2010 Brass Syllabus - 2nd Imp March 2010

Brass Syllabus
Trinity Guildhall Examinations

89 Albert Embankment
London SE1 7TP UK
T + 44 (0)20 7820 6100
F + 44 (0)20 7820 6161
E music@trinityguildhall.co.uk
www.trinityguildhall.co.uk/music
Patron HRH The Duke of Kent KG
Director of Performing & Creative Arts Examinations
Mark Stringer GMusRNCM(Hons) FTCL ARCO(CHM) ARCM PGCE FRSA
Chief Examiner in Music
Keith Beniston GLCM FLCM PGCE FRSA
Syllabus Manager
Benjamin Norbury MA LTCL
Copyright 2009 Trinity College London
Published by Trinity College London
Second impression, March 2010
2
Contents
Introduction . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .3
Grade examinations
Structure . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .4
Duration . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .4
Marking . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .5
Technical Work . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .6
Pieces . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .9
Supporting Tests:
Sight Reading . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .11
Transposition . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .12
Aural . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .14
Improvisation . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .18
Musical Knowledge . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .21
Instruments . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .23
Requirements:
French Horn (subject code: HRN) . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .24
Eb Tenor Horn (subject code: TEN) . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .40
Trumpet/Cornet/Flugel Horn (subject codes: TPT/COR/FLG) . . . . . . . . . . . . . . . . .56
Eb Soprano Cornet (subject code: SPC) . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .72
Euphonium/Baritone (subject codes: EUP/BTN) . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .78
Trombone (subject code: TBN) . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .101
Bass Trombone (subject code: BT) . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .124
Tuba/Eb Bass/Bb Bass (subject codes: TBA/EBB/BBB) . . . . . . . . . . . . . . . . . . . . . . . . . .130
Music publishers contact details . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .152
Trinity Guildhall publications . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .156
3
Brass Syllabus 20102012
Introduction
This syllabus contains full details of Grade examinations in French Horn, Eb Tenor Horn, Trumpet,
Bb Cornet, Flugel Horn, Eb Soprano Cornet, Euphonium, Baritone, Trombone, Bass Trombone, Tuba,
Eb Bass and Bb Bass. It is valid from 1 January 2010 to 31 December 2012, and supersedes all previous
syllabuses. A new syllabus will be published during 2012 with requirements from 2013.
During the first session of 2010 candidates may offer repertoire from the 20072009 syllabus.
When this syllabus is replaced there will be an overlap for the first session only of 2013, during which
candidates will be able to offer pieces from the 20102012 lists.
Full details of entry procedures, examination regulations and marking criteria are given in a separate
booklet Information & Regulations which is available direct from Trinitys Head Office, Centre
Representatives or from our website www.trinityguildhall.co.uk/music
Certificate examinations from 2009
Certificate examinations offer an alternative, performance-focused route of progression to the
graded examinations suite. They contain no technical work or supporting tests, and are available at
three levels:
Foundation (standard around Grade 3)
Intermediate (standard around Grade 5)
Advanced (standard around Grade 8)
For full details, including repertoire and guidelines, please visit the Trinity Guildhall website
www.trinityguildhall.co.uk/CertificateExams
4
Duration
Grade examinations
Structure
Trinity Guildhalls practical examination grades are numbered from 1 to 8 in increasing order of difficulty.
Pieces
Candidates play three pieces, chosen from the published lists.
Technical Work
All candidates play a Lip Flexibility Exercise, after which they may choose to play either Scales &
Arpeggios or Exercises.
Supporting tests
For brass examinations there are two further tests:
Up to and including Grade 5, candidates may choose any two tests from:
Aural
Sight Reading [including transposition for french horn from Grade 4 and trumpet from Grade 6]
Improvisation
Musical Knowledge
In Grades 6, 7 and 8, Test 1 must be Sight Reading. For Test 2 there is a choice between Aural and
Improvisation.
At the examination, candidates should note on the appointment slip which test(s) have been chosen.
Order of examination
Pieces will normally be asked before scales, with accompanied pieces first. Candidates wishing to present
their examination in any other order may do so, but must write their preferred sequence on the back of
the appointment slip and point it out to the examiner at the start of the examination. This choice does
not extend to cases where the syllabus stipulates the location of any item, e.g. Own Composition.
Level Duration in minutes
Grade 1 13
Grade 2 13
Grade 3 13
Grade 4 18
Grade 5 18
Grade 6 23
Grade 7 23
Grade 8 28
5
Marking
From 2007 the maximum marks available for all Graded Brass Examinations are as follows:
Piece 1 22
Piece 2 22
Piece 3 22
Technical Work 14
Test 1 10
Test 2 10
TOTAL 100
Pass is awarded at 60
Merit is awarded at 75
Distinction is awarded at 87
The mark out of 22 for each piece is made up of three component marks, awarded for:
Notational Accuracy & Fluency (7 marks):
How well the notes are prepared and realised. More conveniently thought of as Me and the Music.
Technical Facility (7 marks):
Instrumental control and the ability to draw the most from the instrument; tone colour, articulation,
pedalling, etc. Me and the Instrument.
Communication (8 marks):
How well the candidate interprets the music, engages the audience and conveys a sense of the
meaning of the music they are playing Me and the Audience.
For more detail please see the Mark Scheme and Assessment Criteria sections in the Information &
Regulations booklet, which is available from Trinitys Head Office, Centre Representatives or from the
website www.trinityguildhall.co.uk
Grade examinations
6
Technical Work
The purpose of this section of the examination is to encourage the development of the necessary
technical skills for the performance of pieces. Candidates should aim for a full and rounded tone over
the whole range, with accurate playing at an appropriate and even pace. Higher marks are given for
attention to musical shaping, and the promptness and confidence of delivery.
The requirements for each grade are given in the main body of the syllabus.
All scales and arpeggios must be performed ascending and descending (unless otherwise stated). A
breath may be taken at the top of the scale/arpeggio at the candidates discretion.
Playing from memory
Scales and arpeggios must be performed from memory. The exercises may be played either from
memory or using the printed music. Candidates should note, however, that no extra marks will be
awarded for performing from memory in the examination.
Minor scales
Up to and including Grade 2, candidates may choose to play either harmonic or melodic or natural minor
scales. In Grades 3, 4 and 5 candidates have a choice of harmonic or melodic and in Grades 6, 7 and 8
both harmonic and melodic minors must be prepared.
Crabwise scales
The syllabus will give the starting note and the candidate should cover all twelve major keys by raising
the keynote by a semitone on the completion of each scale (e.g. one octave of G major ascending
followed by one octave of Ab major descending, followed by one octave of A major ascending, etc.).
Candidates may breathe wherever appropriate.
Tempi for scales and arpeggios
Scales and arpeggios should be prepared at a consistent speed within the tempo range specified
appropriate to the instrument.
Grade 1 = 4660
Grade 2 = 5066
Grade 3 = 5472
Grade 4 = 60104
Grade 5 = 66112
Grade 6 = 72120
Grade 7 = 80126
Grade 8 = 88132
Grade examinations
Ranges for scales and arpeggios (written pitch)
The ranges given encompass all treble clef technical work set. Pieces may occasionally include isolated
and manageable notes outside this range but the majority of music will remain comfortably within it.
Trombone ranges are similar, but may differ slightly. Bass clef ranges should be adjusted as appropriate.
Articulation for scales and arpeggios
The various articulation patterns for scales and arpeggios in this syllabus are given on the next page.
Scales, arpeggios and exercises for all brass instruments are published by Trinity Guildhall.
See page 156 for details.
7
/
Valved Brass
,
Grade 1
,
Grade 2
,
,
Grade 3
,
,
Grade 4
,
,
/
Grade 5
,
,
Grade 6
,
,
Grade 7
,
,
Grade 8
,
,
/
French Horn
Grade 1
,
,
,
Grade 2
,
Grade 3
,
, ,
Grade 4
,
,
,
,
Grade 5
, ,
/
,
,
Grade 6
,
/
, ,
,
,
Grade 7
/
,
,
Grade 8
, , /
, ,
Grade examinations
8
A natural minor scale (one octave, tongued)
Chromatic scale on Bb (one octave, slurred)
Diminished 7th on A (two octaves, staccato)
,
, , , ,
, ,
, ,
,
, ,
, ,
,
, ,
, , ,
, , , ,
,
, , ,
, , ,
,
, , ,
, .
/
,
,
,
,
,
,
,
,
,
,
,
,
,
,
,
,
,
,
,
,
, .
Augmented arpeggio on A (two octaves, tongued)
,
,
,
,
,
p
,
,
,
,
,
,
,
,
,
,
,
,
Whole tone scale on Ab (two octaves, slurred in pairs)
/
, ,
, ,
,
,
, ,
,
, ,
, ,
, ,
, ,
,
,
,
, ,
, ,
,
,
,
,
, ,
, ,
, ,
,
,
,
, ,
, ,
, .
,
,
,
,
,
,
,
,
,
,
,
,
, .

G crabwise scale (slurred in octaves)
/
,
,
,
,
,
,
,
,
,
,
,
,
,
,
,
Dominant 7th in the key of Bb (one octave, slurred) [Candidates may choose to finish dominant 7th
arpeggios on the tonic, as shown, or the starting note.]
Grade examinations
9
Grade examinations
Pieces
Repeats, ornaments & tempi
All da capo and dal segno instructions should be observed. Repeats of more than a few bars should be
omitted unless otherwise instructed in the syllabus, or where a substantial first-time bar section would
be lost. Candidates should omit cadenzas in concerto movements played in graded examinations unless
instructed otherwise in the syllabus, but cadential trills and other ornamentation appropriate to the style
of the music are encouraged at all levels, and particularly in the higher grades. Metronome marks are
given merely as a guide to performance, and candidates should observe terms showing the tempo
and/or character of the music (e.g. Lento, Allegro) in their performance. Long introductions, tuttis and
endings should be sensibly truncated.
Accompanists and page-turners
Trinity Guildhall does not provide accompanists nor can the examiner act as an accompanist or page-
turner. Difficult page-turns should be overcome by photocopying the relevant pages. A page-turner
may assist the accompanist in Grades 68 examinations if absolutely necessary, but may remain in
the examination room only while (s)he is needed. Candidates may use a recording of the piano
accompaniment in examinations up to and including Grade 3. Recordings of accompaniments need not
be commercial products but must be of good CD quality and must not include the solo part; cassette
recordings are not acceptable. All examinations from Grade 4 upwards must use a live accompaniment.
Playing from memory
Candidates are free to play any or all of their pieces from memory, and to do so is likely to help with
the security of their knowledge and their ability to communicate. It is not obligatory, however, and no
separate marks are given for memorisation. Candidates who play from memory must ensure that an
original copy of the music performed is brought to the examination for the examiners reference.
Music and copies
It is strongly recommended that original copies of music needed for examinations are obtained before
an examination entry is made; allowances cannot be made for delays in obtaining music. Candidates may
use any reputable edition of the works listed in the syllabuses; publishers details are given mainly for
the purpose of identifying works and also as suggestions of suitable editions. Candidates should always
try to obtain reliable and authoritative editions of all music, but should note that variations in worldwide
availability may occasionally be encountered; candidates are advised always to check the contents of
books before purchase. Publishers contact details are given at the end of this syllabus.
Candidates must perform from published material in the examination room; photocopies of complete
pieces may not be used in examinations. If candidates or accompanists perform from photocopies
unauthorised by the publisher (other than short extracts to facilitate page-turning), no marks will be
awarded for that item.
Examiners of graded examinations welcome the provision of reference copies of pieces not published by
Trinity Guildhall. Photocopies can legitimately be used for this purpose; any copies provided will be
retained by the examiner and destroyed after the examination.
10
Grade examinations
Own Composition
Candidates may offer their own composition in place of a listed piece where indicated in the syllabus.
This must be performed as the last of their group of pieces so that the questions on the piece may
follow immediately afterwards.
Content
The composition should follow the specification given, and must be of a similar technical and artistic
level to the other pieces performed. A piano accompaniment may be included, but the use of pre-
recorded material or other instruments is not allowed. The piece should be substantially the candidates
unaided work, although the teacher may offer guidance as necessary. Candidates and teachers are
advised to take note of the Levels of Achievement statements in the current Information & Regulations
booklet when preparing own compositions. The timings given at each level should be observed carefully;
credit will be lost if compositions fall appreciably short of or exceed the indicated timespan.
Notation
The complete composition must be written out in the candidates own hand (or be produced and printed
by the candidate using a score-writing program). At Grades 15, the composition may be presented in
any coherent form of notation. For compositions at Grades 68 staff notation is essential. Marks will be
deducted if the notation is incomplete or technically inaccurate or if the performance varies significantly
from what is written. Candidates must present a (photo)copy of the piece, which the examiner will keep,
with name and candidate number clearly shown.
Assessment
After the performance, the examiner will ask the candidate to explain how the piece was composed
and will ask further questions about the notation and structure. Sixteen marks are awarded for the
performance and six for clarity of explanation, structure and presentation.
The specific requirements are listed below.
Composition requirements grade by grade:
Grade Duration Requirements
1 12 minutes A piece containing sudden dynamic contrast
2 12 minutes A piece contrasting legato and staccato passages
3 12 minutes A piece which starts quietly and simply, and builds
to a loud, grand climax
4 23 minutes A piece with long melodic phrases
5 23 minutes A piece containing many wide leaps
6 34 minutes A piece contrasting material in the high and low registers
7 34 minutes A piece featuring several different tuplets (within the
same pulse) e.g. duplets, triplets, etc.
8 45 minutes A piece featuring a variety of instrumental effects
e.g. glissandi, rapid tonguing, hand stopping, etc.
11
Grade examinations
Supporting Tests
Sight Reading
Sight Reading tests are set at the level of a piece prescribed approximately two grades lower than the
grade undertaken; for instance, Grade 5 candidates should be able to read at sight the level of piece set
for Grade 3 performance. Tests will follow the parameters given below. Note that the parameters are
cumulative; the keys etc. used at each grade may also include any variable set for any previous grade.
Candidates will be allowed 30 seconds to study the test before they attempt it. During this time they may
practise any or all of the piece aloud. The examiner will only take account of the actual performance of
the test.
Time
signatures
Note
values
Tempi
and
dynamics
Technical requirements
//
,
Valved
Brass & French
Horn
Trombone
Grade 1
2, 4
. and -
mf
moderato
Tongued
notes only.
Three valves
together not
used
Staccato tongued
notes only; 7th
position and BbC
(
,
) not used.
Straightforward
slide positions.
Grade 2 plus
3
plus - ,
.
,
-
plus f,
allegretto
plus easy
2-note slurs
and ties
BbC (
,
)
introduced
Grade 3
as above
plus .,
,
,
-
plus p, andante
plus 3 valves
together; slurred
groups
as above
Grade 4
plus . ,

plus cresc.
and decresc.
plus accents;
staccato
Grade 5 plus
6
plus .(groups of
2 & 4) and

plus rall., rit. and
a tempo
mp
as above
Plus simple tenor
clef (
,
readers
only); 7th
position
Grade 6 plus
8
plus dotted
quaver/
semiquaver
plus accel.
and allegro.
as above
Grade 7 plus
9
plus triplets
as above
Grade 8
plus and
changing time
signatures
plus duplets
Horn only:
bass clef
plus
glissando
,
,
12
Grade examinations
Keys
Valved
/Brass
Valved
,
Brass
/Trombone
,
Trombone
Range
Grade 1
major C Bb C Bb
fifth
minor
Grade 2
major C Bb
C
Bb
sixth
minor
Grade 3
major F Eb
G F
octave
minor D C D C
Grade 4
major Bb, G Ab, F D, G C, F
tenth
minor
plus
accidentals
plus
accidentals
A plus
accidentals
G plus
accidentals
Grade 5
major D C Bb, A Ab, G
twelfth
minor A, E G, D E D
Grade 6
major Eb Db
F
Eb
thirteenth
minor B, G A, F
Grade 7
major A, Ab G, F
#
E D
2 octaves
minor
C, F
#
Bb, E F
#
E
Grade 8
major all all all all
2 octaves
plus 1 note
minor all all all all
Transposition keys
French Horn
Trumpet in Bb
Grade 4
Eb
Grade 5
Eb
Grade 6 G, E C
Grade 7 C, D D, Eb
Grade 8
Either A & Ab Alto or B & Bb Basso at
candidates choice
E, F
Transposition
Unprepared
In addition to the Sight Reading exercise, candidates taking French Horn Grades 48 and Trumpet
Grades 58 must also take a transposition test, in which they play a short piece simulating an orchestral
or band situation where the player is given a part for a differently pitched instrument. The candidate will
be given this exercise as an additional unprepared test, following on from the sight reading and with the
same 30 seconds of study time. All the original tests will be written in C major. The keys that the
candidate must transpose to are as follows:
At Grades 6 (French Horn only), 7 and 8, both extracts must be prepared. The examiner will select one
extract to hear first, and may then request the other.
13
Grade examinations
French Horn
Grade 4
ONE of the
following in Eb:
Davis Wipe Out Polished Brass Brass Wind
Lawrance No. 2 from Suite of Three Featuring Melody Brass Wind
Sparke Rondino Skilful Studies Anglo Music
Blakeson Drive In Smooth Groove Brass Wind
McKenzie Tarantella [first 4 lines]
Music Makes the
World Go Round
Con Moto
Grade 5 Eb Beethoven
Symphony no. 3, 1st movt
[First 3 lines of p. 3 only] &
4th movt [complete extract]
All of these extracts are taken from
Test Pieces for Orchestral
Auditions Horn
(Peters EP 8663)
Grade 6
G Rossini The Barber of Seville
E and Strauss Don Juan (p. 52 only)
Grade 7
C Weber
Der Freischutz Overture
[3rd and 4th horn parts only]
D and Wagner Lohengrin (Act 3)
Grade 8
Either A & Ab
Alto or B & Bb
Basso at
candidates
choice
either
Marshcner
Der Vampyr Overture
[prepare in A alto & Ab alto]
or Brahms
Symphony no. 2, 2nd movt
[prepare in B & Bb basso]
Prepared
As an alternative to transposing an exercise at sight, candidates have the option to prepare transposed
orchestral excerpts in advance. In the examination, these must be performed in the original keys from
the publications listed below and photocopies should be brought to the examination for the examiners
reference. Written out transpositions are not permitted. The pieces set are as follows:
Trumpet
Grade 6 C Ravel Bolero fig. 56 (p. 34)
All of these extracts are taken from
Test Pieces for Orchestral
Auditions Trumpet
(Peters EP 8664)
Grade 7
D Wagner
Lohengrin (Vorspiel)
[Tpt 1, 2 and 3] (p. 78)
Eb and Verdi A Masked Ball (Act 3) (p. 72)
Grade 8
E Humperdinck
Hansel & Gretel (Vorspiel
only) (p. 19)
F and Mahler
Symphony no. 5
bars 278369 (p. 26)
14
Aural
Four tests are given for each grade (two for Grade 8), designed to develop the candidates abilities in the
fields of musical perception, discrimination, memory, understanding, analysis and response. The tests,
which are all based on the same example to encourage a deepening of knowledge, are carefully graded
from basic skills to more advanced understanding.
N.B. Tests for Initial and Grade 1 are all in major keys; Grades 25 and 8 may be in major or minor. Grade 6
tests are major and Grade 7 are minor. Tests involving printed copies given to candidates will be provided
in treble clef for most instruments, and in bass or alto clef for instruments normally reading those clefs.
Initial
1. To sing, hum or whistle the final note of a 4-bar melody in 2 time, played with the final
note omitted. The note should be sung in strict time. The key chord will be sounded before
the melody is played. In all circumstances this note will be the tonic.
2. To clap back the rhythm of the melody after hearing it played twice again.
3. To identify, after another hearing, whether the melody was played mainly legato or staccato.
4. To identify, after hearing again three consecutive notes from the melody, which of the three
was the highest or lowest.
Grade 1
1. i) To clap back the rhythm of a four bar melody in 2 or 3 time, played twice;
ii) to state the time signature.
2. To state, after hearing the melody again, whether the last note was higher, lower or the same as the
first note.
3. To state, after hearing the melody again, whether the melody was played mainly legato or staccato.
4. To listen to the melody played twice more, first as originally heard and then with a change to the
pitch at one point, and indicate where the change occurs. Candidates will not be required to describe
the change.
Grade 2
1. To listen once to a short melody in
2
or
3
and to indicate a sense of the pulse and time signature
during a second playing. Candidates should respond by either conducting clearly, using a simple,
conventional, beat-shape or alternatively by other methods, provided the strong beats are indicated
distinctly. The examiner will bring the candidate in at the start of the second playing.
2. To state, after hearing the melody again, whether the last note was higher, lower or the same as
the first note.
3. To listen to the complete melody again and to state,
i) whether it was in a major or minor key;
ii) the dynamic level at the start and how it changed during the piece. Crescendo and diminuendo
may be included.
4. To listen to one half of the melody played twice more, first as originally heard and then with a
change in the rhythm or melody, and to identify the type of change made.
Grade examinations
15
Grade examinations
Grade 3
1. To listen once to a short melody in 3 or 4 and to indicate a sense of the pulse and time signature
during a second playing. Candidates should respond by either conducting clearly, using a simple,
conventional, beat-shape or alternatively by other methods, provided the strong beats are indicated
distinctly. The candidate may begin right at the start, or can join in once the melody is under way.
2. To identify the interval formed by the first two notes of the melody, played from low to high and held
as a sounding interval as a major second, minor third, major third, perfect fourth or perfect fifth.
(All diatonic, from within the key.) Candidates may sing (or hum) the notes before answering.
3. To identify a triad played by the examiner as being either major or minor. The notes will be
sounded together.
4. A printed copy of the melody will be handed to the candidate. The examiner will then play the
original followed by a version (played twice) containing one change of pitch or rhythm. The
candidate will be invited to indicate the bar in which the change occurred in the rhythm or melody.
Grade 4
1. To listen once to a short melody in 4 or 6 with a simple accompaniment and to indicate a sense
of the pulse and time signature during a second playing. Candidates should respond by either
conducting clearly, using a simple, conventional, beat-shape or alternatively by other methods,
provided the strong beats are indicated distinctly.
2. To identify the interval formed by the first two notes of the melody, played consecutively, as:
a unison a perfect fourth
a minor second a perfect fifth
a major second a minor sixth
a minor third a major sixth
a major third
Candidates may sing or hum the notes before answering.
3. To listen to the piece again and to identify the cadence at the end as being either perfect
or imperfect.
4. A printed copy of the melody line only will be handed to the candidate. The examiner will then
play this, followed by a version (played twice) containing two changes, one of pitch and one of
rhythm. The candidate will be invited to indicate the bars in which the changes occurred and to
describe them.
Grade 5
1. To listen twice to a short piece of music in 2, 3 or 6 played twice, and state:
i) the time signature;
ii) if it began in the major or minor;
iii) if the tonality changed as the piece progressed, and if so, how.
After a further playing of the closing section of the piece, whether the cadence at the end was
perfect, imperfect or interrupted.
16
Grade examinations
2. To identify the interval formed by two notes selected by the examiner from the melody line, played
consecutively, as:
a unison a perfect fifth
a minor second a minor sixth
a major second a major sixth
a minor third a minor seventh
a major third a major seventh
a perfect fourth an octave
Candidates may sing or hum the notes before answering.
3. To listen to the piece again and to comment on the articulation and the dynamics.
4. A printed copy of the complete piece will be handed to the candidate. The piece will be played
once more as originally heard and then twice with two changes to the top line; one to the
rhythm and one to the melody. The candidate will be asked to locate and describe the changes.
Grade 6
1. To listen to a short piece in a major key in 2, 3, 4 or 6 played twice, and state the time
signature. Candidates will be invited to comment on the main features of the piece such as
phrasing, style and dynamics. The candidate will have the opportunity to give comments after
the first and/or second playing at their discretion.
2. To listen to the closing bars of the piece and identify its cadence as perfect, imperfect, plagal
or interrupted.
3. To listen again to a part of the piece which modulates and state into which key the music has
modulated. Keys used will be confined to dominant, subdominant and relative minor. The opening
key will be stated and the tonic chord played before the start. Answers may be given as either key
or technical names (e.g. in C major: to G or to the dominant).
4. A printed copy of the piece will be handed to the candidate, who will be invited to compare this with
a version played twice by the examiner containing two changes. These will be in the melody line
only and may be to the rhythm, the pitch or the articulation. The candidate should identify the
location and nature of the changes.
Grade 7
1. To listen twice to a short piece in a minor key and comment on the main features of the piece such
as style, phrasing, articulation and dynamics. The candidate will have the opportunity to give
comments after the first and/or second playing at their discretion.
2. To listen to a phrase from the piece and identify its cadence as perfect, imperfect, plagal
or interrupted.
3. A printed copy of the first section of the piece will be handed to the candidate, who will be invited
to compare this with a version played twice by the examiner containing three changes. These may
be in the pitch (of the melody line only) or the rhythm. The candidate should identify and explain
the changes.
4. To listen to the piece played with a modified ending and identify the key to which the music has
modulated. The opening key will be stated and the key-chord played. Keys used will be limited to the
sub-dominant minor, the relative major and the dominant of the relative major (e.g. G major in A
minor). Answers may be given as key names or technical names. Part of the piece may be omitted
by the examiner for clarity if appropriate.
17
Grade examinations
Grade 8
1. A short piece will be played twice. The candidate will be invited to describe the significant features
of the piece, such as style, rhythm, texture, dynamics, phrasing and articulation. Candidates are
encouraged to make observations after the first playing and to supplement these after the second.
This section will take the form of a short discussion with the examiner; credit will be given for the
depth of perception in the candidates comments.
2. A printed copy of the entire piece will be handed to the candidate and played by the examiner, who
will then play twice a version containing three changes which may be in the rhythm, melody, harmony,
articulation, dynamics or tempo. The candidate will be invited to identify and explain the changes.
Changes may occur in the treble or bass clef lines, or both. The original version, as supplied to the
candidate, will be played again, before the version with the changes.
N.B. In all sections of the Aural Tests that involve the examiner handing the candidate a printed copy
of the test, candidates and teachers should note that the copy will be a laminated page, which
may not be marked by the candidate in any way whatsoever during the examination.
18
Grade examinations
Improvisation
The improvisation tests explore the candidates ability to respond creatively to an aural/visual stimulus
offered by the examiner, usually as a rhythmic or melodic cell. The tasks undertaken develop from simple
recognition, assimilation and invention to modulation, extension and other techniques.
In every case the stimulus has been designed to allow a genuinely free creative improvisation and to
avoid the implication of a mirror image response. At all grades the stimuli seek to provide a wide range
of improvisatory possibilities, whilst avoiding excessive complication within themselves. The greatest
credit will be given for candidates who most effectively incorporate elements of the stimulus into their
improvisation, showing creativity and good instrumental knowledge and ability.
Outline and Test Parameters
According to the candidates choice, the examiner will tap the rhythm or play the pitches or chords on
the piano, and will also give a notated copy of the relevant test to the candidate which the candidate can
refer to throughout the test. In this way both auditory and visual learners will be assisted to produce
their best possible response.
Format
Candidates may select any one of the following types of test:
either melodic: based on a series of pitches
or rhythmic: based on a rhythmic idea
or chordal: based on a set of chord symbols.
The parameters are given in the chart overleaf.
Melodic Tests
The examiner will give the candidate a copy of a series of written pitches and will play it through twice
with each pitch lasting for about 2 seconds. The candidate will play the pitches back to the examiner, and
then has 30 seconds to prepare a short phrase incorporating these pitches, which is then performed.
The candidate may play during the preparation time.
Rhythmic Tests
The examiner will give the candidate a written version of an opening rhythm and then play it twice.
Candidates will then repeat it on their instrument using one pitch. They then have 30 seconds to develop
a piece of music based on this rhythm and then adding melodic material as appropriate. Instrumental
range used should reflect the parameters for melodic tests in the chart overleaf.
Chordal Tests
The examiner will give the candidate a copy of a 2-stave piano score containing chords written out
without a time signature (with bar lines) and chord symbols printed above each chord. The examiner will
play this through twice, establishing a moderate pulse with each chord played as 4 crotchets per bar (or
2 crotchets where more than one chord appears in a bar). The candidate then has 30 seconds (60
seconds for Grades 6 to 8) in which to prepare a short improvisation over the given chords. Candidates
can choose to use the tempo and time signature that the examiner played, or to request a quicker or
slower tempo and a 3, 4 or compound feel if they prefer.
The examiner will then play the chords as before, while the candidate improvises above them. The
phrase may be repeated several times, depending on length and speed, until the improvisation reaches
a natural conclusion.
19
Grade examinations
Written Keys for Chordal Tests
Notes
Marks are awarded for planning, structure, form, melodic, harmonic & rhythmic creativity, inventiveness
and logical progression, appropriate length and use of instrumental resources.
Candidates should regard the note values and ranges given as the minimum that will be expected, but
may extend these if they wish.
The length of the response in the chart overleaf is given as a guide only, and the candidate should aim to
perform a musically satisfying and balanced response.
Grades 1, 2 & 3 Grades 4 & 5 Grades 6, 7 & 8
All instruments C, F & G major
A, D, E, G&B minor
C, F, G, Bb, D, Eb & A major
plus relative minors
20
Grade examinations
Parameters for Improvisation Tests

