Beruflich Dokumente
Kultur Dokumente
CHAPTER 3
The dominant of present young generation how focus the social and
political debates of realistic approaches. This spectrum of audience in
social and political contexts is sketched to narrative realism in
contemporary politicians and youth aspects. The IMR in these sequences
is very much acclaimed towards the socio realistic conflicts. This
sequence claims the integral part of politics and cultural implementation
Of contemporary Indian culture in India.
Not only religious also the race has been portrayed in this sequence.
There is lacan of global generation at present shows in ethnicity and
religious aspects. for example when the political activists shows his
anger against a Pakistani. So this is ridiculous things was been
categorized in spectacle of this sequences. In overall movie the realism
is rely on social and political conceptualization in india.
The theory of IMR in this sequence and overall film there is to create a
social and political awareness among youth subjectivity to create a
patritiotism among youth in activism in india. The cultural identity and
socialism is perfectly charecterized among present generation in India.
The realism is somewhat charecterized based of real story about a pilot
who died in a crash and protest events, these sequence political activists
against globalization are really focused and implemented in this social
commercial films. In a thesis from mentioned that” As Hindi film critic Dr.
Chakravorty describes it,” RDB is an moral, social and political
allegory“. On the regards with provided moral, the theory suggest that
the history behind the film has an nationalistic struggle with the idealism
and humanitarianism along with the politics, lack of social responsibility
and religious fundamentalism. This identically says the discussion about
the social, political and economical issues in India through the media by
RDB with the perfect quality screenplay and songs to throw light on the
Indian situation.
And ofcourse the movie has got many critics and makes an controversial
impacts in religious wise,political wise in india. the movie brings out the
social and political conflicts in India. It focused on the religious conflicts
and contemporary political situation in india.
The realism has been rely on social impacts with strong reinforcement
to bollywood. The movie “Rang de basanti” describes like this is in
narration of social and political activism. And also the reallistic things
constructed and implemented in the film. While applying the discourse
analysis theory in this sequence strucutred into the realistic social and
political approaches to audiences in india. The religious perspective and
patriotic approaches was been criticized and functioned into lacan of
religious and cultural understanding of hindu-muslim activists and it is
somewhat a ridiculous conditions in India. This sequence shows you the
perspectivness of contemporary political annd religious subjectivity. The
way of dressing sense and behaviour of protagonists shows the western
affects and youth behavioursim psychologically in the consumerism of
western contemporary culture in india. actually to say the movie was
clearly structured into political debates in india like protests,
contemporary youth activisms. So the bollywood was very much
structured into contemporary social debates in India with real events.
Mehra take this movie into politicians and political situation in cultural
India by its screenplay and Dialogues.
On the favour of the director the discussion and the instigation about
the political thoughts were provoked in the social awakingness for many.
And also few discussions regarding citizen support and contribution to
the non governmental organisation and excersing simple citizen duties of
paying taxes and votes. On the other hand rest of the Indian films which
was basically concentrated on the entertainment was highly fledged
towards the viewers angle. On the comparison with the Jignostic
overtones with the other Indian films, The contribution of these young
actors were very well related to the I.ndians in the film RDB.
3.2 ANALYSIS OF RDB IN BOLLYWOOD
it's thanks to Mehra's smart writing and direction that you are
instantly drawn into Rang De Basanti's absorbing plot, which
flits smoothly from past to present. While Khan is on usual form,
it's Patten who earns top points as the amiable foreigner who
amuses the locals with her excellent command of Hindi. But it's
the strong performances from the ensemble cast that impress
foremost, all of whom are totally convincing as disillusioned
youngsters learning the importance of personal sacrifice.” This
statistically proves upcoming ideology about the qualifying performance
in the Bollywood film.In the psychological analysis of the movie become
the strong impact and shows the how bollywood it delivers its ethics and
spectatorships into media. The RDB shows the citizenship value in India
in and determines that these types of movies in bollywoods subjects the
cultural and patriotic identity in both contemporary social and political
contexts in india.
