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Violin 1

Harmonia a 5
Johann Heinrich Schmelzer (c.1620–23 –1680)

      
     
    

               
           
23



        
         
27

        

          
29
       
         
 


    
           
31

 

                


33

   
   
  
36
         
  
            

   
39
            
      

 
         
41

   
2 Violin 1

53
                   
    

                             


58

      
    

61
                        
    
    

           
        
63

      

65
        
         
  

 
                     
75

       


           
                         
79

 

  
   
82

     

84
         
      

90

        
    
  
Violin 1 3

          
  

98
  
  

       
      
103

    


107            

   
 

      
        
112

    

      
119           


               



124

  

           

128

      
 


                 
132
 
 

    
134

          
Violin 2
Harmonia a 5
Johann Heinrich Schmelzer (c.1620–23 –1680)


       
  
 

 
8

           
         


15

                   


22


               
   


29

        
        


35

                 


41

                


47

    


 
        


52

                     
 
V.S.
2 Violin 2


58

                   

                      
65

       

 
71

         
                  

    
76

                      
 


82

              

 
90

              



95

            


101

                         


106


                   


111

                 
    
Violin 2 3


116

                    


121

                    


126

       
       


131

             
Viola 1
Harmonia a 5
Johann Heinrich Schmelzer (c.1620–23 –1680)

                

          
      

16

               

22

                       

29

                     

36
   
                

43

                        

49

                      

55

               


V.S.
2 Viola 1

61

                  

67
    
                      
 
72

                            

77

         
           

83

                  

89

            
     

95

                   

101

              
       

106

                     

111

                      
 
Viola 1 3

116

                
 

121

                        

126

                      

131

           
Viola 2
Harmonia a 5
Johann Heinrich Schmelzer (c.1620–23 –1680)

               
 
8

                   
15
6
      
           

21 
               

29

          
      

35

        
         

41

             
    
 

48

        
         
   
54

   
             
 
V.S.
2 Viola 2

60

      
    
    
      
66

      
             
 
72

                 
         
78

                 
  

85

                  
  
92

        
         
99

     

               

104

            
         

109

        
            
     

114

             
          
Viola 2 3

119 
             
  
124

              
   
128

             
 
132

          

Violoncello
Harmonia a 5
Johann Heinrich Schmelzer (c.1620–23 –1680)

  
           

     

7
 6 5

                

13
6 5 6 5 6 5 6 5
          
           

20
5 6 5
       
            

26
6 6
 
                  

33
6 6
            
    

39
6
       
          

46
               
        
     

51
            
       
V.S.
2 Violoncello

57
    
          
  
64
6      
        
    

71

                         6 6

   
   
76
6 6 6 6 6 6 6 6 6
            
             

83

                   

90
          
    

95
   
 
         

101
6 6
                   
      
106
6
         
               
111
                            6
Violoncello 3

116
         
                   

121
 6
   6
        
            

126
    
        
  

131

          