Grade
Melodic tests:
Max. range of
given motif
Melodic tests:
Suggested length
of response
Rhythmic tests
Rhythmic tests:
Suggested
length of
response
Chordal tests
Phrase played round twice
1
3 notes one
step one leap
up to 4
th

24 bars
In 4
2 bars
crotchets
minims, quavers

approx 2 bars
4 bar phrase
Major key
I/V
1 chord per bar
2
4 notes range
up to 5
th

As above with
dots
4 bar phrase
Major key
I/IV/V
1 chord per bar
3
5 notes
range up to
6th
approx 4 bars
As above with
ties
approx 4 bars
4 bar phrase
Major key
I/IV/V/ii
1 chord per bar
4
Octave
(diatonic)
4 bar phrase
Minor key
I/IV/V
1 chord per bar
5
Octave (simple
chromaticism)
Two phrases
approx 48 bars
each
In 2, 3 or 4
plus semiquavers

Two phrases
approx 48 bars
each
4 bar phrase
Minor key
I/IV/V/vi
1 chord per bar
6
Plus 6
8 bar phrase
Major key
I/ii/IV/V and 7ths
1 chord per bar
7
34 phrases
Plus triplets
3-4 phrases
8-12 bars
812 bar phrase
Major or Minor key
I/ii/III/iv/V/VI and 6ths/7ths
1 or 2 chords per bar
8
Twelfth
(chromatic)
46 phrases
Plus 7
46 phrases
1216 bars
1216 bar phrase
Major or Minor key

