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 C O N T E N T S
See what one Nikon Make lighting work for
Speedlight can do you with wireless
Easy, intelligent, amazing: multiple Speedlights
The Nikon Creative Lighting Turn good shots into great
System shots with Advanced Wireless
Lighting

We’ve Got pp4-5 pp6-7

Your file, your vision

You Covered
Dramatic close-up
lighting made easy Capture NX Software:
master post-production
Explore fine details with
flexible, wireless control

Make Your Photography Matter with the

Nikon Total Digital Imaging System
pp8-9 pp13-15
So you have a digital SLR and an idea — a GREAT idea — for
a photograph. Do you have all you need to make that idea
happen? A quick look through these pages and you’ll know. Which Speedlight is right for you?
Nikon Creative Lighting System compatible pp10-11
Here you’ll find all the accessories available for the Nikon Speedlights
D-SLR lineup: everything you need to realize your present Flash Accessories p12
ideas, and inspire new ones. Whether you are a seasoned pro-
fessional or a passionate weekend shooter, we’re sure you’ll
Power when you need it View with clarity and comfort
find something in this brochure that can help you craft better Viewing attachments
Battery packs and power
management
images. Every item found within is designed specifically for
Nikon cameras, giving you seamless performance that truly
brings out the best in you and your Nikon D-SLR. Got an idea? p16 p18
Make it happen. Here’s where you start. Communication technology Close in on every subject
for any location Close-up accessories
GPS cable/wireless transmitters

p16 p19
Steady shots — night or day
System diagram pp20-21
Remote control accessories

Nikkor lens lineup p22

p17 Nikon digital SLRs p23


See what one Nikon Speedlight can do
Gordon Nash — Wedding photographer (U.S.A.)
I shoot about 50 weddings a month, and nearly half of my images
need a Nikon Speedlight. I always have one on my camera, with
another ready for side-lighting or other handheld effects. Each
Speedlight makes a dramatic difference to the finished image. For the
above image, I used one SB-800 for side-lighting and a soft-focus filter
on the lens for a dreamy look.
As a professional wedding photographer, I face moving subjects,
unpredictable shooting situations and limited prep time, so speed and
intuition are vital to my success. That’s why I depend on the Nikon
Creative Lighting System. It’s easy to use and
offers so many options, along with consistent
exposure and performance. I have to be
ready for that special moment at all times. The
Creative Lighting System helps me do that.
http://www.gordonnash.com
Camera setting data:
Camera and
Speedlights: D200
(built-in Speedlight as
commander) and SB-
800 (remote unit)
Lens: AF 85mm f/1.8D
Shutter speed: 1/125 sec.
Aperture: f/2.2
Exposure mode: Aperture-Priority Auto
Flash mode: i-TTL
Image quality: RAW
4
Speedlight
Bright lights, big ideas – with only one Nikon Speedlight, you can: Nikon’s exclusive i-TTL:
a higher level of accuracy
Go the distance: more flash power
The real breakthrough is Nikon’s moni-
The Speedlights built into
tor pre-flash. It is designed to provide
Nikon D-SLRs are smart and your Nikon D-SLR with consistently
responsive, but sometimes accurate feedback information in order
your subject is far enough to achieve ideal flash output. This
away that you simply need level of accuracy is found nowhere
Built-in Speedlight else.
more flash power. Connect a
Nikon external Speedlight and you can capture sub-
jects at a much greater distance with more balanced
SB-800 attached © Joe McNally
illumination.
Soften the light: bounce flash
Direct light can be harsh and
leave a distracting shadow i-TTL Balanced Fill-Flash
behind your subject. Try turn-
ing the flash head toward a
Speedlight tips: Diffuser
wall or ceiling and you’ll soften
Direct flash
the light and get rid of the Use a diffuser above the flash to soft-
shadow, creating a more flattering atmosphere for en the light and eliminate harsh shad-
portraits. ows. This is useful in almost
Bounce flash © Gordon Nash any flash situation, includ-
ing fill flash, for natural
looking skin.
Capture the action: Auto FP High-Speed Sync
Indispensable to outdoor pho-
© Gordon Nash tography, this enables action-
stopping shutter speeds with
Easy, intelligent, amazing: The Nikon fill flash. It is also important to
portraiture, allowing you to use
Creative Lighting System larger apertures for a more
Normal sync
Lighting is a vital component of all images, but the past pleasingly radiant ambient light. Your camera will
complexities of flash photography have made many photogra- automatically set itself to this mode if the shutter
Auto FP High-Speed Sync stops the action © Joe McNally
phers — even seasoned ones — hesitant to explore its full speed rises above the camera’s standard flash sync
Shutter speed: 1/3200 sec.
potential. Not any more. Working photographers around the speed of 1/250 second.
world are discovering how Nikon’s Creative Lighting System
brings simplicity and real-world usability to flash photography. Maintain the exposure: Flash Value (FV) Lock
The key is Nikon’s breakthrough i-TTL flash control technology.
The FV Lock (Flash Value Lock)
With this at its core, Nikon Speedlights offer consistently accu-
maintains the same flash value
rate flash exposures that can adjust to nearly any lighting situa-
for correct exposure during a
tions you face. Nikon Speedlights communicate with your Nikon
sequence of photographs,
D-SLR to perform all the complex lighting calculations for you.
allowing you to zoom in on your
Nikon’s exclusive monitor pre-flash offers precise feedback infor- Original exposure
subject, change the composi-
mation, registering everything from available light and shadows
tion or adjust the aperture, all without altering your
to color temperature and reflective surfaces within the scene.
intended exposure. That way you can concentrate on
The camera also integrates information from its built-in database Main subject’s exposure stays the same © Joe McNally
capturing your subject without worrying about adjust-
of over 30,000 actual scenes to determine the ideal exposure -– regardless of any compositional changes.
ing the lighting.
all within a millisecond before each shutter release. Whether on
top of the camera or used as a wireless remote unit, Nikon’s
Creative Lighting System offers the most dependable and con-
sistent flash exposure in the business.
 Multiple Speedlights
Make lighting work for you with wireless multiple Speedlights
Joe McNally — Photojournalist (U.S.A.) Speedlight tips: colored gels
There have been many difficult lighting situations in my career
Selecting the right colored gel fil-
where the Nikon Creative Lighting System literally amazed me
ter is important, especially when
by sorting out a proper exposure. The System offers incredibly
you want the flash to appear nat-
high accuracy in most shooting scenarios. Milliseconds before
ural alongside ambient light. For
each shot, the camera meter and Speedlight speak to each
the outrigger canoe photograph
other, relaying and calculating massive amounts of lighting
(shown left), an amber gel filter
information — exposure variance, RGB, reflectance, distance
added extra warmth to the main
and contrast, to name a few — all of which are constantly
subject while blending seamlessly
shifting and changing. I’ve always said that no camera system
with the sunlight
will ever solve every problem, but Nikon cameras and the
and overall
Creative Lighting System do a phenomenal job of sorting
color of the
through the data to give you accurate exposures. This is a
image.
major reason to use Nikon.
http://www.joemcnally.com

Camera setting data:

Camera and Speedlight:
D2x and three SB-800s
(one on-camera mas-
ter/commander and two
SB-600 Speedlights
remote units) can serve as remote
Lens: AF-S DX 12-24mm f/4G IF-ED units in wireless
Shutter speed: 1/160 sec.
Aperture: f/14
lighting, while
Exposure mode: Aperture-Priority Auto SB-800 Speedlights
Flash mode: i-TTL can serve as Master,
Image quality: RAW
Commander or
separate remote
units.

