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Bach. WELL. TEMPERED CLAVIER --Bk.

2 Piano

SCHIRMER'S LIBRARY
OF MUSICAL'CLASSICS

VaI. 1'4

H
Well-Tempered
Clavier
For the Piano
Book 11

(CZERNY)

.SCHIRME't'.

OESIGN COPlIlGHT 1939, HNfw[O I"tll. n G SCHIRMEI. ,,..c.


SCHIRMER'S LIBRARY
OF MUSICAL CLASSICS

JOHANN SEBASTIAN BACH

The Well-Tempered
Clavier
Forty-Eight Preludes and Fugues

For the Piano

Edited by
CARL CZERNY

Wilh a Biog,aphieal Sketeh af lhe Aul~a, by


PHllIP HAlE

IN TWO BOOKS

Book 1- ll••••
'y Vol. n
__ 8_k 11- Llbr.,y Vol. 14

G. SCHIRMER, Inc.
IIHRIf""::;;~11DClJrpmt/aD
lT17Wr:st~RrwJ p,o ~ 13819 Mi~tft.et, Wl532IJ

Copyright. 1893, by Q. Schirmer. Inc .


•••••••4 •• _ U. I. Â.
P reface. Vorwort.
-=-
The principal object in issuing this new edi- Bei dieser neuen Ausgabe von J. S. Bach's
tion of J. S. Bach's "Well-tempered Clavichord" wohltemperirtem Clavier h~.t man vor Allem ge-
strebt, durch Vergleichung alie r frühern Aus-
has been to make it as correct and complete as
gaben 50 wie einiger alter;l Handschriften, die
possible, both by means of comparison with ali mõglichste Correctheit uné! Vollstimdigkeit zu
preceding editions, and by col1ating with some erlangen. In der Angabe des Fingersatzes, wo-
earlier manuscripts, In marking the tingering, durch dieses Werk eine weit grbssere Gemein-
which renders this issue far m'ore generally use- nützlichkeit erhàlt, wurde slets der zweifache
fui, two points have been steadily kept in view: Gesichtspunkt beachtet :
First, to keep the hands as quiet as may be, Erstens, die Hande, auch in den verwickel-
even in extremely complicated passages; testen F allen móglichst ruhig zu halten;
Zweitens, jede einzelne Stimme von den
Secondly, to enable the player to bring out
Andern unabhangig, streng gebunden und
each separate part independent1y, with
folgerecht ausführen zu kõnnen.
perfect smoothnéss, and with due regard to
Der Spieler wird die d ...•...
an zu verwendende
the phrasing. Mühe. sowohl auf dem Pianoforte wie auf der
Patient study, either on the pianoforte or on Orgel, durch die gehaltreiche Wirkung belohnt
the organ, will be rewarded by the rich and fu 11 finden, die mit einem vollstimmigen und ftiessen-
effect produced by a smooth and f10wing poly. den Spiele hervorgebracht wird.
phonic rendering, Das Zeltmass und den Vortrag habe icb :
It has been my endeavor to indicate tempo Erstens, nach dem unzweifelhaften Charac-
and interpretation ; ter eines jeden Satzes;
First, according to the unmistakable char, Zweltens, nach der wohlbewahrten Erin-
acter of each movement ; nerung wie ich eine grosse Anzahl dieser
F ugen einst von Beethoven vortragen
Secondly, according to the wel1-remem-
hor'e;
bered impression ma de on me by Beetho-
Drittens. endlich nach den Ideen aufzu.
ven's rend~ring of a great number of these
zeichnen und zu bewahren gesucht', welch,e
(ugues; ich selbst durch ein mebr ais dreissigjahri-
Thirdly, accordiog to convictions matured ges Studium dieses Werkes in mir fest-
by more than thirty years' study of this setzte.
work. Wo ein bedeutend schnelles Zeitmass vorge-
Wherever an extremely rapid tempo is índio schrieben wurde, ist es natürlicher Weise nur
cated, this is, af (ourse, meant anIy for the piano- für das Pianoforte berechnet. Wollte man je-
doch die so bezeichneten Satze auch auf der Or-
forte. When playing passages so marked 00
gel vortragen, dann müsste allerdings das Tempo
the organ, the tempo ml1st be moderated very
bedeutend la,ngsamer genommen werden.
decidedly,
Für diejenigen, denen kein Maelzel'scher
Those who have no Maelzel's Metronome at
Metronom zu Gebote steht, 'wird noch erinnert,
hand are reminded, that the AlIegro in these old dass das Allegro bei diesen altern Compositionen
compositions is to be take-n, as a fule, much in der Regei viel ruhiger und langsamer zu neb-
more tranqui1ly and slowly than in modern works. men ist, ais bei modernen Tonstücken.
CARL CZERNY.
lnv~rted Trill Tril1
mordent. Mordent. without after-beat. with alter.beat.
/ir

~
"i"

.~
í:~:'~c:.;
Morde,,/, T,..;Il~r
i~
Triller
oi"e ~ackJck'aAr. mil ~acllSc"'ar.
Contents
Vol. TI

Preludio
Preludio p"ge 2 Fuga a 3 voei p"Ke .••
.1 pega 68 Fuga. a S voei

GG'!, ',ct@ 13 '1\1",1i r::mJd Cfr di P


ltAW"~ I. I

Fuga a 3 vod P'K" 72


Fuga

~r-
Preludio paga li ,,4 voei page 8

tI ~
2~~I!,J'~ JiifUGra1r
Preludio pag<! 10 Fuga a S voei pa~ t2

3'I,,~,I, d"'!2&"m!fij' n;tlfpmlf1!j


Fuga' "
paKe,.:4
4 voei p.~ 8!
Preludio Fuga. a 8 voei pa.g~17 Preludio
Largo P'~_ 80

4 f*t"iiW~~1.~Imn~ P mJil =fdco 11 16 éi'! r 1J~.W'Ja~


Preludio p"ga 86 Fuga & 4 voei pag" 90
p"ga 20
Preludio
5 , •• WW' rT 17 '.'.II~I,m, 'I rrwf1ltJl fi

Fuga. Preludio P"'~ g,q Fuga ,,3 voe i P"~ 98


Preludio paKt' 26 a 3 voei page 28

6 fu WJZ5JJJ JDI;J# 18 'fi\, ,-D! A~UtI Em p)iJl100IW"~


Preludio Fuga a 3 voei p"gll tOe
Fuga", 4 voei plll("t' 32 P"'~ H!O

"
f
lF li
t. •
plI a ,Il': " 'WicfivfjM!t-

Preludio Fuga" 3 \"oci PtofCl' ,.;.:


Preludio p"ge84 Fuga a4 voei page 87

8 'h%a'ejJJJ_" =JiJ 20'1'~ 'd!Ém~


Preludio p"'y,e 108 Fuga. a B voei
Preludio paK" 4.0 Fuga a 4 voei paF:'e 42 PaRe- 112

9 ''''lI ~.j'=t~ r -r
-
Ir ao . I Ir
..I
21 'i'! j~mtiijyeJ--ik
Preludio pa,f('tl 4-4 Fuga. a S voei P"K" 47 Fuga a" voei

10~!]1~ S)' mW;Mm


..
.. LJ'
Fuga a S voei pa,ll:'e54
Preludio p'Ke 122 Fuga e. 4 voei paga 125

a? 1"= ICer, a Efi I


;tI Il . ~ •. r !
,I ~I C'fF
"!It<

" f p! 23 1$1"" 'J1! fil J! E

Preludiú pal('t! 128


Fug~,to :t voei Ptob"t' 130
Fuga :a 8 voei plll{" 6O

Ir [Zh~JlJ!#!IJ3, x@íCWI'ECrF,w
2
Part Secando
Preludio L

_---
..
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-------------
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1

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8

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Fuga I.
a 3 Voei.
AlIl'gro modl'rato. (~= UO.)

