.

^iiiiiiiiiiiii.. Jiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiniiiiiiiii

¥i%.
fh
I
netto ne«o aetio
Poenitz, Franz. Theumann, M.
Harfe solo. — —
op. 68. Klange aus der Alhambra. . . 2 50 op.7/8. Deuxpieces: Douleur,
Alberstoetter, Carl. Drei kLVortragstflcke. — op. 76. Adventklange. Praludium. 2 50 Resignation 2—
2 —
. .

—
.

op. 4. Romanze 150 — 77 No. 1. Abendfrieden

op. 2 50 op. Reve d'une Mazurka
9.
op. 5. Marsch 150 — 77 No. 2. Nocturno
op. 3 — — Cantique d'amour
op. 10. 2 —
op. 6. Tokkata 2 50 — op. 78. Maskenscherz. Salonstflck^. 2 50 — op. sur quatre themes russes 2 50
Fantaisie
2—
. 1 1
—
. .

Chopin, Fr.Werkebearb. von Wilh. Posse. Posse, Wilhelm. Mazurka Rhapsodic hongroise 2 50
— Fantasie Impromptu Op. 66
4- — Tarantelle 2— TrneCek, Hans.
— Mazurka, Op. 24 No. 1 150
— — Improvisationen 2 50 — Schubert-Fantasie
op. 7. 3 —
— Etude (Gesdur), Op. 10 No. 5 2 ~ Zwei Walzer. No. (As moll), No. 2 — 2 —
2 —
1
2 —
op.30. Novelette
— Etude (Es dur), Op. 10 No. 11
— (Esdur) a — op.43. Moldau.SymphonischeDichtung
— Etude (As dur), Op. 25 No. 1 2 — Sechs kleine Stflcke 2 50 von Smetana. Transkription
Fr. 3—
Variationen ub.einlustig.Thema 3 —
.

—
.

No.l.Neckerei.No.2.Nachlstack. No.3.Traumerei.No.4.
flavotte. No.S. LieriohneWorte. No. 6. Kleiner Marsch.
op. 73.
— — 3—
Dizi, F. Sonate Pastorale 2 50
Grande Sonate .
3 — Acht grofee Konzert-Etuden.
2 — —
Erste Rhapsodie
op. 74.
Oper Fr.Smetana.
No. 1, 2, 3, 4, 5, 6, 7, 8. Jede Etude op. 75. Dalibor.
4—
Neue. von W. Posse revidierte Ausffahe. v.

— Drei Etuden. No. 1, 2, 3. Jede Etude 2— Fantasie

Ferroni, Vincenzo. op. 60. Zephyr ef la
— — Variationen Ob.d.KarnevalvonVenedig 4 — — Die verkaufte Braut. Oper von
op. 76.
4—
Nymphe. Scherzo 2
Holy, Alfred, op. 12. Drei kleine Stflcke.
— Thema mit Variationen Fr.Smetana. Fantasie und 2 50 Sextett
Siehe auch unter Chopin und Liszt. Verdalle, Gabriel
2—
a) Notturno 1
Schuecker, Edmund, op. 28. Legende 2 50 — op. Andante religioso
2—
1.
Standchen .
b) ?
— Fantasio appassionato
op. 35. 4— rOiseau-Mouche
2—
Canzonette op. 2.
c) i

— — Sechs Virtuosen-Etuden
op. 36. 5-
2—
Andante religioso Marche
Petite
Huber, Walter,
—
op. 5. 2
2- — Gavotte
op. 37. Elisabeth — op. 3.

