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ABSTRACT The existence of street vendors has become a problematic issue in many
countries. Despite various arguments that either support or reject their presence in urban
environments, street vendors generally have been accused of disrupting the order of the
environment and therefore should be removed. The arguments in this paper reconsider the
position of street vendors in Indonesian cities, drawing on Mary Douglas’ theory of ‘out of
place’. Such a reassessment of street vendors as the ‘out of place’ urban elements offers a
theoretical basis for the practice of urban design and planning in dealing with certain
unwanted elements.
Introduction
As a site of everyday practice, the physical environments of cities are not free from
unplanned and unwanted elements. There are many elements that appear as
disruptive, when they are judged in terms of their visual appearance. Nevertheless
assessment largely based on the criteria of visual order has become one of the main
tools in the appraisal of our urban environment (Jacobs, 1961). Such appraisal has
often resulted in the negative perception of certain elements, as in the case of
graffiti (Cresswell, 1996), homeless shelters (Abe, 2003) and some other nuisance
elements (Nasar, 1998). These elements are perceived as existing in the wrong place
and are not supposed to be there.
On the other hand, as the urban environment is the setting for human actions
and activities, it is practically impossible to ignore the existence of such nuisance
elements. Very often these are temporary or non-fixed elements, whose presence is
not planned well in advance and exist as a result of everyday use of urban spaces.
These are the elements that Venturi (1977) called “honky-tonk elements”, whose very
existence is part of our architecture.
The main justification for honky-tonk elements in architectural order is
their very existence. They are what we have. Architects can bemoan or try
to ignore them or even try to abolish them, but they will not go away.
Or they will not go away for along time, because architects do not have
the power to replace them (nor do they know what to replace them with) . . .
banality and mess will still be the context of our new architecture . . . (p. 42)
Correspondence Address: Yandi Andri Yatmo, Department of Architecture, University of
Indonesia, Kampus UI, Depok 16424, Indonesia. Email: yandiay@yahoo.co.uk
Both Jacobs (1961) and Venturi (1977) made clear that diversity of the elements in
the city is definitely acceptable. They challenged the use of visual order as a way to
achieve harmony and perfection of the physical environment in the cities.
The presence of so-called nuisance elements is commonly accompanied by
contradiction with regard to their status in the contexts of the urban physical
environment. Contradiction has become an intrinsic characteristic of such
elements. The practice of street vending, which is commonly observed in
Third World cities, is an example of such a contradiction. The existence of
street vendors in large numbers inevitably creates problems for the public life
in the cities. Nevertheless, the debates on the street vendors in urban areas
have moved in two different directions. On the one hand, those arguing
against street vendors believe that they only create problems and therefore
should be removed from the cities. On the other hand, there are other
arguments that justify the continuation of street vending activities in urban
areas (Bromley, 2000).
The purpose of this paper is to reassess the position of street vendors as
rejected urban elements. The theory of ‘out of place’ (Douglas, 1966) is used as
the basis for an explanation of the vulnerability of street vendors as temporary
elements in the city and how the rejection of street vendors represents an
attempt to achieve visual order in the urban environment.
The paper begins with an overview of street vendors in Indonesian cities,
who represent a phenomenon of rejection. The second part provides an overview
of the ‘out of place’ concept, which is primarily derived from Douglas (1966) and
Cresswell (1996), highlighting some principle understandings of ‘out of place’ and
how the concept has been used to explain some phenomena of rejection in urban
environments. The rejection of street vendors from the urban environment is
discussed in the light of the understanding of ‘out of place’. Having explained the
phenomenon of street vendors as ‘out of place’ elements, some implications for
practice are proposed in reconsidering the presence of street vendors in the cities.
with a gerobak (pushcart), as illustrated in Figure 4, although other tools may also
be used, such as a pikulan (Figure 5) and bakul (Figure 6).
The fact that most street vendors can easily move from one place to another,
or can easily assemble and dissemble their trading posts, suggests that street
vendors are urban elements with temporary characteristics, that may appear at
one time and disappear at another. Such a phenomenon has become a kind of
ritual ceremony for street vendors: “the ceremony is an everyday life: finding a
place, constructing and then deconstructing the shelter, moving to other place,
constructing and deconstructing it again and again” (Maharika, 2001, p. 4). This
happens due to the flexible and mobile characteristics possessed by the street
vendors, which allows them to take over many spaces in the cities.
The presence of street vendors in Indonesian cities is shown in Table 1, which
shows the number of street vendors in six cities, together with the city population
figure based on Population Census in 2000.
390 Y. A. Yatmo
Figure 7. The location of street vendors’ trading activities. Source: Biro Pusat Statistik DKI Jakarta (2001).
location and trade as usual. There also seems to be an inconsistent approach to the
treatment of street vendors by local governments (Saraswati, 2001). For example,
in some locations, after the officers have conducted a street cleaning operation,
they have not taken proper control of the location. This can give way to the
possibility of some street vendors returning to operate there. It seems that the
government tends to take action against the street vendors rather than take
preventive measures to control particular locations. This inconsistent attitude has
resulted in repeated ‘street cleaning’ operations in the same places (Masud, 2004).