All chords 6ths/7ths/9ths &
dim/aug
Simple suspensions
1 or 2 chords per bar
21
Grade examinations
Musical Knowledge (Initial to Grade 5 only)
These questions test the candidates understanding of their chosen pieces, the context of their
performance and their knowledge of their instrument and its technical demands, including best practice
for rehearsal and performance.
Five questions, each worth 2 marks, will normally be asked. Questions will include discussions on most of
the areas mentioned below, but not all parameters will be relevant to all disciplines and pieces, and
examiners will select questions as appropriate. Candidates must ensure that copies are not so heavily
annotated that a reasonable range of questions for the grade is precluded.
For melody line instrumentalists, questions will be based only on the instrumental line, and not on the
accompaniment.
It is the intention that candidates demonstrate their knowledge by reference to the printed score, rather
than by reproducing previously prepared answers. If annotations to the printed score are so extensive as
to preclude a reasonable range of questions, the report may be referred to Head Office for review or the
examiner may award no marks for the section.
Initial
1. The pitch names, and durations of any notes (excluding those with leger lines except middle C) in the
pieces played.
2. To identify, but not to explain clefs, stave, bar lines and key/time signatures in the pieces played.
3. Very simple musical terms and signs in the pieces, such as
-
, repeat,
f
and
p
.
4. Questions about the connection between the titles of the pieces and the music played (e.g. what is a
Minuet? Why is this piece called Squabble?)
Grade 1
1. Pitch names, note types (e.g. minim) and durations of any notes in the pieces played, including dotted
notes and any leger lines.
2. Clefs, time/key signatures and any common musical term/sign encountered.
3. Identify and explain p/f, accidentals, phrase marks, 1st & 2nd time bars and staccato/legato, when
appearing in the pieces played.
4. Comment on any significant, interesting or unusual features of piece(s) played. Show a basic
understanding of the instrument, including the names of its main parts (e.g. mouthpiece, tuning slide,
etc.) and maintenance.
Grade 2
As for Grade 1, and additionally:
1. Show an understanding of any term, sign or mark of expression in the pieces played.
2. Identify and explain any metronome marks, grace notes, ornaments, etc. appearing in the pieces played.
22
Grade examinations
3. The numerical value (only) of any interval (within an octave) between any two successive notes
appearing in the pieces played. (e.g. a second not a minor second). Intervals may be asked from a
lower to a higher note or vice versa.
4. Be aware of appropriate basic posture when playing.
Grade 3
As for previous grades, and additionally:
1. Identify and demonstrate an understanding of the keys, (together with their relative major/minor), in
which the pieces played are written.
2. Identify any common musical devices such as scale or arpeggio patterns in the pieces played.
3. Show an understanding of the reasons for, and methods employed in, the instrumental or vocal warm
up (of both instrument and performer).
4. The difference between sounding pitch of their instrument (transposing instruments only, including
octave transposing instruments).
Grade 4
1. Identify/explain any main key encountered throughout the pieces played, though no detailed
knowledge of modulatory processes will be expected.
2. Name the tonic and the dominant (and the three notes of their triads) of any of the keys in which the
pieces are written.
3. The full name of any interval (within an octave) between any two successive notes appearing in the
pieces played. (e.g. major second not second). Intervals may be asked from a lower to a higher note
or vice versa.
4. Comment on any particular technical or musical challenges encountered in the preparation of the
pieces played.
Grade 5
1. Comment on any significant features of the musical style and period, (e.g. Baroque, Romantic) of the
pieces played.
2. Point out any interesting or noteworthy structural/formal aspects of the pieces played.
3. Show an understanding of the keys used in the pieces played, including an understanding of
modulations and a knowledge of tonic, dominant and subdominant of the keys in which the pieces
are written.
Grades 68
Musical Knowledge questions are not available at these grades.
23
Grade examinations
Instruments
Trumpet/Cornet/Flugel Horn
Candidates must enter for an examination in either Trumpet (subject code TPT) or Cornet (subject code
COR) or Flugel Horn (subject code FLG). This must be clearly marked on the entry form. From Grade 3
onwards, candidates may offer up to one piece on another instrument as appropriate e.g. cornet,
flugel horn or piccolo trumpet in a Trumpet examination but technical work and all supporting tests
must be performed on the instrument for which the entry was made.
Euphonium/Baritone
The euphonium/baritone syllabus is designed for players reading either treble or bass clef. Scales may
be presented in either clef. Pieces may be in either clef transposed if necessary. Where repertoire is not
published in the appropriate clef, a manuscript transposition may be used. The pianist should play from
the published original.
Trombone
The trombone syllabus is designed for players reading either treble or bass clef. Scales may be
presented in either clef. Pieces may be in either clef transposed if necessary. Where repertoire is not
published in the appropriate clef, a manuscript transposition may be used. The pianist should play from
the published original.
Bass Trombone
The bass trombone syllabus is designed for players with a single trigger instrument at Grades 6 and 7,
but at Grade 8 much of the repertoire and technical work may include low B naturals.
Tuba/Eb Bass/Bb Bass
The tuba syllabus is designed for Eb tuba players, reading in either treble or bass clef. All the pieces up
to Grade 5 should be accessible on a three valve instrument. From Grade 6, players without a 4th valve
will find the choice of repertoire more limited.
Scales may be presented in either clef. Pieces may be in either clef, or transposed if necessary. Where
repertoire is not published in the appropriate clef, a manuscript transposition may be used. Either the
pianist or the soloist should play from the published original.
Bb bass players may use the same repertoire, transposing either solo or piano parts as necessary, or
repertoire may be selected from the euphonium syllabus. They should follow the Eb tuba treble clef
scale lists.
Players on F and C tubas may transpose either solo or piano parts as appropriate. Either the pianist or
soloist should play from the published original. Scale requirements for F, C and Bb tubas reading in bass
clef are downloadable from the website www.trinityguildhall.co.uk
Tuning
Examiners should not be expected to tune or adjust instruments for candidates. Up to and including
Grade 5 the teacher or accompanist may assist with tuning. From Grade 6 onwards, candidates are
expected to tune or adjust their instrument without assistance.
French Horn Grade 1 Subject code: HRN
Pieces (3 x 22 marks)
Three pieces are to be played, one from each group. Instead of one item, candidates may offer their own
composition (see page 10).
Group A Piece Book Publisher
Alan Ancient Towers 1st Recital Series for F Horn* Curnow 0762.02 CMP
Boswell Little Donkey, p. 5 Winners Galore for Treble Brass* Brass Wind 0118TC
Gange Melody The Jaunty Horn Piper Publications HN001/F
Gervaise Allemande Bravo! Horn in F Boosey
Johnson Evening Shadows 1st Recital Series for F Horn* Curnow 0762.02 CMP
Pearson Stepwise The Really Easy Horn Book Faber
Purcell Rigaudon World Famous Classics Fentone F815
Spiritual All Night, All Day, p. 7 Easy Winners for Treble Brass* Brass Wind 0124TC
Susato La mourisque Winner Scores All* Brass Wind 0138TC
Tchaikovsky Dance of the Mirlitons Winner Scores All* Brass Wind 0138TC
Trad. Russian Lullaby Horn Solos book 1 Faber
Group B
Bernstein One Hand, One Heart, p. 7 Easy Winners for Treble Brass* Brass Wind 0124TC
Daly Postman Pat, p. 5 Winners Galore for Treble Brass* Brass Wind 0118TC
Gange Folk Song The Jaunty Horn Piper Publications HN001/F
Gunning Echoes or Sad Caf The Really Easy Horn Book Faber
Jennings &
Horner Titanic Theme, p. 12 Easy Winners for Treble Brass* Brass Wind 0124TC
Randall Swings and Roundabouts Broadbent & Dunn 11706
Trad. Scottish The Night Visiting Song Bravo! Horn in F Boosey
Wedgwood Cheeky Cherry
or Hot Chilli Really Easy Jazzin About French Horn Faber
Group C (unaccompanied)
Davis Geared Up or Tiny Minuet Polished Brass Brass Wind 6022TC
Gregson Hungarian Dance, no. 4 20 Supplementary Tunes
or Lullaby, no. 8 for Beginner Brass Brass Wind 6002TC
Mozart Theme from
a Musical Joke, p. 3 Easy Winners for Treble Brass Brass Wind 0124TC
Nightingale Coos Blues, no. 3
or Ready, Aim, Fire!, no. 4 Eazy Jazzy Tudes Warwick
Sparke Modal Melody, no. 3
or Ticker Tape Parade, no. 5 Skilful Studies for Horn Anglo Music AMP 099
Trad. Give me Joy in my Heart, p. 6 Winners Galore for Treble Brass Brass Wind 0118TC
* Piano accompaniment available separately.
24
French Horn Grade 1
Technical Work (14 marks) (see page 6)
Candidate to prepare one lip flexibility exercise and then either Section i) or Section ii) in full.
Lip Flexibility Exercise
a) Lip Flexibility Grade 1, F Horn (from Scales & Exercises for French Horn) Trinity Guildhall
b) Lip Flexibility Grade 1, Bb Horn (from Scales & Exercises for French Horn) Trinity Guildhall
c) *Lawrance Exercise no. 1.1 or no. 1.2
(from Graded Lip Flexibilities for Horn in F and Bb) Brass Wind 6013
* to be played on open valves on either F or Bb horn at the candidates choice
either i) Scales & Arpeggios (from memory)
Scales
The following scales to be performed mf and tongued:
C major (one octave)
A natural minor (one octave) candidates may play harmonic or melodic minor if preferred.
Arpeggios
The following arpeggios to be performed mf and tongued:
A minor (one octave)
or ii) Exercise
The following exercise to be played tongued:
C major scale and arpeggio exercise (from Scales & Exercises for French Horn) Trinity Guildhall
Supporting Tests (2 x 10 marks)
Two tests are to be chosen from:
Sight Reading (see page 11)
Aural (see page 14)
Improvisation (see page 18)
Musical Knowledge (see page 21)
25
Campbell Hunting Song Horn Solos book 1 Faber
Court March Majestic 1st Recital Series for F Horn* Curnow 0762.02 CMP
Di Capua O sole mio All Jazzed Up for F Horn Brass Wind 1108F
Gange Slow Dance The Jaunty Horn Piper Publications HN001/F
Haydn St Anthony Chorale Horn Solos book 1 Faber
Mendelssohn Nocturne A Midsummer
Nights Dream, p. 12 Winners Galore for Treble Brass* Brass Wind 0118TC
Mozart Aria Winner Scores All* Brass Wind 0138TC
Negro Spiritual Nobody Knows Going Solo Horn Faber
Pearson Girls and Boys The Really Easy Horn Book Faber
Purcell Trumpet Tune Winner Scores All* Brass Wind 0138TC
Randall Marching Tune Broadbent & Dunn 11707
Shore In Dreams Movie Instrumental Solos for Horn in F** Faber
Group B
Bart Where Is Love?, p. 14 Easy Winners for Treble Brass* Brass Wind 0124TC
Bissill Promenade Going Solo Horn Faber
Bullard Circus Rock Circus Skills for Horn & Piano Spartan SP641
Curnow The Red Balloon 1st Recital Series for F Horn* Curnow 0762.02 CMP
Gange A Jaunty Tune The Jaunty Horn Piper Publications HN001/F
Howard &
Blaikley Miss Marple Theme, p. 9 Winners Galore for Treble Brass* Brass Wind 0118TC
Osborne & May Eastenders, p. 13 Easy Winners for Treble Brass* Brass Wind 0124TC
Pinkard, Carsy
& Bernie Sweet Georgia Brown All Jazzed Up for F Horn Brass Wind 1108F
Trad. Men of Harlech Winner Scores All* Brass Wind 0138TC
arr. Johnstone
Wedgwood Easy Tiger
or Keep Truckin Really Easy Jazzin About French Horn Faber
Blakeson Brite n Rock, no. 5
or Chickpea, no. 11 Smooth Groove for Treble Brass Brass Wind 1141FTC
Davis Jumping Jack Rap
or Rat Rag Polished Brass Brass Wind 6022TC
Gregson Gavotte, no. 10 20 Supplementary Tunes
or Justins March, no. 14 for Beginner Brass Brass Wind 6002TC
Nightingale The Nuthatch, no. 6
or The Sleuth, no. 7 Eazy Jazzy Tudes Warwick
Sparke Cowboy Carol, no. 12
or Toms Tune, no. 13 Skilful Studies for Horn Anglo Music AMP 099
* Piano accompaniment available separately. ** CD accompaniment only.
26
French Horn Grade 2
Scales
The following scales to be performed mf, tongued or slurred as requested by the examiner:
D and Bb major (one octave)
A harmonic minor (one octave): candidates may play natural or melodic minor if preferred.
Arpeggios
The following arpeggios to be performed mf, tongued or slurred as requested by the examiner:
or ii) Exercise
The following exercises to be played either tongued or including slurs as indicated, as requested by
the examiner:
a) D major scale and arpeggio exercise
b) A minor scale and arpeggio exercise
All scales and exercises are contained in the book Scales & Exercises for French Horn published by
Trinity Guildhall.
Two tests are to be played, chosen from:
Aural (see page 14)
27
Bissill Sad Song Going Solo Horn Faber
Brightmore Any one of Three Easy
Solos for Horn & Piano Emerson E149
Concone Study no. 2,
Allegretto cantabile* Concone Studies for Horn* Emerson E299a
Faur Pavane, p. 16 Easy Winners for Treble Brass* Brass Wind 0124TC
Gossec Tambourin World Famous Classics* Fentone F815
Handel Largo World Famous Classics* Fentone F815
Hanmer Prelude, no. 1
or Waltz, no. 2 Suite for Horn Emerson E31
Lawrance Carillon or Homage In Concert for Horn [F edition] Brass Wind 1104F
Mozart Andante from La ci darem
la mano 1st Recital Series for F Horn* Curnow 0762.02 CMP
Shore Evenstar Lord of the Rings
Instrumental Solos for Horn in F** Warner Bros
Group B
Bart Food Glorious Food Winner Scores All* Brass Wind 0138TC
Bernstein America Winner Scores All* Brass Wind 0138TC
Bullard Tightrope Walker Circus Skills for Horn & Piano Spartan SP641
John Can You Feel the Love
Tonight? Undercover Hits for F Horn Brass Wind 1145
Johnson Excursion 1st Recital Series for F Horn* Curnow 0762.02 CMP
Ledbury Three and Easy Big Chillers for F Horn Brass Wind 1154
Lloyd Webber Close Every Door Winner Scores All* Brass Wind 0138TC
Mancini Pink Panther All Jazzed Up for F Horn Brass Wind 1108F
Norman James Bond Theme, p. 19 Easy Winners for Treble Brass* Brass Wind 0124TC
Petty Wheels Cha-Cha Lets Face the Music for F Horn Brass Wind 2132
Tchaikovsky Humoresque Going Solo Horn Faber
Williams Hedwigs Theme Movie Instrumental Solos for Horn in F** Faber
Woolfenden Space Patrol Up Front Album for F Horn book 2 Brass Wind 0114
Blakeson Jam on Toast, no. 20
or Red Chilli Sauce, no. 18 Smooth Groove for Treble Brass Brass Wind 1141FTC
Davis Flamenco Flirt [in D minor]
or Horn of Wonder Polished Brass Brass Wind 6022TC
Gregson Bulgarian Dance, no. 15 20 Supplementary Tunes
or Folk Song, no. 17 for Beginner Brass Brass Wind 6002TC
Lawrance Off Beat or Staccato Ritmico Featuring Melody for Treble Brass Brass Wind 6006
Sparke Contrasts, no. 30
or Shepherds Song, no. 33 Skilful Studies for Horn Anglo Music AMP 099
* Piano accompaniment available separately. ** CD accompaniment only.
28
French Horn Grade 3
Scales
Eb major (one octave)
G major (one octave) [lower octave]
C and D minor (one octave): candidates choice of either harmonic or melodic minor
Whole-tone scale starting on C (one octave)
Arpeggios
G major (one octave) [lower octave]
C and D minor (one octave)
or ii) Exercise
the examiner:
a) Eb major scale and arpeggio exercise
b) G major scale and arpeggio exercise [lower octave]
c) C minor scale and arpeggio exercise
Trinity Guildhall.
Aural (see page 14)
29
Bizet Theme from LArlsienne Going Solo Horn Faber
Carr Ghosts of Fountains Abbey Top Line Album Horn [F edition] Brass Wind 1113F
Concone Study no. 5,
Andante cantabile* Concone Studies for Horn* Emerson E299a
Humperdinck Hnsel and Gretel Horn Talk Brass Wind 1135
Ippolitov-Ivanov Cortge Undercover Hits for F Horn Brass Wind 1145
Lawrance Fanfare and Response In Concert for Horn [F ed.] Brass Wind 1104F
Mendelssohn Nocturne (A Midsummer
Nights Dream) Horn Solos book 1 Faber
Stlzel/
J S Bach Bist du bei mir World Famous Classics* Fentone F815
Tartini Sarabande Festive Baroque for Horn [F/Eb] de Haske 1043557
Tchaikovsky Theme from Symphony no. 5 Horn Solos book 1 Faber
Group B
Bernstein Somewhere Great Winners for Treble Brass* Brass Wind 0132TC
Bissill Waltz to Take Away Going Solo Horn Faber
Clews Off Beat Waltz, no. 4
and Circus Polka, no. 5 Nine Pieces for Horn & Piano Patersons PAT 60709
Goodwin 633 Squadron Great Winners for Treble Brass* Brass Wind 0132TC
Hanmer Finale, no. 4 Suite for Horn Emerson E31
Kosma, Prevert
& Mercer Autumn Leaves Big Chillers for F Horn Brass Wind 1154
Puccini Nessun Dorma Going Solo Horn Faber
Rogers & Hart Blue Moon Jazzed up Too [F ed.] Brass Wind 1111F
Sondheim Send in the Clowns A Little Light Music for F Horn Brass Wind 2118
Taylor & Dallas Film 87 Jazzed up Too [F ed.] Brass Wind 1111F
Blakeson Big Band Swing, no. 33
or Latin Lady, no. 32 Smooth Groove for Treble Brass Brass Wind 1141FTC
Davis Irish Jig
or Smart Card [in D major] Polished Brass Brass Wind 6022TC
Lawrance Restless or Rondo Featuring Melody for Treble Brass Brass Wind 6006
McKenzie Mambo or Tango Music Makes the World Go Round Con moto
Sparke Opera Buffa, no. 32
or Ursa Minor, no. 35
or Ursa Major, no. 37 Skilful Studies for Horn Anglo Music AMP 099
30
French Horn Grade 4
Scales
F major (two octaves)
E major (one octave)
F minor (two octaves): candidates choice of either harmonic or melodic minor
E minor (one octave): candidates choice of either harmonic or melodic minor
Whole-tone scale starting on F (two octaves)
Chromatic scale starting on C (one octave)
Arpeggios
E major (one octave)
F minor (two octaves)
E minor (one octave)
or ii) Exercise
the examiner:
a) E major scale and arpeggio exercise
b) F major expanding scale exercise [upper or lower octave at candidates choice]
c) F minor expanding scale exercise [upper or lower octave at candidates choice]
Trinity Guildhall.
Sight Reading (see page 11) and Transposition (prepared or unprepared) (see page 12)
Aural (see page 14)
31
Bissill March of the Gimps Going Solo Horn Faber
Cherubini Sonata no. 1 Two Sonatas (Concert Etudes) Schirmer
Concone Study no. 18, Allegro brillante* Concone Studies for Horn* Emerson E299a
Copland Fanfare for the Common Man Copland for Horn* Boosey
Damase Berceuse op. 19 Leduc AL 20897
Dunhill Andante con moto, no. 1 Cornucopia Boosey
Handel Mirth Admit Me Of Thy Crew Horn Solos book 2 Faber
Mozart Concerto no. 3 in Eb, K. 447,
2nd movt: Romance Brenreiter BA 5312a
Saint-Sans Romance op. 36 Solos for the Horn Player Schirmer
Shostakovich Romance Undercover Hits for F Horn Brass Wind 1145
Group B
Ahbez Nature Boy Latino for F Horn Brass Wind 1143
Bernstein Maria A Little Light Music for F Horn Brass Wind 2118
Bonfa Manha de Carnaval Latino for F Horn Brass Wind 1143
Hupfeld As Time Goes By Big Chillers for F Horn Brass Wind 1154
Parker Mapp and Lucia The Music of Jim Parker for F Horn Brass Wind 1133
Parker Blues Train Top Line Album Horn [F ed.] Brass Wind 1113F
Ramskill In the Fast Lane Jazzed up Too [F ed.] Brass Wind 1111F
Warren &
Gordon Chatanooga Choo Choo Big Chillers for F Horn Brass Wind 1154
Williams Raiders March Great Winners for Treble Brass* Brass Wind 0132TC
Woolfenden Shore Dance
or Moonlight Rumba Horn Dances Brass Wind 1126
J S Bach Boure 1 from Suite no. 3 Six Suites for Cello [trans. Hoss] Southern
Davis Logoland [in C major]
or Heads or Tails Polished Brass Brass Wind 6022TC
Franz Etude no. 7 or Etude no. 9 Etudes and Concert Etudes Kalmus K 04523
Lawrance Hornpipe or Romanza Featuring Melody for Treble Brass Brass Wind 6006
Lawrance Interlude for Horn in F In Concert for Horn [F ed.] Brass Wind 1104F
McKenzie Cerga or Krivo Horo Music Makes the World Go Round Con moto
32
French Horn Grade 5
Scales
G and Eb major (two octaves)
G and Eb minor (two octaves): candidates choice of either harmonic or melodic minor
Whole-tone scale starting on G (two octaves)
Chromatic scale starting on G (two octaves)
Arpeggios
G and Eb major (two octaves)
G and Eb minor (two octaves)
Dominant 7th in the key of G (one octave)
or ii) Exercise
the examiner. The candidate may choose to play these exercises at either the upper or lower octave.
a) Eb major scale and arpeggio exercise
b) Eb minor scale and arpeggio exercise
c) G major expanding scale
d) G minor expanding scale
Trinity Guildhall.
Sight Reading (see page 11) and Transposition (prepared or unprepared) (see page 12)
Aural (see page 14)
33
Group A Piece Publisher
Boyce 1st movt from Symphony no. 4 (from O Solo Mio [F ed.]) Brass Wind 2114F
Brahms Scherzo from Serenade in D, op. 11
(from Solos for the Horn Player) Schirmer HL50330050
Gounod No. 3 (from 6 pices mlodiques originales vol. 2) Billaudot GB3367
Hindemith Horn Sonata 1939, 2nd movt: Ruhig bewegt Schott
Larsson Concertino op. 45 no. 5, 2nd movt: Lento cantabile Carl Gehrmans Musikforlag
Mozart Concerto no. 3 in Eb, K. 447, 3rd movt: Allegro Brenreiter BA 5312a
Mozart Concerto no. 4 in Eb, K. 495, 2nd movt: Romance Brenreiter BA 5313a
F Strauss Concerto for Horn op. 8, 2nd movt: Andante Schirmer HL50335560
R Strauss Andante op. posth. Boosey 20212
Wagner Tannhuser Overture (from Horn Talk) Brass Wind 1135
Group B
Arlen & Harburg (Somewhere) Over the Rainbow Studio
Bozza En Irlande Leduc
Dunhill Cornucopia, 2nd movt: Allegro vivo and 3rd movt: Poco adagio Boosey
East Four Occasional Pieces, no. 1 and no. 2 Ricordi RICL005
Gershwin I Got Rhythm (from A Little Light Music for F Horn) Brass Wind 2118
Harbach & Kern Smoke Gets in Your Eyes (from Lets Face the Music for F Horn) Brass Wind 2132
Lawrance Elegy or Carnival (from In Concert for Horn [F edition]) Brass Wind 1104F
Mancini Moon River (from Lets Face the Music for F Horn) Brass Wind 2132
Parker The House of Eliott (from The Music of Jim Parker for F Horn) Brass Wind 1133
Woolfenden War Dance or Lotus Waltz (from Horn Dances) Brass Wind 1126
J S Bach Suite no. 1, Gigue (from Six Suites for Cello [trans. Hoss]) Southern
Franz Etude no. 15 or Etude no. 20 (from Etudes and Concert Etudes) Kalmus K 04523
Kopprasch Study no. 17 or Study no. 25 (from 60 Studies book 1) IMC 1732
Lawrance Jazz Suite, no. 5: Three on Five or La chase
(from Featuring Melody for Treble Brass) Brass Wind 6006
Lyon Introduction (from Partita for Solo Horn) Chappell
McKenzie Czardas or Hornpipe (from Rhythms of Life) Con moto
Shaw Just Desserts Frippery Style, no. 1 The Hornists Nest
34
French Horn Grade 6
Scales
The following scales to be performed f or
p
, tongued or slurred or staccato tongued as requested by
the examiner:
D and Ab major (two octaves)
D and G
#
harmonic minor (two octaves)
D and G
#
melodic minor (two octaves)
Whole-tone scale starting on D (two octaves)
Chromatic scale starting on D (two octaves)
Arpeggios
The following arpeggios to be performed f or
p
the examiner:
D and Ab major (two octaves)
D and G
#
minor (two octaves
Dominant 7th in the key of D (one octave)
Diminished 7th starting on D (two octaves)
Augmented arpeggio starting on D (two octaves)
or ii) Exercise
the examiner.
a) Key centre exercise in D
b) D major expanding scale
c) D minor expanding scale
d) D major scale in 3rds
e) D minor scale in 3rds
Trinity Guildhall.
Candidates to prepare i) and ii):
i) Sight Reading (see page 11) and Transposition (prepared or unprepared) (see page 12)
ii) Aural (see page 14) or Improvisation (see page 18)
35
Beethoven Scherzo from Septet op. 20 (from Solos for the Horn Player) Schirmer HL50330050
Brahms 3rd movt from Symphony no. 3 (from Horn Talk) Brass Wind 1135
Chabrier Espaa (from Horn Talk) Brass Wind 1135
Danzi Sonata op. 44, 2nd movt: Larghetto Birdalone Music
Glazunov Reveries (from Solos for the Horn Player) Schirmer HL50330050
Gounod 6 Pices mlodiques originales vol. 2, no. 4 Billaudot GB3367
Mozart Concerto no. 3 in Eb, K. 447, 1st movt: Allegro [with cadenza] Brenreiter BA 5312a
Mozart Concerto no. 4 in Eb, K. 495, 3rd movt: Rondo [with cadenza] Brenreiter BA 5313a
Ravel Pavane pour une infante dfunte
(from Solos for the Horn Player) Schirmer HL50330050
F Strauss Nocturno op. 7 Universal UE 1368
Group B
Abbott Alla Caccia Arcadia
Bloom Give Me the Simple Life (from O Solo Mio [F ed.]) Brass Wind 2114F
Carr Idyll (from A Day in the Country) Broadbent & Dunn 12003
Clews Burlesca and Serenata (from Partita for Horn & Piano) Patersons 60705
Cooke Rondo in Bb Schott
Damase Pavane varie Lemoine
Hindemith Horn Sonata 1939, 1st movt: Massig bewegt Schott
Larsson Concertino op. 45 no. 5, 1st movt or 3rd movt Gehrmans
Nielsen Canto Serioso Skandinavisk
Ridout Concertino for Horn, 2nd movt and 3rd movt Emerson E71
J S Bach Boure 1 from Suite no. 4 (from Six Suites for Cello [trans. Hoss]) Southern
J S Bach Sarabande from Suite no. 5 (from Six Suites for Cello [trans. Hoss]) Southern
Bourgeois Fantasy Pieces for Horn, no. 2: Andante espressivo [in F only] Brass Wind 3103
Franz Etude no. 18 or Etude no. 19 (from Etudes and Concert Etudes) Kalmus K 04523
Lyon Waltz (from Partita for Solo Horn) Chappell
Madsen The Dream of the Rhinoceros Musikk-Husets
McKenzie Habanera (from Rhythms of Life) Con moto
36
French Horn Grade 7
Scales
p
the examiner:
A and B* major (two octaves)
A and B* harmonic minor (two octaves)
A and B* melodic minor (two octaves)
Whole-tone scale starting on A and B* (two octaves)
Chromatic scale starting on A and B* (two octaves)
Arpeggios
p
the examiner:
A and B* major (two octaves)
A and B* minor (two octaves)
Dominant 7th in the keys of A and B* (one octave)
Diminished 7th starting on A and B* (two octaves)
Augmented arpeggio starting on A and B* (two octaves)
*Candidates may choose either upper or lower octaves for B scales and arpeggios.
or ii) Exercise
the examiner:
a) Key centre exercise in A
b) A major expanding scale [upper or lower octave at candidates choice]
c) B minor expanding scale [upper or lower octave at candidates choice]
d) B major scale in 3rds
e) A minor scale in 3rds
Trinity Guildhall.
37
J S Bach Quoniam Tu Solus Sanctus (from Absolutely Horn) Brass Wind 2123
Beethoven Horn Sonata in F, op. 17, 1st movt Peters EP 149
Cherubini Sonata no. 2 (from Two Sonatas (Concert Etudes)) Schirmer
Dukas Villanelle (from Solos for the Horn Player) Schirmer
F Strauss Theme and Variations op. 13 Zimmermann ZM 12570
Haydn Concerto no. 1 in D, 1st movt or 3rd movt Breitkopf EB 3031
Mozart Concerto no. 2 in Eb K. 417, 1st movt: Allegro
or 3rd movt: Rondo [with cadenza] Brenreiter BA 5311a
Mozart Rondo from Horn Quintet, K. 407
(from Solos for the Horn Player) Schirmer
Saint-Sans Morceau de concert op. 94 Durand D & F 4605
R Strauss Concerto op. 11, 1st movt: Allegro or 2nd movt: Andante Universal UE 1039a
Group B
Aubin Horn Concerto, 3rd movt: Molto vivace Leduc AL 29168
Bruckner 2nd movt from Symphony no. 7 (from Absolutely Horn) Brass Wind 2123
Carr The Happy Fox (from A Day in the Country) Broadbent 12003
Farnon Conversation and Games [complete] Warwick
Gomelskaya Bagatelle Guildhall
Gwilt Sonatina [complete] Bayley & Ferguson BF 2018
Neuling Bagatelle Pro Musica Leipzig
Poulenc legie Chester
Van Heusen Heres That Rainy Day (from O Solo Mio [F ed.]) Brass Wind 2114F
Vinter Hunters Moon Boosey H 15506
Arnold Fantasy for Horn op. 88 Faber
J S Bach Allemande or Courante from Suite no. 4 (from Six Suites for Cello) Southern
Berge Hornlokk [final pedal D is optional] Norsk Musikforlag
Bourgeois Fantasy Pieces for Horn, no. 3: Scherzando e grottesco or no. 5: Allegro Brass Wind 3103
De Pre No. 8 or no. 11 (from Etudes pour le Cor Grave) Billaudot G2127B
Franz Etude no. 26 or Concert Etude no. 2 (from Etudes and Concert Etudes) Kalmus K 04523
McKenzie Krivo Horo (from Rhythms of Life) Con moto
Neuling No. 3 or no. 9 (from 30 Special Studies for Low Horn book 1) Pro Musica Leipzig
38
French Horn Grade 8
39
Scales
p
, tongued or slurred or staccato tongued or slurred in pairs
as requested by the examiner:
Bb major (three octaves)
Db and F# major (two octaves)
Bb harmonic and melodic minor (three octaves)
C# and F# harmonic and melodic minor (two octaves)
Whole-tone scale starting on Bb (three octaves)
Whole-tone scale starting on Db and F# (two octaves)
Chromatic scale starting on Bb (three octaves)
Chromatic scale starting on C# and F# (two octaves)
Crabwise scale from F and Bb (two octaves tongued or slurred in octaves)
C major hand-stopped scale (to 12th)
Arpeggios
p
the examiner:
Bb major (three octaves)
Db and F
#
major (two octaves)
Bb minor (three octaves)
C# and F# minor (two octaves)
Dominant 7th in the keys of C and Bb (two octaves)
Dominant 7th in the keys of Db and F# (two octaves)
Diminished 7th starting on C*, Db and F# (two octaves)
Augmented arpeggio starting on C*, Db and F
#
(two octaves)
*Upper or lower octave at candidates choice.
or ii) Exercise
the examiner:
a) Key centre exercise in the keys of Db and F
#
b) Key centre exercise in the key of Bb [upper or lower octave at candidates choice]
c) Crabwise scale from F in 3rds
Trinity Guildhall.
Eb Tenor Horn Grade 1 Subject code: TEN
Gregson Berceuse Up Front Album for Eb Horn book 1 Brass Wind 0108
Handel Minuet in C The Really Easy Tenor Horn Book Faber
Haydn Minuet Bravo! Eb Tenor Horn Boosey
Pearson Moto Perpetuo The Really Easy Tenor Horn Book Faber
Negro Spiritual Steal Away Beginners Please! [Eb/F edition] Winwood
Schubert German Dance Bravo! Eb Tenor Horn Boosey
Group B
Bourgeois Little Yellow Idol Up Front Album for Eb Horn book 1 Brass Wind 0108
Crosse Lullaby Up Front Album for Eb Horn book 1 Brass Wind 0108
Premru Chelsea Chase Up Front Album for Eb Horn book 1 Brass Wind 0108
Trad. Russian The Birch Tree Beginners Please! [Eb/F edition] Winwood
Miller Pond Life, no. 9 or
Supersonic Samurai, no. 14 Simple Studies for Beginner Brass Faber
Mozart Theme from
Sparke Modal Melody
or Tickertape Parade Skilful Studies Anglo Music AMP 099
Trad. Give me Joy in my Heart,
p. 6 Winners Galore for Treble Brass Brass Wind 0118TC
40
Eb Tenor Horn Grade 1
a) Lip flexibility Grade 1 no. 1 (from Scales & Exercises for Treble Clef Brass) Trinity Guildhall
b) Lip flexibility Grade 1 no. 2 (from Scales & Exercises for Treble Clef Brass) Trinity Guildhall
c) Exercise no. 1 (from How Brass Players Do It) Brass Wind
Scales
A natural minor (one octave): candidates may play harmonic or melodic minor if preferred.
Arpeggios
or ii) Exercise
C major scale and arpeggio exercise (from Scales & Exercises for Treble Clef Brass) Trinity Guildhall
Aural (see page 14)
41
Barratt Out-of-Step March Bravo! Eb Tenor Horn Boosey
Clarke The Duke of Gloucesters
March Bravo! Eb Tenor Horn Boosey
Couperin Le petit-rien The Really Easy Tenor Horn Book Faber
Grieg Gavotte from Holberg Suite World Famous Classics Fentone F815
Handel Hallelujah Chorus, p. 6 Winners Galore for Treble Brass* Brass Wind 0118TC
Henry VIII Pastime with Good Company Beginners Please! [Eb/F edition] Winwood
Offenbach Two Mighty Men-at-Arms World Famous Classics Fentone F815
Trad. Land of the Silver Birch Beginners Please! [Eb/F edition] Winwood
Wallace The Grinnermarch Going Solo Tenor Horn Faber
Group B
Bart Where is Love?, p. 14 Easy Winners for Treble Brass* Brass Wind 0124TC
Goodall Blackadder Theme, p. 16 Winners Galore for Treble Brass* Brass Wind 0118TC
Pearson Leap-Frog or Seven-Up The Really Easy Tenor Horn Book Faber
arr. Johnstone
Wiggins Lucys Lullaby Beginners Please! [Eb/F edition] Winwood
Wilson-Smith Out n About
or Something Else
or Waltzing with Jazz All Jazzed Up for Horn [Eb edition] Brass Wind 1108E
or Chickpea, no. 11 Smooth Groove for Treble Brass Brass Wind 1141ETC
Davis Jumping Jack Rap or Rat Rag Polished Brass Brass Wind 6022TC
Gregson Gavotte, no. 10
or Justins March, no. 14 20 Supplementary Tunes
for Beginner Brass Brass Wind 6002TC
Miller Study no. 13, Tip-toe Toccata
or Study no. 16, Sabre Dance Simple Studies for Beginner Brass Faber
Sparke Cowboy Carol or Toms Tune Skilful Studies Anglo Music AMP 099
42
a) Lip Flexibility Grade 2 no. 1 (from Scales & Exercises for Treble Clef Brass) Trinity Guildhall
b) Lip Flexibility Grade 2 no. 2 (from Scales & Exercises for Treble Clef Brass) Trinity Guildhall
Scales
Arpeggios
or ii) Exercise
the examiner:
All scales and exercises are contained in the book Scales & Exercises for Treble Clef Brass published by
Trinity Guildhall.
Aural (see page 14)
43
Anon. The Lark in the Clear Air The Young Soloist vol. 1 [Eb edition] Studio
Gluck Che Faro Great Winners for Treble Brass Brass Wind 0132TC
Handel Largo World Famous Classics Fentone F815
Lawrance Carillon In Concert for Horn [Eb edition] Brass Wind 1104E
Mendelssohn O, for the Wings of a Dove World Famous Classics Fentone F815
Mendelssohn On Wings of Song A Classical Album of Solos for Eb Instruments vol. 1 Studio
Schubert The Trout Going Solo Tenor Horn Faber