34313131

".J • 3 ;;:--.-
,1 a
1

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1
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2 I 2 "11
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2 321 32
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3 1 132

28
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1 5
2

u
41
8
514
5
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dimin.

1 8 15 5
213 ~

------
4 431 2 13 8 12 8 1

8 214 1 8 1
1 3
2 3 1 825
5 4 3 . 8
1 4 3 34 2 1 1 2 1

1
1 3 1 3 1
31" 4 5.
5 5 1 2 3 4
3 2~õ 1 M'

23212131

".-----, 5

•. "1
if
1 2 3 1 8
1 5 2 5 15.251.23.2
Preludio lI.

~ 3. 1 2 3 4 ~ 3
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5 2 5 5 2
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crl!lic. ,,-------. = f_________..

4 4 fi 2 I
3 5
8
Fuga 11.
a 4 Voei.

Moderato quasi Andante (J = 690)


o

,,-

t 3
P sempre ben legato

5
1
3

~re8c.r

Il "3 t

3
"I

dtmtOn.

5
51lf5
9

creRc.
~

5 5 5

4 :> :> :> t


4 3 4
~ 5 5 ~
5

4 5 3
5 3 t 5 3
2 3 5
t

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3 2 t
4 5 t 3
5 3
3~ 2 ---"

3 4
3 t
5 4

t 3 2
creRe.
p
t 2

t ~
ff
f
~
t t
2 t Z 2 3 t 3 4 32 3
5 4 5 ~ 2
10

Preludio III.
Moderato. (J=80.)

P Cl'CSC. bcn legato

1 35

dimin. p .rf==~
~

5
1 2

dz"min.

pp~
11

sf~----~

calando
Allegro. (~.=63.)

f.

4 5 4 3 4541
424543 23'Ír 1
2 4 123 1
1

3 5
3 1234
1 5

545 8 4 5 5
fJ~~,
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2 2
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4 345
41
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~ 3 4 18
5
4 3 2 ::=> ::>o- 5 8 5 2 5
1
8
2 ~
8 5 5 1 1
1 2 2 2 45 f":\

• •
dimin.
••

142 142 1
1 53 128482
1 5 '2
,.
~
12
Fuga m.
a 3 Voei.
Moito moderato e maestoso. (J = 76.)
-:-_ . 4
1

f pcsantc

,\l J
crcsc. J
~ f P ------=-

3 J 3
1

~-- ,
'-" ,\l
I> li

,\l . . .
4~1> . 4
1 i 3,\l11>~

1 ,\l3,\l1

3 1
1 3 ,\l34 3 ,\l
--> 13
~
3 3 4 3 I>

~ .. P
"li~ crcsc.

~ I>
4 I>

I> 4 I> ~ . .

,\l • 1
1 1
3 3 3

4
3 J

if ~áz'min .
~------ .t~
,\l 3
I>
4
f 3 4
I>
13
__ 2~_
~3 1 ~
~ ~ 3 fi ~5 5 5 353 5

1 2
~1
2
1 2
8'-5 3
.~

285

:;f<. ,
(]rS(].~ sf
/
2 1 2 ,

. 2 .
3
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1 'fp 2

5
1
8 2 3 5 1 8

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t 234 1
5
1 512
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5 8 2 5434

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5
14

Preludio IV.

Allegretto moderato. (J.=68.)


~AV
1
3 :

=
345 1
543

5 4 5
3

cresc.
AV
fj
2 1 1
5 145 234
3

4
M'
------
.

cresc.
p

1 3 5 2 2 3 1 2 1 3 2
1 3 3 212
5

f dimin.

cresc. sf
<ir
15

5 3
2 2

Qj r. dimin. p
~ )l M
.
-----~
3 31

5 " 2 15
~
16

"If " I . I
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5
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dimin.
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o ,
o
o

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32a45

o
o o

p M-
creRe.


t 4

ritard.
~o


17
Fuga IV.
a 3 Voei.

Allegro vivace .(i= 72.) 3


545
2 1
3

p sempre letrafo

2 412 1
I> I> 5
5 4 I>
5
2
5
3 1 S 1
:> :>
3 545454~
1 84
4
1
2

r~
f
g 5
412 342 412 842 412
5 4
2
3 1545325 5 54 5 l3 :> 432 4

,..
3
1
2
r'
li
4
282121
5
4 5 2 1
JI 1
5 .3 2

12432 li li 1
4 1 2 1 3 132
3

4 2 2
8 1 14 3
1

..
P o. cresc.

1 1 4 8424 8
842

5
4 :;
2 I> 8
1 4 ~,.
3

==_p 2

3 25481212 1 2 2 8
4 8
18

3 8
41 318248 li
5
5 5
1 5 5 5 4
1 1 3 125 3

1 ~2
4 ~421 1 82 15
5 5 li
1 5 5 5 5
1 2 5 4
1 2 1
3 4
1 ~

321 1 142 1
5 5 8

582

3 5 4 5 5 4 8 t 4
2 1
5 5 4
8 2 5 4
5 2 1 4 a 5 li 5
2 a 1

doi.

1 5 a 2 1
3 4 5 1 3 1 5 1
4 4
4
19

3 2 3 4 5 5
1241541231342 3 4

[J"

454

13 ~4 5~
-----"5--"...
2
4 5 1 1 1 3

3 13 5 21341
~ 5 4
sf

sf

453512342532
1 4
20

Preludio V.
Alleg-retto vivace.(J.= 96.)
G:ll .~.

-------- 1......
f

:lI

li
_____
---------~ ~ 1

.1' .1'

:l
6 ~ "
Z
~.Z.
1 "
a z
a
1 1
a~

t.~
~

16
~ Z

"~ ----.. a 6 Z
~.

~,, dim.
,--,~t
~ w

Z
6 :lI
1

"
21

5 I 5 2 1

5___......
a I
25
2

p cresc.

4 a
4 a~
4 t 5------.. ~ t 5 5 ~
5 I 5

cresc. f .~

4, 1 3 4 I ') ..,
I 2 • 2 I 2 4 a 1 2 1

I 212ã 1 5 a

a a fi 234 5 2 I a 4
2 I
1 I a 2 5

___ o

:r
a 4 2 I 2 1
4 I 2
5 a 5 a
4
a 5 4
y-~ 4 :J 5 4 :J
5
a 4 2
2~. 2
2 1 2 1 2

4 a 2
5

5
5
11~I 5. 5, 1, 5 , 5 5 5 1
( . .
I
~
~ [------
cresc.
I ~p1------ =!. Ir 1"'-
~ j"---- ( J 1"'-., ~ r------r'-----
~
~
~
"-.:- "-- ./
--- ----- #'

3 1 3 1 Il 3 Il 3 1
535 3 1 Il 3 11131

Õ~5 3 4 4 3
1 1
Il I 1 1 Il~
.~

8 111 3 8 3
.if
5~ 5
~ 11 ~J 11 il III 1 III 1I ~. 5

.
.
I

. 4 5
.
5

I I I r I r r I I'" I I .,. I"'---r .,. ~


.,.f-
dim .
.h.~ .•

;;;o:' 1
52
fi' si 323511121242
~
121858232181

li 8
4 Il 1 8 ~ .
~ ~ t. Il 1
8 f 1~ ~/
.if

1
r
4 5 Il 1
:>

p ~
f ~
p

Il 8 1 Il ~
1
~
.28

p cresc.

