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Corporativo World Plaza


Mexico City, Mexico

The Corporativo World Plaza is a sleek skyscraper in Mexico City’s


Santa Fe area and an instantly recognisable feature of this vibrant new
commercial district. The lighting had to differentiate the building,
underline the corporate identity and enhance the architecture.

The World Plaza building is situated on a hilltop companies have sought to create corporate
overlooking Mexico City, in the Santa Fe district, icons that are instantly recognisable by the
a new development area for corporate as well as general public and are differentiated from
1 The lobby as a series of
residential construction. The site of the building other buildings.
overlapping layers, viewed
was formerly little more than a garbage dump, from the outside
but in the mid-1970s resources were made A bold lighting statement was required for this
available to arrest urban decay and make this high-rise structure, with its façade of steel and 2 View of the entrance of the
district a development hub for the city. It has glass. The colour of choice was blue, to contrast Corporativo World Plaza
now emerged as a business district that has set with the surrounding buildings. The site was
3 Corporativo World Plaza
new standards for quality and style. approached as layers wrapped around a central
Architectural competition has grown as core, which corresponded to the building’s 4 Corporativo World Plaza
lighting plan
1

3 4

ilr 2006 / Architecture 33


5

5 The lobby as a series of


overlapping layers, viewed
form the inside

6 400 W metal-halide uplights


create a blue haze that
washes over
the entire facade

Contracting authority: ALHEL lobby. The basic concept was to give each layer a a colour temperature of 4100 K, creating a pool
Architect: Michael Edmonds, John Grimshaw, distinct colour temperature. Outside, a different of light dividing the exterior and the interior of
Edmonds International S.A. de C.V., light source, sodium, was selected to produce the entrance hall.
Mexico City, Mexico the desired dramatic effect on the wall, creating
Lighting design: Luis Lozoya, Light+Form, the impression of a green moat between the The reception features a transparent floating
Mexico City, Mexico building and the street. glass element illuminated by high-luminance
Electrical installer: Rodrigo López LEDs recessed in the floor.
Philips support: Javier Villaseñor, Cecilia Huesca, The vehicular access to the lobby features LEDs
German Villalobos, Lighting, Mexico City embedded in the ground to indicate the Access to the elevators was defined within slits
Luminaires: Façade uplight, PMM; circulation routes. A translucent glass ‘curtain’ of light in the internal façade, separating the
Fragata, Channel, Philips was erected to shield the lobby entrance from the materials composing the vertical elements
Light sources: Metal-halide 400 W, Venture; wind and rain. It is designed as a floating veil from each other.
CDM PAR30 70 W, T5 28 W, AR111 50 W, Philips that extends from the entrance canopy to a
Photographer: Paul Citrom, Hector Velasco Facio water-filled opening in the ground. Underwater The facade lighting, which is mounted on top of
Text: Luis Lozoya halogen uplights in the fountain project a the entrance canopy, consists of ten 400 W
Web: www.lf.com.mx shimmering halo onto the translucent wall, so metal-halide uplights. These create a blue haze
that constantly changing patterns of light that washes over the entire façade. As the visitor
welcome visitors to the building. approaches the building, the colour wash
increases in intensity as the viewing angle
The lobby was conceived as a series of becomes smaller.
overlapping layers, with different colour
temperatures and with the direction of the The lighting design chosen has helped to make
lighting alternating from ceiling to floor. the Corporativo World Plaza instantly
The first layer is established by the aluminium- recognisable and one of Mexico City’s most
clad columns, which mark the entrance. Each prized corporate locations. ■
one is lit with compact high-intensity discharge
lamps with a colour temperature of 3000 K,
providing a contrast with the downlights at the
lobby’s glass wall. This element was lit with
compact high-intensity discharge lamps with

34 ilr 2006 / Architecture

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