2—
2 op. Aubade
4.
op. 12. Valse lente
— •
Barcarole
op. 38. 2 50 Sdr^nade
—
Kastner, Alfred, op. 10. Deux morceaux
—
— Henrica. Nocturno
op. 41. 2 50
op.
op.
5.
6. Romance sans paroles 2
—
faclles (sans pedaies) 2 Sneer, Johannes, op. 51. Fantasie fiber 2
— Zwei Stucke
op. 12. 2 50 das Niederlandische Volkslied „Wien
op. 7. Adagio
Valse caprice 2 —
Souvenir, Arabeske. b) Neerlandsch bloed" 2 50
op. 8.
Mazurka 2 —
2 —
a) op. 9.
— Deux Esquisses (Melancolie. Joie). . 2 50 — op. 52. Zwei leichte Salonstucke. — op. 10. Barcarole
2 — — 2 50
Kunze, Hugo. a) Capriccio marcial
— —
op. 19. Valse lente
2 —
— op. 5 No. 1. Fantasie helvetica 2 50
—
b) Capriccio meiodieux 2 op. 23. Saltarelle
2 —
— op. 5 No. 2. Stille Nacht, heilige Nachl
Vier leichte Vortragsstucke.
op. 102. Romance 2 —
op. 27. Sevillana
2 —
Fantasie 2 — op. 103. Nocturne 2 — op. 33. Invocation
Doux songe 2 —
— dp. 5 No. 3. Fantasie flber „Die letzte op. 104. Capriccio musical und Inter-
op. 34.
op. 39. Lucciola 2 -
Rose" 2 — mezzo 2 — Danse slave 2 —
Liszt, Franz. LiebestrSume. Drei Not- op. 105. Konzertwalzer 2 — op. 40.
op. 41. Legende bretonne 2 —
turnos, bearbeitet von Wilh. Posse. 3- — op. 42. Remembrance 2 —
— Consolations, bearbeitet vonWilh. Posse
.

2 50
op. 106.
zum
ImWalde. Funf leichte Stucke
op. 43. Recueillement 2 —
Konzert- und Solovortrag.
No. 1. Morgenstimmung — op. 45. Childish march 2 —
Magistretti, L M. Das Harfenisten Kon-
No. 2. Waldesrauschen
2
— op. 46. Leggenda d'amore 2 —
zert-Programm. Bearbeitung alter
No. 3. Am Bach
2
— op. 67. Primavera 2 —
Meisterstucke.
2
— op. 73. Badinage 2 —
No. 1. Rossi, JVlich. Angelo. An-
No. 4. Elfentanz
No. 5. Abendlied
2
2 —
op. 76. Amoroso 2 —
dantino Allegro Spohr, L. op. 36. Variations sur „Je op. 79. Berceuse 2 —
No. Scarlatti, Domenico, encore dans mon
I'air

printemps" . 2 - op. 87. Scherzetto 2 —

2.
Bourr^e 2 — suis
Revidiert von W. Posse. op. 89. Impromptu 2 —
No. Bach, J. 150 StahI,ErnsL op.41. Les Adieux (Abschied) 2 — — Capricciosa 2 —
No.
3.

Bach, J.
S. Allemande.
Gavotte
. .

2 —
— Serenade
op. 42. 2 — — On the Lake 2 —
No.
4.

Handel,
S.
— — An der Quelle. Salonstuck.
op. 50. 2 —
— Quatri^me Air de Ballet 2 50
5. G. F. Courante. . 2
— —
.

2 —
— A Capri. Tarantelle 2 50
No. 6. Handel, G. F. Passacaglia 2
Tedeschi,
Marguerite. Gavotte
op. 56.
M. L.
— 2™* Impromptu 2 50
2 — Zabel, Albert. Drei groge Konzert-Etuden.
No. 7. Zipoli, D. Corrente 50
No. 8. Daquin, C. Lecoucou . , . 2
1

— —— 31. Marionetta.
op. Humoreske
—
2 —
op. 32. Spagnuola
Pattuglia 2 No. 3 Jede Etude
5 —
1, 2, 2 50
No. 9. Galuppi, B. Giga
2 —
— Suite
op. 34.
— 4—
No.iO. Paradisi, P. D. Toccata. Al Ruscello. Studio
op. 36. Concerto di
No. 11. RoUe, J. H. Allegro Presto 2 50 — 37. Etude Impromptu
op. 2 50 SOLE AGENTS:
No.l2. Grazioli, G. B. Moderate 2 — — Angelus
op. 42. 2 — C. F. PETERS CORPORATION
— Presque
op. 43. rien 2 —
373 PARK AVE. SO., NEW YORK 16, N.Y.
Oberthur, Charles. Meine Ruh' ist hin.

2—
— 44. Anacreontica
op. 2 50
— 2—
Musikal. Illustration. (Goefhes Faust) op. 45. Idillio
Catalogue No ^

Verlag von Jul. Heinr. Zimmermann, Leipzig u. Berlin.

iiiiiiiii
illllll

Nr. 242 a. C. G. Roder G.

4usikverlag Wilhelm Zimmermann, Frankfurt/Main ra. b. H.. Leipzig. 05517
Auffuhrungsrecht vorbehalten.
Giga,
B. Galuppi.
1703 - 1785.