6, 6
~. t, 2, -.::
"" t
8,~
l I
1
. 3
.
..
«J I


~
ti ~
- I
r--, - ~
L r fi'

.r--, -----
~
.
~.

t
4 6 2 t 3 3 2 3 6 3 6
2 t 2 4 2 4

1 6 4
2 6

6~3 ""
64263
. 1 . 3 4
r-. t 2 6 8 8

,fi; r

6 t t
~

6
2 2
1,........ *~6 8 2
1 1

:; ,. ,. r dim .
1

••••
t 2 t 2 3
6
24
Fuga V.
a 4 Voei.

Andante con moto (J = 80 )


:> ••.
5
r-., 1 s..
"

p
•••••• r • r--.
-
5

~ 1 21 li 5 ~2 li 1
2 2 8 5 " á5
" 2 " 8
"

2 2
f :>

6
1 8 2 li

W- crcs
---
8
li 2 1
6
li li
8 2 8 2 2 8 6812
2 2 :> 8 2

f f
\

r 1
6
r
li " li
82182 li 2 8
1 8 1 " 6 8

2 8 1 2 1 8 1
5 I 1 2
6
" 6 6
6 " 8
"
6 2 8 1 6

6
1
82"
li
"2 li
8 "
1 6
1
~
45
"

s/r

2 I 2 1 2
" 6 1 " 8
1
6
.211
8 5 4
'"'
84 8 g 6
2

.mcresc.
t

t 2 t t 4 8
4 2 t 8 4 2 8 5
8 8 5 2 8 I>
fi 6

8 g..__ 6
8
t
'"'
86
fi
8
t
6
2 4 8 5
6 8
22
6
t 4 '"'
8
I>
8 8
t 2 t

'"r '"r r-----

2 t t t 8 6 t
8 4 6 2 6 6 5 ~~
4
fi
8 "
t 5
6
t
4
2 8 2
.-- 4
2 t
"

==

~
''------- ------ r 2
t 8
5
2
"
t
8
t
2

t t
2 2 8
8
5 8
" "
6 8 5 5
Õ "
I> 2 t 2 8
" 5 6

rrall"P"

2
6
5
t.
6
t
2
~
2
"
" r
26
Preludio VI.
Alleg-ro vivace.(J = 126.)

1 3 1
5
5
3 3
2 #'

2
5 3 5 12 a 2 42

1~

>'

15 4 3231 2 1 3 4 2 31 2
5 5
~
2"
" '
2 1 1~'
.
1
5
:C. 5
2
~ r. 1 3

.rI .rI Sf ~

43 3 41 3 4 3
5 51 2
2421 25
2 13

dim.
~ ..

4 1 5 1

1
5

. 1. .
3~

5 2 232 1 3
31 4~

54

f
4
31
5 21 4 ~1
1.
M'

.if dim.

5
5 5 2 234 5

2 1

~ 2
521
~ 5 5
42 3
32 5 1 5 4

fi dim.

4251
8 ~.
5 1

l
,
pm ..s. sOJJ.ra

5 ~ 5 2
dim. rallent. pp

5 2
.. .
28
Fuga VI.
a 3 Voei.
Vivace.(J = 80.)

D3 Il 1 Il 3 4 p
t

-----::-----:--;.ifd;.---;'dl:'m~. ----J --j-------~

8 5
8 1 5311l

5 Il 8
----
8 1

'---!.. 8
li
1
4 . 11841

sf dim.

4 8 4 8
8
: 5 4 li 3

411184 5
3 1

UH Ui
_
;----------------__________ 29

t 2 t õ õ õ ~ I; I; 4 I; ~,

r_o _.f~
r_o _1 v 7

t " a

a
7 s

sf

t
Õ 32 a
I;
t S
s
---------- t

õ
1
2
1
2
a 1 2 t

t a 2

S 4
a 1 I; 2 a~l 1':'1

õ'-----. t
t
-----------
1 "
30
Preludio Vil.
Allegretto moderato. J.= 8~J

r.
3
5

f dim.

351
42
1

5
2 1

==-p

43 21

Pdol.

(~~ I

-.
"
121_.

.-
'-.!-/
r-..

' ,
-
2 12_'

---- '''.r'~
- .,"_/
-
. "I' r ~ I. :::- r-... '" r--
p'-
. . . " .

r" •
31

nl.

crcsc.

l~
I
- . . - .
-
.-w- •
~---
~ •. Ti
•• •• "*
f L~ ,!\
.
--- crcsc.

. .
• 1\
.
#.
~
2 i r- I 3 I
/7 ~ 212
t I

6 6 a
~
. ~ o
_ fi"I ,'I 'o ~"I~: ~

.~ ..
" I o

.
o
o o
. o

.
l •• • ~ liífll' •
.tf
/- .-.....
I I
•~p crcsc.
"i •• • ~

.
,. 1 ~
- 6 ' 'I 2 .•. r 2 ~... 'i ~ • 2
8
32
Fuga VII.
a 4 Voei.

I
AlI egro rnaest oso. (J = lU. )

~ legato.
f .1;, /' .- "ç# - dim .
-
U

-
~ ~ ""'/ "'"

'

IJ I oç / -, ------- :::> -- "

• • •• •• 41- dim. ••••••• 'fi 'fi:;J. 'fi \

..
f ,;-- ;.,-.-- I. I. • .• ";. .,-- .• L ,
-
(
5 ~ 8 ~ 1~ 8 ~ 1 li 1 ~ 1 1

li ?-', 4 ~
~ 4

\ dim.

1 ~ 1 4 3 ~ 8 4
8

J J. J
8 ~
-"
5
5 ~I
11
~
5
~
4 " 2
5

5 4
1 1

J J .~ ;
s li 8 4 li ~ 5 li 4 ~
4 1~
11
4

4 8
li 4 8 4 8
3a
5 5
2 4 2

J:4
I 2
r 5
8

5 2 I 5 4 8 23 2 2
4 5

5
t

528

5 4 6 5

----J A ,5l 2, 2 , ~ 41 61 8, 2' -I , oi'

I~'
~ I
,
' ! '
, I ,', I
I Cr~8C
.. >- I

P
- - ••. ...11-

, "'•..••• A ••••
2 I 6 ••• 2 I
28 4 6
4 I
••••• t

4 5 6 8 6 '1 5 4
1'1 1 .-!! 2' 4'
8
I I .8 5 2 2 2, ~ ~ 2 t, 2 6 2

I~ 1 I
-p/I'-1
I....•
r vr Cf r I rl vr r tJ~r!8C.
<
; ~~i J 1

-
.
I
~
t 5 I I
8
I 5 4 'I •••5.81
~ 8
4 4

2 2 5 5 8
4 5

5
8 5 ~
5 2 8 2 45
I t 4 34 I 2

.rf dim. e rallent. ~ pp 2


I

5 I
5 2 8 2 4 8 2 2 8
4
34

Preludio VIII.