© Joe McNally All images aside from product shots by Joe McNally

Turn good shots into great shots with
Advanced Wireless Lighting
You can accomplish a lot with just one Speedlight, but
sometimes an image would benefit from more artistic illumina-
tion. Adding more Speedlights not only adds depth to the scene
but also character and charm to your subject. One of the great-
est benefits that is singular to Nikon’s Advanced Wireless
Lighting is that controlling dozens of Speedlights is just as easy
as controlling your on-camera Speedlight. And because it’s wire-
less, setting up your Speedlights can be done quickly and
smoothly no matter where you’re shooting. From the Master
Speedlight located on top of your camera, you can control the
flash output of three groups of wireless remote units, adding
any number of Speedlights to each of these groups.
Simply set everything to Nikon's Timing is crucial for location shooters. Here’s how one photographer captured an aspiring dancer in 24 hours,
exclusive i-TTL for consistently accu- and how the Nikon Creative Lighting System provided the speed and flexibility he needed.
rate exposures in even the most dif-
ficult lighting situations. It's just as
easy to explore alternate exposures
by adjusting the flash exposure com-
pensation of individual Speedlight Group A illuminates the main subject from
groups. Or if you like, turn off a the side
Speedlight group, or set everything
to manual — all via the LCD panel on the Master Speedlight, all
possible without ever leaving your camera. Multiple Speedlight
control has never been this intuitive and fluid. No other lighting
system comes close.
Bounce flash Seamless flash with mixed ambient lighting Directional light for a dramatic exposure
The illuminated space needed to be large enough for This shop had mixed light sources: fluorescent light Shooting at sunset can offer beautiful ambient light,
the dancer to move freely. Four SB-800 units were along with sunlight from the window. To give the scene but in a narrow window of time. For a dramatic effect,
Group C: attached to the ballet bar to bounce light off the wall. a natural look, a diffuser is attached to an SB-800 and two sets of SB-800 remote units illuminate the dancer
Illuminates
background Two more SB-800 units bounced light off the floor. By tilted toward the ceiling, with an additional wireless from the front and the rear. After a few angle adjust-
bouncing light off the cream-colored wall and the remote SB-800 illuminating the dancer from outside the ments, there was a large enough volume of light to
On-camera wooden floor, the lighting achieved natural warmth. window. emphasize the dancer's shape appropriately.
Commander

Group B: Bounced
Group B: Illuminates Group A: Illuminates off the floor On-camera Dancer
middle ground main subject Dancer Dancer
Master/Commander

You can control up to 4 groups of Speedlights, includ- Control it all from here. Set the flash mode,
On-camera
Add Group B to ing the Master and 3 remote i-TTL Speedlight groups, turn Speedlight groups on or off and con- Commander Group A: Illuminates Group B: Illuminates
emphasize the middle to achieve complete control of your lighting environ- trol the flash exposure compensation for up Group A: Bounced off the wall from the rear from the front
ground and Group C Group A: Illuminates from
ment. All groups can be controlled from the Master, to 4 Speedlight groups from the Master outside window On-camera Commander
for the background and there is no limit to how many you can use. Controller SB-800's LCD panel.
7
 Close-up Speedlights
Dramatic close-up lighting made easy
Wil Meinderts, Jan Vermeer and Danny Ellinger — Nature Speedlight tips: close-up
photographers at Foto Natura team (The Netherlands) lighting
Nikon’s Wireless Close-up Speedlight System is flexible, consistent and amazingly easy to The SX-1 and SB-R200 Speedlights
operate. You can expect superb performance straight out of the box, with their small offer exciting creative possibilities
diffusers providing beautifully soft light. Whether attached to the camera or handheld, for multiple lighting.
the two SB-R200 units included are capable of a wide range of lighting situations, but The SU-800 can also be bought
add an SB-800 or additional SB-R200 units, and you seamlessly separately, and features simpler
control nearly every aspect of lighting – even in poorlylit loca- operation and a wider range of
tions. The 105 mm VR Macro lens is ideal for this type of shoot- options than the SB-800. And
ing, especially when insects are your subjects, but for any seri- because there’s no distracting pre-
ous macro photographer, the R1C1 is a must-have tool. flash with the SU-800, some pho-
http://www.fotonatura.com tographers prefer it when shoot-
ing people and
Camera setting data: animals.
Camera and Speedlight:
D200 and R1C1
Lens: AF-S VR Micro
105mm f/2.8G IF-ED
Shutter speed: 1/125 sec.
Aperture: f/13
Exposure mode: Aperture-Priority Auto
Flash mode: i-TTL
Image quality: RAW

Ring light effect with 8 SB-R200s

Brighten your subject for natural beauty

Explore fine details with flexible, wireless
Some subjects don’t pose willingly. Here a butterfly
momentarily lands on a vivid orange flower. The day Group B:
was overcast, so three SB-R200 Speedlights were
used: one is attached to the camera and pointed
© Foto Natura team Group A:
directly at the butterfly. Two off-camera units have Illuminates subject Group B:
SU-800 Wireless Speedlight Commander been angled for side-lighting and background fill, Illuminates subject
Simple operation lets you easily command with diffusers softening the light for a more natural
and background

control wireless remote Speedlight operation. look.

On-camera Commander

© Foto Natura team

Detail can be crucial to the impact of an image. That’s why Nikon
offers the ultimate tools for creative and versatile close-up light- SX-1 Attachment Ring
ing. Designed to work seamlessly with Nikon's i-TTL Wireless Allows easy attachment and detachment Close-up lighting: Step-by-step
Creative Lighting System, both the R1C1 and R1 bring an amazing of SB-R200 Speedlights to the lens.
Sometimes small units make a big impact. The model Group A:
level of simplicity and automation to the lighting process. holds a shard of mirror in front of her face, which is illu- Illuminates from
above
Close-up lighting has countless uses for nearly every kind of sub- minated by two handheld SB-R200 remote units: one
ject matter. Hobbyists enjoy capturing ornamental patterns found from above and one from below. After a little trial and
on coins, flowers and other small objects, while people photogra- SB-R200 error, the ideal angle and Speedlight positioning was
Wireless Remote determined. The result: a shot full of mystery and Group B:
phers take advantage of the shallow depth-of-field for intimate Speedlight Illuminates from

portraits. And with no wires to get in the way, you can handhold drama. below
Flexible, dependable On-camera Commander
the Speedlights to make quick adjustments or to follow moving flash control. Can be
subjects, such as insects. From medical applications to food pho- handheld, clamped on a stand or attached to Location: Turtle Bay Resort © Joe McNally

