S.T.

COLERIDGE

S.T. Coleridge, Poetical Works, ed. J.C.C. Mays (6 vols, Princeton, 2001), esp. Vol. I: Poems (Reading Text). S.T. Coleridge, Poems, ed. John Beer (new ed., rev. and re-set, London, 1993) [Everyman Library, but not to be confused with reissues of the earlier Everyman edition]. S.T. Coleridge, The Complete Poems, ed. William Keach (Penguin; London, 1997). S.T. Coleridge, S.T. Coleridge, ed. H.J. Jackson (The Oxford Authors; Oxford, 1985). Wordsworth (William), Lyrical Ballads, and Other Poems, 1797-1800, ed. James Butler and Karen Green (The Cornell Wordsworth, Ithaca, N.Y., 1992) [includes Coleridge's contributions, pp. 766-800]. S.T. Coleridge, Coleridge's 'Dejection'; The Earliest Manuscripts and the Earliest Printings, ed. S.M. Parrish (Ithaca and London, 1988). S.T. Coleridge, Fears in Solitude, Written in 1798, During the Alarm of an Invasion. To Which are Added, France, an Ode; and Frost at Midnight. [Price One Shilling and Six-pence.] [Facsimile ed., Oxford, 1989]. [For possible larger context for these three poems taken together see Magnuson (Paul), 'The Politics of "Frost at Midnight"', in his Reading Public Romanticism (Princeton, 1998), Chap. 3 (pp. 67-94), and Barrell (John), The Spirit of Despotism; Invasions of Privacy in the 1790s (Oxford, 2006); on contexts for 'Fears in Solitude' see Christensen (Jerome), 'Ecce Homo; Biographical Acknowledgement, the End of the French Revolution, and the Romantic Reinvention of English Verse', in Epstein (William H.) (ed.), Contesting the Subject; Essays in Postmodern Theory and Practice of Biography and Biographical Criticism (West Lafayette, Ind., 1991), pp. 53-83].

S.T. Coleridge, Biographia Literaria, Or, My Literary Life and Opinions, ed. James Engell and W. Jackson Bate (2 vols, London, 1983) [the annotation to this edition is superior to that of any other]. S.T. Coleridge, The Friend, ed. Barbara E. Rooke (2 vols, London and Princeton, 1969). S.T. Coleridge, Notebooks, ed. K. Coburn et al. (4 vols in 8, London, 19571990). S.T. Coleridge, Aids to Reflection, ed J. Beer (Princeton, 1993). Foakes (R.A.) (ed.), Coleridge's Criticism of Shakespeare; A Selection (London, 1989).

2 Coleridge (Samuel Taylor), 'Lecture on the Slave-Trade', in Lectures, 1795, On Politics and Religion, ed. Lewis Patton and Peter Mann (Collected Works, 1; London, 1971 and reprinted); see also Kitson (Peter J.), '"Bales of Living Anguish": Representations of Race and the Slave Trade in Romantic Writing', English Literary History, 67 (2000), 515-37 [extensive first-rate bibliography]. Clarkson (Thomas), The History of the Rise, Progress, and Accomplishment of the Abolition of the African Slave-Trade by the British Parliament [facsimile reprint of 1808 1st ed.] (2 vols, London, 1968).

Ashton (Rosemary), The Life of Samuel Taylor Coleridge; A Critical Biography (Oxford, 1996). Newlyn (Lucy) (ed.), The Cambridge Companion to Coleridge (Cambridge, 2002.

Keymer (Thomas) and Mee (Jon) (eds), The Cambridge Companion to English Literature, 1740-1830 (Cambridge, 2004). Roe (Nicholas) (ed.), Romanticism; An Oxford Guide (Oxford, 2005). O'Neill (Michael) (ed.), Literature of the Romantic Period; A Bibliographical Guide (Oxford, c.1998 and reprinted).

Abrams (M.H.), The Mirror and the Lamp; Romantic Theory and the Critical Tradition (New York, 1953). Bate (Jonathan), 'The Literature of Power: Coleridge and De Quincey', in Tim Fulford and Morton Paley (eds), Coleridge's Visionary Languages: Essays in Honour of J.B. Beer (Cambridge, 1993). Beer (John), Coleridge's Poetic Intelligence (London, 1977). Beer (John), Romantic Consciousness; Blake to Mary Shelley (Houndmills, 2003). Buchan (A.M.), 'The Influence of Wordsworth on Coleridge (1795-1800)', UTQ, XXXII (1963), 346-66. Coffman (Ralph J.), Coleridge's Library; A Bibliography of Books Owned or Read by Samuel Taylor Coleridge (Boston, Mass., c.1987). Coleman (Deirdre), Coleridge and 'The Friend' (1809-1810) (Oxford, 1988). Curran (Stuart), Poetic Form and British Romanticism (Oxford, 1986). Durr (R.A.), "'This Lime-Tree Bower My Prison" and a Recurrent Action in Coleridge', ELH, 26 (1959), 514-30. Empson (William), 'The Ancient Mariner' [1964], in his Argufying: Essays on

