Zweiaudi

Geläufigkeiten
Klaus Scharffenorth

                      
 = 180

             
    
Fließend

        




   
                                      
7

     


 
                                     
       
13

     
 


  
                                         
19

      

      
       
25

      

Klaus Scharffenorth
   
                                     
31

    


  
                                        
36


    

         
      
                      
           
41


     

         
                            
         
L.H. simile

  
47

 
     

   
  
            
  
                  
    
53


    
      
   
       
        
                           
58

 
    

2 Klaus Scharffenorth
             
          
          
                
63
L.H.




    
cresc.

       
           
                         
        
68


 

dim.

   


                                                  
        
73

 
         



dim.

   


                  
                        
79

 
 
 
    
   

    
     
               
84


 
   
   


Klaus Scharffenorth 3
                         
   

       
89

      

     
                             
95

    



(sehr viel langsamer und leiser werdend)

                                  
100 molto ritardando e diminuendo

    


      
           
105




  


4 Klaus Scharffenorth