Beruflich Dokumente
Kultur Dokumente
8:15 a.m. Say goodbye to Rachael on her 2:00 – 4:00 p.m. Meet with various teams
way to school. I give her a kiss. to discuss projects and designs.
8:15 – 9:15 a.m. Lattes at home 4:00 p.m. Do interview with Michael Posner
with [wife and partner] Nina. Coffee and from the Toronto Globe and Mail to discuss the open-
meditation. It’s not just filling up; it’s a kind ing of the Royal Ontario Museum in June. I very
of moment of reflection. often have interviews with journalists of various
kinds during the day. It’s part of the civic duty, part
10 a.m. Arrive at office on Rector Street. of building buildings which are always in the public
There’s a myriad of things going on, meet- realm. One has to be an advocate for the project,
ings on different projects, discussions and one has to discuss them, one has to explain them.
meetings with clients. This when we do the If one is not just doing the run-of-the mill, formula
formal part of reviewing everything that’s go- type of architecture, then of course, one has to be
ing on - primarily issues of design. We work engaged with it. The museum is a kind of crystal-
with the projects on models and so on. line structure, making it a very dramatic space.
10:30 – 11:30 a.m. Meet with vari- 7:30 p.m. Attend dinner party at Barbara
ous teams to discuss a dozen or so projects that Sahlman’s house. It was a dinner for a charity
we are working on at different levels of comple- where dinner with me and my wife was one of
tion. Some projects are in the conceptual stage, the prizes. Luckily, this was a very nice group of
some in design phases while some are under people who had won this lottery and we spent
construction. a lovely evening with a group of total strangers
who were really nice.
11:30 a.m. Meet to discuss possible hous-
ing and school project in Sri Lanka for tsunami
recovery. We are working on this because we
think it’s important. So we met with all sorts of
people who are in non-governmental agencies (Top to bottom) Daniel Libeskind;
doing tsunami relief. The Denver Art Museum
Studio Daniel Libeskind