AUeg-ro

Harfe.

" rrfrrr
i m,
"f. / jO-^
'•/
J^ LE-J rxi =% ±Jt ^^ 3=3t ir ii ^ cx^m

^ I -^^-^
^
m m P

^^ ^ ^ ¥
>>: ^1.
LLJ" ^_g ^^ ^

^ < It^
^
-7"*^

^^
^

^ ^^ F^!

te
h^ m f
H^=^,

Z. 10123 Copyright 1914 by Jul. Heinr. Zinunermann, Leipzig'.

 —
3

>ttr r r
F«-H
/
te
':> I
' LLfrJ^ 3^ ^ ± ^
f
* '-7
^ ¥"

* ^^ ^ r 7h n i^uS^ ^^
^ iil^ ! ifi?

^ ^ i
^;
ntf

^ f

|^^'^ :-^^:.i^
;
N^ i

^P
.3
*
4
i
2
1

^ 7 f
>
f-
S ^^ *•

^ ^ ^ K
^ -N

1 1
2

,^ 7 7
^
^^ ^ 7 7
J tli^fe -^

^^ »
t>--L i
> r-
^ #-*-
-#^
^
^
t ± m ^ k * * 4 2 i
3.

% f^W $ ^f-^ ^ £ ^F=T1 ^^=^

m
^ -#^
3 2 14

Z. 10123
 ;

m ^ ^i^
^ mf

^ /
^
^=^
F*

* V % f I
-<5
1
^ g. r -Lf I

^ U^
i?

^ ^ to* iS-4

Jl

$ -90-
^ ^^

g >'•
c-r J rtj
-

^ ^^
p

Z. 10123
 «

3
J J i

^ s 5 ? 5^ i5 i^5 ^

lij 1 1
r rj 1
*f

^.11^
ii

^ UJ ^^ j
*f 1 *t •< ^
^'A=A=p^^
*i . ^

mf f
7-"^ -^S ,_
— r
'

^9-L^
-^ b ^f ~r^ L_| 4s
1

•* 'J-

h!'>":n. i3! i
^#
f1 ^^ ^f
^^ ^ 1~T
r^ f fTTf
I

^ m ?
J:
^ Ij ^ 7^ -y
:
h
f-f-»
^ 1
^
?^
^^ 5 m

t ?
^^ t^ ^^
7 7
p ; ^^ ^ cj ^J rit.
*^^ ^
^ 7 :

g ^^ ^ 7 ^ ^

Z. 10123 Stich und Druck von C. G, Roder G.m.b.H., Leipzig.

 j
iissfi -aizuisn "H Q •"' '0 "P9S o "d
lllipilllllllllllli^

•uijjag -n Sizdia^ 'uublujsiuuiiz 'JupH '\nf uoa Sf[J9^

—S uapoig-uasonj Og 2 U9UJIUUS pun —e onQ •9gi do -noA iBiosifij 'ui];^

-jjA sqoas "Qe 'do -punuipg *j3}|D3nii3S jniijJBj •9JJEH pun oii93uoio!a'eio!A —2 s9J!a »3 sjn9id -zz 'do —
—
'uguqoiA Z JD} 3sn9DJ9g •jni|)JV 'BqiU3T —2 9!ioouB|?w 'oe 'do —
S OS— QZ^unqo 'nijaH PSJO pun 9JJBH 'oii90uoio»A —2 —
—S •(3|Bp9d3uqo)Q2— I Sunqo'i }}9H
Og 3
jnj „suJ9iBsnj9r SunjQ}SJ92 9!Q" —2
jnouiB.p jUBqo "62 'do
3U9i!)UE3 "92 -do —
:3S|oju3m3yj3Ajss3jSojd
•}
ui apemcpad

uaSunqo 3]\\o\3\ og "H "do -pajjiv'JaujSB)]

•qi -do snB jaqso "JsnSnv *JpJBq2ni)j —2 9!J9A5y -pz 'do —
Og 3 U3U1UI1JS OS 3 r* JnJUJEd og 3 " • • 0}}9q3jBq "03 'do '[SuqBg '3||Bpj3A
^01 *
' '
'
uspunqsS pu^a I U! l}3lduio>i •9PEU9J9S 'e'ON
9PBU9J9S -83 'do 'W "1 'iqosspax
08 3
-
—p uapunqaS }9}so>i ipj, japap OS 3 • U9U1UJIJS OS 3 ?r Jni!»JBd
—2 Jnp'd "! szuBUJoy -59 -do —
£ '3 'I 1!31 "WOSiiSua •J9)S01>J UII 3AV "3 'ON
—2 —
ozjgqog -pjsuipqDg -gg -do
'qos!SQZUBJ}'qos)n3p}x3j,-3unp|!qsnv og z • U9uimns Og 3 9r i^MP'^d '

