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Reflections in D

Arr. Bill Evans Duke Ellington

Freely
          
             

 
 
Piano
   
            
    

    


4
   
     
Pno.
 
           

7    
         
2 1

       
   



 
Pno.
            
      
    

    
12
   
 
             


      

  
Pno.
    
     
  

 

Rubato
a tempo

    
    A
   
17

           


     



      
Pno.
     

      
transc. Moises Sol 2009 © Http://jazzpianotranscriptions.blogspot.com/
Reflections in D/http://jazzpianotranscriptions.blogspot.com
2
22

                      
3

          


          

Pno.  
  
     

26

            
       


    
Pno.      
     
    
 
Rall A Tempo

30                
      
       
  


 
Pno.
          
       
 
  

       
34

          
        


      

Pno.
      
            

   

    

37
  
     
          


      

   
Pno.
  
         
Reflections in D/http://jazzpianotranscriptions.blogspot.com

3

 
 
  
41

      
         


  
3


Pno.
   
 

 
44
   
             
3

            


      
Pno.
                 
 3

      
3 3
largo

         
      
48
  
           

   

6
Pno. 6
  
6

  
Presto

Dmaj7
Dmaj7 G.
    
F.
50
      


        
6

Pno.

        
6
5
   
 
        

E.7 Eb.7 C.7


Eb. E. D.7

    
F.
52
           
C#.7 D.7 B.7
 
                 
  

Pno.      
                 

  
         
   
Reflections in D/http://jazzpianotranscriptions.blogspot.com

4
55

    
3
             
     
Pno. faster
 
     
3

3
     
        
3

59
   5  
     
    
          
   

Pno. Rall
    
A Tempo

3
    
    
   

  
63

3
       
  


 


         
 3  
Pno. Rall
    
 

    
65
  
3

   
        
Pno.   3       
      

Reflections in D/http://jazzpianotranscriptions.blogspot.com

  
  
       


6
    
Piano 3
 
  
3
  
    

69
       
                     


         
Pno.

    

   R.H.
  
71

     
       L.H.
    



  
  
    
    
Pno.
      
    
   
3

74
   R.H.

                  


5 4 3

        
   

p 3 L.H.
Pno.
 
1 3

      
1 4

     
      
5

 
pp


77

     
3
      


     
5
Pno.
3     
        
3
      
3


 
         mf 5
3

ff
Reflections in D/http://jazzpianotranscriptions.blogspot.com
Reflections in D/http://jazzpianotranscriptions.blogspot.com
6

       3
   


80
   3  3
  3
  
3

    
3
 
Pno.
    
      
  

83
  
    
           
Pno.
 3
     


85
 
    
Pno.

 
         
         






 
 
       
3
88
  
3
   
       
     



    3
3

   
Pno.

  
   


  

      
91
   
     
3
 

  
3 3 3 3
  
Pno.
     

    


rubato
Reflections in D/http://jazzpianotranscriptions.blogspot.com


7
94
     

    
   
6
  
  
  7
Pno.

  
 

 
          
      
95
      
 
6 5 6 5
Pno.
  
 

 
96           
          
  
6 5 6
Pno.
    
 


 
   
    
     
97
     
   
 
Pno.
       

  
 