Allegro moderato. (J=92.)


2---41 8 2 <I 2 <I 4 4

x
f f

42424281 4 1

t
IJ JJ 11
~
3 I> 1 1 8~ ~
8
:r- --.~ I
8
~

p - -

I " ------ ~ ~~ . ~ :; ¥ • .•. ~

2 I 4 2 I 8 2 4 I 8 2
I> 4' 3 I> 184

I 2

4
I>

I> 8
4 2 I <I A¥2 I

~ 8 2 <I 2 <I I
<I
-i- •.• 1 <I~
..--:::::::::;;.
~"
I~ ~
• .rf sf
"
""'-
" "'! <I 2 4
8 I 4 2 I> 2 8 I
<I I>
35

:l 6 1 8 :l 1 1
1 6 :l 6 4, 6 8 t :l
1 8

I .1'

t 4,:l 8
8 t

86 6 8 4,

p
t :l

t 8 :l t

-------~
8 t 8 6

p
I

4, 6 t
1 6
8 814 :l4,:l 31 8

:l
~4, t 8 :l t 6 3

84, t
1 6 1

'-----868 ~
:l
8 4, f 2 tfi :l
8 t 8 6 t M'

cresc.

8 1 4, 3
4,6
36

f dim. p

3 4 5 % 3 5

crcsc.
f

8 t

------------ .!.--

% 4 t 3

t
'-'4 2
5 3 t 2 3 t
5

t 5 24~18t324
--------------
li
crcsc.

8 1 2 3 4 1
1

3 5 43 ~ 5 2 3432 5
2 1 2 1 3~

ff
5 32 1 3 423 I 4 2
4: .c a 1-
1 5 3
5

212 5 4 2 3 5
18 5 4 32132134321 84

• p

:l
2:1512845321
5
37
Fuga vrn.
8. 4 Voei.

Andante serioso ed espressivo. (J =fi6.)


--=

p leeato sempre.

1 23 5
3 2 fi 48 2 I I I I 28 I
1

11
dim. ~ P
I

8 4512 3 I 4 5
!L54 5 4
3 I
8
5
8 8

4
1
458 4

-"

8 1 4 8 2 1 2
8 2 54 5 4 fi 6 4 8
2 2 4 fi 8
4 fi

4.
4 fi 2 4 818 46
2 12 48
• 4
2 fi
4~
286 84

8
8'--- -"-__ --

284 8 4 fi 6

f---~---
I

1 fi
~;
~
:;
1
:;
,. 1 ,.~ 1 li
8
,.~ 8
1
8
,. li 8 ~ 1 :;
8

8
~ 8 ~
,.:; :;
.~

1
8 ~ 1

crcsc.

1
,. :;
1 ,. 8 ~ 3 ,. 1
:;
8
39

_____
8 " 1\
1\ 1 1B B
B 41

dim. cresc.
't-n
1 ~ 84
1 ~B 1
B ~ 1~
1 B
4 1 ~ 1 1\
1\

11

~I\

p
,.-.. cresc. f

li 3 ~ 1\
3 4 ::> 8 li 4 1~ 84 3
..•. t

11
~ 1\ 4 1
"~ 1\
B 1 1 B ~ B
" t 1\
" 11
4
4
1
3
1
B
t ~ t 4

dim.
~Jm:j
.•. "---"" 11 t
4

1\ 11 11
1\ B ~ ~ 2
~ ~ B
t
1

~ B 11 8
4
1
1\
,.~ 1
B
1
~
t

4
2 11
4 1\
~ 4

p 1/

t 1
3 li ~ B
1\ 4 11
11 11
40
Preludio IX.
I
Lento moderato. (.I: 80.)
4 4 4 8 5
1 4 Z

p leto. . ---------------

,...--..... dim.

~. .~---
8 1 :l :I :l 1 4 2
4 54
1 '15 4

p
~F "I
('pesc.
~

5 5
184
5
45 5 5
!l: 4

('resc.

Z 1 4

8 5

1
8

5 5 4

dim.
41

•••

3 I'"
2 I
5'

~--

••• •••

I
.••5 .••
5 3 2 I

5 ••• l
2 43~ 15"';j.~

,
.-----t--
:I 1

!E
rL-•... .., ==-
--~-J--\~__ ~__
'....• •.
.,.i
.'If di JII e r"l'nd. l'

'- .2'~----=--=-~=1,.. _:=.~~--


5
4.2
Fuga IX.
a 4 Voei.

lO l!
Adagio aBa Breve (J - - 60 )

:E
~ u -(}- v -9

"
"
-"
p letrafissimo e pesanfe.
,... ,. • n 1."
I
I 4 Il

a 5

cresc.
I
~

8 4 8 Il Il 8 !l I !l 8 I I
8 Il
5 4 8 48

5 5 ~
I 4 85 Il 45 4 5 8

~
dim.t f r
:>

4
!l

r ~---- :>
!l
5

5 4 5 8 5 4
I 5 8 41184 I Il Il
8 45

Il 8 I I I
4 4 4 5 !lI I
5 4

4 5 5
4 Il Il Il

:>
p
~;
5 5 4 5 I I
5 4
4 8

5 5
I 4 5 8 5 8

#r f"
:>
#r
8 5 I :> I I
4 5
• 8
1 :l 1 :l 3 1 :l 1 11
3
4 4 3 4 1\
t 8 1\ 4 8 1\ 4 1\ 4

,
4
1\ :l 8 1 """'
8

r ::>
t

~
3 :l
1\
t
1\
4 3 4 1
8
4 31
~
r: :l
4 :l
1\

1 :l
4
~
4 811
1\
:l 4
1\ 45 1\
4
:l 844 li
:l
t
2
t
4
:l 1':'\
8

::>
t ri ardo r' ~t
8
2

:l 2 t
t ~
:I 4 \.;.I
1\ li 8 4
11016
44
Preludio X.
Allegretto vivace. cJ.~66.)
Il lO
t 4 .2 31.2 1
25
3
~ r1 ••
~-------~ .2 li

, --- fi. l..--- 11.


cresc.
P""""
U
~.# •
'" .-
• 4 1 o
t 4
o

.•--- ~
4 .2 1 3 .2 5
y---: • 4 1
-"- li 3 ~
. ~

.~
-
~ •••• I

f
.. ~

.2 - 5 3 1 ':' ~ ••• ~ ':'3


.2 t 3
"4

~ ~ ~. ------- ~ ;.~Ii 3

11'
.
P
• lO'
••
c1'e:;;~t.# fI.-.L -.
- .2 t 3 t .2 li t

~iI
- "- 3
".
•. :.---
::>

--
--. ----: ..• l!iii[::
~ 1o.‫ס‬I I P
-- f
-"Z

. • L
-- . cresc .

.2 4
1 .2 li 1
1.2 li t --- ~

~ " ::> ,.---- •


5 .2 ------ ~
V Ii~

I~ '--" "'-- :.---- i!


f .--
::>
---
1 t 8 .2 t
•.. ~ •. :>

4 1 8

.2 1 8t~
1.2
45

4 li 4 4
. '"'
4
--
3

I li li 3
li
2 I

li" <Ir ' 4 'l '-... '" 1-


o o

,
~_.
o

f
f' ,;;;; •••
~ IL
I'

~. :
I 21"~
li
12 " 3. 2 4!- '!'"