Thus the problems regarding the presence of street vendors in Indonesian
cities stay unsolved. It appears to be almost impossible to completely remove the
street vendors from cities.
Nevertheless, the street vendors in Indonesia are not always portrayed as
detrimental to urban life. Despite the fact that street vendors are generally
considered as disrupting the aesthetics of the city, they also have potential to give
a positive character to the city (Figure 10). The presence of street vendors may
enhance the lively atmosphere and appearance of the city. The interaction between
seller and buyer can animate the life of the city. The uniqueness of the street
vendors as small trading activities run by local people may also contribute to the
life of the city. Street vendors who are regulated, ordered, clean and represent local
uniqueness have the potential to make the city more interesting and will support
tourism (Sidharta, 2000).
Street Vendors as ‘Out of Place’ Urban Elements 393
‘Out of Place’
‘Dirt as a matter out of place’ is a term introduced by Douglas (1966), and since
then has been used to explain various phenomena involving order, aesthetic
judgement and appropriateness. Douglas used the term ‘dirt’ to discuss what is
generally considered as ‘polluted’, ‘unclean’ or ‘taboo’. Her explanation pointed
out two conditions that are implied in the definition of dirt as a matter out of place,
that is, “a set of ordered relations and contravention of that order” (p. 44). This
Figure 10. Street vendors at night-time contribute to the appearance of urban spaces.
394 Y. A. Yatmo
definition suggests that the condition of ‘dirt’ or ‘out of place’ has something to do
with breaking certain orders that exist in the human environment.
The term ‘dirt’ has been associated with the problem of “hygiene and
cleanliness” in the human environment (Forty, 1986, p. 156). Certain objects may
be considered as ‘dirt’ when they are associated with the possibility of carrying
germs and transmitting disease, and thus need to be cleaned regularly. As can be
seen clearly in domestic spaces, the act of maintenance becomes important in
order to eliminate dirt.
Nevertheless, the concept of dirt is not merely related to something
unhygienic (Walter, 1985). Douglas (1966) further explained that “dirt is essentially
disorder” (p. 2) and that “disorder spoils pattern” (p. 117). The presence of certain
objects as dirt may risk disrupting or polluting the order that exists in the
environment. There is a tendency for humans to remove the presence of dirt from
the environment and, “Eliminating it is not a negative movement, but a positive
effort to organize the environment” (Douglas, 1966, p. 2).
Since the introduction of the terms ‘dirt’ and ‘out of place’ by Douglas, some
further attempts have been made to expand these terms and relate them to various
contexts.
Cousins (1994) expanded Douglas’ theory to examine the nature of ‘ugly’
objects. He considers ugliness to be matter out of place. He explained that: “The
dirt is an ugly deduction from ‘good’ space, not simply by virtue of occupying
the space, but by threatening to contaminate all the good space around it” (p. 63).
This suggests that the ugly object, or the ‘out of place’ object has characteristics
that can endanger its surroundings. Cousins further suggested: “The ugly object
is an object which is experienced both as being there and as something that
should not be there. That is, the ugly object is an object which is in the wrong
place” (p. 63).
It is a very common occurrence in human life to get rid of the objects that are
ugly and imperfect. The desire for ‘perfection’ has become a means to assess the
beauty or the ugliness of an object. Hence, the imperfect condition of an object that
is broken, leaking or out of order will ruin the object itself. Perfection is related to
the extent to which something is proper, for example, being in proper space,
staying where it belongs and behaving as it should (Neyrey, 1996). Those that do
not meet the criteria are considered to be unclean or imperfect. Furthermore,
Cousins also suggests that imperfect objects may run the risk of ruining the
environment where they are present. They may become a danger to the order of
the environment.
Architecture has become a discipline that puts great emphasis on creating
order in the environment. The presence of dirt or ‘out of place’ objects in
architecture and in the city is often seen as the antithesis to the attempt to create
order in the human environment. One example of this is illustrated in the
following description by Till & Wigglesworth (2001) concerning one response
to their unusual attempt to use quilt as the cladding material for walls in
their project:
Both our fathers ask when we are going to put up the final cladding—the
quilt is too soft and fragile for them to cope with. More worrying is when
an affronted student asks at the end of lecture why we are doing this.
‘What’s wrong?’, we ask. ‘It is going to look dirty in a few years’ time’, is
Street Vendors as ‘Out of Place’ Urban Elements 395
when it does not fit well with the rest of the pattern. In physical space, some
objects or some activities may become ‘out of place’ when they do not fit with the
rest of the pattern that exists in that space. Lofland (1973) also discussed the term
‘appropriate’ to determine whether or not something is in its place. She used this
term to explain the ideal modern city where there is a place for everything and
everything is in its place, just as in a well-ordered home. Certain areas or spaces
are limited for certain people or certain activities. In this spatial segregation of
activities, certain activities become inappropriate or ‘out of place’ when they are
not conducted where they are supposed to be. Similar to Douglas, Lofland (1973)
believed that the appropriateness is not static. This suggests that determining
whether an object or an activity is ‘out of place’ depends on its specific contexts.