•SuBspuaqv sj9U}jbh OS 3 3IS9I3 -usjiuspso -6^ do -jsujg 'iqejs

'ON
uajsqDoq jnz siq SuBjuy U9}sj9 iuoa
pun J9)S9qoJO
'I
—g sssoj 'A^-A •j9Su!9 '3JBU0S -sinoT 'jqods
•ajJBH JD} 9poq}9w a^oiQ "JJaqiV 'PQ^Z
-qDi9jJS JD}
•9}JEH
i^JQ U93unui
—9 9!SE)UEd •pUBJ}S UI V ei'dO 'ZUBJ J 'ZJ!U30(i

•9>tjaAvu9ipn;s -mqspugqv
3>13D)S
'£q 'do 'lupqiJAV 'IZU3I)I
—3 „^^J0 "iqoa
pinv" J3qD 3!SBjuBd -ssiJBqj 'jnq^jsqo
— X • 91UUIIJS 9}9!J JDl 9qBSsnv -f * 9JJCH pun 01193 'bioja 'aujiojA
— I 9U1UJIIS aqoq jd} aqeSsny JDj azuEuioy "et^'do UBqioi 'J3;dui3)i
OS 3
S}!l9d •t7rdo
3pEU?Jj»S
-iiopv 1p3;siqBWJ3X3lv
•u9qopu!>i)suq3 -aqjajESjEW 'JailDW —p uiniuouiJBH pun 9}Jeh 'onao
J^iyiH^J^IO '" 9uuB!JEiVA'qjB9q
— I p9!19UU!iv sgqosjnap -uoio!a'9U!io!ajd} 9!39ig •jopiA'q^siuiaH
OS 3
lioui-d 9Ujn}D0N TONgg-do -jj 'uidoq^
-IIV 'Z *0N 08 do -jsnSnv *;pjBqSni)|
og 2 sp^H pun o|190uoio!a '9U!I0!a og 2 ' " szuBUJoy -do -(jbo 'J3^3o;sj3qiY
•/,

—Z u9soy 9)>ii9AU9A "99 "do -luisqi!^ '|ZU3!)i JD} 3PBU9J9S 'L\' 'do -[nBd 'J3UIIU0JJ •9iaBH pun 9U||0|A
09 i J91S3DJ0A\ }0 S30UEJq
•ajjBH pun Suusar) •ajjuH MUl >iisniu3iqiu3su3 -uj3ui9y -punuipg 'jspsnqss
'OP 'do
—e Suespu9qv TONCS'^o •uii311|!a\ 'izuai)) —g iiouj-sv'!3!SE}UBd'}jqB}J93u!5i!A\*08'do —
•pSjQ pun 9]JBH
OS 3 Sjnoqsj3j9d-}S9p 3?J!0S •e3'do •o'3mqoa
og 3 9noABO 3}}Bq>inds 'g/. "do —
•9puH pun suo;s|d B ;9UJ03 — 9 jnp-s99 UI gisBjuBj -99 -do -zuBjg 'z;!U30
— Iloui-3 )j9zuo>i-gojo -ge-do
'Maqiv 'pq^Z
— 01
9 9>i9uoJO"^"0*^M'-'"!3H"OA}9)qou
OS 3 Bii!P!n39S "3 'ON
—p qosjBui}S3d xi 'do 'P3J}IV *i|OH
-9SUI9 9pEH pun j9!AB[>j jnj 'gpBH
—3 E))9U0ZUB3
•U9|JBH pAiZ
j9}B3!iqo J9)S9qoJO S9yoj3 jq} ^iiu 'I -ON
—9 3uiui!)soiog

—e
9ISBJUBJ •EjaUJA >£ 'do 'ZUBJJ 'Z)!U90(I 'Oedo -qiJAX '3>iD!UoqDS — 0£ U3uiuj!jsj9}S9qoJO
}10DIS}J9ZUOM XdO
(spBiiBa)
'IJB^ *J3W30|SJ3qiV
•Ojaepv 'E'ojj -3|euEi|33ea 'Z'ON
•02J3MDS
-siuEpuv
f -ON
ton — 91 JnJIJJBd
l7 J9!AEI>1 J9pO sa^ojQ -gg-do -ijaqiy *|3qBZ
•llouj-3 }j9zuo>i