So while analysing this how RDB was moulded and increases its public
by its social values and effectively visualize in audience perspectives like
I strongly agree lecture from Spencer Murphy In the module about a
placement of camera and a analysis of audience eye and screen, the
hypothesis of movie in construction of camera movement and
psychological analysis of audience. So while applying this method in this
movie and analysing the interview and comment it shows that how
Bollywood is concpetualzing into its ethnography and how the citizen of
India view on their ethnicity in nationalistic and culturist commodity in
the movies like RDB. The effective meaning of movie how it generously
recognize its ethical perception and attitudes to it mind respond to
movie.
The movie RDB which generates the construction of social and political
activism and makes strong cultural and patriotic movie which
reinforcement and boosting to full classification of Bollywood entry to
global level. In the movie the musical, style and way of western culture
was sketched into real lifestyle of present youth generation in India. the
movie RDB contains each and every sequence of contemporary social
and political debates in India. of course ploted into story of Historical
construction of characters in past and story of ‘kavita gadgil’ Indian
Airforce pilot who dies in the plain crash due to failure of engine and
parts and the government action in her case. And real events like
protest, focus of contemporary politicians. Each every sequence signifies
the real and situation of activism and youth in India. how the unique
portion of citizenships responds to issue or case in india. this is
somewhat make sense how the movie RDB constructed and expose the
realism and commericialim in sequences with its social narrative story of
realistic approaches about contemporary youth generation in india.
To describe, say “they are also the reason and responsible for
Babar masjid demolition in India 1992, which took place in the
northern india a place called godhra and ayodhya. Due to this
Demolition act in India there has been too much of Political and public
protest towards the Hindu Muslim issue that has been Ideally fought post
Independence of India. So for now Hindu-Muslim controversy is been big
social problem in Indian politics which led to the commercial damage
that majorly dominance that are making worst impacts in both of the
religious controversies and I strongly to say Hinduism is the main reason
and responsible for 1992 Hindu- Muslims riots. This is because of political
influence such like money power. so the most affected in this issues are
public.
This shows how the movie RDB has impact the reality in socio political
contexts in India. The strong religious and culture barriers was very much
effective in India.I ike to discuss the RDB with real issue which happened in
India. Ofcourse the movie RDB which is implemented the cover story of Indian
air force pilot Mr Abhijeet Gadgil, The son of a former military pilot, he was
a flight lieutenant in the Indian Air Force (IAF). He was only 27, and he
had just been married.
Abhijit Gadgil was on a routine sortie in his MiG-21 on the night of
September 17, 2001. Just 33 seconds after takeoff from runway number
5 of the Suratgarh air base in the north Indian desert state of Rajasthan,
his plane stalled. The MiG plunged down at 470 kilometers per hour,
straight as an arrow, digging a massive hole into the sand as it
disintegrated on impact. Later his mother kavita gadgil who blames the
poor maintenance and training of ministry of defence and importing the
poor quality of Russian jet crash and poor training. So this is due to because of
worst politicial influences. Abhiijit mother later started a foundation of Abhijit air safety in memorial of
her son. Not only her son also many of them died due to the poor training and maintenance of Indian
air force.
So this real story was implemented in the movie with the song” Lukka
chuppi” narrative sequence with youth protesting near the India gate for
judgement and truth for backdrop issue of Indian Air force pilot Ajay
character in a movie implemented the Abhijit gadgil and police blaming
assaulting the charecters in the movie. The youth protesting the method
of peace like Father of nation Mahatma Gandhiji, protest against
contemporary politicians. Why iam saying this because National leader
Gandhi who fight against British for Independence in India protesting
method of peace. So conntatively analysing this in a real the The movie
brings out the realms of contemporary worst politicians who involved in
the case and reason of Formelate pilot Abhijit Gadgil (Sen, 2003). So
author Dilip.M suggests that RDB “One recent film that successfully
employed this trend to connect with Indian audiences was the
Hindi blockbuster RDB. This film directed by Rakyesh Om
Prakash Mehra was widely appreciated both by the press and
public for the realism in its style and narrative. This factor also
went on to help RDB enjoy much commercial success and social
appeal in India (2008, P83).”