I~
II~
o
,.-;
- • ,W -.........

<
fp
lá • " .1I ..•. ~

~
b~
I 4
• h•.

1 4

4
- li
'",
3
..;.

I
2 3 I

!l"
- li 2 li 2 li I 4~2 '"3 4
2
'" ~

. !to
~
cresc.
::-- h. ~
T"<; • '"
4!- ¥:'iJ w .~. • 3 2 I 3

, 11 •.• ? ~

í:•...
..
•.....--....
•. I

r~
'" -'

f.
- ....--....
:> .1'
....--....

dim.
;;;

• 1'.
.
--
o

4 I '- .../ --

,~•......
82
<Ir I
" ..•.... .
2

'- -. .-.
"

- p
____ o

I'-.. ~ ..•
.
{I
4 I 4 I 4 I
I 4
2 I 4--
li I 3 I
46

C1'080.

~" ~. --.....
- ~:> :> --.....
~
~
....., fi
~. ----. - .1'
~.;.•
dim.
--------
:> :> :> 1

li " /' :> ---- ---- ----.. •• ;,.~ .. • ~-----


~

• :> :>
<

I
......-;;-
----
p 01'080.
u. ~ . . 1. "- ~ ..•. --- ----
~
-
I r 2
1
iIi
5 8
2 4 1 5 '"
.....J
P

2 '.-' 1

1 2 8 1 4
5
2 8 1

'-'
O1'e80. f

1 4 1 8
8
47
Fuga X.
a 3 Voei.

Allegro vivace. (J: 80.) 1 S • Z


8

3
f

4. S
1\
1 S

3 •• ) 4. I>

S 1 I>4.Z1 I> 1\
.tl The 16th-note and the 1a.t of the three 8th-notes are to be I'layed exactly together.
11016 .,) The 88me here, and everywhere throughout the Fugue, wlaere this division of the beat appears.
48

::> 3
I 2 I 2!l
-= -=5
-, 5
<, 5 2
1
~,

----- l~
dim.
-...

3 21

5 4 ,
:I a 5 2

I 2 3 32
321 4 5

4 2 I
,. 5 2 1 ,.
3 4 a 4 5 5 ,. 3 2 :.
2 1 1
.,-.-:::-
'It
_,o
r. ift.

--=-r- "
T
:. 2
,
49

1 I
li 3 li 3 1 l\ 8
3 li t

Z8 I Z 8 4 3 I 3
l\ 4 r.

li 4 I
I li

,. IZI 4081ZIZ

a 4 G
Z I Z I l' a tempo

------ crcsc.

1ZI
50
1 4
1 2 1

li
4
2 1 2 1

------~--
-----~

piuf

1 2 3 ~
2 2 1
li

ft dz'mz'n.mllent.

2 1 3

Adag-io. Allegro.
r:-.. _
,,~ 1 ____
--.1 T l -
, -........ I+-'"
M'
, ,
., ~ 11 l I r /ii' JI .I
1j do/ce 2 1 2 1 2 1
ti ~~
----
I li

3 ppLento

1 2 1
1
2 4 2
3
li
51

Preludio XI.

Andante espressivo. cJ = 10".) 5


s
1
5

1~
5 5 14
5 -

--
dim.

5
1 8

--------------
5 5
8 ~ a 45 dim.

, íCl'esc ,~
Cl'esc. I.

r 4
~
f ~ f
I
52

84

p -=

5 1 1845
Z

-==-'-IZ
341 8 1Z 1

81

f
z ------ -- Z
5 5

1 1 1
1 5'" 8 z 1 I Z 3
3 3 Z 4
5 5 ••• 5
,~
5 ~
3 5
45 3
Zl~ za Z
1

--- ~

a4i 2 f,
--~--------
53

t t t
4 8 4

;1 ; dz.m.

t
-- t
6
:I8 4

do/cc = J

~ 4 6
t :I 3

4 Õ 8. 6
:I t 8

-e--
t
-- t
-
f

fl I :I •••• 9. 3
õ,.a ttcn.t
"='
.
-.
t-mff~au ~-C~fr-
L-trU-1\
I
~'1 '0"_

p p~ S'
",1- ..
, I

.
.
rrr r
õ
I~II I :I
I
":I
U r.~ .LI rr
-. :I -
~ r r I.:.J
54

Fuga XI.
a 3 Voei.

Allegretto. (J! = 112.)

p
,.

2 1

3 "

3
2 1

1 2

1 2 3 2 1

3 5 5 5
2 2 1 3 5
2 3 1
1 2 "2 3 2
3
1

1 2 1
1
3
dim.
~

3 5
" " " 1
3 1 2
5 5
2 3 5
" 5 1 2 3 1
" 2
"
5 3
5
1 2
5
" 1
~. 1
"

p ~
Cre8C.

" 1 2
6
li li
t t

,.
P r. crcsc.

~ 3 4 t ~ 85
t 8 8 ~
8 t
4

4 8 t
S t
li

f t ~ t

J. .b.
S t
1 5 S t
5

t 8

1 ~ t

~ 4 8
t 1 1 li 1 8

3
4 ~ t s 4 ~ t
5/\

"
1 3
~ " li li
1 li
" 3 1 3 li
~ 1

Cl'CSC.
~

3 1 ~ 1 3
li
3 li .'ó
"
li li
li 1 1
li " 3 1 3 "

.
~
dim.
1
f
1 ~ 1 ~ 3
3 3
" li
3 3
" 1 ~ " 1

li
1 "~ 3 3 3
1
li 3
1 3 3 li
.--.-.. ~ t 1 ~ t
~ 3

fi d~'m.

-
. --- ---

li
--- '- ---
.
-- ---
3 li t 3 ~ 3 t
li t
~ " li

Cl'C.YC. sf

3 "li t ~ 1

li
t 3 "

~
.

3 t t
3 li
S 5

.- l~

ff

2
5
t

r
5 ~

5
" 3 2
1 5
"
2 3
t

~ ~
P cresc.

====-- p cresc.

I 2
58
Preludio XII.
Andante espressivo. d = 80.)
S ,w ~ S,w~ f...
1 se--; 1 S 4J

mf

dim.

1 4 ~

1 ~ 1
1\9

-------,----------...

21 21 121 S 1
5 1 5 S2 1
5 1

crcsc. 1

2 1

= : dim.

,,~
-----
515 15 ------
15"
15"

11

crc8c. f

53 1 1
1 1
" "

=:==-
60

Fuga XII.
a 8 Voei.

=-a
Allegietto moderato.(J = 88.)
11 I ,
I:
I I:

~
I
-
~ ' J • . .•.•••.
~
. ,.
< P dolcc I p
r .

• 3

I I: I I 3 I:
crcsc.

dim. 4 I

5 ~ 3

I:
---------
4
3 1 3 4 3

p
f
~ 4
8' 1 I: 5 I: I: 5
5
~

'--1:
1 3 4
~ 1:341:1

4 5 1
3 4 3 4 5
61

i 3
i

dolce

i i
" 3 1
i 3 &

~~

&
~ "i i :l

& &

&

,I'

:l
3 :l 3 1 " r,
3
&" 3 #

'.
cresc.
-. p
---
--- -_ .. _- i :l 1 1 3
& 3 i "

" r,

#
&
8
t~It i
" .....- 8. ---
i
3

" :l

f
3 i 1Z i Z 1 8 1 8
:l 3 &" 3
Z i
3 " & " 3
i
"
1 3
&t3:l

3
& 3 "& 3 & 5 & &
& 5
62
5
Ij,
:I
214 8 :I 5 8 :I 8 5
I 5 I

7
dim.
p I 8 I :I 8 I
:I

~:I
" t •
5
~ t
"
:I
I
8
I " f "
t 5
:I
4
5

cresc.