The relativity of ‘out of place’ is related to the socio-cultural context (Douglas,
1966; Cresswell, 1996). What is considered as ‘out of place’ might differ across
different societies or different groups of people. It is intrinsically related to the
different values or norms held by these different groups.
It now becomes clear that the process of identifying certain objects as ‘out of
place’ involves the identification of the state of the object itself as well as the
relationship of the object with the context. The concept of ‘out of place’
emphasized the inappropriateness of the objects in certain contexts. In addition,
identifying the condition of the object itself is important in determining this
appropriateness. The imperfection or the ugliness of an object may play a role in
shaping the perception of the object as ‘out of place’. Furthermore, the degree to
which objects are ‘out of place’ should not be seen as a static phenomenon. The
following section explores how the concept of ‘out of place’ may explain the
rejection of street vendors from the urban environment.
urban life. They also reflect a tension between the modern ideal city and the street
vendors as representatives of local grassroots power and identity. For the
modernists and authoritarians, street vending is considered as “a manifestation of
both poverty and underdevelopment, and its removal is viewed as progress
toward a brave new developed world of universal prosperity” (Bromley, 2000,
p. 12). Nevertheless, such tension eventually raises the question of identity of
place, in which the removal of street vendors may also imply the removal of a
locality’s character.
The presence of street vendors as ‘out of place’ also seems to be related to
their nature as temporary elements in the city. The street vendors, with their
characteristics of temporary, unplanned and unexpected elements, are considered
as disrupting the order of urban environment. Hence the street vendors with their
temporary nature are vulnerable to eviction.
A parallel situation can be observed in the case of graffiti as an ‘out of place’
element in public spaces (Cresswell, 1996). Graffiti has been referred to as
“garbage, pollution, obscenity, an epidemic, a disease, a blight, a form of violence,
dangerous, and a product of the mad, the ghetto, and the barbarian” (p. 37).
Graffiti is ‘out of place’ because it does not comply with the expectation of what is
appropriate and what is not. As a result, the reaction against graffiti suggests
that it does not belong in public places, and that it is associated with “other
places—other contexts—where either the order is different and more amenable to
graffiti or disorder is more prevalent” (Cresswell, 1996, p. 37).
However, just as street vendors generate both negative and positive
judgement, graffiti can also have an ambiguous position in urban public spaces
(Barthel, 2002). On the one hand, it is considered to be threatening to the ideal
urban aesthetic and therefore needs to be removed from the city. On the other
hand, graffiti offers a positive contribution to the community, uniting young
people and allowing them to gain a sense of self-awareness and empowerment.
Creswell (1996) explained that graffiti can be seen both as crime and as art.
Graffiti that is considered to be ‘out of place’ in public streets can become art
within the context of the gallery; hence it becomes ‘in place’. It has changed from
an eyesore into a valuable piece of art. The same physical material of graffiti
may display different attributes when it exists in different contexts. One of the
attributes that makes graffiti-as-crime different from graffiti-as-art is the
temporary nature of graffiti. Graffiti in public spaces is relatively temporary as
it can be cleaned off at anytime. Meanwhile, the presence of graffiti in a gallery is
more permanent. This suggests that the ‘out of place’ is related to the extent to
which an object is permanent or temporary. The object that is more temporary is
more vulnerable to rejection, as is true for a stain that can be easily cleaned
anytime (Cousins, 1994). Such vulnerability has also occurred in the case of street
vendors, and it has generated a tendency for their removal from urban
environment.
Nevertheless, there is a question of whether the general judgement of street
vendors as ‘out of place’ can apply to all situations. Douglas (1966) has argued that
the determination of something as ‘out of place’ might not be absolute, but much
depends on the context it exists. Nolan (2003) expanded this argument by
identifying the facts that an object or an activity can be perceived as ‘out of place’
and ‘in place’ at the same time. His argument is based on his examination of
various occurrences of skateboarding activities in public spaces, which is
commonly considered inappropriate by many people because it is often deemed
Street Vendors as ‘Out of Place’ Urban Elements 399
In dealing with the problems of street vendors, it is also crucial that urban
planning practices shift from ‘general’ strategies into more ‘specific’ and ‘diverse’
strategies that acknowledge the particular situations of street vendors in urban
places.
The reassessment of street vendors as the ‘out of place’ urban elements in this
paper has offered a theoretical basis for the practice of urban design and planning
in dealing with certain unwanted elements. It becomes necessary to reconsider the
general tendency to reject or remove the elements with a similar nature to street
vendors as unwanted or ‘out of place’ objects; for example, parking lots,
temporary signage, graffiti, dustbins or scaffolding in construction site. These are
all the urban elements that often appear unexpectedly beyond the originally
intended planning. However, it is necessary to re-evaluate to what extent they
exist as ‘out of place’ elements that need to be removed. The use of the ‘out of
place’ concept in such evaluations can further help with the decision either to
retain or to remove such elements.
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