tography, the R1C1 and R1 will make you see things differently. the lens using the SX-1. The lighting angle
can be adjusted by tilting the flash head. R1C1
Both the R1C1 and R1 contain a comprehensive assortment of Reveal depth and space from ordinary objects
R1C1 comes equipped with the SU-800, SU-800 Commander on
accessories, including the SW-11 Extreme Close-up Positioning top of camera
two SB-R200 Speedlights, and more. To create a sense of fantasy from simple ornamental Diffuser SW-12
Adapter, the SJ-R200 Color Filter Set, the SW-12 Set Diffuser, the
glass, one SB-R200 was placed underneath, emphasiz-
SW-C1 Flexible Arm Clip and a set of five adapter rings to ensure
ing the thinly carved rabbit relief. To draw out the blue,
the SX-1 Attachment Ring can be mounted on virtually any Nikkor Nikon Wireless Close-up a second SB-R200 was placed behind the glass and
lens designed for close-range photography. Whichever set is right Speedlight System angled downwards, with the extreme close-up position-
Group B: Diffused from
behind using Extreme
for you, both make mastering close-up flash photography simple, ing adapter SW-11 and diffuser SW-12 helping to create Close-up Positioning
Adapter
fascinating and fun. R1 the illusion of a dual-tone blue background. The result: Group A:
R1 comes equipped with two a dreamlike image of a rabbit running across the field at Diffused from below
SB-R200 Speedlights, and more. night.
© Noriyuki Yuasa
8 9
 Which Speedlight is right for you?

Speedlights
Ultimate flash performance: Nikon Creative Lighting System Close-up Speedlight Commander Kit R1C1 (SU-800, two SB-R200s and all the accessories)
compatible Speedlights Close-up Speedlight Remote Kit R1 (Two SB-R200s and all the accessories)

SB-800 Powerful, Intelligent,

Complete
SB-600 Practical, Intelligent,
Indispensable
SB-R200 Wireless Remote Speedlight
Also available as a separate unit
SU-800 Wireless Speedlight Commander
Also available as a separate unit
Serves as Master, Commander Serves as Remote Unit in [for D2 series, D200, D70s, D50] [for D2 series, D200, D70s, D50]
or Remote Unit in Advanced Advanced Wireless Lighting
Wireless Lighting Two SB-R200 units are included with both the R1C1 and Included only with the R1C1, the SU-800 features a
the R1. Each unit features a guide number of 10 (ISO 100, commander function that can trigger the SB-R200,
[for D2 series, D200, D70s, D50] [for D2 series, D200, D70s, D50] m) or 14 (ISO 200, m). When attached to a lens via the SB-600 and SB-800 wireless remote flash units.
SX-1, the flash head can be tilted up to 60 degrees toward AF-Assist Illuminator, Target Light button and Test
the optical axis of the lens or up to 45 degrees away from button are provided.
the lens.

Attachment Ring SX-1

Can hold SB-R200 Speedlights.

Creative Lighting System Features Extreme Close-up Positioning

Adapter SW-11
• i-TTL Flash • Flash Color Information Communication For centering the light from the SB-R200 Speedlight Stand Adapter Rings IR Panel for Built-in
• FV (Flash Value) Lock • Distance Priority Manual Flash (SB-800 only) flash to an optical axis, which is especially AS-20 Enable placing of Flash SG-3IR
• Auto FP High-Speed Sync (for D2 series, D200 only) • Modeling Flash effective in close-up shooting. For the stable placement Attachment Ring SX-1 on Attached to the camera’s
• Wide-Area AF Assist Illuminator • Advanced Wireless Lighting Recommended for shooting of the SB-R200. A tripod the front of the lens. Five fil- accessory shoe when the
distances within socket is also provided. ter attachment sizes (52mm, built-in Speedlight of a
15cm (lens to 62mm, 67mm, 72mm, camera is used as a com-
SB-800 Accessories (supplied) subject). 77mm) are available. mander.
Bounce Adapter SW-10H
Soften the shadows and diffuse light during bounce
flash by attaching the SW-10H over the flash head.

Speedlight Stand AS-19

Quick Recycling Battery Pack SD-800 (comes with both SB-800 and SB-600)
Shorten recycling time to as little as 2.9 seconds in The AS-19 comes with both the SB-800 and SB-600 to allow Color Filter Holder Color Filter Set SJ-R200 Case
stable placement when used as a remote unit. A tripod socket is Flexible Arm Clip SW-C1 SZ-1
Manual mode at full output by attaching an additional
battery. also provided. Diffuser SW-12 Allows attachment of items Enables filters to be Change the mood of your •Soft Case for SU-800
This milky-white panel such as a diffuser. Can be attached to the SB-R200. close-up photography with •Soft Case for SB-R200
diffuses light from a attached to the guide groove four filters: Blue, Red, FL- •Soft Case for SX-1
Colored Gel Filter Set SJ-800 Colored Gel Filter Set SJ-1 flash and softens of the Attachment Ring SX-1. G1 for fluorescent light •Close-up Speedlight Kit
Use these gels for correct color temperature in ambient shadows. and TN-A1 for incandes- Case
lighting situations. The SB-800 ships with two filters This optional set includes eight types of colored gels
for creative Speedlight options. cent light.
developed exclusively for digital cameras: the FL-G1
(green) for fluorescent light and • FL-G1/G2 (for fluorescent light) • TN-A1/A2 (for
incandescent/tungsten light) • BLUE • YELLOW Advanced Wireless Lighting System Compatibility
the TN-A1 (amber) for
incandescent/tungsten light. • RED • AMBER Cameras Function SB-800 SB-600 SU-800 SB-R200 Built-in Close-up Cameras Function SB-800 SB-600 SU-800 SB-R200 Built-in Close-up
Speedlight Speedlight Kit Speedlight Speedlight Kit