""

3
I> ~_t _

3 :I
I
I

".:fi
f~
:I 8 I
5

:I 8 I
63

Preludio XIII.
Allegretto con moto. (J = 92)
~
-------.
1
1

• •

imo
f •

1 2 3 12 1 3

1 2143 24124234


• •

1 21
162361 66 4
6 2
64

1 2

31 ri 4.
1
1 432

5
1253

1231"54,,
35 3 "2

1HllR
w.

65

1 321
1 31 2

"lip do/cc
i •

3 2

l/o
l/o 3 1 234

::>
ff sf
f
5 1 3
2

25 2 4 1821
1 11 5 3 a .z fi
3<tr

2 3 3
24 <tr

..

ff

12 2
12 8 4
1
5
66

Fuga XIII.
a 3 Voei.

Allcgro moderato. (d = 1i8)

2 i 2 i
11 4

.t
dlm.
r.
8

8 4 li
i 2 3 3

i i
li li
8 4

li
3 li 4 i 84 2
li

crcsc.
::>

" li 3 2
i 3 4 li li 8 " 8 i

4
8428 i~
i . 2 i 2 :I
!

r ri
~
i
d£m.
i r.: ;
i~
dolcc.

li i 8 4 2 4 4
3 8 2 4
'\ li 84821
67
S
t
,>¥
"

t 2 4 li 24. li 4

4 S
41\ t t

1\
t

~. , Jl .t
JI S t
1\
2

dim.
68

4
1

.
r
5 1 3 532
1543 34

4 3

!:f dim.

t4321..1 4,13

3
4
1
:l:
. I'
--------
3 4
1 21 2

rf
1 1 '1 1 li 3
4
li
li
I":'.
~ 1
--
2
1 j 3
1 ')1
~~ . ~

fJÍ1lf e rallent.
I":'.
~
5 2 1 14 13 2.-"f- 3
23212512 4542141 2 1
69

Preludio XIV.

Andante con moto. (Ji = 116)


53 8 8 2-'
>-

5 8 " 8

li

dim.

8 1\ li

t 2
8 " 1\

cresc.
f

t t
"

dim.
,-. .

li
li

.~
70

3 il

Zi 4 il
3 1
3 5 5 1
5 5

cresc.

13
~

f
J
1 3 s
5 8

a tempo.

dim. ,.itard.

1
3
71

8 2 t "

d£m.

2 t 2

cresc.

2 t
2 I 8
" 8
"
1 4 1\

2 t 8 I 2 8 2
1\ lil t
8 1\ " 1 2
1\
" 1\ lil
8 1\

fi 1\ 2 8

dim.

1 8
1\ 8 t 4 t
4 2
1\

1\
1
" 1\ '2
1\
t
1\
I 1\ "
t

cresc. ralle1/t.
,. t.J
P f~im. p

I
,. ,.
t
8 1\
72

Fuga XIV.
a 3 Voei.

Allegro moderato e spiritoso. (J = 108)

~,

~. I, 5
2
3 2 8 >-

5 4 5
5
~ ~4 2 8 5 28'tr~.
" 2 5 ~

2 4 2 5
3
'1 5 4 2
5 121 3
~

a
~
1 5
2 " 2 5
1 2

24
~ 5 5 4 ;; 4 5 4
3
5 2
4 i
5
"
3
a~4
2"3'~ ,.

,.
1 3
5
2 1
~--

73
fi
3 '"
1 3 1

~,

4 :I 3 li

.-------------------- 1
"
~:I 1 Z 1 3 '"
4 li

4 ~ ~ dim. Z li 1~ 24 3
fi
a
li
Z
Z 3

.•. '"
Z li
4 :I 4
4 3
li 3
1 . ,H 2 ~ I
al~

a 3 Z 4
Z :I
li " Z
li
" a r. 2
4

:I fi '.
,u. r. 3 a~. 3 z a
1 Ó r- r. I 2 a
" " 1 5

------- f,
:::=:=---, >-

1
••• "--.--/~

2
1
5, M~

'"
1
a 2 fi
a
4
5. .. 3
~

'" ~
1 -T'o
>-

5
a 3 ~ .. r.
r. 2 1

1 2
74
.
4 11•
11

I /creic.

a~14 !la I a I
I
"-..!
11
11 11
11 ~ 4118
a ~

I 8 I I
4
.
I

P'

I I

"~la~

,...-, .
a I
a Jl Jl Jl a I 11 a ~
11 ~ I ~

11 11 11 11
11 a ~ 4~

a I ~ ~ I a P
"'-.1
~

I ~ I
~ a a 8 I

8 1\ 8
a li 8 I
1\ <&
I 11 4 11
li

I a li I a
I
75
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dim.

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8
76

Preludio XV:
Allegro vivace. (J = 13d

8
5
I;
3

crc8c.

1 :la 485 1 :l a 5 1 a
5

dl'm.

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1 4

p p
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P crcsc.

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77

1 .\l 3.\l 5 1 .\l


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31421

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78
Fuga XV.
a 3 Voei.
AlIegretto vivace.(J.: 76.)

li
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Preludio XVI.

Largo.()Jo 80.)
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82
Fuga XVI.
a 4 Voei.

Andante cor: moto.(J = 8'1.)

pesante.

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86
Preludio XVII.
Andante con moto. (J = 72.)
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p logato. C1'08C.

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90
Fuga XVII.
a 4 Vo~i.

... ,.
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Preludio XVIII.
Allegro moderato. cJ = 100.)
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96
Fuga XVIII.
a 3 Voei.

Moderato e quieto. (J. = 56.)


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100

Preludio XIX.

5
1

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102
Fuga XIX.
a 3 Voei.

Allegro modera to. (J = 96.)

f legato.
f.__-----.-

I
3

t 4 4 I 3

9 9 :> 8 :> 4
4 6 6
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p
--
cresc.
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f
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li li
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1
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103

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104
Preludio XX.
Andante molto espressivo. (.IJ, 92.)
fi
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pp lt>gatissimo sempre
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crese. f dim.

dim. p dim. pp
106
Fuga XX.
a 3 Voei.

Andante maestosso ed energico. <J: 66.)


::> ::>

pesante

1 4
I
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1
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5

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3
5 5
107
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li li
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108

Preludio XXI.

li
t

p dolce legato t

2 1 3 2 1 3 li
t li

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t 2 li

p
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li
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5

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112

Fuga XXI.
fi 3 Voei.

Alleg-retto vivace. (J, lOS.)

rr r

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114

Preludio XXII.

Andante con moto. ed = 60.)

f legafo p

5
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10
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117

Fug a XXII.
a 4 Voei.

Andante maestoso. (J = 1011.)

fs r ft 8 2 11 t 8
p leg-ato erese.

('rese.