•a;jo|ouuid pun a|4BH 9JJBH pun 9JQIJ JD} aims "9 "do -g *3si!H —p 3UIUI!)S0I0S
— 03 U3Uiui!|SJ9}S9qoJO
— 2 pB EjOjA pun oipouoiOjA 'j9!Aei>j
•9jjBn pun 9;o|j — 91 JnjiJJBd •3}JBH
'qil
OS 3 •• uouE)!p9iv 'gl'do '|3!jqBg '3|iBpj3^ j3}B3!iqo jiui J3}S3qoJO ss^ojS jd}
J9p0 3JJBH '9JQIH JDdl -jazia "0 UOA
9UU9IS91JV.1 snB }}9nu!iv 'inBd 'jaSzp^
— t^ 9nb!)BUiBjp
sisBjUBj •BJ9UIA >i "do -zuBjg 'z^insod
ogi 3uiui!iso[og
—e ap^H njduiojduii •££ -do -jy "j Mqosapax —8
pun 01190U010IA '9UI10JA JDj p9!qosqv — OS 3 (uo}s>iiOA — g
U3UJUI!}SJ9}S9qOJO
jnjijJBd
9}JBH pun 01190U010IA j93u!JDqiuii)iiiCpi 92 do -qdasof 'J9zins (•jsjqoiy SiMpnq uoa ^jaiSuBJjy)
'9U1I0IA JDJ uinBJi uig 'J^q^M OS 2 313913 •u9>iu9p9Q 'ef? 'do 'jsujg 'iqBJS •SqDJBUI pUBJQ 'SBIig 'SJBAjy qSUBJ
-OIJO
— t' 9}JBH pun 01I90U010IA '9U!|0!a
—3 „Abjo uiqoa
°_^
3]JEH 'j 3UIUI!)S0]0S

Piny" J9qD sisEjuBg U9UIUI!)SJ9}S3qOJO

JDj oujnpoN '63 'do 'subh '>|323nJX
—e sisEjuBj -erdo
-ssiJEq^ 'jnqMsqO
—c jn}!}JBd
•j3jibav 'JsqnH
ogz 9}JBH pun 01190UOIOIA '9U!10!A
oujnpoN -99 -do -jsujg 'HJBJS
— 3 liouj V UI 3}}0AB0 '3 'ON 3 'do — JIUI
•spBH pun 3Ui{0iA J3}B3tjqo
J3}S9qDJ0 JD} U01)B}lp9W '01 'dO
'9jQid JD}
— 3 })Eiqmnqiv "l -o^ 2 "do •uuBiuJ3H 'jdoH OS 2 3UIUI[)S0I0S
ogz • • • •
9}JBH pun oipouojOjA '9UI101A
Og I 9)(9UDJ0-BU0)E>j qouupH uoA-qjE9q — 21 U3UIUII}SJ9}S3q0J0
JDj BJ9!q39Jd "Se "do -SaUUBIlOf *J30US
uoui-o 9puBqBJEs •JP3UJ 2j03r) '|9pn3BH —8 JnjijJBd

ogs 9JJEH pun o|i9DuoioiA —2 J9zins qdssop uoa

—2
•gisBiuBj -6 -do 'JdjiBAV 'JaqnH
9umi!}soios
oui S9}sq09s
'auqoiA JDj 'BuucpEiv j3)!3qjE9q 9!poi9W J9}3D}93nzu!q jjuj
— 01 u3ujui!)SJ3)S9qojo
9!P uv '^Pl 'do •p3JJiv 'I^^siqospo '(U93nj pun u9!pniBJd U9U!9|>| U9p —9 Jn}!)JEd
*
9pBH pun o|i9ouoiO!A '9U1101A JDJ snB) iioui-3 lunipnigjj -qag -qop 'qoBg •(9pBi|Ba) }joo}s}j3zuo>i -e'do 'iJBg •jsjjsojsjaqiv
0)130
oipa •u9qopuB}su9jJBH '03 'do 'W 'N 'J^U^ow
Tk '^P^H pun o||9Duo|0[A •J9;s9qDJ0 ^ui o[os 9|jbh