SB-800/SB-600 Specifications Master unit ● – R1C1 Master unit ● R1C1

Electronic construction
Guide number
Angle of coverage
Flash mode
Flash exposure
compensation
Minimum recycling time
Number of flashes
Bounce capability
AF-Assist Illuminator
Power source
Mounting foot lock lever
Dimensions (W x H x D)
Weight (without batteries)
Soft case
D2
Remote unit ● ● ● – R1+SB-800 D70s Remote unit ● ● ● R1
SB-800 SB-600 series
Commander ● ● – Commander ● ● ●
Automatic Insulated Gate Bipolar Transistor (IGBT) and series circuitry
Master unit ● ● R1C1 Master unit ● R1C1
38 (ISO 100, m), 53 (ISO 200, m) (with zoom head set at 35mm) 30 (ISO 100, m), 42 (ISO 200, m) (with zoom head set at 35mm) D200 D50 ● ● ●
Remote unit ● ● ● R1 Remote unit R1+SB-800
Auto power zoom 24mm, 28mm, 35mm, 50mm, 70mm, 85mm, 105mm; Auto power zoom 24mm, 28mm, 35mm, 50mm, 70mm, 85mm; Commander ● ● ● Commander ● ●
17mm, 14mm with built-in wide-flash adapter; 14mm with soft dome 14mm with built-in wide-flash adapter
i-TTL; D-TTL; Auto Aperture; Non-TTL Auto; Manual (Full ~ 1/128 output); i-TTL; D-TTL; Manual (Full ~ 1/64 output); Red-Eye Reduction Wireless Speedlight Commander SU-800 Specifications Wireless Remote Speedlight SB-R200 Specifications
Distance-Priority Manual; Repeating Flash; Red-Eye Reduction
Transmission mode Flash light wavelengths Electronic construction Flash head tilt angle
-3.0 to +3.0 EV in increments of 1/6 steps in i-TTL or -3.0 to +3.0 EV in increments of 1/6 steps in i-TTL Infrared-pulse emitting communication using a Approx. 800 to 1,000nm (infrared ray) Automatic Insulated Gate Bipolar Transistor Down to 60°, or up to 45°
Auto Aperture flash modes flash discharge tube Flash coverage (IGBT) and series circuitry (for wireless remote Mounting foot
Approx. 2.9 seconds with the SD-800 (Manual at full) Approx. 4.0 seconds (Manual at full) Transmission range Approx. 60° (vertical), approx. 78° (horizontal) flash unit only) Dedicated shoe for Attachment Ring SX-1 or
Approx. 130 (Manual at full) (with alkaline batteries) Approx. 200 (Manual at full) (with alkaline batteries) Approx. 20m for the SB-800/SB-600, and approx. 4m Display Guide number Speedlight Stand AS-20
for the SB-R200 at normal setting LCD, ready-light 10 (ISO 100, m), 14 (ISO 200, m) Target light
Flash head tilts down to -7°, or up to 90°; flash head rotates Flash head tilts up to 90°; flash head rotates Number of channels AF-Assist Illuminator Angle of coverage White LED
horizontally 180° to the left or 90° to the right horizontally 180° to the left or 90° to the right 4 Automatically turns on when performing auto 24mm Display
Automatically turns on when performing autofocus in dim light or in the dark Number of groups focus in dim light or in the dark Flash mode Ready-light
Four AA-size alkaline/NiCd/Nickel/Ni-MH/lithium batteries; SD-8A, SK-6A/6 Four AA-size alkaline/NiCd/Nickel/Ni-MH/lithium batteries 3 Power source i-TTL; D-TTL; M (Manual): full ~ 1/64 output Power source
Number of transmissions One 3V CR123A lithium battery (close-up), full ~ 1/128 output (commander) One 3V CR123A lithium battery
Provided Provided Approx. 1,200 Dimensions (W x H x D) Recycling time Dimensions (W x H x D)
Approx. 70.5 x 129.5 x 93.0mm Approx. 68.0 x 123.5 x 90.0mm Transmission interval Approx. 68 x 96 x 58mm Approx. 6.0 seconds (Manual at full) Approx. 80 x 75 x 55mm
Approx. 350g Approx. 300g Approx. 1 second Weight (without battery) Number of flashes Weight (without battery)
SS-800 SS-600 Approx. 160g Approx. 290 (Manual at full) Approx. 120g

10 11
 Flash Accessories
Expand the possibilities of your flash photography
Sync Terminal Adapter
AS-15
for D70s, D50
The AS-15 is compatible with
the D70s and D50 which feature
standard ISO-type accessory
shoe but lack a sync terminal for
large studio strobes.
12
Your file, your vision
Speedlights
Capture NX
Capture NX software: master post-production
Finally, software that brings out the best in everyone
Post-production will never be the same. Simple and sophisticat-
ed by design, the new Capture NX is easy, intuitive and incredi-
For press photography as well as photographers more bly fast, turning complicated photo editing into a few clicks of
comfortable with wired flash synchronization, Nikon offers
the mouse. No more number crunching. No more guesswork.
additional flash accessories. They are also indispensable
Thanks to Nikon’s exclusive new U Point Technology, Capture
for Nikon D-SLRs that lack a built-in wireless commander
(such as D2 series, D50) for off-camera flash operation. NX does all the calculations for you, making it the first truly
usable editing software for all levels of photographers. Image
editing has never been so comprehensive, fast and fun!
© Joe McNally
Revolutionary: U Point Red-Eye Reduction:
Now red-eye is a breeze to remove. Just
Technology benefits place a Red-Eye Reduction Control Point
SC-28 SC-29
Color Control Points: over the eyes, click, and it’s gone.
TTL Remote Cord Easy to view and reposition, this amazing
SC-28/SC-29 (1.5m) new system lets you adjust the color of Easy-to-use Selective Tools
for D2 series, D200, D70s, D50 any part of your image in a fraction of the Take advantage of commonly used
The TTL Remote Cord SC-28/SC-29 makes off-camera TTL flash con- time that other image editing tools enhancement tools. In addition to familiar
trol easy and assured. With the Nikon digital SLRs, the SC-29 also require. A quick adjustment to a point’s selections like Lasso and Marquee, the
works as an external AF-assist illuminator. slider can adjust hue, saturation, bright- Brush tool can now paint in or paint out
ness and more with immediate, sophisti- an enhancement. Kenji Miura — commercial
cated results.
NEF (Nikon Electronic Format) photographer (Japan)
Black, White, Neutral Control Points: With Capture NX, you’ll never have to Both professionals and amateurs alike
These Control Points help correct color worry about damaging your original NEF now have a new world of post-produc-
casts and refine color balance, adding file data, even after dozens of adjust- tion opportunities available to them. The
more depth and dynamism to your beauty of Capture NX is its simplicity.
ments. All your original data and a thumb-
images. Conventional software requires a count-
nail are saved automatically, along with a less series of steps, with each individual
Show Selection for Accurate Control: set of every enhancement command effect a new stage in the process. For
This feature turns your image into black applied to it. Ordinarily, any change made many photographers, this demanded
Power Bracket Unit High-Performance Battery & white, with Control Point adjustments to a file affects the original data, but frustrating amounts of memory and
SK-6A* (for SB-800) Pack SD-8A (for SB-800) in white so that you know immediately Nikon’s original technology makes this patience. Capture NX makes the process
[for D2 series, D200, D70s, D50] [for D2 series, D200, D70s, D50] what is affected. simple to avoid by converting original easy and intuitive. Whether it’s the sky or
skin tone, simply point to an area you
Not only does the SK-6A The SD-8A is designed for use JPEG and TIFF images conveniently into
want to adjust, click, and it’s done! Hours
enable you to use the camera- with the SB-800 to shorten NEF files. How’s that for easy? of work can now be accomplished in
mountable SB-800 as a grip- flash recycling time and minutes, easily, and without requiring
Color Control Points Show Selection Red-Eye Reduction
type flash, it also offers you enhance flash capacity. It years of knowledge and experience.
remote-flash capability. Used accepts six 1.5V LR6 (AA-size Size
as an external power source or alkaline), 1.2V KR-AA (R6/AA- Hue
in combination with the size NiCd), 1.5V FR6 (AA-size Saturation
Speedlight’s own power source, lithium) or 1.2V R6/AA-size Ni- Brightness
the SK-6A reduces minimum MH batteries.
recycling time by nearly half This unique interface makes editing
while doubling the total num- incredibly simple. Just drag the slid-
ber of flashes available. ers to the left or right. No other soft-
* The SK-6 may be substituted for the ware is this intuitive.
SK-6A in some countries.
13
 Your file, your vision