3 Literature and Culture, ed. J. Haffenden (London, 1988). Engell (J.), Forming the Critical Mind; Dryden to Coleridge (Cambridge, Mass., 1989). Everest (Kelvin), Coleridge's Secret Ministry; The Context of the Conversation Poems, 1795-1798 (Brighton and New York, 1979). Fulford (Tim), Coleridge's Figurative Language (Basingstoke, 1991). Grard (A.S.), English Romantic Poetry; Ethos, Structure and Symbol in Coleridge, Wordsworth, Shelley and Keats (Berkeley and Los Angeles, 1968), Chap. 2: 'The Discordant Harp: the Structure of Coleridge's Conversation Poems'. Hamilton (Paul), Coleridge's Poetics (Oxford, 1983). Harding (Anthony John), 'Coleridge among the Mythographers; "The Rime of the Ancient Mariner"', in his The Reception of Myth in English Romanticism (Columbia, Mo., 1995), Chap. 1 (pp. 25-59). Haven (Richard), Patterns of Consciousness; An Essay on Coleridge (Amherst, Mass., 1969). Jasper (David) (ed.), The Interpretation of Belief; Coleridge, Schleiermacher and Romanticism (London and Basingstoke, 1986). Johnston (Kenneth), 'Self-consciousness, Social Guilt, and Romantic Poetry' [on 'The Ruined Cottage' and 'The Ancient Mariner'], in Richard Eldridge (ed.), Beyond Representation; Philosophy and Poetic Imagination (Cambridge, 1996). Keane (Patrick K.), Coleridge's Submerged Politics; 'The Ancient Mariner' and 'Robinson Crusoe' (Columbia, Mo., 1994). Kearns (Sheila M.), Coleridge, Wordsworth, and Romantic Autobiography; Reading Strategies of Self-Representation (Madison, N.J., 1995); see also Vincent (David), Bread, Knowledge and Freedom; A Study of NineteenthCentury Working Class Autobiography (London, 1981). Kitson (Peter), 'Coleridge, the French Revolution, and "The Ancient Mariner": Collective Guilt and Individual Salvation', Yearbook of English Studies, 19 (1989), 197-207. Leask (Nigel), The Politics of Imagination in Coleridge's Critical Thought (Basingstoke, 1988). Leavis (F.R.), 'Coleridge in Criticism', Scrutiny, IX (1940), 57-69, reprinted in his The Critic as Anti-Philosopher; Essays & Papers, ed G. Singh (London, 1982), pp. 41-52. Levere (T.H.), Poetry Realized in Nature; Samuel Taylor Coleridge and Early Nineteenth-century Science (Cambridge, 1981). McFarland (Thomas), Coleridge and the Pantheist Tradition (Oxford, 1969). McFarland (Thomas), Romanticism and the Forms of Ruin; Wordsworth, Coleridge, and Modalities of Fragmentation (Princeton, 1981). McFarland (Thomas), Originality and Imagination (Baltimore and London,

4 1985), esp. Chap. 5: 'The Poetic Working of Secondary Imagination'. McGann (Jerome J.), "'The Ancient Mariner': the Meaning of the Meanings", in his The Beauty of Inflections; Literary Investigations in Historical Method and Theory (Oxford, 1985). Matheson (Ann), 'The Influence of Cowper's The Task on Coleridge's Conversation Poems', in Donald Sultana (ed.), New Approaches to Coleridge; Biographical and Critical Essays (London, 1981). Mellor (Anne K.), 'Guilt and Samuel Taylor Coleridge', in her English Romantic Irony (Cambridge, Mass., 1980), Chap. 5 (pp. 137-64). O'Neill (Michael), Romanticism and the Self-Conscious Poem (Oxford, 1997), esp. Chap. 3. Pyle (Forest), The Ideology of Imagination; Subject and Society in the Discourse of Romanticism (Stanford, 1995), esp. Chap. 1. Richardson (Alan), British Romanticism and the Science of the Mind (Cambridge, 2001), esp. Chaps 2 & 6. Roe (Nicholas), Wordsworth and Coleridge; The Radical Years (Oxford, 1988). Ruoff (G.W.), Wordsworth and Coleridge; The Making of the Major Lyrics (London, 1989). Simpson (Michael), 'Coleridge's Swinging Moods and the Revision of "This Lime-Tree Bower My Prison"', Style, 33 (Spring, 1999), 20-42. Stillinger (Jack), Coleridge and Textual Instability; The Multiple Versions of the Major Poems (New York, 1994). Stillinger (Jack), Romantic Complexity; Keats, Coleridge, and Wordsworth (Urbana, Ill., 2006). Thomas (K.G.), 'Jane Austen and the Romantic Lyric: Persuasion and Coleridge's Conversation Poems', ELH, 54 (1987), 893-824. Twitchell (James B.), 'Coleridge and Turner: The Sublime at the Vortex', in his Romantic Horizons; Aspects of the Sublime in English Poetry and Painting, 1770-1850 (Columbia, Mo., 1983), Chap. 3 (pp. 85-108). Wolfson (Susan J.), 'The Formings of Simile: Coleridge's "Comparing Power"', in her Formal Charges; The Shaping of Poetry in British Romanticism (Stanford, 1997), Chap. 3. Wylie (Ian), Young Coleridge and the Philosophers of Nature (Oxford, 1989).

J.H. Prynne, July 2007

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