TRANSALPINIA

( Armin Kofler )

Der Konzertmarsch "Transalpinia" stellt, wie der Name bereits suggeriert, eine
künstlerische Nord-Süd Brücke über die Alpen dar. Auftraggeber des Marsches war der
Musikverein Unterjettingen, der eine langjährige Freundschaft zur Banda Musicale aus
Luicciana unterhält. Somit ist es nicht überraschend, dass im Marsch die unterschiedlichen
Stile nördlich und südlich der Alpen miteinandern vermischt und verbunden werden. Um
diesen Bezug noch zu verstärken, werden in kurzen Zwischenteilen und Übergängen
Volkslieder aus der jeweiligen Region in abgewandelter Form zitiert, bis der Marsch
schließlich in einem eingängiger Trio-Melodie mündet.
 TRANSALPINIA Armin Kofler

      
(Cover of Clarinets, Aragón, S.XXI) Arr. by Gino Gonçals

      
Alla Marcia 

         
A

Cl.1

      
   
     
     
      
Cl.2
  
            
Cl.3 

   

                   
      
Cl.4

                  
Cl.5         

     
                 
 
Cl.6

 


          
             
Cl.7
  
   
             
     
Cl.B

     
       

      

               


              
    

 
  
          
    

          
    
   
 
 
  
   

                  
         
      
                  
               
           
                    
           

©Gino Gonçals
 TRANSALPINIA 2

           
        

          
    
  

   
                 

     
               
  

          
                
   
              
              
  
                 
              
            
           
              

            
            
B


         
      
          

        
   
  
  
      


                 
 
 
            
                     
   
           
           
           

      

             
        
       

    
                      
       
        
 TRANSALPINIA 3
           
                  
  
                    

 
                        

  
 
               

    
               

              
                

                
              
 
              
 
             
    


         
 
              
 
                
 
 
              
  

                   
   

            
         
           
 
          

               
        
                   
      
       
 TRANSALPINIA 4
                 
         
C


 
        
                 

       
             


  
                  



     
      
           
                   
        

  
            
    
      
        
     
   
    

 

 
       


                  
       
D



         
               


     
        
         


    
       


         


    
           
    
        
            

            
         
 
                
       
    
 TRANSALPINIA 5

               
   

            
  




  
                

              
    

      
      
     
       
      

     
       
            
      

   
                   
 
                   
   

              
           

   
                   

        
               
    

       
                
    

       
     
          
   
 
          
         
   
 TRANSALPINIA 6

 2.              
        
1.



         
            
 

              
           

 

      
                  
 

      
             
     
  
                   
         
  
                  
           
  
                  
         
        

                
 
      
F


                     
    

             
     
      

   
    

         

 

       
             
 

                    
    
                
         

               
          
    
7

     
TRANSALPINIA

     
           

        
    
             
          
    
                 

         
                   
   
           
            
     
                 
  
      
   
           
    
    
  

   
    
               
  
         
    

TRIO
G
        


  
      

         
 

       
 
solo

    


           
                  

 
    
 

 


 


   
 
 

 


 
 
                
           
 

              
         

 TRANSALPINIA 8


      

      

      


      
        
    
       
   
    
    
    


       
     


  

     
     

                  
           
    
                 
        
   
    


      

      

      


    

       


              
          
      
     
   
   

         


  



                  
           
  
                
        
 TRANSALPINIA 9

   

   
H



 
       


     
        

  
    

              
              
     
     

  


 
    
 
  

                  
           
    
                 
     
  
   
   
 

        



        
      

      

           
                 

      

  

     


 
    
 
  

                  
           
      
            

 
        
 TRANSALPINIA 10

  
        
   
     
      
  

      
      
   

      

        
                      

       
  
 
 
 

 

 

   
 


                 
          
       
           
        


I

      
   
        
 
 
  
     
       

         
      

              
          
      

      
   
   

 
   

  


  

 

                  
            
    
      

 
    
         
 TRANSALPINIA 11


      
      
        

 
              


  
   
      

              
                 