Capture NX
Capture NX software: master post-production

■ Enhancing the color of the sky using Color Control Points Capture NX: Versatile Functions
Browser (NEW) Color Aberration Control
Completely redesigned to sort, organize, compare, tag and
improve images with more speed and agility.
Batching
This simple, timesaving process automatically applies one or
more enhancements to a series of images.
Edit List (NEW) Original image Enhanced image

1.
Place a Color Control Point on the sky.
■ Correcting skin tones using the Color Picker
2.
Sliders for Saturation, Hue and Brightness will
appear. Adjust these as you wish.
3.
To repeat the effect in another area, duplicate the
Control Point and place it somewhere else.
For easier, more intuitive photo editing, the Capture NX Edit List
helps you to track, cancel or add new modifications. Advanced Noise Reduction
Markers 16-bit image compatibility (available for RAW and 16-bit TIFF
Now it’s possible to create multiple versions of your original NEF files only)
image, all within the original image file, saving you time as well D-Lighting for pulling out more detail in both the highlights and
as memory on your computer. Want to have a dozen versions of the shadowy areas of your images.
one image in a single file? No problem! You’ll never have to Most features, found in Nikon Capture 4, including some not
search your computer to find other versions — they’re all there shown here, are also included in Capture NX.
with the original, and just a click away. Capture NX System Requirements
Lens Correction Tools (some functions available for RAW Windows
files only) (NEW) CPU 1.0GHz Pentium® III or higher (2.0GHz Pentium® 4 or higher recommended)
OS Windows® XP Home Edition, Windows® XP Professional, Windows® 2000 Professional
Vignette Control automatically reduces the effect of marginal illumi- RAM 256MB minimum (1.0GB or more recommended)
nation, Color Aberration Control reduces color-fringing effects, and Hard Disk 200MB required for installation
Distortion Control reduces pincushion and barrel distortion effects. Display 800 x 600 pixels (1024 x 768 or higher recommended) with 16-bit color (High Color/

1. 2. 3. Color Management (NEW)

Place a Color Control Point on any area of the sub-
ject's skin.
■ Perfecting portions of an image using Brush Tool
Select the appropriate color from the skin tones
provided in the center triangle of the Color Picker.
Rotate the outside ring to adjust the hue to
warmer or cooler.
Lets you create a color profile so that colors are consistent from
Others
thousands of colors) or 24-bit color (True Color/millions of colors) recommended
• CD-ROM drive required for installation
• Internet connection required for some options
your first to last edit. Use the Soft Proof tool to see how a spe- Macintosh
cific printer will recreate specific colors on your monitor. There’s CPU G4 or G5
OS Mac® OS X (version 10.3.9 or later)
also the Capture NX print function, which lets you use an RAM 256MB minimum (1.0GB or more recommended)
assigned profile to print your images. Hard Disk 200MB required for installation
Display 800 x 600 pixels (1024 x 768 or higher recommended) with 16-bit color (High Color/
thousands of colors) or 24-bit color (True Color/millions of colors) recommended
Others • CD-ROM drive required for installation
• Internet connection required for some options

More useful software

Camera Control Pro
Remote control for your Nikon D-SLR
When used in combination with an AF Nikkor lens (DX, D and G
1. 2. 3. types), you can operate and control most of your Nikon D-SLR
settings from a computer. Image files will be stored directly onto
Choose the Brush Tool in the Selective Tools menu. Paint in the area you want to enhance. Painting Add any desired effects. Over 25 enhancements your hard disk, turning your computer into one large-capacity
out the enhancement is just as easy. are available. media card, which can be especially valuable during high-volume
shooting such as studio work. Compatible with Wireless
■ Seamless workflow from browsing to editing Transmitter WT-2/2A and WT-3/3A, Camera Control Pro also lets
you control the camera via wireless LAN.
Image Authentication Software
Protect the integrity of your valuable data
(for D2Xs only)
When authenticity needs to be proven, Nikon's exclusive Image
Authentication function indicates whether an actual image has
been tampered with. It also lets you clarify any changes made
item by item, such as the shooting date and any GPS information
1. 2. 3. -– indispensable for public works projects and the press.
PictureProject
Choose browsing function to see images at a Organize images by labeling and sorting. Start enhancing an image quickly and simply by (provided free with all Nikon digital cameras)
glance. double-clicking on it.
Designed specifically for Nikon digital cameras, this specialized
program helps you organize, edit, enhance, print and share your
digital images. Picture Project also helps you e-mail images, as
well as burn them to a CD or DVD.
Do more with PictureProject using the following software:
• nik Color Efex™ Pro 2.0 Express Edition
Offering fifteen kinds of digital filters for professional-level filter-
ing effects, nik Color Efex™ Pro 2.0 Express Edition can help you
apply considerably more artistry to your work.
• PictureProject DVD Show
Turn your images and movies from your still digital camera into
moving video clips set to music. You can even add sound effects
and then burn them to a CD or DVD (Windows only).
• PictureProject COOLPIX Remote Control
Control your COOLPIX S4, COOLPIX L1 and COOLPIX
8800/8400 cameras via computer. Simply connect the camera to
your computer via USB cable.

