UE 21 554

Universal Edition
Inhalt/ Contents /
Table des matieres

1. Horizon _ 2
2. Windsor March 2
3. Waves _ 2
4. Hungarian Lament _ 3
5. Intermezzo. 3
6. Entomology 4
7. The Organ Grinder's Apprentice . 4
8. The Middle Man 5
9. The Sheriff . 5
10. Diversion 6
11. Ups and Downs _ 6
12. Blue Waltz _ 7
13. Destiny __ .. 7
14. The Swinger _ 8
15. Staccato Dance 8
16. Pieces of Eight . 8
17. Lucky Number. 9
18. Olympic Flame _ 10
19. Rock Summit . 10
20. Straight Five . 11
21. Swing Five . 12
22. Odd Waltz 12
23. Exhibit A .. 13
24. Late Train Blues . 14
25. 5th Avenue_ 15
26. Black Puddin' Jig 16
27. Hot Noodles _ 17
28. Journeys _. 18
29. Talkin' the Talk. 19
30. The Funkmeister _ 20
31. Breakaway . 21
32. And Your Time Starts Now ! 22
33. Loops _ 23
34. Coastal Reflections 24
35. Fairground Waltz . 25
36. Tongue Twister _ 26
37. New Work· _ 29
38. Hocus Pocus 30
Preface
This book was written in the same format as 40 Modem Studies for Clarinet. Again, the
pieces are of moderate length and cover a wide variety of styles. As the studies are tech-
nically demanding, they are all written in comfortable clarinet-orientated keys to allow
the student to focus on interpretation. Each study is designed to improve the student's
musical as well as technical abilities.

James Rae, November 2010

Vorwort
Dieses Buch wurde im gleichen Stil wie 40 Modem Studies for Clarinet geschrieben.
Die Etüden sind relativ kurz und umfassen eine bunte Auswahl verschiedenster Stilrich-
tungen. Da die Studien technisch anspruchsvoll sind, stehen sie alle in für die Klarinette
geeigneten Tonlagen und erlauben den Spielerinnen damit, sich auf die Interpretation zu
konzentrieren. So bietet jede Etüde die Möglichkeit, die musikalischen und technischen
Fähigkeiten zu verbessern.

James Rae, November 2010

Preface
Ce recueil s'inscrit dans la lignee des 40 Modem Studies for Clarinet, avec la encore
des pieces d'une duree moderee et d'une grande diversite de styles. Campte tenu de
leur difficulte technique, les pieces sont toutes ecrites ·dans des tonalites confortables
a
pour la clarinette, afin d'encourager l'eleve se concentrer sur l'interpretation. Chaque
etude est conc;ue pour permettre a l'eleve d'ameliorer ses competences techniques et
musicales.

James Rae, novembre 2010

2

1. Horizon
James Rae
Andante J= 100 (*1957)

9 f

2. Windsor March
March tempo J= 112
&1:i JJio IJ JJl:l J i:l JJio IJ JJI_
mf
9

' &J J J I o 1&J J J I WJLJ 13 J J 1° IJ J&J 1_ II

mp

3. Waves
Bright waltz tempo J= 120

17

' ~
ef"-----------
J 1)- 1 J J IJ I FJ :l 1 w IJ w J IJ
=
25

' :l J I J 1 J~. 1 (-2J!l) JJBJ 1 I

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 3

4. Hungarian Lament
Andante J= 80
' 1JJjJJ 1 (JJ l#J. J I o 1 ;JJ_iJ :JJ_J
1

mp espress. P

l:J :J :J J 1

mp ~

12 rit.
r.'..

