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“ of Julius Eicr!«
2
"•n ••
imr
Erster Flotenimterricht. Flute-Method for Beginners.

Die Noten. The Notes.

Di(f 5 Ijiiiieii; [~
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J
Die 4 Zwisdieiiriiume:
Thee J lines: J The 4 spaces:
Trj, ^ Ti t'
^ c e
e g b d f f « c e

A :=;=
Zwei Noteii unter deji Liiiieii Uber den Linieii
-
^-f ff'f e
Ttico notes under the lines above the lines y[
d f u e .

'a e.

a ^
d e
^ ^ b d f c ~a

d c

Tonunifan^ der Fldte:

Compass of theflute:
flute
•

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51

Wertli der Noten.

Value of the notes.
Ganze Note oder 3.Halbe Noten oder 4.Viertel-Noten. Aehtel-Noten

t
Linke Hand. Left hand.
Semi-breve or'^.Minims or\.
XE zz:
Crotchets. Quavers.

rrrr ppirmr i i

^
Sechszehntel-Noten.
Semiquavers.
* e tc
!
- .

Reelite Hand. Right hand.

\ Fint:er. 5 Fin^rer. 6 Fing'er.
O- XE XE
i XE -e- xr XX
Der Schuler kennt jetzt schon folgende Tone: I The pupil knows already the following notes:

Die ersten Uebungen. The first exercises.

Linke Hand. Left hand. XL
XE XE O
i XX -e-
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Beide Hande. Both hands.

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Linke Hand. Left hand.

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Beide Hande. Both hands.

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Edition Peters. C. 37314

 — ^ —n

Uebungen in den bisjetzt bekannten TonenjExercises in the notes already known.

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Edition Peters. C. 37314

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Edition Peters. C. 37314

 ' 1 1

Dep Ton Cis. The note C^.

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Edition Peters. C. 37314

 — — : —^
0
Die Takteintheilung. j
The division of time.
Man zalile:
One count-.
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Edition Peters. C. 37314

 — — * ^
*

Der Punkt an der Note. |

Dot on the note.

1.2.3. 1. 2. 3. 1.2. 3. 1. 2. 3.
~y
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VerschiedeneTaktarten. 1
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Edition Peters. C. 37314

 — ^

Triolen und Sextolen. Triplets and sestuplets.

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Edition Peters. C. 37314

 — — —
9
Bindungen. I Ties.
2 Tone biiifleii. The tying of two notes.

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3 Tone binden. Tying of three notes.

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Edition Peters. C. 37314

 ^ ^

10

Syncopirte Noten. Syncopated notes.

N9 1. ^3 1 -

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m £ i=# a.

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Edition Peter’S C. 37314

 —1 —
11

Versetzungszeichen. Chromatic signs.

a note a semi-tone.

5
t fes es des
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Das 5 erliolit um a i ^
raises a note a semi-tone
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Edition Peters. C. 37314

 V

12
Leichte Uebungen
Easy exercises in notes already learnt.
ill den bisJier keiuien geleriiten Tdneii.

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Eaition Peters. C. 37314

Edition Peters. C. 37314
 . '

14
Hohere Tone. |
Higher notes.

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Up-beat.

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Edition Peters. C. 37314

 —
15

Uebungsstucke mit punktirten Noten. |

Exercises with dotted notes.

1. 2. 3. 4.
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Uebungen in \ erschiedenen Intervallen. Exercises in different intervals.

Terzeu. Thirds.

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Es giel)t zwei Toiigesclilecliter, welclie Diir- und Ttvo different kinds of keys exist, which are cal-
Moll— ”;eiiannt werdeii. Man erkeiint sie zn- led Major and Minor. One recognizes themfirst-
nachst an Hirer Terz, welelie bei einer Dnr-Toii- ly by their thirds, which are larger in major, and
art gross, dagegen bei einer Moll-Tonart klein smaller in minor.The difference betwee?t a major
seiii iiinss. Der Unterschied zwisehen einer gro- and manor third consists of ojie semi- tone^ the
ssen niid kleiueii Terz besteht dariii,dass zwisehen semi- tones lying between a major third are
der grosseu Terz 3 halbe Tone imd zwisehen der three in number, between a minor however on-
kleiiieii Terz nnr 2 halbe Tone liegeii. ly two. For instance:
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Tonarten die 6. nnd 7. Stnfe anfwartsgehend er- has to be raised ascetiding. For instance-.
hbht werden muss. Z. B,

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Edition Peters. C. 37314

 17

Sammtliche Tonarten in Dur und Moll. 1

All keys in major and minor.
C-dur. C -major. G-dur. G - 7najo r.
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A-moll. A-minor. E-moll. E -minor.

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?6. Dds Doppelkreuz (x) erhoht um 2 halbe Tone. Die Nole^^^ }B. ^4 double - sharp (yi) raises a nole two semi- tofies. The note
heissl; t'isis, oder Doppelfis und ist gleichlautend mit^^^ben- ^**C is F double-sharp and sounds like the same way
mil „ ^^like\
Edition Peters. C. 37314
 — ^ — — ———r0 — HHin

18

Uebungen im Dreiklang. |
Exercises in the triad.

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