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A paper by Umberto Eco was presented at the Pesaro Film Festival in 1967. He sides with Pasolini in seeking film language in the image rather than beyond it. Eco argues for an iconic code analyzable into discrete binary choices. This notion of a triple articulation is so rich and subtle that it seems to restore reality itself.
A paper by Umberto Eco was presented at the Pesaro Film Festival in 1967. He sides with Pasolini in seeking film language in the image rather than beyond it. Eco argues for an iconic code analyzable into discrete binary choices. This notion of a triple articulation is so rich and subtle that it seems to restore reality itself.
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A paper by Umberto Eco was presented at the Pesaro Film Festival in 1967. He sides with Pasolini in seeking film language in the image rather than beyond it. Eco argues for an iconic code analyzable into discrete binary choices. This notion of a triple articulation is so rich and subtle that it seems to restore reality itself.
Copyright:
Attribution Non-Commercial (BY-NC)
Verfügbare Formate
Als PDF, TXT herunterladen oder online auf Scribd lesen