Trad. Greensleeves The Young Soloist vol. 1 [Eb edition] Studio
Trad. Danny Boy, p. 17 Winners Galore for Treble Brass* Brass Wind 0118TC
Trad. British Grenadiers Going Solo Tenor Horn Faber
Wiggins A Little Peace and Quiet,
no. 2 or Davy Jones
Hornpipe, no. 3 The Tenor Horn Players Debut Studio
Group B
Bratton &
Kennedy Teddy Bears Picnic, p. 19 Winners Galore for Treble Brass* Brass Wind 0118TC
Bullard Sentimental Serenade
or Tightrope Walker Circus Skills for Horn & Piano Spartan SP641
Harburg Were Off to See
& Arlen the Wizard, p. 22 Easy Winners for Treble Brass* Brass Wind 0124TC
John A Whole New World Great Winners for Treble Brass Brass Wind 0132TC
John & Rice Can You Feel the
Love Tonight Undercover Hits for Eb Horn Brass Wind 1148
Mancini Pink Panther All Jazzed Up for Horn [Eb edition] Brass Wind 1108E
Pinkard, Carsey
& Bernie Sweet Georgia Brown All Jazzed Up for Horn [Eb edition] Brass Wind 1108E
Ramskill Hernandos Hideaway Latino for Eb Horn Brass Wind 1147
Wilson-Smith Odd Job All Jazzed Up for Horn [Eb edition] Brass Wind 1108E
or Red Chilli Sauce, no. 18 Smooth Groove for Treble Brass Brass Wind 1141ETC
Davis Flamenco Flirt (in D minor)
Hering Study no. 12 40 Progressive Etudes for Trumpet Fischer 3309
McKenzie Waltz or High Life Music Makes the World Go Round Con moto
Nightingale Slinky, no. 13 Eazy Jazzy Tudes Warwick
Sparke Contrasts or Tyrolean Tune Skilful Studies Anglo Music AMP 099
* Piano accompaniment available separately. 44
c) Exercise no. 7 or no. 8 (from How Brass Players Do It) Brass Wind
Scales
E and Eb major (one octave)
C and E minor (one octave): candidates choice of either harmonic or melodic minor
Arpeggios
C and E minor (one octave)
or ii) Exercise
the examiner:
b) Eb major scale and arpeggio exercise
Trinity Guildhall.
Aural (see page 14)
45
Beethoven Fr Elise A Classical Album of Solos for Eb Instruments vol. 1 Studio
Bourgeois A Drowsy Moment
or Three-Legged Horn A Horn-ting We Will Go for Tenor Horn Brass Wind 1125
Lawrance Reflections In Concert for Horn (Eb Edition) Brass Wind 1104E
MacDowell To a Wild Rose A Classical Album of Solos for Eb Instruments vol. 1 Studio
Stlzel/
J S Bach Bist du bei mir World Famous Classics Fentone F815
Wiggins Court Herald, no. 6
or Song From The High
Hills, no. 7 The Tenor Horn Players Debut Studio
Group B
Bullard Dancing Dolls
or Russian Galop Circus Skills for Horn & Piano Spartan SP641
Gunning Theme from Poirot More On The Light Side for Horn in Eb Brass Wind 1138
Pearson Pastoral Echoes
or Sunset Strip Going Solo Tenor Horn Faber
Ramin Music To Watch Girls By Jazzed Up Too for Horn [Eb edition] Brass Wind 1111E
Ramskill Hot Pursuit Jazzed Up Too for Horn [Eb edition] Brass Wind 1111E
Rogers Blue Moon Jazzed Up Too for Horn [Eb edition] Brass Wind 1111E
Sondheim Send In The Clowns A Little Light Music for Horn in Eb Brass Wind 2124
or Latin Lady, no. 32 Smooth Groove for Treble Brass Brass Wind 1141ETC
Bourgeois Study no. 1
or Study no. 2 Ace of Trumpets Brass Wind 6024
Davis Irish Jig
or Serpent Smoothie
[in C major] Polished Brass Brass Wind 6022TC
Hering Study no. 10
or Study no. 11 40 Progressive Etudes for Trumpet Fischer 3309
McKenzie Mambo
or Tango Music Makes the World Go Round Con moto
Nightingale Blues for Big-Ears, no. 15 Eazy Jazzy Tudes Warwick
Sparke Hungarian Dance
or Opera Buffa Skilful Studies Anglo Music AMP 099
46
Scales
Bb major (to 12th)
F major (one octave)
D and F minor (one octave): candidates choice of either harmonic or melodic minor
Whole-tone scale starting on F (one octave)
Arpeggios
Bb major (to 12th)
D and F minor (one octave
or ii) Exercise
the examiner:
a) Bb major scale and arpeggio exercise
b) F major expanding scale exercise
c) F minor expanding scale exercise
Trinity Guildhall.
Aural (see page 14)
47
Bizet Chanson Boheme Great Winners for Treble Brass* Brass Wind 0132TC
Bourgeois Tropical Sunset A Horn-ting We Will Go for Tenor Horn Brass Wind 1125
Brightmore Lullaby Four Peaceful Pieces Emerson E253
Faur Pavane op. 50 World Famous Classics Fentone F815
Grieg Solveigs Song Great Winners for Treble Brass* Brass Wind 0132TC
Grieg Last Spring A Classical Album of Solos for Eb Instruments vol. 1 Studio
Lawrance Fanfare and Response In Concert for Horn [Eb edition] Brass Wind 1104E
Ledbury Bagatelle Cornucopia [Eb edition] Brass Wind 2105E
Mozart Concerto no. 3 in Eb, K. 447,
2nd movt: Romance Brenreiter BA 5312a
Pearson Tenor-Hornpipe or Valivid Going Solo Tenor Horn Faber
Wiggins Gordons Gigue, no. 8 The Tenor Horn Players Debut Studio
Group B
Barry Goldfinger More On The Light Side for Horn in Eb Brass Wind 1138
Gershwin Summertime A Little Light Music for Horn in Eb Brass Wind 2124
Gordon &
Warren Chatanooga Choo Choo Big Chillers for Eb Horn Brass Wind 1146
Hupfeld As Time Goes By Big Chillers for Eb Horn Brass Wind 1146
Ippolitov- Cortge
Ivanov (Caucasian Sketches) Undercover Hits for Eb Horn Brass Wind 1148
Parker Mapp and Lucia The Music of Jim Parker for Horn in Eb Brass Wind 1137E
Porter Lets Do It A Little Light Music for Horn in Eb Brass Wind 2124
Ramskill Back Chat or In The Fast Lane Jazzed Up Too for Horn [Eb edition] Brass Wind 1111E
Ramskill Manha de Carnaval Latino for Eb Horn Brass Wind 1147
Schnberg I Dreamed a Dream A Little Light Music for Horn in Eb Brass Wind 2124
Schnberg On My Own More On The Light Side for Horn in Eb Brass Wind 1138
Bourgeois Study no. 7 or Study no. 10 Ace of Trumpets Brass Wind 6024
Davis Heads or Tails or Hornpipe Polished Brass Brass Wind 6022TC
Hering Study no. 30 or Study no. 33 40 Progressive Etudes for Trumpet Fischer 3309
Miller Prairie Song, no. 5
or March, no. 6 Progressive Studies for Brass Faber
Nightingale Passion Fruit Samba, no. 18
or The Turkey, no. 22 Eazy Jazzy Tudes Warwick
Sparke Party Piece Skilful Studies Anglo Music AMP 099
Vizzutti Ballad 20 Dances for Trumpet de Haske 991786
48
Scales
G major (two octaves)
B major (to 12th)
G minor (two octaves) candidates choice of either harmonic or melodic minor
B minor (to 12th) candidates choice of either harmonic or melodic minor
Arpeggios
B major (to 12th)
G minor (two octaves)
B minor (to 12th)
or ii) Exercise
the examiner:
a) B major scale and arpeggio exercise
b) B minor scale and arpeggio exercise
c) G major expanding scale exercise
d) G minor expanding scale exercise
Trinity Guildhall.
Aural (see page 14)
49
Brightmore Barcarolle or Pastorale (from Four Peaceful Pieces) Emerson E253
Ball Mountain Melody G & M Brand 70033
Bourgeois Bubble in the Tube or Fugal Mood
or On Holiday (from A Horn-ting We Will Go for Tenor Horn) Brass Wind 1125
Lawrance Carnival or Elegy (from In Concert for Horn [Eb edition]) Brass Wind 1104E
Ledbury Cantilena or Ragtime (from Cornucopia [Eb edition]) Brass Wind 2105E
Mozart Concerto no. 3 in Eb, K. 447, 3rd movt: Allegro Brenreiter BA 5312a
Mozart Concerto no. 4 in Eb, K. 495, 2nd movt: Romance Brenreiter BA 5313a
Rosetti Romance IMC
Group B
Arlen & Harburg (Somewhere) Over the Rainbow [candidates must use this edition] Studio
Carmichael Stardust (from A Little Light Music for Horn in Eb) Brass Wind 2124
Gershwin I Got Rhythm (from A Little Light Music for Horn in Eb) Brass Wind 2124
Gottschalk Tournament Galop (from Undercover Hits for Eb Horn) Brass Wind 1148
Heath Air and Rondo [complete] G & M Brand 70001
Mancini Moon River (from Lets Face the Music for Eb Horn) Brass Wind 2133
Parker House of Cards or The House of Eliott
(from The Music of Jim Parker for Horn in Eb) Brass Wind 1137E
Waller Aint Misbehavin (from More On The Light Side for Horn in Eb) Brass Wind 1138
J S Bach Study no. 20 in A minor (from The Well Tempered Player) Winwood RMPC 0015
Bourgeois Study no. 8 (from Ace of Trumpets) Brass Wind 6024
Endresen Study no. 32, Largo (from Supplementary Studies for Trumpet) Rubank
Hering Study no. 34 or Study no. 35 or Study no. 37
(from 40 Progressive Etudes for Trumpet) Fischer 3309
Lawrance Aria for Horn in Eb (from In Concert for Horn [Eb edition]) Brass Wind 1104E
McKenzie Czardas or Jota (from Rhythms of Life) Con moto
Miller Rubber Lips, no. 12 or Morning, no. 13
(from Progressive Studies for Brass) Faber
Vizzutti Flamenco or Tango (from 20 Dances for Trumpet) de Haske 991786
Vizzutti Study no. 9 of Intermediate Etudes, p. 11
(from The Allen Vizzutti Trumpet Method book 3) Alfred
50
Scales
p
the examiner:
A and F
#
major (two octaves)
A and F
#
A and F
#
Whole-tone scale starting on A (two octaves)
Chromatic scale starting on A (two octaves)
Arpeggios
p
the examiner:
A and F
#
major (two octaves)
A and F
#
minor (two octaves
Dominant 7th in the key of A (one octave)
Diminished 7th starting on A (two octaves)
Augmented arpeggio starting on A (two octaves)
or ii) Exercise
the examiner:
b) A major expanding scale
c) A minor expanding scale
d) A major scale in 3rds
Trinity Guildhall.
i) Sight Reading (see page 11)
51
Albinoni Adagio (from O Solo Mio [Eb edition]) Brass Wind 2114E
Golland Sonata for Horn & Piano op. 75, 1st movt: Allegro Kirklees
Kneale Variations on a Welsh Theme G & M Brand 70052
Marcello Sonata no. 1 in F, 1st movt: Largo and 2nd movt: Allegro
or 3rd movt: Largo and 4th movt: Allegro EMR 2043M
Rosetti Concerto in Eb, 1st movt: Allegro moderato [with cadenza] IMC 1977
Wiggins Cornucopia A Concerto for Tenor Horn, 2nd movt or 3rd movt Kirklees
Group B
Bloom Give Me the Simple Life (from O Solo Mio [Eb edition]) Brass Wind 2114E
Graham A Time for Peace (from Gramercy Solo Album Eb) Gramercy
Harbach & Kern Smoke Gets in Your Eyes (from Lets Face the Music for Eb Horn) Brass Wind 2133
Kodly Hry Jnos (from Its a Classic for Eb Horn) Brass Wind 2125
Newsome The Carousel Studio
Newsome Sylvia Studio
Sparke Capriccio G & M Brand 70009
Arban Study no. 10 (from 14 Studies for Cornet) Boosey
J S Bach Study no. 2 in C minor or Study no. 17 in Ab
(from The Well Tempered Player) Winwood RMPC 0015
Balay Study no. 3 or Study no. 4 (from Quinze Etudes) Leduc AL 14 960
Bourgeois Fantasy Pieces for Trumpet, no. 3: Presto Brass Wind 3102
Brandt Study no. 2 or Study no. 17 (from 34 Studies for Trumpet) IMC 1391
Hering Study no. 38 or Study no. 39 (from 40 Progressive Etudes for Trumpet) Fischer 3309
McKenzie Malaguena or Klezmer (from Rhythms of Life) Con moto
Miller Seventh Heaven, no. 21 or Vienna, no. 24
Vizzutti Funk (from 20 Dances for Trumpet) de Haske 991786
Vizzutti Study no. 2 of Advanced Etudes, p. 61
or Study no. 3 of Rhythmic Etudes, p. 23
52
Scales
p
the examiner:
B and Bb major (two octaves)
B and Bb harmonic minor (two octaves)
B and Bb melodic minor (two octaves)
Whole-tone scale starting on B and Bb (two octaves)
Chromatic scale starting on B and Bb (two octaves)
Arpeggios
p
the examiner:
B and Bb minor (two octaves)
Dominant 7th in the keys of B and Bb (one octave)
Diminished 7th starting on B and Bb (two octaves)
Augmented arpeggio starting on B and Bb (two octaves)
or ii) Exercise
the examiner:
a) Key centre exercise in Bb
b) Bb major expanding scale exercise
c) B minor expanding scale exercise
d) B major scale in 3rds exercise
e) Bb minor scale in 3rds exercise
Trinity Guildhall.
53
Bellini Concerto for Horn in Eb Studio
Golland Sonata for Horn & Piano op. 75, 2nd movt: Largo con tristezza
or 3rd movt: Allegretto amabile Kirklees
Graham Whirlwind (from Gramercy Solo Album Eb) Gramercy
Graham Episode Winwood
Handel Handels Hornpipe Studio
Mozart Concerto no. 2 in Eb K. 417, 1st movt: Allegro
or 3rd movt: Rondo [with cadenza] Brenreiter BA 5311a
Mozart Rondo from Horn Quintet, K. 407
(from Solos for the Horn Player) Schirmer
Poulenc Elegie for Eb Horn (1957) Chester CH59741
Wiggins Cornucopia A Concerto for Tenor Horn, 1st movt: Allegro molto e vigoroso Kirklees
Wiggins Rhapsody for Tenor Horn Kirklees
Group B
Ball September Fantasy Wright + Round
Bellstedt Capriccio Brillante Wright + Round
Broadbent Skelter Wright + Round
Farnon Conversation and Games [complete] Warwick
Haydn Gypsy Rondo (from Its a Classic for Eb Horn) Brass Wind 2125
Monti Czardas (from Its a Classic for Eb Horn) Brass Wind 2125
Richards Higgyjig Studio
Rossini Cavatine (from Its a Classic for Eb Horn) Brass Wind 2125
Sparke Masquerade Studio
Wood Concertino for Tenor Horn [shortened version] G & M Brand 70015
Arban Study no. 6 or Study no. 9 (from 14 Studies for Cornet) Boosey
J S Bach Study no. 6 in D minor or Study no. 7 in Eb
Balay Study no. 7 or Study no. 11 (from 15 Etudes) Leduc AL 14 960
Bourgeois Fantasy Pieces for Trumpet, no. 8: Allegro Brass Wind 3102
Miller Perpetuum Mobile, no. 29 (Progressive Studies for Brass) Faber
Vizzutti Polka (from 20 Dances for Trumpet) de Haske 991786
or Study no. 7 of Advanced Etudes, p. 66
54
Scales
p
, tongued or slurred or staccato tongued or slurred in pairs as
requested by the examiner:
C, Ab and F
#
major (two octaves)
C, Ab and F
#
C, Ab and F
#
Whole-tone scale starting on C, Ab and F
#
(two octaves)
Chromatic scale starting on C, Ab and F
#
(two octaves)
Crabwise scale from C and G (two octaves tongued or slurred in octaves)
Arpeggios
p
the examiner:
C, Ab and F
#
major (two octaves)
C, Ab and F
#
minor (two octaves)
Dominant 7th in the key of C (two octaves)
Dominant 7th in the keys of Ab and F
#
(one octave)
Diminished 7th starting on C, Ab and F
#
(two octaves)
Augmented arpeggio starting on C, Ab and F
#
(two octaves)
or ii) Exercise
the examiner:
a) Key centre exercise in the keys of C, Ab and F
#
b) Crabwise scale from G in 3rds
Trinity Guildhall.
55
Trumpet, Cornet, Flugel Horn Grade 1 Subject codes: TPT/COR/FLG
J S Bach Chorale from the
St Matthew Passion Amazing Solos for Trumpet Boosey
Clarke Trumpet Minuet Trumpet All Sorts (Grades 13) Trinity Faber
Crosse Intrada Up front Album for Trumpet, book 1 Brass Wind 0107
Diabelli Allegretto [with first repeat] Trumpet Fancies Boston BM11049
Haydn Minuet Bravo! Trumpet Boosey
Lyons Journeys End or Miles Away The Really Easy Trumpet Book Faber
Schubert German Dance Bravo! Trumpet Boosey
Group B
Bennett Serene Dream Jazz Club Trumpet Faber 7534A
Rae Rumba or The Guvnor Play it Cool for Trumpet Universal UE 21 265
Runswick Offshore Up front Album for Trumpet, book 1 Brass Wind 0107
or Simply the Rest! Really Easy Jazzin About for Trumpet Faber
Wedgwood Apple Pie Waltz or I Believe Up-Grade! For Trumpet Grades 12 Faber
Supersonic Samurai, no. 14 Simple Studies for Beginner Brass Faber
Mozart Theme from a
Musical Joke, p. 3 Easy Winners for Treble Brass Brass Wind 0124TC
Sparke Modal Melody
or Tickertape Parade Skilful Studies Anglo Music
Trad. Give me Joy in my Heart, p. 6 Winners Galore for Treble Brass Brass Wind 0118TC
56
Trumpet, Cornet, Flugel Horn Grade 1
Scales
Arpeggios
or ii) Exercise
Aural (see page 14)
57
Barratt Out-of-Step March Bravo! Trumpet Boosey
Clarke The Duke of Gloucesters
March Bravo! Trumpet Boosey
Gunning Shepherds Delight The Really Easy Trumpet Book Faber
Handel March Trumpet All Sorts (Grades 13) Trinity Faber
Lyons Aubade The Really Easy Trumpet Book Faber
Praetorius Tanz des Burgermeisters Amazing Solos for Trumpet Boosey
Trad. Scottish Over the Sea to Skye Up-Grade! For Trumpet Grades 12 Faber
Group B
Bullard Acrobats or Circus Rock Circus Skills for Trumpet Spartan SP640
Bart Where is Love?, p. 14 Easy Winners for Treble Brass* Brass Wind 0124TC
Bennett Art for Arts Sake Jazz Club Trumpet Faber 7534A
Nightingale One, Two, Three, Push!, no. 1
or The Witchs Cauldron,
no. 4 Lucky Dip Warwick
Rae Blowin Cool Play it Cool for Trumpet Universal UE 21 265
arr. Johnstone
Wedgwood Dragonfly Really Easy Jazzin About for Trumpet Faber
or Chickpea, no. 11 Smooth Groove for Treble Brass Brass Wind 1141TC
or Rat Rag Polished Brass Brass Wind 6022TC
Gregson Gavotte, no. 10 20 Supplementary Tunes
or Justins March, no. 14 for Beginner Brass Brass Wind 6002TC
Miller Tip-toe Toccata, no. 13
or Sabre Dance, no. 16 Simple Studies for Beginner Brass Faber
Sparke Cowboy Carol or Toms Tune Skilful Studies Anglo Music
58
Scales
Arpeggios
or ii) Exercise
The following exercises to be played either tongued or including slurs as indicated, as requested by the
examiner:
Trinity Guildhall.
Aural (see page 14)
59
Bizet Entracte from Carmen Trumpet All Sorts (Grades 13) Trinity Faber
Mozart Der Vogelfnger bin ich Ja Onstage Brass for Trumpet & Piano Stainer H430
Purcell Trumpet Air from The Indian
Queen [with repeats] Old English Trumpet Tunes book 1 OUP
Purcell March Trumpet Fancies Boston BM11049
Trad. All in a Garden Green
[with repeats]
or British Grenadiers Going Solo Trumpet Faber
Verdi La donna mobile Onstage Brass for Trumpet & Piano Stainer H430
Group B
Bullard Sad Clown
or Sentimental Serenade Circus Skills for Trumpet Spartan SP640
Adler & Ross Hernandos Hideaway Latino for Trumpet Brass Wind 1142
Bennett Cuban Whistle Crisis Jazz Club Trumpet Faber 7534A
Bratton &
Kennedy Teddy Bears Picnic, p. 19 Winners Galore for Treble Brass* Brass Wind 0118TC
Harburg & Arlen Were Off to See the Wizard,
p. 22 Easy Winners for Treble Brass* Brass Wind 0124TC
John & Rice A Whole New World Great Winners for Treble Brass Brass Wind 0132TC
John & Rice Can You Feel the Love Tonight Undercover Hits for Trumpet Brass Wind 1144
Joplin Peacherine Rag Trumpet All Sorts (Grades 13) Trinity Faber
Mancini Pink Panther All Jazzed up for Trumpet Brass Wind 1107
Wedgwood Last Stop! Really Easy Jazzin About for Trumpet Faber
A Wilson An American Dream Bebop to Rock Spartan SP479
or Red Chilli Sauce, no. 18 Smooth Groove for Treble Brass Brass Wind 1141TC
Hering Study no. 12 40 Progressive Etudes for Trumpet Fischer 3309
McKenzie Waltz or High Life Music Makes the World Go Round Con moto
Nightingale Slinky, no. 13 Eazy Jazzy Tudes Warwick
Sparke Contrasts or Tyrolean Tune Skilful Studies Anglo Music
* Piano accompaniment available separately. 60
Scales
Arpeggios
or ii) Exercise
the examiner:
Trinity Guildhall.
Aural (see page 14)
61
Arban Vois-tu la neige qui brille? Second Book of Trumpet Solos Faber
Fellows Siciliano Two Italian Dances Warwick
Gounod Soldiers March Onstage Brass for Trumpet & Piano Stainer H430
Gounod Funeral March of a Marionette Trumpet Fancies Boston BM11049
Handel March from the Occasional
Oratorio
or March from Scipio Old English Trumpet Tunes book 1 OUP
Prokofiev Troika from Lieutenant Kij Amazing Solos for Trumpet Boosey
Purcell Air Festive Baroque for Trumpet & Piano de Haske 1033419
Purcell Fairest Isle Going Solo Trumpet Faber
Trad. Greensleeves Trumpet Fancies Boston BM11049
Verdi Questa o quella Onstage Brass for Trumpet & Piano Stainer H430
Group B
Bullard Russian Galop Circus Skills for Trumpet Spartan SP640
Bernstein America or Maria
(from West Side Story) Amazing Solos for Trumpet Boosey
Dominguez Frenesi Great Winners for Treble Brass* Brass Wind 0132TC
Glyn Stomp Star Turn for Trumpet & Piano* Spartan SP351
Howard Fly Me to the Moon Latino for Trumpet Brass Wind 1142
Jobim One Note Samba Big Chillers for Trumpet & Piano Brass Wind 1140
Nightingale I Woke Up This Mornin, no. 6 Lucky Dip Warwick
Pearson Tongue in Cheek Going Solo Trumpet Faber
Weill Mack the Knife Big Chillers for Trumpet & Piano Brass Wind 1140
or Latin Lady, no. 32 Smooth Groove for Treble Brass Brass Wind 1141TC
Bourgeois Study no. 1
or Study no. 2 Ace of Trumpets Brass Wind 6024
Davis Irish Jig
or Serpent Smoothie
[in C major] Polished Brass Brass Wind 6022TC
McKenzie Mambo or Tango Music Makes the World Go Round Con moto
Nightingale Blues for Big-Ears, no. 15 Eazy Jazzy Tudes Warwick
or Opera Buffa Skilful Studies Anglo Music
62
Scales
Bb major (to 12th)
Arpeggios
Bb major (to 12th)
D and F minor (one octave)
or ii) Exercise
the examiner:
Trinity Guildhall.
Aural (see page 14)
63
Bizet Toreadors Song Onstage Brass for Trumpet & Piano Stainer H430
Clarke The Prince of Denmarks March Old English Trumpet Tunes book 1 OUP
Hasse Boure Festive Baroque for Trumpet & Piano de Haske 1033419
Mozart amore un ladroncello Onstage Brass for Trumpet & Piano Stainer H430
Telemann Die Wrde Festive Baroque for Trumpet & Piano de Haske 1033419
Telemann Air The Baroque Trumpet Faber
Verdi Triumphal March Onstage Brass for Trumpet & Piano Stainer H430
Vizzutti Rain Forest or Space Explorations for Trumpet de Haske 1023183
Woolfenden Ushercombe View Landmarks for Trumpet Brass Wind 1117
Group B
Bernstein I Feel Pretty Leonard Bernstein for Trumpet Boosey
Glyn Good News Star Turn for Trumpet & Piano Spartan SP351
Gorb Gamelan or Huapango A Tango To Bali Brass Wind 1124
Gordon &
Warren Chatanooga Choo Choo Big Chillers for Trumpet & Piano Brass Wind 1140
Maria & Bonfa Manha de Carnaval Latino for Trumpet Brass Wind 1142
Nightingale The Googlie Boogie, no. 9
or Bruiser Joe, no. 10 Lucky Dip Warwick
Parker Soldier, Soldier The Music of Jim Parker for Trumpet Brass Wind 1128
Richards One Day [Cornet/Trumpet] Studio
Runswick Three-Six-Nine Suite and Hot Brass Wind 2103
Wedgwood Ragamuffin or Tequila Sunrise Jazzin About for Trumpet Faber
A Wilson Bebop Bebop to Rock Spartan SP479
Woolfenden Tahitian Tango Landmarks for Trumpet Brass Wind 1117
Bourgeois Study no. 7 or Study no. 10 Ace of Trumpets Brass Wind 6024
Davis Heads or Tails or Hornpipe Polished Brass Brass Wind 6022TC
or March, no. 6 Progressive Studies for Brass Faber
or The Turkey, no. 22 Eazy Jazzy Tudes Warwick
Sparke Party Piece Skilful Studies Anglo Music
Vizzutti Ballad 20 Dances for Trumpet de Haske 991786
64
Scales
B major (to 12th)
Arpeggios
B major (to 12th)
B minor (to 12th)
or ii) Exercise
the examiner:
Trinity Guildhall.
Aural (see page 14)
65
Banchieri Canzona 5 (from The Baroque Trumpet) Faber
Boyce Trumpet Voluntary (from Old English Trumpet Tunes book 1) OUP
Dvo rk Rusalkas Song to the Moon (from Shepherds Song) Winwood
Gregson Danse Macabre (from Cameos for Trumpet) Brass Wind 1103
Larsson Concertino For Trumpet & Strings op. 45 no. 6,
1st movt: Allegro moderato or 3rd movt: Allegro risoluto Gehrmans
Moszkowski Danza Animada (from Fiesta Espaola for Trumpet) Brass Wind 2116
Purcell Sonata for Trumpet & Strings, 1st movt: Allegro
or 3rd movt: Allegro Musica Rara MR1073
Sanders Square-Dance for Trumpet & Piano Stainer 2692
Tchaikovsky Chanson Napolitaine, op. 39 no. 18 (from Second Book of Trumpet Solos) Faber
Telemann Die Tapferkeit (from Festive Baroque for Trumpet & Piano) de Haske 1033419
Vizzutti The Enchanted Trumpet (from Explorations for Trumpet) de Haske 1023183
Group B
Bernstein Lucky to Be Me (from Leonard Bernstein for Trumpet) Boosey
Gorb Tango Argentino (from A Tango To Bali) Brass Wind 1124
Gottschalk Tournament Galop (from Undercover Hits for Trumpet) Brass Wind 1144
Grantham After Midnight Music for Brass
Nightingale From Drainpipes To Flares, no. 7 or The Viennese Dwarf, no. 8 (from Lucky Dip) Warwick
Parker Theme from Another Six English Towns Studio
Runswick Goose the Goose (from Suite and Hot) Brass Wind 2103
Sparke Soliloquy for Bb Cornet & Piano Studio
Street Rondino Boosey
A Wilson Summer Samba (from Bebop to Rock) Spartan SP479
Woolfenden Gorky Park or Mean Streets of Miami (from Landmarks for Trumpet) Brass Wind 1117
J S Bach Study no. 20 in A minor (from The Well Tempered Player) Winwood RMPC 0015
Bourgeois Study no. 8 (from Ace of Trumpets) Brass Wind 6024
Endresen Study no. 32, Largo (from Supplementary Studies for Trumpet) Rubank
(from 40 Progressive Etudes for Trumpet) Fischer 3309
McKenzie Czardas or Jota (from Rhythms of Life) Con moto
Vizzutti Flamenco or Tango (from 20 Dances for Trumpet) de Haske 991786
Vizzutti Study no. 9 of Intermediate Etudes, p. 11
66
Scales
p
the examiner:
A and F
#
major (two octaves)
A and F
#
A and F
#
Arpeggios
p
the examiner:
A and F
#
major (two octaves)
A and F
#
minor (two octaves
or ii) Exercise
the examiner:
Trinity Guildhall.
i) Sight Reading and Transposition (prepared or unprepared) [Trumpet only] (see pages 11 & 12)
67
Balay Andante and Allegro [complete] Leduc AL 22 802
Delibes Waltz (Coppelia) (from Divertissement for Trumpet & Piano) Brass Wind 3124
Elgar Idylle (from Second Book of Trumpet Solos) Faber
Fantini Sonata detta del Niccolini (from The Baroque Trumpet) Faber
Fiala Divertimento in D, 2nd movt: Allegro Faber
Moszkowski Danza Alegre (from Fiesta Espaola for Trumpet) Brass Wind 2116
Neruda Concerto for Trumpet & Strings, 2nd movt Musica Rara MR 1817a
Ravel Sonatine (2nd movt) (from Divertissement for Trumpet & Piano) Brass Wind 3124
Shostakovich Prelude 18 (from Russian Roulette) Brass Wind 3110
Group B
Arutunian Concert Scherzo Emerson
Bernstein Rondo for Lifey Boosey
Bozza Badinage for Trumpet & Piano Leduc AL 20712
Butterworth Fanfare and Berceuse (from Contemporary Music for Trumpet) Boosey
Gorb Chikona (from A Tango to Bali) Brass Wind 1124
Graham A Time for Peace (from Gramercy Solo Album Bb) Gramercy Music
Himes Concertino for Flugel Horn & Brass Band, 1st movt: Rondo Burlesca Studio
Morrison Buster Strikes Back Music For Brass
Ridout Concertino for Flugel Horn, 2nd movt: Energico Emerson 190
Wallace The Moose is Loose (from Second Book of Trumpet Solos) Faber
Wilson Blues Boulevard (from Bebop to Rock) Spartan SP479
Wright Concerto for Bb Cornet, 3rd movt: Rondo Chappell
Arban Study no. 10 (from 14 Studies for Cornet) Boosey
Bourgeois Fantasy Pieces for Trumpet, no. 3: Presto Brass Wind 3102
Hering Study no. 38 or Study no. 39 (from 40 Progressive Etudes for Trumpet) Fischer 3309
McKenzie Malaguena or Klezmer (from Rhythms of Life) Con moto
Miller Seventh Heaven, no. 21 or Vienna, no. 24 (from Progressive Studies for Brass) Faber
Vizzutti Funk (from 20 Dances for Trumpet) de Haske 991786
or Study no. 3 of Rhythmic Etudes, p. 23
68
Scales
p
the examiner:
Arpeggios
p
the examiner:
or ii) Exercise
the examiner:
Trinity Guildhall.
69
Trumpet, Cornet, Flugel Horn Grade 8 Subject code: TPT/COR/FLG
Albinoni Concerto in G minor, 2nd movt: Allegro and 4th movt: Allegro EMR 626
Bellstedt Napoli (from Shepherds Song) Winwood
Code Zelda Boosey
Donato Prelude and Allegro [complete] Leduc
Goedicke Konzert-Etude op. 49 EMR 6032
Hummel Trumpet Concerto, 1st movt: Allegro con spirito Boosey
Neruda Concerto for Trumpet & Strings, 1st movt [with cadenza] Musica Rara MR 1817a
Tchaikovsky Ballet Suite (from Russian Roulette) Brass Wind 3110
Wright Concerto for Bb Cornet, 1st movt Chappell
Group B
Abreu Tico Tico for Trumpet & Piano Brass Wind 4110
Baker Satchmo Music for Brass
Barat Fantasie in Eb for Cornet/Trumpet & Piano Leduc AL 21923
Bernstein Red, White and Blues (from Contemporary Music for Trumpet) Boosey
Bourgeois Sonata for Trumpet & Piano op. 193, 3rd movt: Allegro vivace Brass Wind 3117
Busser Andante and Scherzo [complete] Leduc AL 21327
Copland Quiet City (from Contemporary Music for Trumpet) Boosey
Copland Fanfare for the Common Man (from Copland 2000 for Trumpet) Boosey
Golland Ballade op. 72, no. 1 Studio
Graham Whirlwind (from Gramercy Solo Album Bb) Gramercy Music
Hindemith Sonata for Trumpet & Piano, 1st movt: mit Kraft Schott ED 3643
Newsome Concorde Studio
Peeters Sonata for Trumpet & Piano op. 51, 1st movt: Allegro
or 3rd movt: Toccata Peters EP 6240
Sparke Concerto for Trumpet (or Cornet) & Brass Band, 3rd movt: Allegro con brio Studio
Sparke Song and Dance Studio
Arban Study no. 6 or Study no. 9 (from 14 Studies for Cornet) Boosey
Bourgeois Fantasy Pieces for Trumpet, no. 8: Allegro Brass Wind 3102
Brandt Study no. 4 or Study no. 15 (34 Studies for Trumpet) IMC 1391
Miller Perpetuum Mobile, no. 29 (from Progressive Studies for Brass) Faber
Vizzutti Polka (from 20 Dances for Trumpet) de Haske 991786
Vizzutti Study no. 5 of Advanced Etudes, p. 64 or Study no. 7 of Advanced Etudes, p. 66
70
Scales
p
C, Ab and F
#
major (two octaves)
C, G
#
/Ab and F
#
C, G
#
/Ab and F
#
#
(two octaves)
#
(two octaves)
Arpeggios
p
the examiner:
C, Ab and F
#
major (two octaves)
C, G
#
/Ab and F
#
minor (two octaves)
#
(one octave)
#
(two octaves)
#
(two octaves)
or ii) Exercise
the examiner:
#
Trinity Guildhall.
71
Eb Soprano Cornet Grade 6 Subject code: SPC
Three pieces are to be played, two from Group A and one from Group B. Alternatively, candidates may
substitute one piece from Group B with a piece from Group C of the trumpet/cornet syllabus for this
grade. Instead of any one item, candidates may offer their own composition (see page 10).
Cosma Only Love MfB
Elgar Chanson de matin (from Eb Solo Book) Warwick
Haydn Andante (from Trumpet Concerto) Universal HM223
Jancek Theme from Sinfonietta (from Its a Classic for Eb Horn) Brass Wind 2125
Parker Ground Force (from The Music of Jim Parker for Horn in Eb) Brass Wind 1137
Puccini Nessun Dorma (arr. Hudson) MfB
Scherwin &
Maschwitz A Nightingale Sang in Berkeley Square
(from A Little Light Music for Eb Horn) Brass Wind 2124
Waller Aint Misbehavin (from More on the Light Side for Eb Horn) Brass Wind 1138
Walton Blue Grotto or Red Run (from Alpine Adventures) Sound The Trumpets
Group B
Endresen Study no. 21 (from Supplementary Studies for Trumpet) Rubank
Vizzutti Bossa Nova or Bulgarian Dance or Cowboy Dance
(from 20 Dances for Trumpet) de Haske
All candidates to choose one exercise from the following:
a) Lip Flexibility Grade 6 no. 1 (available to download from www.trinityguildhall.co.uk/music)
b) Lip Flexibility Grade 6 no. 2 (available to download from www.trinityguildhall.co.uk/music)
Scales
p
the examiner:
F
#
major (two octaves)
A major (to 12th)
F
#
F
#
A harmonic minor (to 12th)
A melodic minor (to 12th)
Whole-tone scale starting on A (to 12th)
Chromatic scale starting on A (to 12th)
72
Eb Soprano Cornet Grade 6
Arpeggios
p
the examiner:
F
#
major (two octaves)
A major (to 12th)
F
#
minor (two octaves)
A minor (to 12th)
Diminished 7th starting on A (to 12th)
Augmented arpeggio starting on A (to 12th)
or ii) Exercise
the examiner:
a) Key centre exercise in F
#
All scales and exercises are available to download from www.trinityguildhall.co.uk/music
73
Ball Mountain Melody G & M Brand 70033
Carmichael Stardust (from A Little Light Music for Horn in Eb) Brass Wind 2124
Donizetti Solo per Oboe (from Eb Solo Book) Warwick
Elgar The Serious Doll (from Eb Solo Book) Warwick
Graham A Time for Peace or Swedish Hymn (from Gramercy Solo Album Eb) Gramercy
Handel Boure MfB
Kodly Hry Jnos (from Its a Classic for Eb Horn) Brass Wind 2125
Parker Soldier, Soldier (from The Music of Jim Parker for Horn in Eb) Brass Wind 1137
Walton Black Ice, no. 5 (from Alpine Adventures) Sound the Trumpets
Walton Ranoon Spectre Sound the Trumpets
Group B
J S Bach Study no. 11 in F (from The Well Tempered Player) Winwood RMPC 0015
McKenzie Klezmer (from Rhythms of Life) con moto
Vizzutti Study no. 11 of Rhythmic Etudes
Scales
p
the examiner:
Bb major (to 12th)
Bb harmonic minor (to 12th)
Bb melodic minor (to 12th)
G harmonic minor (two octaves)
G melodic minor (two octaves)
Whole-tone scale starting on Bb (to 12th)
Chromatic scale starting on Bb (to 12th)
74
Arpeggios
p
the examiner:
Bb major (to 12th)
Bb minor (to 12th)
Dominant 7th in the keys of Bb and G (one octave)
Diminished 7th starting on Bb (to 12th)
Diminished 7th starting on G (two octaves)
Augmented arpeggio starting on Bb (to 12th)
Augmented arpeggio starting on G (two octaves)
or ii) Exercise
the examiner:
a) Key centre exercise in G
b) Bb major expanding scale
c) Bb minor expanding scale
d) G major scale in 3rds
e) G minor scale in 3rds
75
Boyce 1st movt from Symphony no. 4 (from O Solo Mio [Eb edition]) Brass Wind 2114E
Eaves Rhapsody for Eb Soprano Cornet G & M Brand 70040
Graham Glorious Ventures or Whirlwind (from Gramercy Solo Album Eb) Gramercy
Haydn Gypsy Rondo (from Its a Classic for Eb Horn) Brass Wind 2125
Hummel Trumpet Concerto, 1st movt: Allegro con spirito Boosey
Kneale Variations on a Welsh Theme G & M Brand 70052
Monti Czardas (from Its a Classic for Eb Horn) Brass Wind 2125
Mozart The Queen of the Nights Aria Kirklees
Neruda Concerto for Trumpet & Strings, 1st movt [with cadenza] Musica Rara MR 1817a
Rimmer Silver Threads Among the Gold Wright + Round
Rossini Cavatine (from Its a Classic for Eb Horn) Brass Wind 2125
Sparke Capriccio G & M Brand 70009
Group B
Brandt Study no. 31 (from 34 Studies for Trumpet) IMC 1391
McKenzie Syrto (from Rhythms of Life) con moto
Miller Rhythmic Rondo or Computer Failure (from Progressive Studies for Brass) Faber
Scales
p
A, Ab and F
#
major (two octaves)
A, Ab and F
#
A, Ab and F
#
Whole-tone scale starting on A, Ab and F
#
(two octaves)
Chromatic scale starting on A, Ab and F
#
(two octaves)
Crabwise scale from G and F
#
(two octaves tongued or slurred in octaves)
76
Arpeggios
p
the examiner:
A, Ab and F
#
major (two octaves)
A, Ab and F
#
minor (two octaves)
Dominant 7th in the keys of A, Ab and F
#
(one octave)
Diminished 7th starting on A, Ab and F
#
(two octaves)
Augmented arpeggio starting on A, Ab and F
#
(two octaves)
or ii) Exercise
the examiner.
a) Key centre exercise in the keys of A, Ab and F
#
77
Euphonium, Baritone Grade 1 Subject codes: EUP/BTN
J S Bach Chorale from the
St Matthew Passion Amazing Solos for Trumpet [
] Boosey
Clarke Trumpet Minuet Trumpet All Sorts (Grades 13) [
] Trinity Faber
Crosse Intrada Up Front Album for Trumpet, book 1 [
] Brass Wind 0107