     
   
   

 

  
 


   
  

                  
           
      
                 
        
     
    
J



          
   
    
    
  
 

   
      
   

           
     
             

      

  

      

  




     

                  
           
  
                
        
 TRANSALPINIA 12

          
 
   

            
   

            
     

           

  
           
       
             
       
       

  
  

 


  

                  
           
     
                 
    
  
        
      
 
             
   
        
         
  
        
     

              
          
      
      
     

  


  




    
 

                  
           
      
  
 
          
        
 TRANSALPINIA 13


      
  
  
K          
 
 
         
    
        

 
            
    
      

               
  
     
 
      
                    
  

       
  
  
 
           


      
         

 
     
             

 
                 
 
  

              
 
          
       
 
                  

     
           
         
 

              

 
        
 
           
               
  
       
    

    
        

 TRANSALPINIA 14

      
                        

  
                         
          
                        
  
                  
    
                 
    

                        


           

      
    
        
    
  
  
   Molto rit.        M     
Grandioso, a tempo


    

     
     

    

          
     

          
  
 

   
        
        

 
           
 
    
 
       

            
             
           


  
 

         
             
            


  
 
 TRANSALPINIA 15

          
 
   

            
   

            
    

           
  
   

           
  
   
       
     
   
 

 
   


  

                  
           
    
                 
     
      
    
          
   
 
            
   

   
       

  



          
    


         
   
  
      
   
   

 
   

  
   
 


                  
           
    
      

 
    
        
 TRANSALPINIA 16

       

    
N


  

          
      
      


  
     
   

  
     
   
   
   
  



 
 
  



       

                  
           
    
                 
     
      
    
            
  

              
 
           
    




      
 

  

       
    

      
 
    

  
 
    
 
   

                
           
      
            

 
        
 TRANSALPINIA 17

       
         
           

   
                 
       
        
          
         
 
            
              
     
          
            
        
 
  
              
        
     
   

        

     
             
  
   
                
       
   
   
Clarinet 1º
TRANSALPINIA
(Cover of Clarinets, Aragón, S.XXI) Armin Kofler

. . . . . . . .
Arr. by Gino Gonçals
Alla Marcia 
    
  
              
A


 

          
               
     
B



                 
           
       


                         
            
     
C

                                  
D


    


                                  
      
1. 2.

 

        
                                
E

   


                  
                   
    
F

  

           
 
TRIO
     
G

 
H


 

©Gino Gonçals
 TRANSALPINIA 2

 J       
 
       

 
I

   


               
         
 

 
    
                
            
K

  


                    
                 
  

 
Grandioso, a tempo
  
                  
Molto rit.
M




                   
 
 

        
 
  
       

N

        
         
        
Clarinet 2º TRANSALPINIA (Cover of Clarinets, Aragón, S.XXI) Armin Kofler

      
Arr. by Gino Gonçals


Alla Marcia 
      
                      
A

 
 

              
              
 

                   
                       
B

            
                  
C

 


                  
                 
     
D

 


                               
   

                          
  
1. 2.


E

   


                    
            
F

 


     
  
       
    
   

 
TRIO
      
G

    
H

 


©Gino Gonçals
 TRANSALPINIA
2

      
          
 
 

  
           
I

     
 

   
                      
J

    

             
    
   

  


                    
        
K


          


     
      
                             
 


  
Grandioso, a tempo
        
          
Molto rit. M



               
      
 

         
         
N

  

  
                       
     
Clarinet 3º TRANSALPINIA
(Cover of Clarinets, Aragón, S.XXI) Armin Kofler
Arr. by Gino Gonçals

      
Alla Marcia 
      
              
A

      

            
 

                                        
        

          
    
                  
           
B

   
 

            
                    
C

        


      
                              
D

 


           
                                      
1. 2.

 


                   
               
E

   


 
                                  
F

          


G
 
TRIO

  
H
solo
     
          

      
I

   
           
   

©Gino Gonçals
 TRANSALPINIA 2

   
                 
 

  
  
J

                  
 

 
                  
K

              



      
  
                         


                    
Molto rit.