14 15

Multi-Power
Battery Pack MB-D200
for D200
Runs on either six LR6/AA-
size alkaline, FR6/AA-size
lithium, or 1.2V R6/AA-size
Ni-MH batteries, or one or
two EN-EL3e rechargeable
Li-ion batteries. Features
two command dials, shutter
release button and AF start
button for vertical shooting.
GPS Cable
MC-35
for D2 series, D200
Enables the Nikon D2-series/
D200 digital SLRs to be connect-
ed to NMEA-O183 protocol-com-
patible GPS (Global Positioning
System) units such as GARMINTM
and MAGELLANTM for recording
GPS positioning information and
time signals synchronous to UTC
(Universal Coordinated Time)
within image data files during
shooting.
16
GPS cable/Wireless transmitter
Battery pack/Remote control/
Power when you need it Steady shots — night or day
Battery packs and power management Remote control accessories
Rechargeable Li-ion Rechargeable Li-ion Rechargeable Li-ion Rechargeable Li-ion Quick Charger Quick Charger Remote Cord Remote Cord Remote Cord Extension Cord Connecting Cord
Battery EN-EL4a Battery EN-EL4 Battery EN-EL3e Battery EN-EL3a MH-21 MH-18a MC-36 (0.85m) MC-30 (0.8m) MC-22 (1m) MC-21 (3m) MC-23 (0.4m)
for D2 series for D2 series for D200, D70s*, D50* for D70s, D50 for D2 series for D200, D70s, D50 for D2 series, D200 for D2 series, D200 for D2 series, D200 for D2 series, D200 for D2 series, D200
These rechargeable batteries provide extended life and consistent power, even in cold Enables charging of Enables charging of Enables remote firing of a Enables remote firing of a Useful for making connections to For use with MC-30 or MC-22. Connects two cameras for simul-
conditions. Used together with your Nikon D-SLR, the camera’s fuel gauge accurately rechargeable Li-ion Battery rechargeable Li-ion Battery camera, and setting of Interval camera with trigger-lock function a shutter-triggering device, such taneous or synchronized shutter
displays the remaining charge, number of shots since last charge, and current battery life EN-EL4a/EL4. EN-EL3e/EL3a. Timer and Long Time Exposure. by keeping the shutter release as those activated by an infrared release.
status. The EN-EL4a/EL4 even gives notice when calibration is necessary. Incorporates illuminated LCD button depressed — useful for sensor to take pictures of
*Compatible except fuel gauge function panel. bulb shooting. wildlife after dark.
Communication technology for any location
GPS cable/Wireless transmitters Modulite Remote Control Adapter Cord Remote Cord
Set ML-3 MC-25 (0.2m) MC-DC1 (1m)
for D2 series, D200 for D2 series, D200 for D70s
The ML-3 offers remote control of Enables use of two-pin remote Enables remote firing of the
two separate channels via an accessories: Remote Cord D70s.
infrared LED beam to enable auto- MC-4A, Remote Cord MC-12B,
matic camera operation from a and Terminal Release MR-3.
distance up to about 8m. Features
include auto-triggering and
delayed shutter release, as well
as single and continuous shooting.
Wireless Transmitter Wireless Transmitter Extended Range Antenna
WT-2/2A WT-3/3A* WA-E1
for D2 series for D200 for D2 series, D200 Filters
Wireless Transmitters WT-2/2A and WT-3/3A enable image data Increases the effective transmis-
transfer via wireless LAN (Wi-Fi)**. Simply mount one on the bottom sion range of wireless LAN from
of your camera and connect via USB cable, then any captured data the normal 30m to approx.
can be transferred at high speed. And since they support various net- 150m. AF-3 AF-4
work and security protocols, these transmitters are compatible with a
wide range of system environments. Camera Control Pro also enables Neutral Color Circular Polarizing Gelatin Filter Holders Slip-in Circular Polarizing Filters
wireless remote control from a personal computer NC Filers Filters AF-3, AF-4 Designed for use with telephoto lenses that provide a slip-in filter
via PTP/IP. With WT-3/3A, data transfer through a Available in attachment By reducing the light reflected holder, these filters reduce glare from non-metallic surfaces such as
These holders accommodate gelatin or glass filters to a thickness of
wired LAN via Ethernet network is also possible. sizes 39mm, 46mm, 52mm, from non-metallic surfaces, glass and water. Simply turn the rotating ring on the holder to find
approx. 2mm. The AF-3 is used with 3-inch square gelatin filters and
58mm, 67mm, these filters polarizing filters allow direct the most effective position. These filters do not affect autofocus or
* Available in summer 2006 Nikkor lenses having an attachment size of 52/62/67/72/77mm. The
serve as lens protectors shooting through glass windows auto exposure operation. Both the C-PL1L and C-PL-3L feature 52mm
** Conforming to the IEEE802.11b/g standard AF-4 is used with 4-inch square gelatin filters and Nikkor lenses hav-
and do not affect color bal- and minimize glare from water ing an attachment size of 52/62/67/72/77/82/95mm. diameter.
Note: The WT-2/3 is sold in countries where governments ance. In addition, multilayer surfaces, sunlit trees and grass.
approve the use of 13 frequency channels. The WT-2A/3A is Nikon also offers two dedicated hood Slip-in Circular Polarizing Filters—Compatible lenses
coating prevents light Compatible with both color and
sold in countries that authorize only the use of 11 frequency options — the HN-36 for the AF-3 and the C-PL1L C-PL3L
channels. reflection inside the glass, monochrome photography. AF-S VR 200mm f/2G IF-ED — √
HN-37 for the AF-4. Several hoods of the
thereby improving color AF-S VR 300mm f/2.8G IF-ED √ —
same diameter can be stacked, depending AF-S 300mm f/2.8D IF-ED II √ —
rendition.
on the focal length of the lens in use. AF-S 400mm f/2.8D IF-ED II √ —
AF-S 500mm f/4D IF-ED II √ —
AF-S 600mm f/4D IF-ED II √ —
√: Compatible —: Incompatible
17
 Viewing attachments/
Close-up accessories
View with clarity and comfort Close in on every subject
Viewing attachments Close-up accessories
(For information on the PB-6 and its limitations, see chart below)

Eyepiece Magnifier Eyepiece Adapter Magnifying Eyepiece Bellows Focusing Extension Bellows Bellows Spacer Slide Copying Adapter Macro Copy Stand
Right-Angle Viewing DG-2 DK-22 DK-18 DK-17M Attachment PB-6 PB-6E PB-6D PS-6 PB-6M
Attachment DR-5/DR-6
for D2 series, D200, D70s, D50 for D200, D70s, D50 for D2 series for D2 series Renders reproduction ratios from Attaches to the PB-6 for an Enables a D2 series camera to Used with the PB-6 and a Nikkor Attaches to the end of the PB-6
for D2 series, D200, D70s, D50 about 1:1 to nearly 11x life-size, astounding magnification of 23x move on the PB-6 rail without lens to make duplicate slides. to convert it into a miniature
The DG-2 provides 2x magnifica- Enables attachment of Eyepiece Attached to a D2 series camera,
Provides an upright, unreversed image for right-angle viewing. depending on the lens in use life-size when using a 20mm interference and allows horizon- Cropping of the original slide is copy stand or specimen stage.
tion of the central area of the Magnifier DG-2 to the camera’s the DK-17M magnifies the finder
Individual eyesight adjustments are possible. The DR-5/DR-6 and whether the lens is mounted wideangle lens in reverse posi- tal/vertical changeover any- possible.
finder image. Eyesight adjust- eyepiece. DK-22 is for cameras image approximately 1.2 times.
allows you to set the reproduction ratio to either 1:1 or 1:2. in normal or reverse position. tion. With this combination, the where along the rail. Two
ment provided. Useful for critical with a rectangular eyepiece. Diopter adjustment range is
Focal range of compatible lenses continuously variable extension PB-6Ds are needed when using
The DR-5 is for cameras with a circular eyepiece (D2 Series); the focusing in close-up photogra- DK-18 is for cameras with a cir- widened at both the (+) and (-)
is from 20mm to 200mm. The range is from 83mm to 438mm. the PB-6; three are needed when
DR-6 is for cameras with a rectangular eyepiece (D200, D70s, phy. Requires an eyepiece cular eyepiece. sides.
lens extension covers the range using the PB-6E.
D50). An eyepiece adapter is required when attaching the DR-5 to adapter.
from 48mm to 208mm, for pro-
D2 series cameras. ducing frame-filling images of
even the tiniest subjects.