Diabelli The Joker The Magic Trombone [
] Boosey
Grieg ses Death The Really Easy Trombone Book [
] Faber
Haydn Minuet Bravo! Trumpet [
] Boosey
Runswick Offshore Up Front Album for Trumpet, book 1 [
] Brass Wind 0107

Schubert German Dance Bravo! Trumpet [
] Boosey
Susato La mourisque Winner Scores All* [
or
] Brass Wind 0138TC/0141BC

Tchaikovsky Dance of the Mirlitons Winner Scores All* [
or

Group B
Rae Rumba or The Guvnor Play it Cool for Trumpet [
] Universal UE 21 265
or Simply the Rest! Really Easy Jazzin About for Trumpet [
] Faber
Wedgwood Apple Pie Waltz
or I Believe Up-Grade! For Trumpet Grades 12 [
] Faber
Bourgeois No. 2, Allegro moderato Splinters of Bone [
or
] Brass Wind 6014TC/BC

Davis Geared Up or Tiny Minuet Polished Brass [
] Brass Wind 6022TC

Endresen Study no. 1, Moderato Supplementary Studies
for Trombone [
] Rubank HL04470640
or Lullaby, no. 8 for Beginner Brass [
] Brass Wind 6002TC

Supersonic Samurai, no. 14 Simple Studies for Beginner Brass [
] Faber
Mozart Theme from
or Ready, Aim, Fire!, no. 4 Eazy Jazzy Tudes [
or
] Warwick TR042 or EU011

Sparke Modal Melody
or Tickertape Parade Skilful Studies for Baritone/Euphonium [
] Anglo Music
Trad. Give me Joy in my Heart,
p. 6 Winners Galore for Treble Brass Brass Wind 0118TC
Bass clef version available in Easy Winners for Trombone (Brass Wind 0125BC)
Bass clef version available in Winners Galore for Trombone (Brass Wind 0121BC)
78
Euphonium, Baritone Grade 1
Treble clef
Bass clef
a) Lip Flexibility Grade 1 no. 1 (from Scales & Exercises for Bass Clef Brass) Trinity Guildhall
b) Lip Flexibility Grade 1 no. 2 (from Scales & Exercises for Bass Clef Brass) Trinity Guildhall
c) Exercise no. 1 (from How Low Brass Do It) Brass Wind
Treble clef
Scales
Arpeggios
Bass clef
Scales
Bb major (one octave)
G natural minor (one octave): candidates may play harmonic or melodic minor if preferred.
Arpeggios
G minor (one octave)
or ii) Exercise
Treble clef
Bass clef
Bb major scale and arpeggio exercise (from Scales & Exercises for Bass Clef Brass) Trinity Guildhall
Aural (see page 14)
79
80
Barratt Out-of-Step March Bravo! Trumpet [
] Boosey
Bullard Acrobats or Circus Rock Circus Skills [
or
] Spartan SP640 or SP642

Clarke The Duke of
Gloucesters March Bravo! Trumpet [
] Boosey
Handel March Trumpet All Sorts (Grades 13) [
] Trinity Faber
Mozart Aria Winner Scores All* [
or

Praetorius Tanz des Burgermeisters Amazing Solos for Trumpet [
] Boosey
Purcell Trumpet Tune Winner Scores All* [
or

Trad. Scottish Over the Sea to Skye Up-Grade! For Trumpet Grades 12 [
] Faber
Group B
Bart Where Is Love?, p. 14 Easy Winners for Treble Brass* Brass Wind 0124TC
Nightingale One, Two, Three, Push!, no. 1
or The Witchs Cauldron, no. 4 Lucky Dip [
or
] Warwick
Trad. Men of Harlech Winner Scores All* [
or

arr. Johnstone
Wedgwood Dragonfly or Easy Tiger Really Easy Jazzin About for Trumpet [
] Faber
Wilson-Smith Out n About or Something Else
or Waltzing with Jazz All Jazzed Up for Trumpet [
] Brass Wind 1107

or Chickpea, no. 11 Smooth Groove for Treble Brass [
] Brass Wind 1141TC

Bourgeois No. 4, Moderato
or no. 5, Allegro Splinters of Bone [
or

or Rat Rag Polished Brass [
] Brass Wind 6022TC

Endresen Study no. 3, Allegro Supplementary Studies
for Trombone [
] Rubank HL04470640
or Justins March, no. 14 20 Supplementary Tunes
for Beginner Brass [
] Brass Wind 6002TC

Miller Tip-toe Toccata, no. 13
or Sabre Dance, no. 16 Simple Studies for Beginner Brass [
] Faber
or The Sleuth, no. 7 Eazy Jazzy Tudes [
or

Sparke Cowboy Carol
or Toms Tune Skilful Studies for Baritone/Euphonium [
] Anglo Music
81
Treble clef
Bass clef
Treble clef
Scales
A harmonic minor (one octave) candidates may play natural or melodic minor if preferred.
Arpeggios
Bass clef
Scales
C and Ab major (one octave)
G harmonic minor (one octave) candidates may play natural or melodic minor if preferred.
Arpeggios
or ii) Exercise
Treble clef
the examiner:
Trinity Guildhall.
Bass clef
The following exercises to be played tongued.
a) C major scale and arpeggio exercise
b) G minor scale and arpeggio exercise
All exercise are contained in the book Scales & Exercises for Bass Clef Brass published by Trinity Guildhall.
Aural (see page 14)
82
83
Bizet Entracte from Carmen Trumpet All Sorts (Grades 13) [
] Trinity Faber
Carr The Station Master Top Line Album for Trombone
[
or

Faur Pavane, p. 16 Easy Winners for Treble Brass* Brass Wind 0124TC
Gluck Che Faro Great Winners for Treble Brass* Brass Wind 0132TC
Mozart Der Vogelfnger bin ich Ja Onstage Brass for Trumpet & Piano [
] Stainer H430
Purcell Trumpet Air from
The Indian Queen
[with repeats] Old English Trumpet Tunes book 1 [
] OUP
Saint-Sans Royal March of the Lion The Magic Trombone [
] Boosey
Trad. British Grenadiers Going Solo Trumpet [
] Faber
Verdi La donna mobile Onstage Brass for Trumpet & Piano [
] Stainer H430
Group B
Adler & Ross Hernandos Hideaway Latino for Trumpet [
] Brass Wind 1142

Bart Food Glorious Food Winner Scores All * [
or

Bernstein America Winner Scores All* [
or

Blake Walking in the Air Winner Scores All* [
or

Bullard Sad Clown
or Sentimental Serenade Circus Skills [
or

Harburg & Arlen Were Off to See the
Wizard, p. 22 Easy Winners for Treble Brass* Brass Wind 0124TC
John & Rice Can You Feel the
Love Tonight Undercover Hits for Trumpet [
] Brass Wind 1144

Lloyd Webber Close Every Door Winner Scores All* [
or

Mancini Pink Panther All Jazzed Up for Trumpet [
] Brass Wind 1107

Pinkard, Carsey
& Bernie Sweet Georgia Brown All Jazzed Up for Trumpet [
] Brass Wind 1107

Bourgeois no. 6, Alla marcia
or no. 9, Moderato Splinters of Bone [
or

or Red Chilli Sauce, no. 18 Smooth Groove for Treble Brass [
] Brass Wind 1141TC

or Horn of Wonder Polished Brass [
] Brass Wind 6022TC

for Trombone [
] Rubank HL04470640
or Folk Song, no. 17 for Beginner Brass [
] Brass Wind 6002TC

84
Hering Study no. 12 40 Progressive Etudes for Trumpet [
] Fischer 3309
McKenzie Waltz or High Life Music Makes the World Go Round [
or
] Con moto
Nightingale Slinky, no. 13 Eazy Jazzy Tudes [
or

Sparke Contrasts or Tyrolean Tune Skillful Studies for Baritone/Euphonium [
] Anglo Music
* Piano accompaniment available separately
Bass clef version available in Great Winners for Trombone (Brass Wind 0136)
Treble clef
Bass clef
c) Exercise no. 7 or no. 8 (from How Low Brass Do It) Brass Wind
Treble clef
Scales
C and E minor (one octave) candidates choice of either harmonic or melodic minor
Arpeggios
Bass clef
Scales
D and Db major (one octave)
D and Bb minor (one octave) candidates choice of either harmonic or melodic minor
Whole-tone scale starting on Bb (one octave)
Arpeggios
D and Db major (one octave)
D and Bb minor (one octave)
85
or ii) Exercise
Treble clef
the examiner:
Trinity Guildhall.
Bass clef
the examiner:
b) Db major scale and arpeggio exercise
c) Bb minor scale and arpeggio exercise
All scales and exercises are contained in the book Scales & Exercises for Bass Clef Brass published by
Trinity Guildhall.
Aural (see page 14)
86
Bernstein America or Maria
from West Side Story Amazing Solos for Trumpet [
] Boosey
Fellows Siciliano Two Italian Dances [
] Warwick
Gounod Soldiers March Onstage Brass for Trumpet & Piano [
] Stainer H430
Handel March from The
Occasional Oratorio
or March from Scipio Old English Trumpet Tunes book 1 [
] OUP
Iveson Nobody Knows A Little Light Music [

Mussorgsky The Old Castle Going Solo Trombone [
] Faber
Purcell Air Festive Baroque for Trombone [
] de Haske 1043580
Purcell Fairest Isle Going Solo Trumpet [
] Faber
Verdi Questa o quella Onstage Brass for Trumpet & Piano [
] Stainer H430
Warlock Basse Dance Slide Show for Trombone [
or

Group B
Bullard Russian Galop Circus Skills [
or

Howard Fly Me to the Moon Latino for Trumpet [
] Brass Wind 1142

Iveson If I Were a Rich Man A Little Light Music [

Jobim One Note Samba Big Chillers for Trumpet & Piano [
] Brass Wind 1140

Nightingale I Woke Up This
Mornin, no. 6 Lucky Dip [
] Warwick EU009
Pearson Tongue in Cheek Going Solo Trumpet [
] Faber
Weill Mack the Knife Big Chillers for Trumpet & Piano [
] Brass Wind 1140

or Latin Lady, no. 32 Smooth Groove for Treble Brass [
] Brass Wind 1141TC

Bourgeois Study no. 1 or Study no. 2 Ace of Trumpets [
] Brass Wind 6024

Bourgeois Study no. 5 Bone of Contention [
or

Bourgeois No. 11, Allegro vivace
or No. 7, Allegro moderato Splinters of Bone [
or

Endresen Study no. 11, Supplementary Studies
Andante con moto for Trombone [
] Rubank HL04470640
Davis Irish Jig
or Serpent Smoothie
[in C major] Polished Brass [
] Brass Wind 6022TC

Hering Study no. 10
or Study no. 11 40 Progressive Etudes for Trumpet [
] Fischer 3309
McKenzie Mambo or Tango Music Makes the World Go Round [
or
] Con moto
Nightingale Blues for Big-Ears, no. 15 Eazy Jazzy Tudes [
or

or Opera Buffa Skilful Studies for Baritone/Euphonium [
] Anglo Music
87
Bass clef version available in Big Chillers for Trombone/Euphonium (Brass Wind 1155BC)
Treble clef
Bass clef
Treble clef
Scales
Bb major (to 12th)
Arpeggios
Bb major (to 12th)
Bass clef
Scales
Ab major (to 12th)
C and Eb minor (one octave): candidates choice of either harmonic or melodic minor
Whole-tone scale starting on Eb (one octave)
Chromatic scale starting on Bb (one octave)
Arpeggios
Ab major (to 12th) (one octave)
C and Eb minor (one octave)
88
or ii) Exercise
Treble clef
The following exercises to be played either tongued or including slurs as indicated, as requested by the
examiner:
Trinity Guildhall.
Bass clef
the examiner:
a) Ab major scale and arpeggio exercise
b) Eb major expanding scale
c) Eb minor expanding scale
Trinity Guildhall.
Aural (see page 14)
89
J S Bach March or Polonaise Bach for Trombone [
or

Bizet Chanson Boheme Great Winners for Treble Brass* Brass Wind 0132TC
Bizet Toreadors Song Onstage Brass for Trumpet & Piano [
] Stainer H430
Faur Aprs un rve Steven Meads World of the Euphonium [
] Studio
Faur By the Waterside (Au bord
de leau) for Baritone & Piano [
] Winwood RMPC 0162

Hasse Boure Festive Baroque for Trombone [
] de Haske 1043580
Mozart amore un ladroncello Onstage Brass for Trumpet & Piano [
] Stainer H430
Telemann Die Wrde Festive Baroque for Trombone [
] de Haske 1043580
Verdi Triumphal March Onstage Brass for Trumpet & Piano Stainer H430
Group B
Gershwin Summertime A Little Light Music Brass Wind 2115TC/BC
or I Got Rhythm for Trombone [
or
]
Gershwin Lets Call the Whole Slide Show for Trombone [
or

Thing Off
Gordon &
Warren Chatanooga Choo Choo Big Chillers for Trumpet & Piano [
] Brass Wind 1140

Ippolitov-Ivanov Cortge
(Caucasian Sketches) Undercover Hits for Trumpet [
] Brass Wind 1144

Loesser Luck Be a Lady Tonight Centre Stage for Trombone Brass Wind 6008TC/BC
Maria & Bonfa Manha de Carnaval Latino for Trumpet [
] Brass Wind 1142

Nightingale The Googlie Boogie, no. 9
or Bruiser Joe, no. 10 Lucky Dip [
] Warwick EU009
Parker Mapp and Lucia
or Soldier, Soldier The Music of Jim Parker for Trumpet [
] Brass Wind 1129

Richards One Day [Cornet/Trumpet] Studio
or

Bourgeois No. 17, Andante cantabile Splinters of Bone [
or

Bourgeois Study no. 7 or Study no. 10 Ace of Trumpets [
] Brass Wind 6024

Davis Heads or Tails or Hornpipe Polished Brass [
] Brass Wind 6022TC

Endresen Study no. 34, Allegretto Supplementary Studies
for Trombone [
] Rubank HL04470640
Hering Study no. 30 or Study no. 33 Forty Progressive Etudes for Trumpet [
] Fischer 3309
McKenzie Cerga or Krivo Horo Music Makes the World Go Round [
or
] Con moto
or March, no. 6 Progressive Studies for Brass [
] Faber
or The Turkey, no. 22 Eazy Jazzy Tudes [
or

90
Sparke Party Piece Skilful Studies for Baritone/Euphonium [
] Anglo Music
Vizzutti Easy Etude New Concert Studies
for Euphonium vol. 2 [
or
] de Haske 10033404 [
]
or 1033405 [
]
Vizzutti Ballad 20 Dances for Euphonium de Haske 1002381400 [
]
or 1002382400 [
]
Treble clef
Bass clef
Treble clef
Scales
B major (to 12th)
G minor (two octaves): candidates choice of either harmonic or melodic minor
B minor (to 12th): candidates choice of either harmonic or melodic minor
Arpeggios
B major (to 12th)
B minor (to 12th)
Bass clef
Scales
A major (to 12th)
F minor (two octaves): candidates choice of either harmonic or melodic minor
A minor (to 12th) candidates choice of either harmonic or melodic minor
Chromatic scale starting on F (two octaves)
91
Arpeggios
A major (to 12th)
A minor (to 12th)
Dominant 7th in the key of F (one octave)
or ii) Exercise
Treble clef
the examiner:
Trinity Guildhall.
Bass clef
the examiner:
a) A major scale and arpeggio exercise
c) F major expanding scale
d) F minor expanding scale
Trinity Guildhall.
Aural (see page 14)
92
J S Bach Prelude in Ab major (from Bach for Trombone) [
or

Caccini Ave Maria [
or
] Prima
Gossec Tambourin (from Childs Choice) [
] Winwood RMPC 0129

Heath Andante and Scherzo [complete] [
] G & M Brand 70003

Moszkowski Danza Animada (from Fiesta Espaola for Trumpet) [
] Brass Wind 2116

Mozart Concerto in Two Movements K. 412, 1st movt: Allegro
or 2nd movt: Allegro [
] G & M Brand 70018

Mowat Bone Idyll (from Slide Show for Trombone) [
or

Purcell I Attempt from Loves Sickness
(from Just Brass Trombone Solos vol. 1) [
or
] Chester CH55320
Rossini Largo al Factotum from The Barber of Seville (from Montis Czardas)
[The high Cs in bar 193 & bar 268 may be played an octave
lower at candidates choice] [
] Winwood RMPC 0078

Sanders Square-Dance for Trumpet & Piano [
] Stainer 2692
Telemann Die Tapferkeit (from Festive Baroque for Trombone) [
] de Haske 1043580
Group B
Berlin Lets Face the Music and Dance
(from Lets Face the Music for Trombone) [
or

Dvo rk Rusalkas Song to the Moon (from Shepherds Song) [
] Winwood
Gottschalk Tournament Galop (from Undercover Hits for Trumpet) [] Brass Wind 1144
Porter Begin the Beguine
or

Sherwin & A Nightingale Sang in Berkeley Square
Maschwitz (from The Sunny Side of the Street) [
or

Sparke Soliloquy for Bb Cornet & Piano [
] Studio
Trad. Londonderry Air or Variations on The Ash Grove
] Chester CH55320
Wagner Walters Prize Song (from Three Operatic Arias) [
] G & M Brand 70046

Waller Aint Misbehavin (from Big Chillers for Trumpet & Piano) [
] Brass Wind 1140

J S Bach Study no. 20 in A minor (from The Well Tempered Player) [
] Winwood RMPC 0015

Bourgeois Study no. 8 (from Ace of Trumpets) [
] Brass Wind 6024

Bourgeois Study no. 4 or Study no. 9 (from Bone of Contention) [
or

Curnow The Harmonious Tunesmith de Haske 1033404 [
]
(from New Concert Studies for Euphonium vol. 2) [
or
] or 1033405 [
]
Endresen Study no. 32, Largo (from Supplementary Studies for Trumpet) [
] Rubank
Graham A Bach Invention (from New Concert Studies for Euphonium vol. 2) de Haske 1033404 [
]
[
or
] or 1033405 [
]
(from 40 Progressive Etudes for Trumpet [
] Fischer 3309
Kopprasch Study no. 11 (from 60 Selected Studies for Trombone book 1) [
] Fischer
McKenzie Czardas or Jota (from Rhythms of Life) [
or
] Con moto
93
(from Progressive Studies for Brass) [
] Faber
Vizzutti Flamenco or Tango (from 20 Dances for Euphonium) de Haske 1002381400 [
]
[
or
] or 1002382400 [
]
Waignein Comme dans une tarantelle de Haske 1033404 [
]
(from New Concert Studies for Euphonium vol. 2) [
or
] or 1033405 [
]
Treble clef
Bass clef
Treble clef
Scales
p
the examiner:
A and F
#
major (two octaves)
A and F
#
A and F
#
Arpeggios
p
the examiner:
A and F
#
major (two octaves)
A and F
#
minor (two octaves
Bass clef
Scales
p
the examiner:
G and E major (two octaves)
G and E harmonic minor (two octaves)
G and E melodic minor (two octaves)
94
Arpeggios
p
the examiner:
G and E minor (two octaves)
or ii) Exercise
Treble clef
the examiner:
Trinity Guildhall.
Bass clef
the examiner:
b) G major expanding scale
c) G minor expanding scale
Trinity Guildhall.
95
Capuzzi* Rondo from Andante and Rondo (from Concerto for Double Bass) [
] Hinrichsen H1474
Curnow Rhapsody for Euphonium [
] Winwood RMPC 0055

Marcello Sonata in F major, 1st movt: Largo and 2nd movt: Allegro [
] Studio
Moszkowski Danza Alegre (from Fiesta Espaola for Trumpet) [
] Brass Wind 2116

Newton The Riders of Rohan (from Childs Choice) [
] Winwood RMPC 0129

Richards Midnight Euphonium [
] Studio
Senaill Introduction and Allegro Spiritoso [complete] [
] Hinrichsen 853
Vivaldi Sonata no. 3 in A minor, 1st movt: Largo and 2nd movt: Allegro
or 3rd movt: Largo and 4th movt: Allegro [
or
] EMR 325
Group B
Capuzzi* Andante from Andante and Rondo (from Concerto for Double Bass) [
] Hinrichsen H1474
Elgar Idylle op. 4 no. 1 [
] Winwood RMPC 0118

Elgar Mot damour op. 13 no. 1 [
] Winwood RMPC 0106

Golland Peace [
] Hallamshire
Graham A Time for Peace (from Gramercy Solo Album Bb) [
] Gramercy
Harbach & Kern Smoke Gets in Your Eyes
or

Mozart Adagio and Rondo, Adagio [only] [
] Winwood RMPC 0208

Purcell Suite, 1st movement
arr. Sturzenegger (from Suite for Euphonium and Piano (Organ)) [
or
] EMR 303M
Richards Caprice [
] Studio
Saint-Sans The Swan (from Steven Meads World of the Euphonium) [
] Studio
Sparke Aubade for Euphonium & Piano [
] Studio
Vaughan
Williams Concerto for Tuba, 2nd movt [
] [separate
Euphonium part available] OUP