II
= p

5. Intermezzo
Adagio J= 68

&igJ IJ J IJ J IJ lg J IJ J I.JJJ IJ
p
9

' J J I J J 1#J J I J IJ J I J :J I J JttJ I J 1ef42J :J gl

mp
19

II
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4

6. Entomology
Allegro ~ = 13 2

-
5 mp leggiero

J J J lg J J J -

'J
9

J J J ll J J J J J J &J 1
-
ef

'J
13

:t J J ll ~f .J J IJ J 4g -
17 mp

> >
ef f

7. The Organ Grinder's Apprentice

Allegretto ~ = 128

&:r w w w w w □ □ □ w:r :r '&0 □ o w w :r

~ .
I
~ .
1
~ .
1
~ . ~
I
~
1 □ o~r
~
I J
17 p

' , ltJ l(J IWE lt@ lt_) I(@# lg_

25

' :t .J.J
. . IW
__..._,, \ J
\_:·J .J. I J •. J \ :t
. IJ . O .J~-J :t. l l &J. gIJ
.. :t. I&J J '-.._.: '---" .
l t II __..._,,
1

p f .

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 5

8. The Middle Man

Moderato J= 112

,- - 1 JJ J Jj I J Jj J
I 1 ° 1 Jj J Jj J
I 1

-u- mp -========= mf
15

,- J J J 10 1
mp
J J J I J J J I J J J Iu II

9. The Sheriff
Allegro J= 124

13

&~ J w~ w□ ' w□ w; iw J-13 □-!lJ 4JU

f

' ~J
19 rit.

(~ 4_!9 t!JJ J J IJ J J J I~J II

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6

10. Diversion
Moderato ~ = 108

,-1 J ; J J J I J J J 1 t J JJ 1

~
ef p
5

&\03 1 t ® 1 J iJ J J J J J
I I J &J
p~
J
10

cresc.
15 rit.
r.\

II
>-

11. Ups and Downs

Moderato ~ = 112

' 1J~J IJ J J I
ef
tJ {J IJl_;t &J 14_E__!) 1
6

&wwJ IJJJJIJJJ]J IJJJJl;JpJIJJJJI

~\.....;! ~ ~~ ~~ ~~
mp
12

'12E_E} l;~J I J J j I
ef
tJ {J IJJJij II

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 7

12. Blue W altz

Bright jazz waltz tempo .J = 132

' ! J ~ 14 JIJ_ ;glJ~ IJ~J

p ----=
9

17

13. Destiny
Andante .J = 80

p espress.

1 J W Jfilf
J~ I 1~,1 j?J I JJ
p
cresc. ef ~.

13 rit.

gJ ~ ~ 1~ i~r ~ IJ J
r.'t

II
'
1 0
-
p
mp

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8
14. The Swinger
Lively swing tempo J= 140

,~144 J 14 JV 11,#j 4J 14 fJJ 144 J 14 w

7 nif-p

'~ 1,t,J J :J §lo :II Jj Q J IJ µJ I Jj J JJ 1 -0-

13 ef . . ►---

,~ Jj Q J lo fJJ 11,2JJ;2L~ 141 J 10

. . --======== f =====- . . .
w
19 . ef .

>

15. Staccato Dance

Allegro J= 120

9
!
' i #4Q14 O 14Q 441 J 14 gg14 O 1~) i ~ 1@

cresc. · .
25 p

' ef## QQ14 J. 14Q1. ;. 1J-

16. Pieces of Eight
Jolly 'sea shanty' tempo J = 100

&e ef4 :,Q :,1 4 Jd 1~-ua Q!l#(EJ l 14 :,Q :r1

. ►·

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 9
6

&~ J#J l IiJ 4 4 :, 1J O g1 1J ! 4 !' 1ttO •hl 1

11
. . '---"' . -

&J J J J J I l #J. 1J J .J #J J l#J .P J J □ 1J J .J JJ 1

·-~ > · · ~ - - ~ - - ~

16

17. Lucky Number

Bright jazz waltz tempo J= 132

7
' 14. ) 7
mf-p
w J J 14. )7 tIJ #j J 14. )7 tl!J J J 1

13

' l t7 ) 1 JJ J I Q. u. 1 l I J. ~~ 7 ~ J J 1

19 ~

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10

18. Olympic Flame

Bold march tempo J= 112

ef
13

19. Rock Summit

Solid rock tempo J= 120

~, = r r r r r=F r I J 1 :J_) wwJ I J fJ g -11

>-'-'
9

JJJJ- >- >- >- >- >-'-"