PK-11A PK-12 PK-13

Magnifying Eyepiece Eyepiece Correction
DK-21M Lenses DK-20C
for D200 for D200, D70s, D50
The DK-21M magnifies the D200 An easy-to-use viewing and
finder image by approximately focusing aid which enables near-
1.1 times. and farsighted photographers to
view the finder image accurately
Normal image without having to wear eye-
glasses.
With DK-21M
Eyepiece Correction Antifog Finder Eyepiece Rubber Eyecup Macro Adapter Ring Adapter Ring Focusing Stage Auto Extension Rings *
Lenses DK-17C DK-17A DK-19/DK-20/DK-21 BR-2A BR-3 PG-2 PK-11A**, PK-12 and PK-13 auto
for D2 series for D2 series for D2 series, D200, D70s, D50 Enables reverse-mounting of A handy adapter that converts Simplifies close-up focusing extension rings fit between the
lenses. The BR-2A also increas- the bayonet mount of reverse- when using a tripod-mounted camera body and lens singly or in
Five correction lenses from –3 to A transparent plastic plate with Improves viewing comfort and
es the working distance for nor- mounted lenses to the 52mm camera. combinations. When attached to an
+2m-1 for circular-eyepiece cam- a special surface coating that prevents stray light from enter- PB-6 Compatibility Chart
eras. reduces fogging. ing the viewfinder and washing
mal or wideangle lenses. thread used for filters and (For D200, D70s, D50) AI Nikkor lens, the lens retains
Depending on the camera used, cer-
Compatible with lenses having a hoods. automatic diaphragm and meter
out contrast. DK-19 is for D2 tain accessories may be required
52mm-sized front attachment. coupling functions. This gives you when using the PB-6. Auto Extension
series, DK-21 is for D200, and
freedom to compose, focus and Rings can increase lens extension.
DK-20 is for D70s/D50.
meter at the brightest, fullest aper-
D2 series PK-12 or PK-13;
ture position without having to stop two PB-6Ds
down the lens manually before (depending on
shooting. (Exposure meter does not camera position)
work with D70s or D50.) D200 PK-12 or PK-13
D200 with PK-13 and
* G-type lenses cannot be used.
MB-D200 two PB-6Ds
Reproduction ratio ** Cannot be used with AF-S lenses.

The reproduction ratio, which indicates the relationship between sub- the reproduced image is the same size as the subject, the reproduction ratio is one-to-one (1:1 or 1x). If
Interchangeable Focusing Screens ject size and the size of the image on an image sensor, is determined the image is two times larger, the ratio is 2:1 or 2x. Nikon equipment for close-up photography offers a
by the distance to the subject and by the lens’ focal length setting. If wide range of reproduction ratio capabilities.
Reproduction ratios using 50mm lens

Type B Type E Type V Type W

Type B Type E Type V, W 1/8X 1/4X 1/2X 1X 2X 4X 8X

for D2 series for D2 series D2X only

Offers unobstructed viewing and
easy focusing over the entire
matte surface. Good for all gen-
eral photography.
18
Features grid patterns ideal for
copying and architectural pho-
tography.
Auto Extension Ring: 1/6.5x ~ 1.1x
With the D2X, corner brackets
PB-6 (normal mounting): 1/1.1x ~ 4.0x
indicate the rectangular area to
be shot in High-speed Crop PB-6 (reverse mounting): 1.4x ~ 3.9x
mode. PB-6 + PB-6E (reverse mounting): 1.4x ~ 8.4x
19
 SYSTEM DIAGRAM
Prepare for the Possibilities

SPEEDLIGHTS (Pp.0-0)
SPEEDLIGHTS (pp4-12) VIEWING
VIEWING ATTA (Pp.0-0)
ATTACHMENT CHMENT (p18) TEN-PIN REMOTE ACCESSORIES (p17) CLOSE-UP ACCESSORIES (p19)

Eyepiece Rubber Eyecup Remote Cord Connecting Cord

Speedlight Speedlight TTL Remote Cord DK-17 DK-19 MC-36 (0.85m) MC-23 (0.4m)
SB-800 SB-600 SC-28/SC-29
(1.5m)
Antifog Finder Eyepiece Magnifying Eyepiece Remote Cord Modulite Remote
MC-30 (0.8m) Control Set ML-3 Bellows Focusing Extension Bellows Bellows Spacer
DK-17A DK-17M Attachment PB-6 PB-6E PB-6D
Close-up Speedlight Close-up Speedlight
Commander Kit R1C1 Remote Kit R1 Right-Angle Viewing Remote Cord Adapter Cord
Eyepiece Correction Lenses Attachment DR-5
(SB-800 required) DK-17C MC-22 (1m) MC-25 (0.2m)
(–3 to +2m-1, 5 kinds)
Power Bracket Unit High-performance Extension Cord GPS Cable
SK-6A (for SB-800) Battery Pack SD-8A Eyepiece Adapter Eyepiece Magnifier MC-21 (3m) MC-35 (0.35m)
(for SB-800) DK-18 DG-2 Slide Copying Macro Copy Focusing Stage
Adapter PS-6 Stand PB-6M PG-2 (for D200,
D70s, D50)
POWER SOURCES (p16) FOCUSING SCREENS (p18) WIRELESS TRANSMITTER (p16) SOFTWARE (pp13-15)

Rechargeable Quick Charger Type-B Capture NX

Li-ion Battery EN-EL4a MH-21 Camera Control Pro
Extended Range Macro Adapter Adapter Ring Auto Extension Ring
Wireless Transmitter Image Authentication Software
Antenna WA-E1 Ring BR-2A BR-3 PK-11A/12/13
Rechargeable AC Adapter WT-2/2A (for D2Xs)
Type-E PictureProject
Li-ion Battery EN-EL4 EH-6

STRAPS

SPEEDLIGHTS
SPEEDLIGHTS (pp4-12)
(Pp.0-0) VIEWING
VIEWING ATTA (Pp.0-0)
ATTACHMENT CHMENT (p18) TEN-PIN REMOTE ACCESSORIES (p17)

Rubber Eyecup Eyepiece Cap Remote Cord Connecting Cord

DK-21 DK-5 MC-36 (0.85m) MC-23 (0.4m)
Speedlight Speedlight TTL Remote Cord
SB-800 SB-600 SC-28/SC-29
(1.5m) Remote Cord Modulite Remote AN-6W AN-6Y AN-4Y AN-4B
Magnifying Eyepiece Right-Angle Viewing
DK-21M Attachment DR-6 MC-30 (0.8m) Control Set ML-3
Close-up Speedlight Close-up Speedlight
Commander Kit R1C1 Remote Kit R1
Eyepiece Correction Remote Cord Adapter Cord
Lenses DK-20C MC-22 (1m) MC-25 (0.2m)
(–5 to +3m-1, 9 kinds)

Power Bracket Unit High-performance Extension Cord GPS Cable

Eyepiece Adapter Eyepiece Magnifier
SK-6A (for SB-800) Battery Pack SD-8A MC-21 (3m) MC-35 (0.35m)
DK-22 DG-2 AN-17 AN-18 Hand Strap AH-4
(for SB-800)

POWER SOURCES (p16) WIRELESS TRA NSMITTER (p16) SOFTWARE (pp13-15) CAMERA CASE
LENS AND BODY CAPS
Rechargeable Multi-Power Battery Pack
Li-ion Battery MB-D200 Capture NX
EN-EL3e Wireless Transmitter Extended Range
WT-3/3A Antenna WA-E1 Camera Control Pro CF-D200
PictureProject Front Cap
Quick Charger AC Adapter Rear Cap LF-1
MH-18a EH-6 Body Cap BF-1A

SPEEDLIGHTS (pp4-12) VIEWING ATT ACHMENT (p18) POWER SOURCES (p16)