Arban Study no. 10 (from 14 Studies for Cornet) [
] Boosey
(from The Well Tempered Player) [
] Winwood RMPC 0015

Balay Study no. 3 or Study no. 4 (from 15 Etudes) [
] Leduc AL 14 960
Bourgeois Fantasy Pieces for Trumpet, no. 3: Presto [
] Brass Wind 3102

Bourgeois Study no. 14 (from Bone of Contention) [
or

Bourgeois No. 1, Adagio (from Fantasy Pieces for Trombone) [
or

Brandt Study no. 2 or Study no. 17 (from 34 Studies for Trumpet) [
] IMC 1391
Court The Chase (from New Concert Studies for Euphonium vol. 2) de Haske 1033404 [
]
[
or
] or 1033405 [
]
Hering Study no. 38 or Study no. 39 (from 40 Progressive Etudes for Trumpet) [
] Fischer 3309
Kopprasch Study no. 14, Allegro (from 60 Selected Studies
for Trombone, book 1) [
] Fischer O2895
Mashima A Spring Morning (from New Concert Studies for Euphonium vol. 1) [
or
] de Haske
* One of the two pieces may be played, but not both.
96
McKenzie Klezmer or Malaguena (from Rhythms of Life) [
or
] Con moto
Miller Seventh Heaven, no. 21 or Vienna, no. 24
(from Progressive Studies for Brass) [
] Faber
Vizzutti Funk (from 20 Dances for Euphonium) [
or
] de Haske 1002381400 [
]
or 1002382400 [
]
Treble clef
Bass clef
Treble clef
Scales
p
the examiner:
Arpeggios
p
the examiner:
Bass clef
Scales
p
the examiner:
A and Ab major (two octaves)
A and Ab harmonic minor (two octaves)
A and Ab melodic minor (two octaves)
Whole-tone scale starting on A and Ab (two octaves)
Chromatic scale starting on A and Ab (two octaves)
97
Arpeggios
p
the examiner:
A and Ab minor (two octaves)
Dominant 7th in the keys of A and Ab (one octave)
Diminished 7th starting on A and Ab (two octaves)
Augmented arpeggio starting on A and Ab (two octaves)
or ii) Exercise
Treble clef
the examiner:
Trinity Guildhall.
Bass clef
the examiner:
a) Key centre exercise in Ab
b) Ab major expanding scale
e) Ab minor scale in 3rds
Trinity Guildhall.
98
Butterworth Partita op. 89 for Euphonium & Piano, 3rd movt: Sarabande
and 5th movt: Scherzo [
] Comus
Horovitz* Euphonium Concerto, 1st movt: Moderato or 3rd movt: Con moto [
] Novello NOV120387
Hummel Fantasy [beginning at bar 93, Allegro non troppo] [
] Winwood RMPC 0206

Monti Czardas (from Montis Czardas) [
] Winwood RMPC 0078

Mozart Adagio and Rondo, Rondo [only] [
] Winwood RMPC 0208

Rachmaninov Vocalise (from Vocalise Rachmaninov) [
or
] Studio Music
Roper Sonata for Euphonium, 1st movt [
] Studio
Sparke Euphonium Concerto, 1st movt: Moderato e energico [
] Studio
Sparke Fantasy for Euphonium & Brass Band [
] G & M Brand 70024

Sparke Rhapsody for Bb Baritone [
] Studio
Wilby Concert Galop [
] Winwood RMPC 0184

Group B
Abreu Tico Tico for Trumpet & Piano [
] Brass Wind 4110

Bellstedt Napoli (from Shepherds Song) [
] Winwood
Elgar Romance op. 62 [
] Winwood RMPC 0064

Graham Whirlwind (from Gramercy Solo Album Bb) [
] Gramercy
Horovitz* Euphonium Concerto, 2nd movt: Lento [
] Novello NOV120387
Leidzn The Song of the Brother [from Theme, Letter B]
(from The Salvation Army Instrumental Album no. 21) [
] Salvationist
Marshall Ransomed (from The Salvation Army Instrumental Album no. 21) [
] Salvationist
Rimmer Webers Last Waltz [from Theme, bar 80, without repeats] [
] Studio
Sparke Party Piece [
] Studio
Woodfield Varied Mood [
] Hallamshire
Arban Study no. 6 or Study no. 9 (from 14 Studies for Cornet) [
] Boosey
(from The Well Tempered Player) [
] Winwood RMPC 0015

Balay Study no. 7 or Study no. 11 (from 15 Etudes) [
] Leduc AL 14 960
Bourgeois Fantasy Pieces for Trumpet, no. 8: Allegro [
] Brass Wind 3102

Bourgeois No. 2, Andante cantabile (from Fantasy Pieces
for Trombone) [
or

Kopprasch Study no. 46, Moderato (from 60 Selected Studies
for Trombone book 2) [
] Fischer 2615
Brandt Study no. 4 or Study no. 15 (from 34 Studies for Trumpet) [
] IMC 1391
Hadermann Escapade (from New Concert Studies for Euphonium vol. 2) de Haske 1033404 [
]
[
or
] or 1033405 [
]
Miller Perpetuum Mobile, no. 29 (from Progressive Studies for Brass) [
] Faber
Vizzutti Polka (from 20 Dances for Euphonium) [
or
] de Haske 1002381400 [
]
or 1002382400 [
]
* One of the two pieces may be played, but not both.
99
Treble clef
Bass clef
Treble clef
Scales
p
C, Ab and F
#
major (two octaves)
C, G
#
/Ab and F
#
C, G
#
/Ab and F
#
#
(two octaves)
#
(two octaves)
Arpeggios
p
the examiner:
C, Ab and F
#
major (two octaves)
C, G
#
/Ab and F
#
minor (two octaves)
#
(one octave)
#
(two octaves)
#
(two octaves)
Bass clef
Scales
p
Bb, E and F
#
major (two octaves)
Bb, E and F
#
Bb, E and F
#
Whole-tone scale starting on Bb, E and F
#
(two octaves)
Chromatic scale starting on Bb, E and F
#
(two octaves)
Crabwise scale from F and Bb (two octaves tongued or slurred in octaves)
100
Arpeggios
p
the examiner:
Bb, E and F
#
major (two octaves)
Bb, E and F
#
minor (two octaves)
Dominant 7th in the key of Bb (two octaves)
Dominant 7th in the keys of E and F
#
/Gb (one octave)
Diminished 7th starting on Bb, E and F
#
(two octaves)
Augmented arpeggio starting on E, Bb and F
#
(two octaves)
or ii) Exercise
Treble clef
the examiner:
#
Trinity Guildhall.
Bass clef
the examiner:
a) Key centre exercise in the keys of Bb, E and F
#
b) Crabwise scale from F in 3rds
Trinity Guildhall.
101
Trombone Grade 1 Subject code: TBN
Diabelli The Joker The Magic Trombone [
] Boosey
Grieg ses Death The Really Easy Trombone Book [
] Faber
Horovitz Merlins Tower Up Front Album for Trombone
book 1 [
or

Rougeron Le Chorege Billaudot GB5474
or

or

Woolfenden The Dragon Throne Up Front Album for Trombone
book 1 [
or

Group B
Barratt Ballyhoo! or Curtain Raiser Bravo! Trombone [
] Boosey
Daly Postman Pat, p. 4 Winners Galore for Trombone* [
or
] Brass Wind 0118TC

or 0121BC
Geldard Square Dance Beginners Please! Trombone [
] Winwood RMPC 0088

Nightingale One, Two, Three Push! Lucky Dip Warwick
Spanish Trad. Spanish Air Bravo! Trombone [
] Boosey
Wedgwood Wrap it Up Really Easy Jazzin About for Trombone [
] Faber
Bourgeois No. 2, Allegro moderato Splinters of Bone [
or

Davis Geared Up or Tiny Minuet Polished Brass
[]
Brass Wind 6022TC
for Trombone [
] Rubank HL04470640
Gregson Thoughtful Prelude, no. 1 20 Supplementary Tunes
Trombone ed.] Brass Wind 6002BC

or
] Warwick
Sparke Modal Melody, no. 3
or Ticker Tape Parade, Skilful Studies
no. 5 for Trombone [
] Anglo Music AMP 100

Trad. Give me Joy in my Heart, Winners Galore for Trombone Brass Wind 0118TC
p. 6 [
or
] or 0121BC
Trad. Shepherds Hey, p. 2 Easy Winners for Trombone Brass Wind 0124TC
[with repeats] [
or
] or 0125BC
Treble clef
a) Lip Flexibility Grade 1 no. 1 (from Scales & Exercises for Trombone) Trinity Guildhall
102
b) Lip Flexibility Grade 1 no. 2 (from Scales & Exercises for Trombone) Trinity Guildhall
Bass clef
Treble clef
Scales
Arpeggios
Bass clef
Scales
G natural minor (one octave): candidates may play harmonic or melodic minor if preferred.
Arpeggios
or ii) Exercise
Treble clef
C major scale and arpeggio exercise (from Scales & Exercises for Trombone) Trinity Guildhall
Bass clef
Bb major scale and arpeggio exercise (from Scales & Exercises for Trombone) Trinity Guildhall
Aural (see page 14)
Trombone Grade 1
103
W F Bach Air Bravo! Trombone [
] Boosey
Geldard Polka Beginners Please! Trombone [
] Winwood RMPC 0088

Gregson Processional Up Front Album for Trombone
book 2 [
or

Grieg Ballad Going Solo Trombone [
] Faber
or

Nightingale The Witches Cauldron Lucky Dip Warwick
or

Trad. Cockles and Mussels All Jazzed Up for Trombone [
or

Group B
Barratt Hampton Swing
or Parasaurolophus Bravo! Trombone [
] Boosey
Bart Where Is Love?, p. 14 Easy Winners for Trombone* Brass Wind 0124TC
[
or
] or 0125BC
Goodall Blackadder Theme, p. 10 Winners Galore for Trombone* Brass Wind 0118TC
[
or
] or 0121BC
Gout Circus Clowns Going Solo Trombone [
] Faber
Kander & Ebb Wilkommen Undercover Hits for Trombone [
or
] Brass Wind
1150TC/BC
Osborne & May Eastenders, p. 13 Easy Winners for Trombone* Brass Wind 0124TC
[
or
] or 0125BC
Tracey Sundance Up Front Album for Trombone
book 1 [
or

or

arr. Johnstone
Wedgwood Dragonfly or Easy Tiger Really Easy Jazzin About for Trombone [
] Faber
Arne Rule Brittannia, p. 17 Easy Winners for Trombone Brass Wind 0124TC
[
or
] or 0125BC
Bourgeois No. 4, Moderato
or no. 5, Allegro Splinters of Bone [
or

or Rat Rag Polished Brass
[]
Brass Wind 6022TC
Endresen Study no. 3, Allegro Supplementary Studies
for Trombone [
] Rubank HL04470640
English Trad. Drunken Sailor, p. 9 Winners Galore for Trombone [
or
] Brass Wind 0118TC

or 0121BC
Gregson Song, no. 5 20 Supplementary Tunes

or
] Warwick
Sparke Cowboy Carol, no. 12 Skilful Studies
or Shalom, no. 14 for Trombone [

104
Treble clef
Bass clef
Treble clef
Scales
Arpeggios
Bass clef
Scales
G harmonic minor (one octave): candidates may play natural or melodic minor if preferred.
Arpeggios
or ii) Exercise
Treble clef
Bass clef
a) C major scale and arpeggio exercise
b) G minor scale and arpeggio exercise
All scales and exercises are contained in the book Scales & Exercises for Trombone published by
Trinity Guildhall.
Trombone Grade 2
105
Aural (see page 14)
Trombone Grade 2
106
Barratt Round Square Dance Bravo! Trombone [
] Boosey
Bennett Murder on the Undercover Hits for Trombone
Orient Express [
or

Bratton &
Carr The Station Master Top Line Album for Trombone [
or

Dominguez Perfidia Latino for Trombone [
or

Faur Pavane, p. 16 Easy Winners for Trombone* Brass Wind 0124TC
[
or
] or 0125BC
Haydn Rondino Slide Show for Trombone [
or

Kershaw Bone Idle, no. 1 or Lazing
on the Beach, no. 5 Lazy Bones Studio
Saint-Sans Royal March of the Lion The Magic Trombone [
] Boosey
Trad. Skye Boat Song Just Brass Trombone Solos vol. 1 [
] Chester CH55320
Group B
Bart Food Glorious Food Winner Scores All* [
or

or

or

Fields & I Cant Give You Anything Jazzy Connections for Trombone
McHugh But Love [
or

Gout Boogie for bone
or Rough and Ready Rag Going Solo Trombone [
] Faber
Harburg & Arlen Were Off to See the Easy Winners for Trombone Brass Wind 0124TC
Wizard, p. 22 [
or
] or 0125BC
Kennedy Teddy Bears Picnic, p. 19 Winners Galore for Trombone* Brass Wind 0118TC
[
or
] or 0121BC
or

Mowat The Parsons Nose Slide Show for Trombone [
or

Nightingale I Woke Up This Morning Lucky Dip Warwick
Norman James Bond Theme, p. 19 Easy Winners for Trombone* Brass Wind 0124TC
[
or
] or 0125BC
Parker Lazy Blues Top Line Album for Trombone [
or

Ramskill Chicago Sunset All Jazzed Up for Trombone [
or

Wedgwood Riding Out West Really Easy Jazzin About for Trombone [
] Faber
Bourgeois No. 6, Alla marcia
or no. 9, Moderato Splinters of Bone [
or

or Tap Dance [in G minor] Polished Brass
[]
Brass Wind 6022TC
for Trombone [
] Rubank HL04470640
Gregson Folk Song, no. 16 20 Supplementary Tunes

* Piano accompaniment available separately
107
Trombone Grade 3
Nightingale Cinnamon Tea, no. 12
or Slinky, no. 13 Eazy Jazzy Tudes [
or
] Warwick
Nightingale J-Peg Cake Walk, no. 6 Jazz@Etudes [
] Warwick
Sparke Contrasts, no. 30 Skilful Studies
or Shepherds Song, no. 33 for Trombone [

Vaughan
Williams Linden Lea, p. 14 Winners Galore for Trombone Brass Wind 0118TC
[
or
] or 0121BC
Treble clef
Bass clef
Treble clef
Scales
E and F major (one octave)
D and E minor (one octave): candidates choice of either harmonic or melodic minor
Arpeggios
E and F major (one octave)
D and E minor (one octave)
Bass clef
Scales
D and Eb major (one octave)
C and D minor (one octave): candidates choice of either harmonic or melodic minor
Arpeggios
D and Eb major (one octave)
C and D minor (one octave)
or ii) Exercise
Treble clef
b) F major scale and arpeggio exercise
c) D minor scale and arpeggio exercise
108
Bass clef
Trinity Guildhall.
Aural (see page 14)
Trombone Grade 3
109
J S Bach Polonaise Bach for Trombone [
or

E Bernstein Great Escape March Great Winners for Trombone* Brass Wind 0132TC
[
or
] or 0136BC
L Bernstein Somewhere Great Winners for Trombone* Brass Wind 0132TC
[
or
] or 0136BC
Byrd The Earl of Salisburys
Pavane Just Brass Trombone Solos vol. 1 [
] Chester CH55320
Goodwin 633 Squadron Great Winners for Trombone* Brass Wind 0132TC
[
or
] or 0136BC
Mussorgsky The Old Castle Going Solo Trombone [
] Faber
Spiritual Nobody Knows A Little Light Music for Trombone Brass Wind
[
or
] 2115TC/BC
Warlock Basse Dance Slide Show for Trombone [
or

Group B
Albert & Gaste Feelings Latino for Trombone [
or

Dominguez Frenesi Great Winners for Trombone* Brass Wind 0132TC
[
or
] or 0136BC
Harnich & Bock If I Were a Rich Man A Little Light Music for Trombone Brass Wind
[
or
] 2115TC/BC
Kander & Ebb Razzle Dazzle Undercover Hits for Trombone [
or
] Brass Wind
1150TC/BC
Parker Cuban Serenade Top Line Album for Trombone [
or

Ramskill Dancing Trombone All Jazzed Up for Trombone [
or

Russell &
Barroso Brazil Latino for Trombone [
or

or

Bourgeois No. 11, Allegro vivace
or no. 7, Allegro moderato Splinters of Bone [
or

Clarke Cossack Dance Featuring Rhythm [
or

Crees & Gane Study no. 5.2 How Trombonists Do It [
or

Endresen Study no. 11, Supplementary Studies
Andante con moto for Trombone [
] Rubank HL04470640
Nightingale The Shout, no. 17
or Blues for Big-Ears,
no. 15 Eazy Jazzy Tudes [
or
] Warwick
Nightingale Study no. 12,
Of Mice and Keys Jazz@Etudes [
] Warwick
Nightingale Study no. 1, Being Flat Tipping the Scales [
or
] Warwick
110
Treble clef
Bass clef
Treble clef
Scales
The following scales to be performed mf, tongued or legato tongued as requested by the examiner:
Bb major (to 12th)
C and F
#
minor (one octave): candidates choice of either harmonic or melodic minor
Whole-tone scale starting on D (one octave)
Chromatic scale starting on D (one octave)
Arpeggios
The following arpeggios to be performed mf, tongued or legato tongued as requested by the examiner:
Bb major (to 12th)
C and F
#
minor (one octave)
Bass clef
Scales
Ab major (to 12th)
Db major (one octave)
Bb and E minor (one octave): candidates choice of either harmonic or melodic minor
Arpeggios
The following arpeggios to be performed from memory, tongued or legato tongued as requested by
the examiner:
Ab major (to 12th)
Db major (one octave)
Bb and E minor (one octave)
Trombone Grade 4
111
or ii) Exercise
Treble clef
The following exercises to be played either tongued or legato as indicated, as requested by the examiner:
b) Eb major expanding scale
c) C minor expanding scale
Bass clef
a) Ab major scale and arpeggio exercise
b) Db major expanding scale
Trinity Guildhall.
Aural (see page 14)
Trombone Grade 4
112
J S Bach March or Anglaise Bach for Trombone [
or

Bernstein Psalm 23 Leonard Bernstein for Trombone [
] Boosey
Brahms Waltz Just Brass Trombone Solos vol. 1 [
] Chester CH55320
Faur Aprs un rve IMC 1916
Faur Sicilienne Going Solo Trombone [
] Faber
Handel Lo, See the Conquering
Hero Just Brass Trombone Solos vol. 1 [
] Chester CH55320
Ippolitov-
Ivanov Cortge Undercover Hits for Trombone [
or

Group B
Bernstein I Can Cook Too Leonard Bernstein for Trombone [
] Boosey
Dubin & Warren Keep Young and Beautiful Lets Face the Music
for Trombone [
or

Gershwin Summertime A Little Light Music
or I Got Rhythm for Trombone [
or

Gershwin Lets Call the Whole
Thing Off Slide Show for Trombone [
or

Kander & Ebb It Couldnt Please Me More Undercover Hits for Trombone [
or

Loesser Luck Be a Lady Tonight Centre Stage for Trombone Brass Wind 6008TC/BC
Proctor Bone Shaker On Your Metal [
or

Rodriguez La Cumparsita Latino for Trombone [
or

or

Bourgeois No. 17, Andante cantabile Splinters of Bone [
or

Clarke Polish Dance Featuring Rhythm [
or

Crees & Gane Study no. 6.6 How Trombonists Do It [
or

Davis Tango Tease or Hornpipe Polished Brass [
] Brass Wind 6022TC

Endresen Study no. 34, Allegretto Supplementary Studies
for Trombone [
] Rubank HL04470640
or
] Warwick
Nightingale Study no. 17,
Shutdown Samba Jazz@Etudes [
] Warwick
Nightingale Study no. 10, Gottle of Geer Tipping the Scales [
or
] Warwick
113
Treble clef
Bass clef
Treble clef
Scales
B major (to 12th)
Arpeggios
B major (to 12th)
B minor (to 12th)
Bass clef
Scales
The following scales to be performed from memory, tongued or legato tongued as requested by
the examiner:
A major (to 12th)
F minor (two octaves) candidates choice of either harmonic or melodic minor
A minor (to 12th) candidates choice of either harmonic or melodic minor
Chromatic scale starting on F (two octaves)
Trombone Grade 5
114
Arpeggios
A major (to 12th)
A minor (to 12th)
Dominant 7th in the key of F (one octave)
or ii) Exercise
Treble clef
c) G major expanding scale
d) G minor expanding scale
Bass clef
a) A major scale and arpeggio exercise
c) F major expanding scale
d) F minor expanding scale
Trinity Guildhall.
Aural (see page 14)
Trombone Grade 5
115
J S Bach Prelude in Ab (from Bach for Trombone) [
or

J S Bach Arioso from Piano Concerto in F minor
(from Solos for the Trombone Player) [
] Schirmer HL50330090
Curnow Fantasy for Trombone [complete] [
or
] Winwood
Gottschalk Tounament Galop (from Undercover Hits for Trombone) [
or

Mowat Bone Idyll (from Slide Show for Trombone) [
or

Purcell I Attempt from Loves Sickness
or
] Chester CH55320
Rimsky- Concerto for Trombone in Bb, 2nd movt: Andante cantabile [
or
] Brass Wind 4111

Korsakov
Trad. Londonderry Air or Variations on The Ash Grove
or
] Chester CH55320
Group B
Berlin Lets Face the Music and Dance
or

Carmichael Stardust (from Jazzed Up Too for Trombone) [
or

Gershwin Bess, You Is My Woman Now
(from Centre Stage for Trombone) [
or

Gordon & Chattanooga Choo Choo
Warren (from The Sunny Side of the Street) [
or

Greenwood The Acrobat [
] Wright + Round
Parker Dances with Bears (from Jazzed Up Too for Trombone) [
or

Porter Begin the Beguine
or

Proctor Slidewalk (from On Your Metal) [
or

Ramskill Ballad (from From Vivaldi to Fats Waller for Trombone) [
or

J S Bach Suite no. 1, Gigue (from J S Bach Suites for Cello
[adapted for the tenor trombone]) [
] Leduc AL 20326
Bourgeois Study no. 4 or Study no. 9 (from Bone of Contention) [
or

Crees & Gane Study no. 6.7 (from How Trombonists Do It) [
or

Hering Study no. 34, Moderato (from 40 Progressive Etudes for Trombone) [
] Fischer 4441
Kopprasch Study no. 11 (from 60 Selected Studies book 1) [
] Fischer
Mowat Study no. 20 (from Unlocking the Tenor Clef) [
] Brass Wind 6016

Nightingale Five Brew, no. 28 (from Eazy Jazzy Tudes [
or
] Warwick
Nightingale Study no. 7, E by Gum (from Tipping the Scales [
or
]) Warwick
116
Treble clef
Bass clef
Treble clef
Scales
p
, tongued or legato tongued as requested by the examiner:
A and F
#
major (two octaves)
A and F
#
A and F
#
Arpeggios
p
A and F
#
major (two octaves)
A and F
#
minor (two octaves)
Bass clef
Scales
p
G and E harmonic minor (two octaves)
G and E melodic minor (two octaves)
Trombone Grade 6
117
Arpeggios
p
G and E minor (two octaves)
or ii) Exercise
Treble clef
Key centre exercise in A
a) A major expanding scale
b) A minor expanding scale
c) A major scale in 3rds
d) A minor scale in 3rds
Bass clef
b) G major expanding scale
c) G minor expanding scale
Trinity Guildhall.
Trombone Grade 6
118
Berlioz Recitative and Prayer
Genzmer Sonata for Trombone & Piano, 1st movt: Allegro [
] Peters EP 8194
Haydn Adagio from Concerto for Cello & Orchestra
Hindemith Sonata for Trombone & Piano,
4th movt: Allegro moderato maestoso [
] Schott ED 3673
Rimsky-
Korsakov Concerto for Trombone, 1st movt: Allegro vivace [
] Brass Wind 4111

Serocki Sonatina, 1st movt Moeck EM 5302
Vivaldi Sonata no. 3 in A minor, 1st movt: Largo and 2nd movt: Allegro
or 3rd movt: Largo and 4th movt: Allegro EMR EMR 325
Group B
Castrde Sonatina for Trombone & Piano, 2nd movt [
] Leduc AL 21930
Gorb 10:45 (from A Life in the Day of a Trombone) [
or

Gregson Divertimento, any two movements Studio
Grndahl Concerto, 2nd movt: Quasi una leggenda [
] Samfundet
Harbach & Smoke Gets in Your Eyes
Kern (from Lets Face the Music for Trombone) [
or

Horovitz AdamBlues Novello Nov 120325
Jacques Cantilena and Rondo Scherzoso [complete] [
] Neuschel
Kneale Blue John [
or
] Ravencar
Proctor Nocturne (from On Your Metal) [
or

J S Bach Suite no. 1, Courante (from J S Bach Suites for Cello
[adapted for the tenor trombone]) [
] Leduc AL 20326
Bernstein Elegy for Mippy Boosey
Bourgeois Study no. 14 (from Bone of Contention) [
or

Bourgeois Fantasy Pieces for Trombone, no. 1: Adagio [
or

or

Hering Study no. 37 (from 40 Progressive Etudes for Trombone) [
] Fischer 04441
Kopprasch Study no. 14, Allegro
(from 60 Selected Studies for Trombone book 1) [
] Fischer O2895
McKenzie Dixieland (from Rhythms of Life) [
] Con moto
Mowat Study no. 30 (from Unlocking the Tenor Clef) [
] Brass Wind 6016

Nightingale Study no. 8, Barking Mad (from Tipping the Scales) [
or
] Warwick
119
Treble clef
Bass clef
Treble clef
Scales
p
Arpeggios
p
Bass clef
Scales
p
A and Ab harmonic minor (two octaves)
A and Ab melodic minor (two octaves)
Whole-tone scale starting on A and Ab (two octaves)
Chromatic scale starting on A and Ab (two octaves)
Trombone Grade 7
120
Arpeggios
p
A and Ab minor (two octaves)
Dominant 7th in the keys of A and Ab (one octave)
Diminished 7th starting on A and Ab (two octaves)
Augmented arpeggio starting on A and Ab (two octaves)
or ii) Exercise
Treble clef
c) B minor expanding scale
d) B major scale in 3rds
e) Bb minor scale in 3rds
Bass clef
e) Ab minor scale in 3rds
Trinity Guildhall.
Trombone Grade 7
121
Galliard Sonata no. 5 in D minor [complete] [
] Hinrichsen H 752e
Haydn Larghetto for Trombone Winwood
Holst Concertante for Trombone & Piano [
] Warwick
Saint-Sans Cavatine op. 144 [
] Brass Wind 3114tnr