>- .k >-

13 J J
>- >- >-
F f F 1F Cff
d 12-----=====================
>- >- >- >-

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 11

~ u B = r r a F F@ ddg g9g~fg
F 1 I I
> > >
l- *tp 1 * 11

20. Straight Five

Allegretto J= 112

&~ JJJ t; tV tJ t!J {J ISS) J

3
p
1 1

,~ Jl}qJJ!!itV JJ19 t!J @ 1 1

&J~j
mp
9

&~ !7r ® r'r) ffi rlct #E}1 nl3ZJ r 1 I 1

17

&~lPJ5.m1x 43q{) lg_ij tJ 4J!J □J ld@ J 1 1

mp
n riL

,~ tJ) Ei}IJ'JFF
ef
(f&1JFr m,~riTrr? II
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12

21. Swing Five

In a bright swing 5 .J = 132

' > r'. ~ 14 14-

i F" ~ 7 Df f I f· •h ~$ ~ J 7 ;~
~ 0 1J. J\t1J
l

~ > -
5

'f·
9

mf
J\ PCTf If· }z @Eu I f· )z ~fl5v IQ]J§t}r
'f·
13

17
~

p7 J~([[t1f· ~21J~lf
-========== f
~P~4!@@3flf" tfEYI
' > r'. ~ 14 1-
F" D z D f f I f· •h ij ~ J z ~=~
~ 0 1J. J z J J
•
1
~ > -
21 >

' efE· D7 fii) 1f· J\ ® l } #tj

1
~- ~
I tTIP/r * II
7

--========= f

22. Odd W altz

Bright waltz tempo .J = 138

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 13

23. Exhibit A
Steady funk tempo ~ = 100

' JJlJJ
-:,;. --
'-._;
@ 1C{'F @ 1fr Erl:PMf Icrr @ 1

ff ====- ef
20

4trr @1frr;~r.re91trr
24

4u~r @J JgJ
· 1 II

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14

24. Late Train Blues

Slow blues tempo ~ = 80 (swing quavers)

' *

♦ to Coda
9
1 1.

14

f$ ,ef
. iJ#J J 1 ' lfJ J □ J?.J#J JlJ i

18

&QJJ t rrk- ,' c t??r f □ □ Q .o#a a1w M· 0

I
7 ·1

22 D.S. al ♦ Coda

&'1 ~ 2 Cf) f±4 tW fF'F fTr· J JJJ z J1

mp

II

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 15

25. 5th Avenue

'J J J F J IJ'ff----===========
p u .
F F F 1='F =~r ~# 1qf r
. ef
1

r~- . t=~ . ~~- . ~~-

&~ ru r "t r I crr r r r I r a r~r r Ir: r
17

mp

ef cresc. f .

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16

26. Black Puddin' Jig

Vivace J. = 162

>-
35

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 17

27. Hot Noodles

Bright bebop tempo ~ = 200+ (swing quavers)

'öl 7 ~bP!JJJJIJJJJq@d;n3JJJEj4JJIJqJJ~Q ~ 1
ef ~ ~

13 m
cresc. f ef

29 m

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18

28.Journeys
Lento espressivo ~ = 60

&1JfP cr 13) 16FEJI+ r]) 1~6fir frir 1

p mp cresc.

mp cresc.

ef . p

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 19

29. Talkin' the Talk

Bright swing tempo ~ = 168

mp
5

'## jQ_ffi!~o qJ~l 0 Q#J M!l z J t•fJ J I J JJJJJ

-.......,,1
7
• • '-" ~ ►-.
il
11if

&#n~rcr#v t Ay 1 t V#µ t qµ 1 F ftn 1(!Jbfr

9 ~ .

