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us
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have come to
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go
go
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on.
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far,
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the heart does


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here in my heart and my heart will go on and on. on.
True Love
aus dem Film High Society
Soundvorschlag Melodie: Harmonica & Slow Strings Musik und Text:
oder Soprano Sax & Slow Strings Cole Porter
Rhythmus: Slow Waltz Arr.: Kolbl / Thurner
.
Tempo: = 90
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Sun tanned. wind blown. ho ney moon - ers at last a lone.

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Fee¬ ling far a - bove par. Oh, how luck - y we are. 1
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give to you and you give to me true love. true love. So


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on and on it will al ways be true love, true love. For

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you and I have a guard - ian an - gel on high with noth - ing to do.

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But to give to you and to give to me love for ev er

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true I true. love for ev er true . -


Don’t Cry For Me Argentina
aus dem Musical Evita
Soundvorschlag Melodie: Horn & Strings Musik: Andrew Lloyd Webber
oder Trumpet & Strings Text: Tim Rice
Rhythmus: 8-Beat oder Rumba Arr.: Kolbl / Thurner
.
Tempo: = 96
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1 . It won’t be eas - y, you'll think it strange, when I

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try to ex -plain how 1 feel.


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that I still need your love
s m aft - er
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all
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that I've done.

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You won't be lieve me, all you will see is a girl you once knew, al

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though
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she's dressed up
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to the
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nines
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and six
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es and sev - ens with


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you.

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2. 1 had to let it hap - pen I had to change, could-n't stay all my life down at
3. And as _ for _ for - tune, and as for fame, nev - er in - vi - ted them

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i heel,
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look - ing out


though it seemed
of
to
the win - dow. stay - ing
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out
all
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of the sun.
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free - dom.. run - ning a-round try - ing ev - 'ry-thing new, but noth - ing im-pressed me at
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all, I nev er ex - pect ed it to. Don't cry for me Ar - gen -
time, I love you and hope you love me.

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ti - na,
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the truth is I nev - er
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left
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don’t keep your dis - tance.
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ti - na, the truth is I nev - er left you. All through my wild days, my mad ex -

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ist - ence I kept my prom -
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don’t keep your
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The Thorn Birds Theme
aus dem Film Dornenvogel
Soundvorschlag Melodie: Orchestra Strings Musik: Henry Mancini
Rhythmus: 6/8 Ballad Arr.: Kolbl / Thurner
Tempo: » = 55

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As Time Goes By
aus dem Film Casablanca
Soundvorschlag Melodie: Tenor Sax oder Trumpet Musik und Text:
Rhythmus: Jazz Ballad oder Swing Herman Hupfeld
Tempo: « = 70 Arr.: Kolbl / Thurner

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You must re-mem-ber this,


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a kiss is still a kiss, a
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sigh is just a sigh.
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when two lov - ers woo they still say 1 love you. On that you can re - ly,_

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The fun da - men - tal things ap ply, as time goes


no mat ter what the fu ture brings, as time goes
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