Schumann Any one Romance from Three Romances op. 94 [
] IMC 2959
Serocki Sonatina, 2nd movt and 3rd movt Moeck EM5302
Weber Romance for Tenor Trombone & Piano Brass Wind 3121
Group B
Castrde Sonatina for Trombone & Piano, 1st movt or 3rd movt [
] Leduc AL21930
Cliffe Four Sketches for Trombone, any two movts Studio
Cook Bolivar Boosey
David Concertino for Trombone, 1st movt: Allegro maestoso Brass Wind 3123
Grndahl Concerto, 1st movt Samfundet
Guilmant Morceau Symphonique Schott ED 10484
Mahler Trombone Solo from Symphony no. 3 [complete] Brass Wind 3113
Rota Concerto, 1st movt Ricordi NR13153400
ulek Sonata (Vox Gabrieli) [complete] [
] EMR 294
Aplvor No. 22 in Bb minor (from 24 Exercises) [
] Warwick
J S Bach Allemande from Suite no. 4 or Courante from Suite no. 2
(from J S Bach Suites for Cello [adapted for the tenor trombone]) [
] Leduc AL 20326
Bourgeois Fantasy Pieces for Trombone, no. 2: Andante cantabile [
or

or

Gane Study no. 5 (from Circuit Training) Warwick
Kopprasch Study no. 46, Moderato
(from 60 Selected Studies for Trombone book 2) [
] Fischer 2615
Nightingale No. 5 or no. 10 (from 20 Jazz Etudes) [
] Warwick
122
Treble clef
Bass clef
Treble clef
Scales
p
, tongued or legato tongued or legato tongued in pairs, as
C, Ab and F
#
major (two octaves)
C, G
#
and F
#
C, G
#
and F
#
#
(two octaves)
#
(two octaves)
Arpeggios
p
C, Ab and F
#
major (two octaves)
C, G
#
and F
#
minor (two octaves)
Dominant 7th in the keys of C (two octaves)
#
(one octave)
#
(two octaves)
#
(two octaves)
Bass clef
Scales
p
, tongued or legato tongued or legato tongued in pairs, as
Bb, F
#
and E major (two octaves)
Bb, F
#
and E harmonic minor (two octaves)
Bb, F
#
and E melodic minor (two octaves)
Whole-tone scale starting on Bb, F
#
and E (two octaves)
Chromatic scale starting on Bb, F
#
and E (two octaves)
Crabwise scale from Bb and F (two octaves tongued or legato in octaves)
Trombone Grade 8
123
Arpeggios
p
Bb, F
#
and E major (two octaves)
Bb, F
#
and E minor (two octaves)
Dominant 7th in the key of Bb (two octaves)
Dominant 7th in the keys of E and F
#
/Gb (one octave)
Diminished 7th starting on Bb, F
#
and E (two octaves)
Augmented arpeggio starting on Bb, F
#
and E (two octaves)
or ii) Exercise
Treble clef
#
Bass clef
a) Key centre exercise in the keys of Bb, F
#
and E
b) Crabwise scale from F in 3rds
Trinity Guildhall.
Trombone Grade 8
124
Bass Trombone Grade 6 Subject code: BT
substitute one piece from Group B with a piece from Group C of the trombone syllabus for this grade.
Instead of any one item, candidates may offer their own composition (see page 10).
Defaye Danse Profane (from Two Dances for Bass Trombone) Leduc AL 25 465
Dossett Scene I (from Scenes for Bass Trombone & Piano) Warwick
Eaves Introduction & Burlesque G & M Brand 70028
Jacob V.I.P., no. 1 (from Cameos for Bass Trombone) Emerson E110
McCarty Sonata for Bass Trombone, 1st movt. Ensemble
Sachse Concertino, 1st movt EMR 221
Telemann Sonata in F minor, 1st movt: Andante EMR 288
White Sonatina for Bass Trombone & Piano, 1st movt: Andante con moto Warwick
Woolfenden Moving On Warwick
Group B (unaccompanied)
J S Bach Suite no. 3 in C, Boure no. 1 or Boure no. 2
(from J S Bach Suites for Solo Cello (adapted Barbez)) Leduc AL 25953
Bourgeois Fantasy Pieces for Bass Trombone, no. 1: Adagio Brass Wind
Crees & Gane Study no. 7.6 (from How Trombonists Do It) Brass Wind 6007BC
Eversden Study no. 4 (from 50 Studies for Bass Trombone) Warwick
Hall The Errant Waltz Warwick
Naulais Study no. 6 (from Contemporary Studies for Bass Trombone) Billaudot
Ostrander Study no. 4, Allegretto (from Melodious Studies for Bass Trombone) Fischer
Pederson Study no. 56 (from Elementary Studies for Bass Trombone) IMP 51235
Vobaron Study no. 3 (from Studies for Bass Trombone) EMR 114
Warburton Etude 1, Andantino (from Back to Bassics) Warwick
Scales
p
E and Bb* major (two octaves)
E and Bb* harmonic minor (two octaves)
E and Bb* melodic minor (two octaves)
Whole-tone scale starting on E (two octaves)
Chromatic scale starting on E (two octaves)
*Starting from pedal Bb
125
Arpeggios
p
E major (two octaves)
Bb* major (two octaves)
Bb* minor (two octaves)
Dominant 7th in the key of E (one octave)
Diminished 7th starting on E (two octaves)
Augmented arpeggio starting on E (two octaves)
*Starting from pedal Bb
or ii) Exercise
a) Key centre exercise in E
d) Bb major scale in 3rds
e) Bb minor scale in 3rds
Bass Trombone Grade 6
126
Boutry Tubaroque Leduc AL 21635
Clerisse Pice lyrique Leduc AL 21794
Jacob Derby Winner, no. 5 (from Cameos for Bass Trombone) Emerson E110
Marcello Sonata no. 1, 1st movt and 2nd movt
(from Trombone Essentials) Schirmer HL50483390
Newsome Father Neptune Studio
Senaill Andante and Allegro Spiritoso [complete] EMR 293A
Semler-Collery Barcarolle et Chanson bachique
Leduc AL21280
Tcherepnin Andante [Tuba Part] Peters BE 233
White Sonatina for Bass Trombone & Piano, 2nd movt: Con moto
and 3rd movt: Allegro moderato Warwick
Wood Toccata Warwick
J S Bach Suite no. 1 in G, Courante
(from J S Bach Suites for Solo Cello [adapted Barbez]) Leduc AL 25953
Bourgeois Fantasy Pieces for Bass Trombone, no. 3: Allegro molto Brass Wind
Eversden Study no. 8 or Study no. 9 (from 50 Studies for Bass Trombone) Warwick
Mast Study no. 1 (from 8 Concert Studies) Warwick
Naulais Study no. 7 (from Contemporary Studies for Bass Trombone vol. 1) Billaudot G6555B
Pederson Study no. 47 (from Elementary Studies for Bass Trombone) IMP 51235
Vobaron Study no. 5 (from Studies for Bass Trombone) EMR 114
Warburton Etude 6, Vivace (from Back to Bassics) Warwick
127
Scales
p
, starting from pedal C and Ab, tongued or legato tongued as
C and Ab major (two octaves)
C and Ab harmonic minor (two octaves)
C and Ab melodic minor (two octaves)
Whole-tone scale starting on C and Ab (two octaves)
Chromatic scale starting on C and Ab (two octaves)
Arpeggios
p
, starting from pedal C and Ab [where appropriate],
tongued or legato tongued as requested by the examiner:
C and Ab major (two octaves)
C and Ab minor (two octaves)
Dominant 7th in the keys of C and Ab (two octaves)
Diminished 7th starting on C and Ab (two octaves)
Augmented arpeggio starting on C and Ab (two octaves)
or ii) Exercise
b) C major expanding scale
c) Ab minor expanding scale
d) Ab major scale in 3rds
e) C minor scale in 3rds
128
Bozza Allegro et Finale [complete] Leduc AL 21260
Bozza New Orleans Leduc AL 23234
David Concertino for Trombone op. 4, 1st movt: Allegro maestoso
[Bass trombone ed.] Zimmermann ZM 23960
Dodgson Concerto, 4th movt Neuschel
Dossett Furiant Warwick
East Sonatina for Bass Trombone [complete] Ricordi LD858
Lebedev Concerto no. 1 [complete] Hofmeister FH2317
Lieb Concertino Basso Fischer W2450
McCarty Sonata for Bass Trombone, 2nd movt and 3rd movt Ensemble
Petit Fantaisie Leduc AL 21310
Weber Soliloque Leduc AL 24197
C P E Bach Sonata in C minor Wq 132 [complete] (from Trombone Essentials) Schirmer
J S Bach Cello Suite no. 2 in D minor, Gigue
(from J S Bach Suites for Solo Cello [adapted Barbez]) Leduc AL 25953
Bourgeois Fantasy Pieces for Bass Trombone, no. 5, Adagio Brass Wind
Eversden Study no. 17 (from 50 Studies for Bass Trombone) Warwick
Mast Study no. 6 (from 8 Concert Studies) Warwick
Naulais Study no. 17 (from Contemporary Studies for Bass Trombone vol. 1) Billaudot G6555B
Premru Prelude and Dance for Solo Bass Trombone Mowhawk/Emerson
Stearn McCrories Glory Warwick
Vobaron Study no. 12 (from 24 Studies for Bass Trombone) EMR 114
129
Scales
p
, tongued or legato tongued or legato tongued in pairs as
B*, Eb and F
#
major (two octaves)
B*, Eb and F
#
B*, Eb and F
#
Whole-tone scale starting on B*, Eb and F
#
(two octaves)
Chromatic scale starting on B*, Eb and F
#
(two octaves)
Crabwise scale from C and F (two octaves tongued or slurred in octaves)
* Starting from pedal B.
Arpeggios
p
B*, Eb and F
#
major (two octaves)
B*, Eb and F
#
minor (two octaves)
Dominant 7th in the keys of B, Eb and F
#
(two octaves)
Diminished 7th starting on B*, Eb and F
#
(two octaves)
Augmented arpeggio starting on B*, Eb and F
#
(two octaves)
* Starting from pedal B.
or ii) Exercise
a) Key centre exercise in the keys of B, Eb and F
#
b) Crabwise scale from C in 3rds
130
Tuba, Eb Bass, Bb Bass Grade 1 Subject codes: TBA/EBB/BBB
For instrument-specific details regarding this syllabus, please see page 23.
Jacob Minuet Six Little Tuba Pieces [
] Emerson E118
Ridout Stacking the Logs
or The First Goal of
the Season
or Lost Love Autumn Story[
] Emerson E297
Spiritual All Night, All Day Easy Winners for Tuba* Brass Wind 0124TC
[
or
] or 0131BC
or

or

Woolfenden Pagan Dance Up Front Album
for Eb Bass/Tuba book 1 [
or

Group B
Bernstein One Hand, One Heart Easy Winners for Tuba* Brass Wind 0124TC
[
or
] or 0131BC
Coombes Tuba Samba** Keynotes Album for Eb Bass/Tuba
[
or

Daly Postman Pat Winners Galore for Tuba* [
or

Negro Spiritual Steal Away Beginners Please! [Eb/F
ed.] Winwood
Ramskill Playful Serenade Keynotes Album for Eb Bass/Tuba
[
or

Trad. Russian The Birch Tree Beginners Please! [Eb/F
ed.] Winwood
Davis Geared Up or Tiny Minuet Polished Brass [
] Brass Wind 6022TC

Gregson Hungarian Dance, no. 4 20 Supplementary Tunes for Tuba Brass Wind 6002TC
or Lullaby, no. 8 [
or
] or 6021BC
Johnson Tuba Ceremony, no. 1
or Lilting Tuba, no. 2 The Tuneful Tuba [
] Brass Wind 6011BC

Mozart Theme from Easy Winners for Tuba Brass Wind 0124TC
A Musical Joke [
or
] or 0131BC
ed.] Warwick
Trad. Give me Joy in my Heart, Winners Galore for Tuba
p. 6 [
or

** No written piano part, just suggested chord symbols.
131
Tuba, Eb Bass, Bb Bass Grade 1
Treble clef
Bass clef
c) Exercise no. 1 (from How Tuba Players Do It) Brass Wind
Treble clef
Scales
Arpeggios
Bass clef
Scales
C natural minor (one octave): candidates may play harmonic or melodic minor if preferred.
Arpeggios
C minor (one octave)
or ii) Exercise
Treble clef
Bass clef
Eb major scale and arpeggio exercise (from Scales & Exercises for Bass Clef Brass) Trinity Guildhall
Aural (see page 14)
132
Tuba, Eb Bass, Bb Bass Grade 2Subject codes: TBA/EBB/BBB
Gregson Little Scherzo Up Front Album
for Eb Bass book 2 [
or

Handel Hallelujah Chorus, p. 6 Winners Galore for Tuba* [
or

Jacob In Tranquil Mood, no. 1 Bagatelles for Tuba [
] Emerson E143
or

or

Ridout Boy Meets Girl Autumn Story [
] Emerson E297
Sullivan The Policemans Song Just Brass Tuba Solos, vol. 1 [
] Chester CH55325
arr. Wekselblatt Civil War Medley First Solos for the Tuba Player [
] Schirmer
Wiggins Tuba Tune or Wagon Train The Tuba Players Debut [
] Studio
Group B
Bart Where Is Love? Easy Winners for Tuba* Brass Wind 0124TC
[
or
] or 0131BC
Goodall Blackadder Theme, p. 16 Winners Galore for Tuba* [
or

Henry VIII Pastime with Good Company Beginners Please! [Eb/F
ed.] Winwood
Osbourne & Eastenders Easy Winners for Tuba* Brass Wind 0124TC
May [
or
] or 0131BC
Trad. Land of the Silver Birch Beginners Please! [Eb/F
ed.] Winwood
Wiggins Lucys Lullaby Beginners Please! [Eb/F
ed.] Winwood
Wilson-Smith Out n About
or Something Else All Jazzed Up for Tuba Brass Wind 1108E
or Waltzing with Jazz [
or
] or 1108T
or Chickpea, no. 11 Smooth Groove for Tuba Brass Wind 1141TBTC
[
or
] or 1153TBBC
or Rat Rag Polished Brass [
] Brass Wind 6022TC

or Justins March, no. 14 20 Supplementary Tunes for Tuba Brass Wind 6002TC
[
or
] or 6021BC
Johnson Study no. 3, Lament The Tuneful Tuba [
] Brass Wind 6011BC

ed.] Warwick
or

arr. Johnstone
Treble clef
133
Bass clef
c) Exercise no. 3 (from How Tuba Players Do It) Brass Wind
Treble clef
Scales
Arpeggios
Bass clef
Scales
F and Db major (one octave)
C harmonic minor (one octave): candidates may play natural or melodic minor if preferred.
Arpeggios
F and Db major (one octave)
C minor (one octave)
or ii) Exercise
Treble clef
the examiner:
All scales and exercises for treble clef are contained in the book Scales & Exercises for Treble Clef Brass
published by Trinity Guildhall.
Bass clef
the examiner:
a) F major scale and arpeggio exercise
b) C minor scale and arpeggio exercise
All scales and exercises for bass clef are contained in the book Scales & Exercises for Bass Clef Brass
Aural (see page 14)
134
Berlioz Sanctus Just Brass Tuba Solos, vol. 1 [
] Chester CH55325
Hanmer Scherzando, no. 4 Tuba Tunes [
] Emerson E36
Irish Folk Song Danny Boy, p. 17 Winners Galore for Tuba* [
or

Lully Gavotte First Solos for the Tuba Player [
] Schirmer
Mozart Marche First Solos for the Tuba Player [
] Schirmer
Schumann The Happy Farmer First Solos for the Tuba Player [
] Schirmer
Wiggins Friar Tucks Galliard
or Seafarers Song
or The Mischievous
Mastodon The Tuba Players Debut [
] Studio
Group B
Bart Food Glorious Food Winner Scores All* [
or

or

or

Bourgeois Driving Piles Up Front Album for Eb Bass book 2 Brass Wind
[
or
] 0116TC/BC
Bratton
& Kennedy Teddy Bears Picnic, p. 19 Winners Galore for Tuba* [
or

Harburg Were Off to See Easy Winners for Tuba* Brass Wind 0124TC
& Arlen the Wizard [
or
] or 0131BC
Hernandez El Cumbanchero Latino for Tuba [
or

or

Mancini Pink Panther All Jazzed Up for Tuba Brass Wind 1108E [ ]
[
or
] or 1108T [
]
Norman James Bond Theme Easy Winners for Tuba* Brass Wind 0124TC
[
or
] or 0131BC
Parker Fletcher Top Line Album for Eb Bass/Tuba
[
or

Pinkard, Carsey Sweet Georgia Brown All Jazzed Up for Tuba Brass Wind 1108E [ ]
& Bernie [
or
] or 1108T [
]
Ramskill Tuba on the Loose From Vivaldi to Fats Waller for Tuba Brass Wind
[
or
] 2112TC/BC
Runswick Slinkenpoop Up Front Album for Eb Bass book 2 Brass Wind
[
or
] 0116TC/BC
Walton Ambling Along, no. 1 Six Simple Swingers [
] Sound the Trumpets

Wilson-Smith Odd Job All Jazzed Up for Tuba Brass Wind 1108E [
]
[
or
] or 1108T [
]
Blakeson Jam on Toast, no. 20 Smooth Groove for Tuba [
or
] Brass Wind 1141TBTC

or Red Chilli Sauce, no. 18 or 1153TBBC
135
or Horn of Wonder Polished Brass [
] Brass Wind 6022TC

Gregson Bulgarian Dance, no. 15 20 Supplementary Tunes for Tuba Brass Wind 6002TC
or Folk Song, no. 17 [
or
] or 6021BC
Hering Study no. 12 40 Progressive Etudes for Trumpet [
] Fischer
Johnson Study no. 4, Tuba Tango
or Study no. 5, Jims Tune The Tuneful Tuba [
] Brass Wind 6011BC

Lawrance Off Beat
or Staccato Ritmico Featuring Melody for Tuba [
or

McKenzie Waltz or High Life Music Makes the World Go Round [
] Con moto
Nightingale Slinky, no. 13 Eazy Jazzy Tudes [
ed.] Warwick
Treble clef
Bass clef
c) Exercise no. 7 or no. 8 (from How Tuba Players Do It) Brass Wind
Treble clef
Scales
Arpeggios
Bass clef
Scales
G and Gb major (one octave)
Eb and G minor (one octave): candidates choice of either harmonic or melodic minor
Whole-tone scale starting on Eb (one octave)
136
Arpeggios
G and Gb major (one octave)
Eb and G minor (one octave)
or ii) Exercise
Treble clef
the examiner:
Bass clef
the examiner:
a) G major scale and arpeggio exercise
b) Gb major scale and arpeggio exercise
c) Eb minor scale and arpeggio exercise
Aural (see page 14)
137
Gounod March of a Marionette First Solos for the Tuba Player [
] Schirmer
Hanmer Staccato, no. 2 Tuba Tunes [
] Emerson E36
Jacob Marching Tune Six Little Tuba Pieces [
] Emerson E118
Perrie Asleep in the Deep First Solos for the Tuba Player [
] Schirmer
Sullivan Oh, Is There Not One
Maiden Breast? Just Brass: Tuba Solos, vol. 1 [
] Chester CH55325
Vivaldi Largo from Winter From Vivaldi to Fats Waller for Tuba [
or
] Brass Wind
2112TC/BC
Group B
Bart Pick a Pocket or Two A Little Light Music for Tuba Brass Wind 2121E [
]
[
or
] or 2121T [
]
Benson Your Feets Too Big From Vivaldi to Fats Waller for Tuba [
or
] Brass Wind
& Fisher 2112TC/BC
Davenport Fever From Vivaldi to Fats Waller for Tuba [
or
] Brass Wind
& Cooley 2112TC/BC
Gay Leaning on a Lamp-post A Little Light Music for Tuba Brass Wind 2121E [
]
[
or
] or 2121T [
]
Goodwin 633 Squadron Great Winners for Tuba* Brass Wind 0132TC
[
or
] or 0137BC
Harnick & Bock If I Were a Rich Man A Little Light Music for Tuba Brass Wind 2121E [
]
[
or
] or 2121T [
]
Mack &
Johnson Charleston Lets Face the Music for Tuba/Eb Bass Brass Wind
[
or
] 2134TC/BC
Parker Beach Buggy Top Line Album for Eb Bass/Tuba [
or
] Brass Wind
1116TC/BC
Rogers & Hart Blue Moon Jazzed Up Too [
or
] Brass Wind
1111E [
] or 1111T [
]
Shearing Lullaby of Birdland Big Chillers for Tuba [
or

Blakeson Big Band Swing, no. 33 Brass Wind 1141TBTC
or Latin Lady, no. 32 Smooth Groove for Tuba [
or
] or 1153TBBC
Bourgeois Pompous or Wistful Per Tuba Ad Astra [
or

Davis Psychedelic Sweatshirt
or Serpent Smoothie Polished Brass [
] Brass Wind 6022TC

(in C major)
Hering Study no. 10 or no. 11 40 Progressive Etudes for Trumpet [
] Fischer
Johnson Study no. 7, Footsteps
on the Stairs The Tuneful Tuba [
] Brass Wind 6011BC

Lawrance Syncopated Dance, p. 2 Featuring Melody for Tuba [
or

McKenzie Mambo or Tango Music Makes the World Go Round [
] Con moto
Nightingale Blues for Big-Ears, no. 15 Eazy Jazzy Tudes [
ed.] Warwick
138
Treble clef
Bass clef
Treble clef
Scales
Bb major (to 12th)
Arpeggios
Bb major (to 12th)
Bass clef
Scales
Db major (to 12th)
Ab major (one octave)
F and Ab minor (one octave): candidates choice of either harmonic or melodic minor
Whole-tone scale starting on Ab (one octave)
Chromatic scale starting on Eb (one octave)
Arpeggios
Db major (to 12th) (one octave)
Ab major (one octave)
F and Ab minor (one octave)
139
or ii) Exercise
Treble clef
the examiner:
Bass clef
the examiner:
a) Db major scale and arpeggio exercise
c) Ab minor expanding scale
Aural (see page 14)
140
Arban The Carnival of Venice First Solos for the Tuba Player [
] Schirmer
Bevan Courante Handels Third Tuba Concerto [
] Piccolo Press
Grieg Solveigs Song Great Winners for Tuba* [
or
] Brass Wind 0132TC

or 0137BC
Jacob Mazurka Tuba Suite [
] Boosey
Maschwitz A Nightingale Sang
& Sherwin in Berkeley Square Big Chillers for Tuba [
or

Proctor Blue Potato Tuber Music [
or

Smalley Tuba Power [
] Studio
Vaughan Six Studies in English
Williams Folksong, no. 1: Adagio
and no. 2: Andante sostenuto Stainer
[sep. piano accomp.] [
] H174 [tuba
] H47 [piano]
Group B
Gershwin I Got Rhythm A Little Light Music For Tuba Brass Wind 2121E [TC]
[
or
] or 2121T [
]
Gordon Brass Wind 2121E [
]
& Warren Chattanooga Choo Choo A Little Light Music For Tuba [
or
] or 2121T [
]
Parker Ground Force The Music of Jim Parker Brass Wind
or Mapp and Lucia for Tuba/Eb Bass [
or
] 1132E [
] or 1132T [
]
Ramskill In the Fast Lane Jazzed Up Too [
or
] Brass Wind
1111E [
] or 1111T [
]
Williams Raiders March Great Winners for Tuba* [
or
] Brass Wind
0132TC or 0137BC
Bourgeois Contented or Joyful Per Tuba Ad Astra [
or

Davis Heads or Tails
or Hornpipe Polished Brass [
] Brass Wind 6022TC

Hering Study no. 30
or Study no. 33 40 Progressive Etudes for Trumpet [
] Fischer
Kopprasch Study no. 42 60 Selected Studies
for Bb Tuba [
] King/Leduc AL 28601
Lawrance Stomp Off Featuring Melody for Tuba [
or

McKenzie Cerga or Krivo Horo Music Makes the World Go Round [
] Con moto
ed.] Warwick
141
Treble clef
Bass clef
Treble clef
Scales
B major (to 12th)
G minor (two octaves): candidates choice of either harmonic or melodic minor
B minor (to 12th): candidates choice of either harmonic or melodic minor
Arpeggios
B major (to 12th)
B minor (to 12th)
Bass clef
Scales
Bb major (two octaves)
D major (to 12th)
Bb minor (two octaves): candidates choice of either harmonic or melodic minor
D minor (to 12th): candidates choice of either harmonic or melodic minor
Whole-tone scale starting on Bb (two octaves)
Chromatic scale starting on Bb (two octaves)
Arpeggios
Bb major (two octaves)
D major (to 12th)
Bb minor (two octaves)
D minor (to 12th)
Dominant 7th in the key of Bb (one octave)
142
or ii) Exercise
Treble clef
the examiner:
Bass clef
the examiner:
b) D minor scale and arpeggio exercise
c) Bb major expanding scale
d) Bb minor expanding scale
Aural (see page 14)
143
Capuzzi Andante from Andante and Rondo
(from Concerto for Double Bass) Hinrichsen H1474
Clarke Fighting Windmills (from Sketches from Don Quixote) [
or