7
~

7 il

21 ~> ~ > >,-,

&## Et1ttfrf 1Pc1rt rfr1#P r µrtrrfir ffr1

--======= ff f
3

25 >~ ~ • ~ •

&## #h µFft[TCPF t FI cfEf#VtqV1, t V#ptqµ1, FP(rf 1

== mp
30 Irr\ ~ . . ~ /J,\
'## EJJcfl ~wtfoJ#VtqV1 ,t V#ptq~1, FP@ 1EJJEfT· , 1
11if
35

'## f ff
f
>

vv t '1
~ .

7
~

fr_:f#µ Fq~ 1, 1fr11"fr EI rrtr r1 )' I

> A

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38 f ------ ~-

&~ rrer rr r''r n JjJJ □ Ji - ~ V

ff
i q(ffi ~
1 7 7 lj-
V
11

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 21
31. Breakaway
Cool bossa nova feel ~ = 120

5
'1 4 ßi?F t
mp
1
7
~l - 1
7
J157f}#t 1 7 ~~ 7 ):r t:J 1

]~
7
e
if_j Ef l'68'r1~wq]Jg lq@} ~ @± j~
1

l -II

':fdJ22□ Jp l&JJ J~nJ 1;) I ~ :@JQT..

21

, qQ ffEE:F Flf 1
1 ~, - 1
1 ;JQ r?F #t ~~ 1
1 1 ~\ tA 1

37 mp

' ............... ~~ 1 :r ~l - 1 [d} ffQ 1 :r~~ :r )z l) 1

m
45 _ ___ rit. ~

i{ij Ere -~wsftg lq§~JJ~) @±~

1

' I 1' !, II

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22
32. And Your Time Starts Now!
Strict and mechanical J= 120

' I g J JJ JJ_} J 13~~JId J JJ Jl; J UJ 2 1

3 p

&#4 #J =f9 Jlß' r n8Ji J#4 #J Ll9 J]3b r n:IW 1 2

1

7 mp ~ -

&#4 #□ V Jl3; r JJi J #4 #J Ll9 JJ3t1 r dY 1

2 1

, g w &DJ ua~ir i1 J g w JJ u1} r JJ I L 1

11 11if

&4 J !} JJ__} r jJ J 4 J !} J L) r ®7 1
2 1

; d [~Hr Pg [f{lf dT~Hr PQ [jxl

15
' q► 1, N ►~ N > 1, N ►~

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 23

33. Loops
Allegro energico .J = 132+

' * .

* Play each repeat at least four times. / Jede Wiederholung ist mindestens vier Mal zu spielen. /
Jouer les passages avec barre de reprise au moins quatre fois.
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24
34. Coastal Reflections

cresc. 5 ff
25 ~ ~
r.'I
,
T empo pnmo
.

&#(fi} ~ 1#4n p. 1#43} 1

t #r r I tE2fr Id ·1
~ ef mp ====- p

~ ~~ ~

.oJ. '1jJRr f 1r
31 _ .

'tffrrRr1 ,iJ·
PP
1

--====:=::
1r f ~
f 1
p
Ff
mf

36 i e , . . .-. . .:
~~ ,--..~

&r r 6m1r L r Irr 6m1r L r 1= F 1- 1-

~ ~ ~--- -~

~===== f
r

=====-- rnif
-e- -e- ,

43 __ rall.

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 25
35. Fairground W altz
Bright waltz tempo J= 148+

ILic;RiJJgQ:I
mp
11

&rruJa1;□ uc 1c1JJ1Jq□ lhJ1,na1GJPBt1

16

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26

36. Tongue Twister

Vivo ~ = 120

&zJJ N@nauatt11/ tr I:fc u#GJ o)qtfJJJI#•

ef leggiero
1

' Jj ##t4 $ $ (t ti r~c t t 1[} t eri t f#{JqQ#JqJ

5

&Jj ##JJ JJ@tir~ctt11/ t rTl t r#..W

PP
1
® )q{[JJJI
#.