LCD MONITOR COVER
Rubber Eyecup Eyepiece Cap
DK-20 DK-5 Rechargeable
Speedlight Speedlight TTL Remote Cord Li-ion Battery Quick Charger
SB-800 SB-600 SC-28/SC-29 EN-EL3a MH-18a BM-3 (for D2 series)
(1.5m) BM-6 (for D200)
Eyepiece Correction Right-Angle Viewing BM-5 (for D70s)
Lenses DK-20C Attachment DR-6 Rechargeable
(–5 to +3m-1, 9 kinds) Li-ion Battery
Close-up Speedlight Close-up Speedlight EN-EL3e
Commander Kit R1C1 Remote Kit R1 AC Adapter
(SB-800 required for D50) CR2 Battery Holder EH-5
Eyepiece Adapter Eyepiece Magnifier MS-D70 (for D70s)
DK-22 DG-2
Power Bracket Unit High-performance
SK-6A (for SB-800) Battery Pack SD-8A
(for SB-800) REMOTE ACC ESSORIES (p17) SOFTWARE (pp13-15) CAMERA CASES
Capture NX
Remote Cord MC-DC1 Wireless Remote Control
Sync Terminal Adapter Camera Control Pro CF-D70 CF-D50
(for D70s) ML-L3
AS-15 PictureProject
Note: Some multi-accessory combinations may not be compatible with certain cameras.

20 21
 NIKKOR LENS LINEUP N I K O N D I G I T A L S L R S
You want performance. You need consistency. You’re searching for the best image quality in the business. You’re looking
DX Nikkor Lenses in the right place. Professionals and passionate amateurs around the world understand that Nikon means quality and
dependability. Which digital SLR is right for you?

AF DX Fisheye-Nikkor AF-S DX Zoom-Nikkor AF-S DX Zoom-Nikkor AF-S DX Zoom-Nikkor AF-S DX Zoom-Nikkor AF-S VR DX Zoom-Nikkor AF-S DX Zoom-Nikkor
10.5mm f/2.8G ED 12-24mm f/4G IF-ED (2.0x) 17-55mm f/2.8G IF-ED (3.2x) 18-55mm f/3.5-5.6G ED (3.0x) 18-70mm f/3.5-4.5G IF-ED (3.8x) 18-200mm f/3.5-5.6G IF-ED (11.1x) 55-200mm f/4-5.6G ED (3.6x) Professional digital SLR: Integrated
like no other
● 12.4 effective megapixels for 4,288 x 2,848 pixel images ● Exclusive Nikon DX Format CMOS
AF Zoom-Nikkor Lenses imaging sensor and high-speed 4-channel independent data output ● Continuous shooting at
5 fps (Full Image) or 8 fps (6.8 megapixel High-speed Crop Image) ● High-speed, high-preci-
sion 11-area AF system with 9 cross-type AF sensors ● LCD monitor with 170 degree of view-
ing angle ● i-TTL flash control supports the Creative Lighting System ● Quick startup and
short 37-millisecond shutter release time lag

AF-S Zoom-Nikkor AF Zoom-Nikkor AF Zoom-Nikkor AF-S VR Zoom-Nikkor AF-S Zoom-Nikkor AF-S VR Zoom-Nikkor
17-35mm f/2.8D IF-ED 18-35mm f/3.5-4.5D IF-ED 24-85mm f/2.8-4D IF 24-120mm f/3.5-5.6G IF-ED 28-70mm f/2.8D IF-ED 70-200mm f/2.8G IF-ED
(2.1x) (1.9x) (3.5x) (5.0x) (2.5x) (2.9x)

Dependable high-speed
professional digital SLR
● 4.1 effective megapixels for 2,464 x 1.632 pixel images ● Exclusive Nikon DX Format JFET
imaging sensor LBCAST ● Image-processing engine with refined ASIC ● Continuous shooting
AF Zoom-Nikkor AF Zoom-Nikkor AF Zoom-Nikkor AF VR Zoom-Nikkor AF-S VR Zoom-Nikkor at approx. 8 fps for up to 50 consecutive JPEG or 40 RAW (NEF) ● High-speed, high-precision
70-300mm f/4-5.6D ED 70-300mm f/4-5.6G 80-200mm f/2.8D ED 80-400mm f/4.5-5.6D ED 200-400mm f/4G IF-ED
(4.3x) (4.3x) (2.5x) (5.0x) (2.0x)
11-area AF system with 9 cross-type AF sensors ● 3D Color Matrix Metering II featuring 1,005-
pixel RGB sensor ● i-TTL flash control supports Creative Lighting System

AF Single-Focal-Length Nikkor Lenses

Precision crafted, for the ultimate digital

SLR experience
AF Nikkor AF Fisheye-Nikkor AF Nikkor AF Nikkor AF Nikkor AF Nikkor AF Nikkor AF Nikkor AF Micro-Nikkor ● 10.2 effective megapixels for 3,872 x 2,592 pixel images ● Exclusive Nikon DX Format CCD
14mm f/2.8D ED 16mm f/2.8D 20mm f/2.8D 24mm f/2.8D 28mm f/2.8D 35mm f/2D 50mm f/1.4D 50mm f/1.8D 60mm f/2.8D imaging sensor and high-speed 4-channel independent data output ● Continuous shooting at
5 fps up to 37 consecutive JPEG or 22 RAW (NEF)* ● 3D Color Matrix Metering II featuring
1,005-pixel RGB sensor ● High-performance System LSI ● High-speed, high-precision 11-area
AF system ● Built-in Speedlight supports Creative Lighting System
* When using a SanDisk SDCFX3 (Extreme III), SDCFH (Ultra II) or Lexar Media 80X WA CompactFlashTM card

AF Nikkor AF Nikkor AF DC-Nikkor AF-S VR Micro-Nikkor AF DC-Nikkor AF Nikkor AF-S VR Nikkor

85mm f/1.4D IF 85mm f/1.8D 105mm f/2D 105mm f/2.8G IF-ED 135mm f/2D 180mm f/2.8D IF-ED 200mm f/2G IF-ED

A dimension ahead

● 6.1 effective megapixels; Nikon DX format CCD ● Continuous shooting at 3 fps up to 144 pic-
AF Micro-Nikkor AF-S VR Nikkor 300mm AF-S Nikkor
200mm f/4D IF-ED f/2.8G IF-ED 300mm f/4D IF-ED tures* ● Advanced digital image processor ● High-performance System LSI ● Top shutter-
speed up to 1/8,000 second and flash sync speed up to 1/500 second ● Built-in Speedlight sup-
AF-S Nikkor ports Creative Lighting System
400mm f/2.8D IF-ED II * When using JPEG NORMAL – Large setting and a SanDisk SDCFH (Ultra II), SDCFX (Extreme III) or Lexar Media
80X WA CompactFlashTM card

AF-S Teleconverter
TC-14E II

AF-S Teleconverter Quality that makes every occasion special

TC-17E II
● 6.1 effective megapixels; Nikon DX format CCD ● Advanced digital image processor ● 3D
AF-S Nikkor AF-S Nikkor Color Matrix Metering II featuring 420-pixel RGB sensor ● High-performance System LSI ● High-
500mm f/4D IF-ED II 600mm f/4D IF-ED II AF-S Teleconverter performance i-TTL built-in Speedlight and Creative Lighting System compatibility ● Seven auto-
TC-20E II mated Digital Vari-Program modes

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