Frackenpohl Concertino for Tuba & Piano, 3rd movt Robert King
Mozart Horn Concerto no. 4, Rondo or Romanza (from Classics for Tuba) Studio
Vivaldi Allegro from Sonata no. 3 Belwin Mills BW100473
Group B
Harbach &
Kern Smoke Gets in Your Eyes Brass Wind
(from Lets Face the Music for Tuba/Eb Bass) [
or
] 2134TC/BC
Jacob Tuba Suite, Hornpipe or Saraband Boosey
Proctor Circle Line Dance (from Take the Tube for Tuba & Piano) [
or

Proctor Swing That Yam (from Tuber Music) [
or

Waller Aint Misbehaving (from Big Chillers for Tuba) [
or

Wilder Suite no. 1 (Effie Suite), Effie Goes Folk Dancing [
] Margun Music
Bourgeois Carefree or Convivial (from Per Tuba Ad Astra) [
or

Hartley Suite for Unaccompanied Tuba, any two movements [
] Elkan-Vogel
Kopprasch Study no. 26 (from 60 Selected Studies for Bb Tuba) [
] King/Leduc
McKenzie Czardas or Jota (from Rhythms of Life) [
] Con moto
Muczynski Impromptus for Solo Tuba op. 32, no. 3: Allegro moderato [
] Schirmer
Swerts Tuba Rag (from Performance Studies) [
] de Haske
Treble clef
Bass clef
144
Treble clef
Scales
p
the examiner:
A and F# major (two octaves)
A and F# harmonic minor (two octaves)
A and F# melodic minor (two octaves)
Arpeggios
p
the examiner:
A and F# major (two octaves)
A and F# minor (two octaves
Bass clef
Scales
p
the examiner:
C and A major (two octaves)
C and A harmonic minor (two octaves)
C and A melodic minor (two octaves)
Whole-tone scale starting on C (two octaves)
Chromatic scale starting on C (two octaves)
Arpeggios
p
the examiner:
C and A major (two octaves)
C and A minor (two octaves)
Dominant 7th in the key of C (one octave)
Diminished 7th starting on C (two octaves)
Augmented arpeggio starting on C (two octaves)
or ii) Exercise
Treble clef
the examiner:
145
Bass clef
the examiner:
a) Key centre exercise in C
b) C major expanding scale
c) C minor expanding scale
d) C major scale in 3rds
e) C minor scale in 3rds
146
J S Bach Sarabande for Tuba & Piano, Allegro moderato or Sarabande [
] EMR 278
Capuzzi Rondo from Andante and Rondo (from Concerto for Double Bass) Hinrichsen H1474
Handel Sonata in C, 3rd movt: Larghetto and 4th movt: Gavotte [
] EMR 230
Senaill Introduction and Allegro Spiritoso [complete] [
] Hinrichsen 853
Group B
Hindemith Sonata for Tuba & Piano, 1st movt: Allegro pesante
or 2nd movt: Allegro assai [
] Schott ED 4636
Koetsier Sonatina op. 57, 1st movt: Allegro [
] EMR 239
Proctor Piccadilly Polka (from Take the Tube for Tuba & Piano) [
or

Ridout Concertino for Tuba and Strings, any two movements [
] Emerson E139
Wilder Suite no. 1 (Effie Suite), Effie Joins the Carnival [
] Margun Music
J S Bach Suite no. 1 in G, Menuetto I or Menuetto II (from J S Bach Suites for Cello)
[adapted for the Bass Trombone] [
] Leduc AL 25953
Bourgeois Fantasy Pieces for Tuba, no. 1: Allegro moderato
or no. 4: Commodo [
or
] Brass Wind 3106BC

Bourgeois Complex (from Per Tuba Ad Astra) [
or

Kopprasch Study no. 44 (from 60 Selected Studies for Bb Tuba) [
] King/Leduc
McKenzie Klezmer or Malaguena (from Rhythms of Life) [
] Con moto
Moren Bagatelle or Divertimento (from Performance Studies) [
] de Haske
Muczynski Impromptus for Solo Tuba op. 32, no. 2: Andante
and no. 5: Allegro giocoso [
] Schirmer
Treble clef
Bass clef
147
Treble clef
Scales
p
the examiner:
Arpeggios
p
the examiner:
Bass clef
Scales
p
the examiner:
D and Db major (two octaves)
D and C
#
D and C
#
Whole-tone scale starting on D and Db (two octaves)
Chromatic scale starting on D and Db (two octaves)
Arpeggios
p
the examiner:
D and Db major (two octaves)
D and C
#
minor (two octaves)
Dominant 7th in the keys of D and Db (one octave)
Diminished 7th starting on D and Db (two octaves)
Augmented arpeggio starting on D and Db (two octaves)
or ii) Exercise
Treble clef
the examiner:
148
Bass clef
the examiner:
a) Key centre exercise in Db
b) Db major expanding scale
c) D minor expanding scale
d) D major scale in 3rds
e) C
#
minor scale in 3rds
149
Bourgeois Sonata for Tuba and Piano op. 204, 3rd movt [
] Brass Wind 3120

Ellerby Tuba Concerto, from letter N to the end [
] Maecenas
Gregson Tuba Concerto, 1st movt: Allegro deciso
or 3rd movt: Allegro giocoso [with cadenza] [
] Novello NOV120484
Newton Cappriccio Winwood
Vaughan
Williams Concerto for Bass Tuba, any one movement [with cadenzas] [
] OUP
Group B
Brahms Hungarian Dance no. 5 (from Classics for Tuba) [
] Studio
Gluck Dance of the Blessed Spirits (from Classics for Tuba) [
] Studio
Hindemith Sonata for Tuba & Piano, 3rd movt: Variations [
] Schott ED 4636
Jacob Tuba Suite, Galop [with cadenza] [
] Boosey
Koetsier Sonatina op. 57, 2nd movt: Tempo di minuetto
and 3rd movt: Allegro moderato [
] EMR 239
Monti Czardas for Tuba & Piano [
] EMR 272
Arnold Fantasy for Tuba op. 102 [
] Faber
J S Bach Suite no. 5, Gigue in C minor (from J S Bach Suites for Cello)
[adapted for the bass trombone] [
] Leduc AL 25953
J S Bach Vivace from a Cello Suite (from The Thomas Wyss Tuba Collection) Kirklees
Bourgeois Fantasy Pieces for Tuba, no. 6: Allegro moderato
or no. 8: Moderato pesante [
or

Ellerby El Patricko Latino (from Performance Studies) [
] de Haske
Persichetti Serenade no. 12 for Solo Tuba, op. 88, Intrada
and Capriccio [
] Elkan-Vogel 164-00062
Vizzutti Fast and Rhythmic (from Performance Studies) [
] de Haske
Treble clef
Bass clef
150
Treble clef
Scales
p
C, Ab and F
#
major (two octaves)
C, Ab and F
#
C, Ab and F
#
#
(two octaves)
#
(two octaves)
Arpeggios
p
the examiner:
C, Ab and F
#
major (two octaves)
C, Ab and F
#
minor (two octaves)
#
(one octave)
#
(two octaves)
#
(two octaves)
Bass clef
Scales
p
Eb, B and A major (two octaves)
Eb, B and A harmonic minor (two octaves)
Eb, B and A melodic minor (two octaves)
Whole-tone scale starting on Eb, B and A (two octaves)
Chromatic scale starting on Eb, B and A (two octaves)
Crabwise scale from Bb and Eb (two octaves tongued or slurred in octaves)
Arpeggios
p
the examiner:
Eb, B and A major (two octaves)
Eb, B and A minor (two octaves)
Dominant 7th in the key of Eb (two octaves)
Dominant 7th in the keys of A and B (one octave)
Diminished 7th starting on Eb, B and A (two octaves)
Augmented arpeggio starting on Eb, B and A (two octaves)
151
or ii) Exercise
Treble clef
the examiner:
a) Key centre exercise in the keys of C, Ab and F#
Bass clef
the examiner:
a) Key centre exercise in the keys of Eb, B and A
b) Crabwise scale from Bb in 3rds
Abbreviations used in this syllabus are given in brackets after the publishers full name.
Please notes that agents or distributors addresses are given for non-UK publishers. These publishers
may have different local agents in other parts of the world who may be able to supply music more
easily or quickly. Details of these may be obtained by contacting the publishers directly at the
addresses listed here.
Trinity cannot guarantee that music will always be in stock with local suppliers. Candidates and teachers
should always check with the publisher before it is assumed that any item has gone out of print.
Alfred Publishing (Alfred): www.alfred.com in UK: c/o Faber Music Ltd
Anglo Music Press (Anglo Music): c/o De Haske Music (UK) Ltd
Arcadia Music Publishing Co. Ltd (Arcadia): P.O. Box 1, Rickmansworth, Herts WD3 3AZ, UK
Brenreiter Ltd (Brenreiter): c/o Burnt Mill, Elizabeth Way, Harlow, Essex CM20 2HX, UK
T +44 (0)1279 828 930; www.baerenreiter.com
Editio Brenreiter Praha (Brenreiter Praha): c/o Brenreiter Ltd
Bayley & Ferguson (Bayley): c/o Paxman Musical Instruments Ltd
Belwin Mills (Belwin): c/o Alfred Publishing
Gerard Billaudot Editeur (Billaudot): 14 rue de lEchiquier, 75010 Paris, France
T +33 (1) 47 70 14 46; www. billaudot.com in UK: c/o United Music Publishers Ltd
Birdalone Music (Birdalone): 2212 32nd Street, San Diego, CA 92104, USA
T +1 619 889 0293; www.birdalone.com
Boosey & Hawkes Music Publishers Ltd (Boosey): Mail Order: Boosey & Hawkes, c/o Music Exchange,
Claverton Road, Manchester M23 9ZA, UK
T +44 (0)20 7054 7200 or (Freephone in UK only) 0800 731 4778; www.boosey.com
Boston Music Company (Boston): c/o Music Sales Ltd
G & M Brand (Brand): c/o R Smith & Co Ltd, P.O. Box 367, Aylesbury, Bucks HP22 4LJ, UK
T +44 (0)1296 682 220; www.rsmith.co.uk
Brass Wind Publications (Brass Wind): 4 St Marys Road, Manton, Oakham, Rutland LE15 8SU, UK
T +44 (0)1572 737 409; www.brasswindpublications.co.uk
Breitkopf & Hrtel (Breitkopf): Obere Waldstrae 30, 65232 Taunusstein, Germany
T +49 (6128) 96630 in UK: c/o 30 Mill Road, Dymchurch, Romney Marsh, Kent TN29 ONZ;
T +44 (1303) 87 00 37; www.breitkopf.com
Broadbent & Dunn Ltd (Broadbent & Dunn): 66 Nursery Lane, Dover, Kent CT16 3EX, UK
T +44 (0)1304 825604; www.broadbent-dunn.com
Chappell (Chappell): c/o Faber Music Ltd
Chester Music Ltd (Chester): c/o Music Sales
Comus Edition (Comus): Leach Cottage, Heirs House Lane, Colne, Lancs BB8 9TA, UK
T +44 (0)1282 864 985; www.comusedition.com
Con Moto Publications UK (Con Moto): c/o Mostyn Music
Curnow Music Press (Curnow): P.O. Box 142, Wilmore, KY 40390, USA
T +1 800 7287 669; www.curnowmusicpress.com
De Haske Music (UK) Ltd (De Haske): Fleming Road, Earlstrees, Corby, Northants. NN17 2SN, UK
T +44 (0)1536 260 981; www.dehaske.com
Durand et Cie (Paris) (Durand): 5 rue du Helder, 75009 Paris, France
T +33 (0)1 53 24 80 01; www.durand-salabert-eschig.com
for the rest of the world: c/o United Music Publishers Ltd
152
Music publishers contact details
Editions Marc Reift (EMR): Case postale 308, Route du Golf 150 CH-3963 Crans-Montana,
Switzerland; T +41 (0) 27 483 12 00; www.reift.ch; in UK: c/o Music Trading
Elkan-Vogel (Elkan-Vogel): P.O. Box 7720, New York, NY 101500-1914, USA
in UK: c/o United Music Publishers Ltd
Emerson Edition Ltd (Emerson): Windmill Farm, Ampleforth, York YO62 4HF, UK
T +44 (0)1439 788 324; www.juneemerson.co.uk
Ensemble Publications (Ensemble): c/o Music Sales
Faber Music Ltd (Faber): Burnt Mill, Elizabeth Way, Harlow, Essex CM20 2HX, UK
T +44 (0)1279 828 989; www.fabermusic.com
Fentone Music Ltd (Fentone): c/o De Haske Music (UK) Ltd
Carl Fischer LLC (Fischer): 65 Bleecker Street, New York, NY 10012, USA
T +1 212 777 0900; in UK: c/o Schott Music Ltd
Carl Gehrmans Musikfrlag (Gehrmans): Box 42026, SE - 126 12 Stockholm, Sweden
T +46 8 610 06 00; www.gehrmans.se
Gramercy Music (UK) (Gramercy): P.O. Box 41, Cheadle Hulme, Cheshire SK8 5HF, UK
T + 44 (0)161 486 1959; www.gramercymusic.com; in USA: c/o Southern Music
Guildhall (Guildhall): c/o Faber Music Ltd
Hallamshire Music (Hallamshire): Bank End, North Somercotes, Louth, Lincs LN11 7LN, UK
T +44 (0)1507 358 141; www.hallamshiremusic.co.uk
Hinrichsen Edition (Hinrichsen): c/o Peters Edition Ltd
Friedrich Hofmeister Musikverlag (Hofmeister): Bttnerstrae 10, D-04103 Leipzig, Germany
T +49 341 9 60 07 50; www.friedrich-hofmeister.de; in UK: c/o Music Sales Ltd
The Hornists Nest (Hornists): P.O. Box 33, Buffalo, NY 14231-0033, USA
T +1 716 626 9534; www.thehornistsnest.net
International Music Company (IMC): 5 West 37 Street New York, NY 10018, USA
T +1 212 391 4200; www.internationalmusicco.com in UK c/o Schott Music Ltd
International Music Publications (IMP): c/o Faber Music Ltd
Edwin F Kalmus & Co. Inc. (Kalmus): P.O. Box 5011, Boca Raton, FL 33431, USA
T +1 800 434 6340; in UK: c/o Music Sales Ltd
Robert King Music Sales Inc (Robert King): 140 Main Street, North Easton, Massachusetts 02356,
USA; fax. +1 508 238 2571; www.rkingmusic.com; in UK: c/o United Music Publishers Ltd
Kirklees Music (Kirklees): 609 Bradford Road, Bailiff Bridge, Brighouse, West Yorkshire HD6 4DN, UK
T +44 (0) 1484 722 855; www.kirkleesmusic.co.uk
Editions Alphonse Leduc (Leduc): 175, rue Saint-Honor, 75040 Paris cedex 01, France
T +33 (0)1 42 96 89 11; www.alphonseleduc.com; in UK: c/o United Music Publishers Ltd
Editions Henry Lemoine (Lemoine): 41 rue Bayen, 75017 Paris, France; www.editions-lemoine.fr
in UK: c/o Faber Music Ltd
Maecenas Music Ltd (Maecenas): 5 Bushey Close, Old Barn Lane, Kenley, Surrey, CR8 5AU, UK
T +44 (0)20 8660 3914; www.maecenasmusic.co.uk
Margun Music (Margun): c/o Music Sales Ltd
Moeck Verlag (Moeck): P.O. Box 3131, D-29231 Celle, Lckenweg 4, D-29227 Celle, Germany
T +49-5141 8853 0; www.moeck.com; in UK: c/o The Early Music Shop, Salts Mill, Victoria Road,
Saltaire, West Yorkshire BD18 3LA, UK, T +44 (0) 1274 288 100; www.earlymusicshop.com
Mowhawk (Mowhawk): c/o Emerson Edition
Music for Brass Ltd (MfB): Unit 1, Warneford Avenue, Ossett, West Yorkshire WF5 9NJ, UK
T +44 (0)1924 261154
Musica Rara (Musica Rara): c/o Breitkopf & Hrtel
Music publishers
153
Music Sales Ltd (Music Sales): Distribution Centre, Newmarket Road, Bury St. Edmunds, Suffolk
IP33 3YB, UK; T +44 (0)1284 702 600; www.musicroom.com
Music Trading (MusT): 33 Quernmore Road, London N4 4QT, UK
T +44 (0)20 8341 4088; www.music-trading.co.uk/www.tutti.co.uk
Musikk-Husets Forlag (Musikk-Husets): pb. 822 Sentrum, 0104 Oslo, Norway
T +47 22 82 59 00; www.musikk-huset.no
Mostyn Music (Mostyn): 8 Milvil Court, Milvil Road, Lee-on-Solent, Hants PO13 9LY, UK
T +44 (0)2392 550 566; www.mostynmusic.com
Neuschel Music (Neuschel): c/o Studio Music Company
Norsk Musikforlag (Norsk): Postboks 1499 Vika, 0116 Oslo, Norway
T +47 23 00 20 10; www.norskmusikkforlag.no
Novello & Co. Ltd (Novello): c/o Music Sales Ltd
Oxford University Press (OUP): Music Department, Great Clarendon Street, Oxford OX2 6DP, UK
T +44 (0)1865 355 067; www.oup.com
in Australia: c/o Alfred Australia, P.O. Box 2355, Taren Point, NSW 2229
T +61 2 9524 0033; promo@alfredpub.com.au
in USA: Oxford University Press Inc, 198 Maddison Avenue, New York, NY 10016
Patersons Publications (Patersons): c/o Music Sales Ltd
Peters Edition Ltd (Peters): 1012 Baches Street, London N1 6DN, UK
T +44 (0)20 7553 4000; www.editionpeters.com
Piccolo Press (Piccolo): 10 Clifton Terrace, Winchester, Hampshire, SO22 5BJ, UK
T +44 (0)1962 864 755; www.piccolopress.info
Piper Publications (Piper): Dochroyale Farm, Barrhill, Girvan, Ayrshire KA26 0QG, UK
T +44 (0)1465 821 377; www.piperpublications.co.uk
Pro Musica Verlag (Pro Musica): Karl-Liebknecht-Strasse 12, D-4107 Leipzig, Germany
Ravencar Music (Ravencar): +44 (0)1246 434657; or c/o R Smith & Co Ltd, P.O. Box 367, Aylesbury,
Bucks HP22 4LJ, UK; T +44 (0)1296 682 220; www.rsmith.co.uk
G. Ricordi & Co (London) Ltd (Ricordi): in UK: c/o United Music Publishers Ltd
Rubank (Rubank): c/o Studio Music Company
Salvationist Publishing & Supplies (Salvationist): 117-121 Judd Street, King's Cross, London
WC1H 9NN, UK; T +44 (0)20 7387 7814; www.sps-shop.com
G. Schirmer Inc. (Schirmer): c/o Music Sales Ltd
Schott Music Ltd (Schott): 48 Great Marlborough Street, London W1F 7BB, UK
T +44 (0)20 743 712 46/0800 525 566: www.schott-music.com
Skandinavisk Musikforlag (Skandinavisk): Bornholmsgade 1, 1266 Kbenhavn, Denmark
T +45 33 11 78 88
Samfundet til Udgivelse af Dansk Musik (Edition Samfundet): Grbrdrestrde 18.st., DK-1156
Copenhagen K, Denmark; T +45 33 13 54 45; www.samfundet.dk
Sound The Trumpets (Sound The Trumpets): c/o Mostyn Music
Southern Music Company (Southern): P.O. Box 329, 1248 Austin Highway, Suite 212 San Antonio,
Texas 78292, USA; T +1 210 226 8167; in UK: c/o Valentine Music, 26 Lichfield Street, London WC2H 9TZ,
UK, T +44 (0)20 7240 1628; www.valentinemusic.co.uk
Spartan Press Music Publishers Ltd (Spartan): Strathmashie House, Laggan Bridge,
Scottish Highlands, PH20 1BU, UK; T +44 (0)1528 544 770; www.spartanpress.co.uk
Stainer & Bell Ltd (Stainer): P.O. Box 110, Victoria House, 23 Gruneisen Road, London N3 1DZ, UK
T +44 (0)20 8343 3303; www.stainer.co.uk
154
Music publishers
Studio Music Company (Studio Music): Cadence House, Eaton Green Road, Luton, Bedfordshire LU2 9LD
T +44 (0)1582 432 139 or Freephone (UK only) 0800 389 2484; www.studio-music.co.uk
Trinity Faber (Trinity Faber): c/o Faber Music Ltd
Universal Edition (London) Ltd (Universal): 48 Great Marlborough Street, London W1F 7BB, UK
T +44 (0)20 7437 1246/+44 (0)20 7534 0710: www.universaledition.com
Warner Bros. Publications (Warner Bros): c/o Faber Music Ltd
Warwick Music Ltd (Warwick): 1 Broomfield Road, Earlsdon, Coventry CV5 6JW, UK
T +44 (0)24 7671 2081; www.warwickmusic.com
Winwood Music (Winwood): Unit 7, Fieldside Farm, Quainton, Bucks HP22 4DQ, UK
T +44 (0)1296 655777; www.winwoodmusic.com
Wright & Round Ltd (Wright & Round): The Cornet Office, P.O. Box 157, Gloucester GL1 1LW, UK
T +44 (0)1452 523 438
Musikverlag Zimmermann (Zimmermann): c/o MusT
UK specialist suppliers
In case of any difficulty in obtaining music, the following specialist suppliers may be helpful.
All brass instruments
June Emerson
Windmill Farm, Ampleforth, York YO62 4HF, UK
T +44 (0)1439 788 324; www.juneemerson.co.uk
Mostyn Music
8 Milvil Court, Milvil Road, Lee-on-Solent, Hants PO13 9LY, UK
T +44 (0)2392 550 566; www.mostynmusic.com
Phil Parker Ltd
106a Crawford Street, London, W1H 2HZ, UK
T +44 (0)20 7486 8206; www.philparker.co.uk
Horn
Paxman Musical Instruments Ltd
Linton House, 164180 Union Street, London SE1 0LH, UK
T +44 (0)20 7620 2077; www.paxman.co.uk
Music publishers
155
Trinity Guildhall publications
156
Aural Tests Trinity Guildhall Aural Tests from 2007: In two volumes, Initial to Grade 5
and Grade 6 to Grade 8, each with CD, containing sample tests for the
Aural section of the exam. With explanations, sample answers and advice
on completing the tests.
Scales & Arpeggios Trinity Guildhall Brass Scales & Exercises (Grades 18): Trinity Guildhall
and Exercises publishes scale books for examination use as follows:
Scales & Exercises for Treble Clef Brass
for all valved treble clef readers
Scales & Exercises for French Horn
Scales & Exercises for Trombone treble and bass clef
Scales & Exercises for Bass Clef Brass
for Eb Tuba and Bb Baritone bass clef readers
Scales & Exercises for Soprano Cornet
available to download from www.trinityguildhall.co.uk
Scales & Exercises for Bass Trombone
available to download from www.trinityguildhall.co.uk
Sight Reading The Sound at Sight series gives full instructions and practice materials
for preparation for the sight reading tests. Sound at Sight Trumpet
(Grades 18) is suitable for all valved treble clef readers. Sound at Sight
Bass Clef Brass (Grades 18) is suitable for euphonium, trombone and
Eb tuba players reading in bass clef.
Repertoire Books Trumpet Allsorts (Grades 13) is a joint Trinity Faber publication containing
a mixture of repertoire from all musical eras.
All Trinity Guildhall publications are available from your local music shop, but can also be
obtained directly from our distributors:
Faber Music Distribution Ltd, Burnt Mill, Elizabeth Way, Harlow CM20 2HX, UK
T +44 (0)1279 828982 F +44 (0)1279 828983
E sales@fabermusic.com www.fabermusic.com
If you are ordering directly from Faber Music Distribution Ltd, please order carefully as no returns
can be accepted. A postage charge will be added to your order.
For a publications list or if you have any queries about music published by Trinity Guildhall,
please contact:
Trinity Guildhall Examinations, 89 Albert Embankment, London SE1 7TP, UK
T +44 (0)20 7820 6100 F +44 (0)20 7820 6161
E music@trinityguildhall.co.uk www.trinityguildhall.co.uk/music
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Brass Syllabus

Trinity Guildhall Examinations

Whole tone scale on Ab (two octaves, slurred in pairs)

] Brass Wind 0107

] Brass Wind 0107

] Brass Wind 0138TC/0141BC

] Brass Wind 0138TC/0141BC

] Brass Wind 6014TC/BC

] Brass Wind 6022TC

] Brass Wind 6002TC

] Warwick TR042 or EU011

] Spartan SP640 or SP642

] Brass Wind 0138TC/0141BC

] Brass Wind 0138TC/0141BC

] Brass Wind 0138TC/0141BC

] Brass Wind 1107

] Brass Wind 1141TC

] Brass Wind 6014TC/BC

] Brass Wind 6022TC

] Brass Wind 6002TC

] Warwick TR042 or EU011

] Brass Wind 1115TC/BC

] Brass Wind 1142

] Brass Wind 0138TC/0141BC

] Brass Wind 0138TC/0141BC

] Brass Wind 0138TC/0141BC

] Spartan SP640 or SP642

] Brass Wind 1144

] Brass Wind 0138TC/0141BC

] Brass Wind 1107

] Brass Wind 1107

] Brass Wind 6014TC/BC

] Brass Wind 1141TC

] Brass Wind 6022TC

] Brass Wind 6002TC

] Warwick TR042 or EU011

] Brass Wind 2115TC/BC

] Brass Wind 0122TC/BC

] Spartan SP640 or SP642

] Brass Wind 1142

] Brass Wind 2115TC/BC

] Brass Wind 1140

] Brass Wind 1140

] Brass Wind 1141TC

] Brass Wind 6024

] Brass Wind 6008TC/BC

] Brass Wind 6014TC/BC

] Brass Wind 6022TC

] Warwick TR042 or EU011

] Brass Wind 2107TC/BC

] Winwood RMPC 0162

] Brass Wind 0122TC/BC

] Brass Wind 1140

] Brass Wind 1144

] Brass Wind 1142

] Brass Wind 1129

] Brass Wind 6008TC/BC

] Brass Wind 6014TC/BC

] Brass Wind 6024

] Brass Wind 6022TC

] Warwick TR042 or EU011

] Brass Wind 2107TC/BC

] Winwood RMPC 0129

] G & M Brand 70003