&Jj ##%4 ootr ti r~c t t 1[} t er» t r#GM #J qJ

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 27

17

19

' JJ? # #t4 JJ(r tJ r'qr Ft I tfr t rtffa t r#iq##JqJ

1

21

&JJ? ##t4 JJIT ti r1'r t t IF} t r''F!t t r#%J ®#q+iJJ #.g1

PP

23

&JJ? ##t4 oo{F tt rr t t 1[) t rtPt: t r#iq##JqJ 1;

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28

37.NewWork
accel.
Grave J= 54 __ molto
11
4111r= "rl- ,:rr "@ ,:rr "GJ7-pHl
P PP 3 P 3
t1p?1
mp

Allegretto J= 112

-=============ff ~ -

10

4Q ff4 #-
g II d J_
~ --- ----~ #
II J g nJ I J J g 11 d-- J_---~II
J= 54
'
15 rit. Grave accel. poco

~
PP

ffl
accel. molto ___ L§)
21

t l #

27
Allegretto J= 112
w

11r~1
ef

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 29

33

-
ef

45 Grave J= 54

? 11:(T "{]J 11'% ftff 1ft ffic~FiJI

' P PP 3 P 3

accel. molto Grave J= 54

4~r- // r1Pr!r
49

3
{iftrr
3
fü!F·
3
II 3 3 3

mp
-============= ff PP

II
Allegretto J= 112 rit.

- II

Grave

- 'i>~ t]J
p
2
frf 1-
al niente
II
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30
38. Hocus Pocus
Presto agitato ~. = 164
-J:_ ~ ,,-----. r--
(ßl 1, Hr 7 F#c 7 r Ir 7 r r "J r I E#cRrt 1'F r l#t r=tqt c#r 1
11if

7: r1"r (Tr ff tj #[ Er t 'E r #t r*qm 1

5
1 7 7 7 7 1
'~ '1, 1

,~1,1, r~r qr rtqf tf f=#Aqfttqr= l#eeqr~tqrt 1t #E qr qF 1'E r 1

n
1
1
• ~ '1, t Et Lrqr ILqr r~rqr r Itr=J~ i§o14 ~ .
1E7 (i'c 7
p
18
'
~1'1, r rr r Ic#c qr qr 1'E r #t cf qr r#r Ir r~#r r Ir rr r~1
r-
7 r- "J 1 7 7 --- 7 r- "J

$~1,1,ff qr qr 'E r l#r r; tit Ir#r qr rtqf 1#f f=#Aqfttqr= 1

2

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 31

49
1
&~ '1, cri r~r r IRc rttffl IFt r r~r; l"c rtr:Rr rt Ir
1 Jß 1

ef p
54 ~

&~ "@ ffr Irr rrTr IrTr rTr IEr~r ct~r 1qJ #J r~r"r 1
1
'1,
mf
~
&~1'1, Er~r ERr~r 1qJ JqJ r~r"r Ir- w~ 1ED rTr IrTr f €f 1
59 ----~~-

$~1,1, Erri?r 1fTCTri7t qf"

6

ef
1f~r- f· 1
°';_~~i~
&~1,1, qc r rPr r:r rprt rqrr tr: vr~r rpr r f#f er€ tqfqr~r
69 >

I I I 1
~~ ff
74 ~ ~ _

&~1'1,tror r r 1qrl rqW l#ffFqE!EF 1"4821,.J gg I w~w JJJJ1

~ -- - ~q~
79

~w~ lqJi}#Jß lqi31t"f1 (u t5;J J.

1
,~ '1, 1 I

84

93

&~ 1
' 1, J~ rqr r l#r r1r qffi l#tfifi #r #r It #r qr fD
cresc.
1

q(r ; fil _ 1
qt #r qr r qr f te € t qf ~t f 1
9
~~1
,1,
11
-----============== ff
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