0 Bewertungen0% fanden dieses Dokument nützlich (0 Abstimmungen)
23 Ansichten2 Seiten
This document provides instructions for using a chord chart to identify chords in different musical keys. It explains that the chart lists scale tones across the top and musical keys down the left column. It then defines major chords as built from the 1st, 3rd, and 5th tones, and dominant 7th chords as major chords with the 7th tone lowered. The document stresses that every song has a key signature and center of tonality based on the most commonly used chords for that key, namely the major chords built on the 1st and 4th tones and dominant 7th chord built on the 5th tone. It demonstrates using the chart to find these chords for the key of C. Finally,
This document provides instructions for using a chord chart to identify chords in different musical keys. It explains that the chart lists scale tones across the top and musical keys down the left column. It then defines major chords as built from the 1st, 3rd, and 5th tones, and dominant 7th chords as major chords with the 7th tone lowered. The document stresses that every song has a key signature and center of tonality based on the most commonly used chords for that key, namely the major chords built on the 1st and 4th tones and dominant 7th chord built on the 5th tone. It demonstrates using the chart to find these chords for the key of C. Finally,
This document provides instructions for using a chord chart to identify chords in different musical keys. It explains that the chart lists scale tones across the top and musical keys down the left column. It then defines major chords as built from the 1st, 3rd, and 5th tones, and dominant 7th chords as major chords with the 7th tone lowered. The document stresses that every song has a key signature and center of tonality based on the most commonly used chords for that key, namely the major chords built on the 1st and 4th tones and dominant 7th chord built on the 5th tone. It demonstrates using the chart to find these chords for the key of C. Finally,
This
chart
is
a
quick
reference
chart
to
help
you
identify
the
scale
tones
in
each
scale
and
what
note
to
play
for
each
chord
type.
ü Scale
name
or
Key
Signature
goes
down
the
left
column
ü Scale
tone
numbers
go
across
the
Top
–
(I
–
II
–
III
etc.)
MAJOR
CHORD
–
the
1st,
3rd,
5th
tone
of
the
Major
Scale.
Notated
as
C
(without
further
notation),
CM,
for
C
maj.
DOMINATE
SEVENTH
Chord
–
the
1st,
3rd,
5th,,
7th
tone
of
the
Major
Scale
with
the
7rd
tone
lowered
½
step.
(1-‐3-‐5-‐7b).
Notated
as
C7
or
C
dom7.
(OR
take
tonic
down
1
whole
step
to
find
the
7th
flatted)
CENTER
OF
TONALITY
Ø Every
song
has
a
Key
Signature.
(It
might
progress
through
several
keys)
Ø Every
song
has
a
Center
of
Tonality
based
on
the
Key
Signature
of
the
song
or
section.
o The
Center
of
Tonality
is
the
most
common
used
chords
in
the
Key
Signature.
Ø Every
song
will
have
Major
Chords
and
a
Dominate
7th
Chord.
Ø The
most
used
chords
are
Major
chords
that
are
built
on
the
First
(I)
and
Fourth
(IV)
tones
and
the
Dominate
7th
Chord
built
on
the
Fifth
(V7)
tone.
Using
the
Chord
Chart
for
ALL
KEYS
–
Locate
the
I
–
IV
&
V7
chord
in
each
Key.
(Notated
on
the
line
above
the
black
line)
Example
–
Key
of
C
–
I
is
CM,
IV
is
FM,
and
V7
is
G7.
Now
go
to
the
line
for
the
C
Key
and
Build
your
Major
Chord
-‐
!-‐III-‐V
Now
go
to
the
line
for
the
F
Key
and
Build
your
Major
Chord
-‐
!-‐III-‐V
Now
go
to
the
line
for
the
G
Key
and
Build
your
Dominate
7th
Chord
–
I-‐III-‐V-‐VIIb
(take
the
7th
tone
of
the
scale
down
½
step)
This
will
be
the
Center
of
Tonality
for
the
Key
of
C!!!!
CHORD
NUMERIC
NAMES
LEARN
Basic
Triads
in
Major
Keys
The
most
likely
chords
to
show
up
in
a
key
are
the
chords
that
are
build
on
the
FIRST,
FOURTH,
and
FIFTH
tones
of
the
scale.
The
easiest
way
to
identify
these
triads
is
by
numbering
them
using
Roman
Numerals
from
I
to
vii.
You
can
find
all
the
basic
triads
that
are
usually
used
in
a
key
by
building
one
triad,
in
the
key,
on
each
note
of
the
scale
(each
scale
degree).
Ø Capital
Roman
numerals
are
used
for
Major
Chords
(I,
IV,
V)
Ø Small
Roman
numerals
for
Minor
Chords
(ii,
iii,
vi)
Ø Small
Roman
numerals
with
a
small
circle
(degrees
sign
–
o)
used
for
diminished
chords
(vii
o)
I
ii
iii
IV
V vi
viio
Many
folk
songs
and
other
simple
tunes
can
be
accompanied
using
only
the
I,
IV,
and
V
(or
V7)
chords
of
a
key,
a
fact
greatly
appreciated
by
many
beginning
musicians.
55 Of The Most Beautiful Classical Piano Solos: Bach, Beethoven, Chopin, Debussy, Handel, Mozart, Satie, Schubert, Tchaikovsky and more | Classical Piano Book | Classical Piano Sheet Music