I; 4
8 1
t

ar
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" 8

P cresc.
~J / ~

t 32 Ó I
"--'
"
_____
t
"1\ " :>
1\
" 6 " 6 :>
6
6 2 8 8
,.-.., ~ 1 8 t 2

i It p -
~:>
8
" 8 " ~

-=== =:==-

"
120

4 548 2 5 5
~ 2t

01'OSO • t
.-----...
4 8 5 8 4 5 4 8 4 6 4 8 4 5

t t ~~
5
4
t
j
8 2
I I/
4 8 2
i i ~ ~ 8 2
t

dimin.
?lo
5 4 2 2 5 g 5 4
4 4 6 5
4 6 6
8 51 8 2
t .d 8
~~

t t
4 5 4 5 4 5

t 4

4 2.

4 8
8

01'080.

8 8 6
4 6 5

2
4

8 t
4 4
~4. '.o' l'--t:.
,

2 li 2 • lJ---' ~ • 2~

4
3 • 2 • •
8
4 3 4
3
2


----- -----
; .a-


2
8 •
4 •• • • 3 2 4 8

fl ,
>
4, if"" 1,/ •
21
.~.
3
2

iJ
2

E
.J I .J

r T I
r ~r I
i'
J.... I" t- I ,l J ~ I

I ..
2 • 2 I 2
8 '1 I.'~ • /'•
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'. "-...;;:
82.
4 2
• 2
84.
3
8 4
4
"f ~ •

j;===~
r
I 2 •
3 4 8
122

Preludio XXIII.

Allegro. (J o 116.)
~
1/ • etr ~ 4 1 4 5

f .rf .'f
<ti'

2 1 2

4 t 2 ti 4
,.-- 4
~
4

f P dolcc. crcsc.

1 2

5
1 3 5 3 1 4 13 5
24 3

~ 1I~
5___
--~ 2~
1
- 1 2 ~4

I'

. " ~
- I

• ----o
••
if
.~
!l" •.
.rf
I

------
p

- - 4
1 5 t 3

li li+! ------- 2 5
--
t 4
2 t
:s ••••••
. r
. ~ .111'--

~-
11' • I

dimin . f
. ----- •• ••
2 t
- 2 "!'4 3 2
8 •• 4 1
123

5
" t 3 3

3
3 t 2 t

t 3" t

.'if

43

3
t 4
"

.'fI

t 2

t " 3

4t5t 2
3
5 "

'--'" cre8C.

3
2 t2 " t
5
124

8 4 2 I I> 4
4
I

2 t I> 2
~ 2 t I>
I 2 I

cr sc.

I>

li
4818
I> _
11 • 4 . . •
4. I> I>

-•.
" a ••• 4 4

o
t

..
--
••• •. a. .fi. .• 11 •
••
-..... ~
..
~
~

-
••
.
11-

~
" 4 2 8 I
- - .
I>
.
8 2 I

dimin ...

dotce flOCO rattent.


I 8 I> 8 2
I I

2
.
I
125
Fuga XXIII.
a 4 Voei.

Andante maestoso . (d ~60) 51 5


lIu ~

li'
~ lo
pega l.
,lsszmo sempre.
I
- ;l
li"


.~

J
. .-:.= t 2J ~ 2.P- .•.•
. ~
, "'" 1.0 28 t 2 8 t 2 t
""
5 4 4
8 5 2 182 8 "2

" .~

8 2 t 8 t
5 8 5
5 a
24 ;,!" 5

2 t 8 5
2 5 t 5 5
8 "
" " 2

t z
" 3 Z 8 54 8

5
5~ 3 "
t
5 43
"
cresc. ~
. , ~~ d
áimill.
áJ.

'-'
a
126

"3 "
..•. t 5 3
2
1 "5 --5
~
" 5 "

2
5 3 5
"
5

" 5 "a 5 tJ~. 3

"
5 3 "
2
"
2

5
127
5
5 1
13413 3 2 4

- :
12~'~~.

2 1

2
a 1
3
234
5
43454- 5 4 3 a
21231 1 2 1 2

11 " 11 ti
,
5

321 1 2
3
411,~~
24
~ 1
4

I
34
1
4 5

I J.

I
,
.. J.JJ
.
~ J,r- ~ ..J I I~
I ,
dzmzn,
,

;
lul
J-.U.J J #
I

mJ L t
1 15 3 5 4 5 54 5 3
1 4 5
3 5 1 4 5 3 5
5 1431 5 4
4 2 3 5 1

,.
2
45
~
2 1 :)
128
Preludio XXIV.
Allegro. (d = RO.)

4 8 4

8 2
42582142 5

p cresc.

1 5 ---..
---

8 1 3 1 •

==-- p cresc.

I 82 I

11 '" ----.--; ~4 3.--- - '. 2


_o~ 3 2 4 -~~

tJ

. -. • • _tl.. - -
~~ r-
~

_.

"'" f'
.---....... - ~ p
-
42 I 2 32 I 2 I 8

24 54 8 1 C; ~- :.;

crelRJ.

1 1 3 --- ---
129

.---------------

fpdotce.

li ~
--- ---, --- ~

.
~.
,.--.,.
'#'

P
~
I
••

1\
'<...7
Cl'esc. ,
..~~
..., 11. 1

- •• -
~

~1I_ • -
---

5 li 5 2 t li li 5
5 2~ 2

f":\a tempo.
, . ~.

p cl'e~'c.

~ ff. r
"
130
Fuga XXIV.
a 3 Voei.

Allegro vivace. (J.~76.) f=-1J. 2 3134

,.
4 1 4
.---- ----." ~

>. cresc.
4r

a 1 21 a 1 1
,. 3 21 2 32 2 1
4 2 32
~
3
4
2 32
5 4
fi
~ 43 2 5 1 5 4 3 5 21
1 2

.rf .rf

ã
a
2 a 2 2 1 23 2 13
!': " 3 I ,.-4li 3
3 2

.rf .rf dimin .

,. ,.
11 <.l 3 Il
ã
2
313
4 ã
2
43
212313

5 ,. 5 5
5
I
3
5 4
"
•.
5
~

,. .". l' )i-~_,1~ .~•


~
"-"iI
I" .". 11' • "'21

~
2 ~re'sc':-2 2 2
~ .•
':
~~f;-
IT I"
1 1
ITrl I I
." 1"'1 r

- a
1 '" 1

11.. ------J -.,....... i


1
m..l. .•. I ~ J 1..Jj l
Z!I!!I!! ~

I
'* '* J •. 7T ~ I~

I r r
". 1".,.. l""'-l"r'l
I
i ~
P
1 I 1 1 1 I 1 I 1 2 n 1212~2 fi.
2 1 :.~
~cre8c .