  

   
Grandioso, a tempo
      
M

        


     
               
N
   
 

                  
            
    
   
Clarinet 4º TRANSALPINIA
(Cover of Clarinets, Aragón, S.XXI) Armin Kofler
Arr. by Gino Gonçals
Alla Marcia 

                       
     
A

    
 
         


  
  
                                
  

               
B


       
       
               

 
                             
   

 
                                
C

    

  
D

    
                       


               
1. 2. E

           
        
 

           
                 
F

      
 

   
                 
 G TRIO

          


   
solo
 
          
      

©Gino Gonçals
 TRANSALPINIA 2


   
H


I

  
         
  
 

           
 

        

       
J

    
            
 
  
     
       
        

               
                      
K

   
 

  

 
                   





                    
 
Molto rit.

Grandioso, a tempo

M

            
         



N

    
                



        
 
  
    

               
     

      

  
Clarinet 5º
TRANSALPINIA
(Cover of Clarinets, Aragón, S.XXI) Armin Kofler
Arr. by Gino Gonçals
Alla Marcia 
   
                              
A

       
 

                
                        



                             
B

 
             
       


                               
           


C

     
D

              
                
 

                 
               
     

             
                  
1. 2. E

    
            
   
                     
TRIO

              
F G

           

   

  
                                        


                  
                               
H

©Gino Gonçals
 TRANSALPINIA
2

      
                                         

         I               
                              


      
                                         
J

               
                                     

    
                                        
K

  


  
                         
   
       

            
Molto rit.

        


M Grandioso, a tempo
      
  
 
 
      
 


N

        
 
    
     
  

           
           
          
 Clarinet 6º TRANSALPINIA
(Cover of Clarinets, Aragón, S.XXI) Armin Kofler
Arr. by Gino Gonçals
Alla Marcia 
 
                              
A

         
 


                
                     

                          
B

               


                          
         


               
C

                     

D

            
 
       
 

                 
1. 2. E

                  
           
  
 

                               
F

                    

  
TRIO
 
                         
G

              
  

      
             
   
 
   

    

©Gino Gonçals
 TRANSALPINIA 2

      
                   
H

                    


                                      
              

      
                  
I

            
 
    
  



                                     
              


J

                                    
               

               
                      
K

        

        
                            

  
Molto rit.

                    
          

  

Grandioso, a tempo

M

                                       
               


                            
N
    
          
       

  
                                         
               
Clarinet 7º
TRANSALPINIA
(Cover of Clarinets, Aragón, S.XXI) Armin Kofler
Arr. by Gino Gonçals
Alla Marcia 


               
A

         
              


                
                       

              
B

  
                         
  


                  

                 
C

                   
D

                
   

              
                    

                      
1. 2. E


                      
     

               
F

 

                        
       


G TRIO

                          
                     



                             
H

                     

©Gino Gonçals
 TRANSALPINIA 2


                         
             
 
   
  


                        
I

       
           


                         
          
         


J

                          
                   


             
K

 
                   


  
          
            


Grandioso, a tempo
  
Molto rit.

          
M

               
                         
  

                         
                   


N

                        
                   


              
   
      
 
              
Clarinet Bass
TRANSALPINIA
(Cover of Clarinets, Aragón, S.XXI) Armin Kofler
Alla Marcia  Arr. by Gino Gonçals

   
                        
A

      
               
     
      
                             
                         

                          
B

                  
             
  

  
                       
         
C


           
      


               
D

                
          


   
                 
              

                                 
1. 2. E


           
      

           

F

 
                
               
    


TRIO

      
G

              

                 
    

             


      
H

   
          
  

©Gino Gonçals
 TRANSALPINIA 2

    
               
         
               

         
             
I

           
     

        
                 
J

         
         

       
           
           
             
 


  
K

     
                  
  

    
  
Molto rit.
              
    
                   

   
Grandioso, a tempo
  
M

          
                
        

  
                      
N

          
      

      
       
             
            
  
 