_á a 11 4 4 I; 4 [ 5
• 5

11 ••
---,.-' 3 3 "2 3
2
5
a
5
a 5
4,
5
5 1 ã
4 2
5 2 5 1 4

er ~~
:
,. l-- I; l:::.J*
1
.-- ~ !1á' ~ f
, ,
- ~
Cc 1"---

5 • li'. . "!
131
4 ã ti
3 5 3 4 5 3 5 4 3
5 3 4 5 4 \ \ \ 2 2 2 2~
\ 2 \ \ t 2 \ 5 \
\

f
\ 2 \ 3
3 \ 2 3 3 3
45 3
5 5 \ 3 5
:> 2 4 \ \ \
4 324

2 3 \
5 4
2 235
5 5 :> ã
~
3 2 3
" \ 3

\ 2
\

t 2 fi

1 H
~ 5 5 :>
5
3 5 2 \ 32\
5 \
52
\ 4 24
\

3
'---"o ",----. 4~o

" 5h-,•..~
3 3 5 \ 5 5
~ \ ?
,., u 3
\
5 li 4 3
- -\ ~~
----------
.12 2~2 J 2 Q '2

\~ I ~I
• fi 1
~f
I I
- / l r I r rr " 1 rrl

.- \
'.--- \ \ \

--
2
3
2 \ I 235
4 4 5 ã
5 4
,., u \ 2 ••• iT \I~

rr I

• •• ••• •

-
.ff
SCHIRMER S LIBRARY
of Musical Classics
PIANO SOLO COllECTlONS
SERIES ONE

ALBUM OF 25 PROGRESSIVE PIANO CLASSICS l.. 13

-
The Well-Tempered Clavier (Czerny),
L.1314 Seleetions by Bach, Beethoven, Ch0J'in, Bk.l; l..ll. Bk.lI.
Dussek, Handel, Haydn, Hummel, Kuh~ The Same (Hughes). <', sp. L. U8:J. Bk.
lau, Mendelssohn, ~Iozart. Schubert, I; l.. 1J81, Bk. 11.
Schumann, and Weber.
BARTOK, R.
ALBUM OF 25 PIANO CLASSICS l.. IHI Seleded Works for lhe Piano.
L. 1315 Selections by Rach, Beethoven, Chopin, l.. 1780 For Childrt'n, Vol. I; L. li81, \'01. 11.
Field, Handel, lIaydn, Mendelssohn,
Scar1atti.Tausig, Schubert. and Schu- BEETHOVE:-;, L. VAN
mann.
I•. 970 Op.33. 7 Bagatell4"s.
ANTHOLOGY OF 32 MODERN CLASSICS L.17090p.119,
126. Dagatt'l1t's, Bk. 11.
L.126.& Selections by Brahms, Dvofák, Grieg. I.. 621 Op.I5.
Henselt, Jensen, Liszt, :\loszkowski, Concerlo No. I, C. f.Piano SCOl't (Kul-
Paderewski, Rath, Hubinstein, Saiot. lak).
Saens, Schütte, SchyttE', Sgambati, L.622 Op. tD. Concerto No. 2, Bh. 2.PiQJIO Scol'e (Kul.
Sinding, anu Tschaikowsky. lak).
I.. 623 Op.37. Concerto No. 3, Cm. f-Piano Score
ANTIIOLOGY OF 28 PIANO CLASSICS (Kullak).
L.621 Op.58. (onc('rto No. 4, G. 2.Piallo Score (Kul.
1..1263 Seleetions by Rach, Beethoven, Chopin, lak).
Field, Hantlel, Jlaydn, Mendel~sohn,
Mozart, Schubert, Schumann, and 1.. 62.i Op .• 3. Conct'rto No. 5, Eb. 2-Piollo SCOl't (Kl.l.
Weber. lak).
L. Li28 Contra. Dances (Seiss).
BACII, J. S. 1.. :i Easr Compositions (Bülow-Leberl).
I.. 1.~.1I9 Ecossaisses (arr. by Busani).
l..12 Album. 21 Fa\"orite Pieces (Hein7.e).
L. 1ti,.:J Gt'rman Danct's (Seiss).
L. 1579 Chaconne. Um (trs. by Busoni).
l.. I Sonatas (Bülow.Lebert), Bk. I; L,2,
L.22 Chromatic fantas}' and FU,I{ue; Concerto
Bk. 11.
in lhe Italian St)'le; Fantas}'. em;
The Same. Urlext Edilion. L. 1769, Bk. I;
Prelude and FU,l{ue. Am.
L.1527 Concerlo, Om. ;!.['iaJIU Scol'e (Hughes). , l.. 1770. Bk. 11.
l.. 17 EnR'lish Suites (Czt'I'IlY), Bk. I; L.18, The Same. L.301. Bk. I; L.302. Bk. li;
Bk. 11. l.. 303. Bk. 111.
l..149J Fantasie and FUJ{ut', Gm (Liszt- J.. ],')62 Symphonit'9 (arr. by Singer), Bk. I;
Ilughes). l.. 1563. Bk. 11.
l.. H36 First Lessons in Bach (Carroll), Bk. I i 1..6 Variations (Bü!ow.Leberl), Bk. I; L.7,
L. 113i. Uk. 11. Bk. 11.
L. 19 French Suites. L. 1;'11 32 Varialionl> Oh an Original Thernt" in
L.1512 Two.Part Inventions (Busoni). C :'ttinor (Bülow),
The Same (Czerny), I.. 850.
The Same (;\'la50n), L. 379. BERTINI, H.
l.. 1498 Three.Part Im'entions (Busoni). I.. 13;) 12 LiUle Pieces and Preludes (Vogrich).
The Same (Czerny), L. S:i I. L. 758 Op. 101. 24 ~lelodiou8 Pieces.
The SamL' (l\Ia~on), L. :HW.
L.15H Two- and Thri.'e.l'art In\"(,lItions
DlZET, G.
(Bu:wni).
The Same (Ma~on). L.16. L. :1:i7 L'.\rlt~si('nne, 2 Concert Suites.
The Same (ezern)!). I.. 81;t
The Same (Biseholf>. L. 17i!. BIL\IDIS. J.
L. j2J 18 LiUle Preludt.s and Fug:u('s L. t:JiiU Op. 1. Sonata, C (Whiting).
(Buonamici).
1.. I;J61 0I). 2. Sonala, F:m (Whiling).
L. 1087 8 OrR'an Chorale Prt'ludt's (trs. by
lIendel.son) . l.. 1:',1;1 Op.5. Sonata, Fm (B8ue1').
l.. 20 Partiras (Czerny), Bk. I; L. 21, Dk. 11. L. 1368 Op. I, 2,
L. U75 Preludt' and Fu/.:ue, Am (Liszt-Ilughes). 5. 3 Sonatas (Whiting).
L.15 Short I'reludes and Fttgues (Mason). L. l:i99 Op.10. 4 Ballads.
l.. 1628 Toccata. C (lrs. b:-•. Busoni). L. 1429 Op.15. Concerto, Orn. 2.PiaJl0 S("ore (Hughl"s).
L. 1629 Toccata and Fu~ue, Um (trs. by Busoni). L. 1598 Op.24. Varialions and Fugue Gn a Tht'mt> hy
Handt'1.
L.1787 Toccata and Fugue, Um (Dorian) (trs.
by Proslakoff). L. ].i,jO Op.35. Variations on a Theme br Pa/.:anini
(Hughes), Bk. I; L. 1451, Bk. 11.
L. 1528 Toccatas (lIuKhes).
L. 1260 Op. 39. Wallzes (arr. by the Composer) (\\'hit.
L.1759 The Well-Temper~d' Clavier (Bischotf),
ing).
Bk. I.
The Same. L. 1760, Bk. n. L.1261 Op.76. Capri<'Cios and InlermeuOl> (WhitinK).
•• 1117 1.. 1080 Op: 'j~• 2 Hhapsodit's (Cebhal'd,.

G. SCHIRMER, Inc. IIHHalllanartl;:;~ingcorparalian

OUIGH COf'YIIGHT 19J9. tfNfWfD 1967. n G. SCHttMU. INC.

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